A pair of widowed grandparents are forced to cohabit in their children's basement. Daphne (Angela Thorne) is a snobby Cheltenham-bred lady while Sam (Michael Elphick) is the cockney wide boy who has designs on Daphne. First broadcast in 1985 this release includes all the episodes from Series One and Two of Three Up Two Down. Episode titles: Your Place Or Mine? Widower's Mite Ill Wind From Cheltenham Epping's Not Far Just Desserts Two Down One To Go Major Inconvenience Sweet
Missile to the Moon: An expedition to the moon arrives to find a sinister female presiding over a race of moon-women. A remake of 'Cat Women of the Moon'. Earth Vs The Flying Saucers: Aliens travel to Earth to seek help for their dying planet. However when they arrive at a U.S Army base the Army mistakenly greet them with gunfire... Planet Outlaws (aka Destination Saturn): The re-edited version of the 1939 Universal serial 'Buck Rogers'. Buck and his comrade Buddy are released from suspended animation after 500 years on ice. The world which they once knew is now under the control of Killer Kane a terrifying mobster. Needless to say the duo quickly get onboard a plan to take down the criminal mastermind and his band of futuristic assasins.
Easter. Port Talbot is in a battle for its life. Authoritarian forces have taken over and the town is in thrall to ICU, a sinister and merciless corporation depleting the town of its resources with scant regard for the residents. The atmosphere is explosive. Resistance is inevitable.When a company man and suicide bomber clash on the beach, catastrophe is only averted by the intervention of a softly spoken man who had disappeared 40 days earlier. Revealed later as the Teacher (Michael Sheen), he attracts followers and becomes a focus for the Resistance. His influence quickly draws the attention of ICU, who perceive him as a danger who must be removed at all costs...
Academy Award winning director and master storyteller James Cameron journeys back to the site of his greatest inspiration -- the legendary wreck of the Titanic.
Featuring both the big-budget high-octane action-thrillers in the XXX series. XXX(Triple X): A new brand of secret agent: this 'Xtreme' edition features an addtional 8 minutes of new content not seen in theatrical version! This amped action drama stars Vin Diesel as Xander (aka Triple X) a rebellious extreme sports star with a mission to defy authority and create anarchy. In the dramatic opening scene of the movie Xander pulls an outrageous series of stunts with the help
Charlie Chaplin's final film is a delightful romantic comedy filled with the clever touches for which he's famous. Written directed and composed by Chaplin it revolves around Russian migr countess Natascha (Sophia Loren) forced into prostitution in Hong Kong who stows away in wealthy American Ogden's (Marlon Brando's) stateroom to blackmail her way to the States. Since Ogden has a mind of his own and can even resist Natascha's charms what follows is one of the funniest tugs o
Christian Bale headlines this dark drama about a tortured lathe operator who is blamed for an accident.
In this terrifying sequel to Stephen King's Sometimes They Come Back Jon Porter (Michael Gross) returns to his hometown to mourn his mother's death. When sinister forces that caused his sister's death many years ago materialize Jon must stand up to his fear... or lose his beautiful teenage daughter forever.
In fine (and bloody) style, HBO's Boardwalk Empire returns to 1920 when the ban on booze led to a syndicate of bootleggers and smugglers. Created by Sopranos scribe Terence Winter and coproduced by director Martin Scorsese, the story centers on Atlantic City treasurer Enoch "Nucky" Thompson (Steve Buscemi), who schemes in private while preaching temperance in public (Mark Wahlberg and Tim Van Patten also serve as producers). Jimmy (Michael Pitt, Buscemi's Delirious costar), a war veteran, acts as his right-hand man, while zealous Agent Van Alden (Michael Shannon) and refined mobster Arnold Rothstein (A Serious Man's Michael Stuhlbarg) represent significant threats to his enterprise. Nucky's other associates include his sheriff brother Eli (Shea Whigham), sexpot girlfriend Lucy (Paz de la Huerta), and distributor Chalky (The Wire's Michael K. Williams). If Nucky has little regard for law and order, his soft side emerges in his dealings with Irish immigrant Margaret (Kelly Macdonald, excellent), who segues from abused wife to kept woman. As Nucky puts it, "I try to be good. I really do." After he sends Jimmy away a spell, his sidekick joins forces with Al Capone (Stephen Graham, Public Enemies) and disfigured vet Richard Harrow (Jack Huston), abandoning his son, common-law wife Angela (Aleksa Palladino), and mother Gillian (Gretchen Mol), who has a fling with Lucky Luciano (Vincent Piazza). Inspired by Nelson Johnson's book, Boardwalk Empire takes a Deadwood-like approach to history by combining characters both factual and fictional with blue language and ladies without brassieres. Winter, who won an Emmy for The Sopranos episode Pine Barrens, takes liberties with the historical record, but the series never claims to represent the truth and nothing but--which is only fitting when everyone's hiding secrets. If the entire ensemble deserves praise, Buscemi rules the show as thoroughly as Nucky rules the city. --Kathleen C. Fennessy
Flt.Lt Murray (David Farrar) is a pilot who fails to join the RAF during WWII and decides to join the Air - Sea Rescue instead. His boat is out in all conditions picking up drowned pilots and taking them to safety. P/O Rawlings (Ralph Michael) is a new recruit who resents joining Farrar's boat and would rather be where the action is - in the air. During a mission they run into an enemy minefield and an armed trawler... For Those In Peril presents the work of the Air-Sea Rescue in documentary terms providing the public with a glimpse of an aspect of war that tends to be overlooked. It was also the closest Charles Crichton (The Lavender Hill Mob Dead of Night The Titfield Thunderbolt) got to documentary realism during his long Ealing career. The story was written by Richard Hillary a fighter pilot in the Battle of Britain whose experiences inspired his book The Last Enemy.
HALLOWEEN Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. Master of horror John Carpenter joins forces with director David Gordon Green and producer Jason Blum (Get Out, Split) for this follow up to Carpenter's 1978 classic. HALLOWEEN KILLS The Halloween night when Michael Myers returned isn't over yet. Laurie Strode (Jamie Lee Curtis) left masked monster Michael Myers caged and burning in Laurie's basement but when Michael manages to free himself from the trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster. Evil dies tonight.
Between his high-octane debut, Bad Boys, and 1998's wannabe blockbuster Armageddon, hotshot director Michael Bay forged his dubious reputation with this crowd-pleasing action extravaganza. In Rock, a psychotically disgruntled war hero (Ed Harris) seizes the island prison of Alcatraz and threatens to wage chemical warfare against nearby San Francisco unless the government publicly recognises the men who were killed under Harris's top-secret command. Nicolas Cage plays the biochemist who teams up with the only man ever to have escaped from Alcatraz (Sean Connery) in an attempt to foil Harris's terrorist scheme. As one might expect, what follows is an action-packed barrage of bullets, bodies, and climactic confrontations, replete with enough plot contrivances to give even the most jaded action fan cause for alarm. It's a load of hooey, but the cast is obviously having a grand old time, and there's enough wit to make the recycled action sequences tolerable. --Jeff Shannon
It’s New Year’s Eve at The Charelston, a run-down club in Liverpool owned by the local gangland boss. The new manager has arrives and soon discovers his out of favour predecessor has booked a band that can’t play, a magician with a dead rabbit and two parties of rowdy OAPs. On one coach arrives a devout catholic social club in fancy dress for a non-existent prize, among them a drunker blind ex-boxer, on the other an equally boisterous protestant revellers. When they get together mayhem ensues.
Set around a London bus depot, On the Buses starred Reg Varney as Stan, an ageing bachelor and driver of the No.11 bus who still lives with his Mum (Cicely Courtneidge), his plain sister Olive (Anna Karen) and disgruntled brother-in-law Arthur (Michael Robbins). At work, he fraternises with the laddish and lecherous Jack (Bob Grant), with whom he pursues innumerable (and improbable) giggly, mini-skirted "clippies" (conductors) and cheeks the beady-eyed and punctilious bus inspector, Blakey (Steven Lewis) This first series was broadcast in black and white in 1969. Much of the comedy derives from gender role reversal--Stan and Arthur forced to do the household chores when Olive and Mum fall ill ("Family Flu"); "The Canteen", in which the busmen decide to run the canteen themselves; or "The Darts Match", in which Stan and Jack are bested at darts by--imagine--a pair of dollybird clippies. Despite its immense popularity, On the Buses hasn't dated well. Like the buses themselves, the jokes don't arrive very often and when they do, they're visible a long way off. The studio audience whoops cathartically at anything remotely alluding to sex, making you wonder at the repressed nature of British society in 1969. In later decades it would come to be treasured as somewhat creaky kitsch by audiences nostalgic for an age of politically incorrect innocence. On the DVD: On the Buses has no extra features here. The original black and white versions have scrubbed up reasonably well, although defects such as fading sound and poor dubbing have proven beyond amendment.--David Stubbs
Set around a London bus depot, On the Buses starred Reg Varney as Stan, an ageing bachelor and driver of the No.11 bus who still lives with his Mum (Doris Hare), his plain sister Olive (Anna Karen) and disgruntled brother-in-law Arthur (Michael Robbins). At work, he fraternises with the laddish and lecherous Jack (Bob Grant), with whom he pursues innumerable (and improbable) giggly, mini-skirted "clippies" (conductors) and cheeks the beady-eyed and punctilious bus inspector, Blakey (Steven Lewis) Despite its immense popularity, On the Buses hasn't dated well. Like the buses themselves, the jokes don't arrive very often and when they do, they're visible a long way off. The studio audience whoops cathartically at anything remotely alluding to sex--even a bared male nipple--making you wonder at the repressed nature of British society in 1969. In later decades it would come to be treasured as somewhat creaky kitsch by audiences nostalgic for an age of politically incorrect innocence. On the DVD: On the Buses has no extra features here. The original black and white versions have scrubbed up reasonably well, although defects such as fading sound and poor dubbing have proven beyond amendment. --David Stubbs
THE LUCKY ONES DIED FIRST... Horror master Wes Craven achieved critical and commercial success with the likes of Scream and A Nightmare on Elm Street but for many genre fans, the director s seminal 1977 effort The Hills Have Eyes remains his masterpiece. Taking a detour whilst on route to Los Angeles, the Carter family run into trouble when their campervan breaks down in the middle of the desert. Stranded, the family find themselves at the mercy of a group of monstrous cannibals lurking in the surrounding hills. With their lives under threat, the Carters are forced to fight back by any means necessary. As gruelling a viewing experience today as it was upon initial release, The Hills Have Eyes stands alongside the likes of The Texas Chain Saw Massacre and Night of the Living Dead as one of the defining moments in American horror cinema.
Adapted from the critically acclaimed off-Broadway rock theatre hit, Hedwig and The Angry Inch tells the story of an "internationally ignored" rock singer, Hedwig, and her search for stardom and love.
A big Oscar winner in 1975, One Flew Over the Cuckoo's Nest still holds up remarkably well. Ken Kesey's novel, an allegory of repression and rebellion set in a mental hospital in the early 1960s, is cannily adapted by Czech director Milos Forman into a comedy drama with a cool, unassuming, near-documentary look. Jack Nicholson has his most jacknicholsonian role as Randle P McMurphy, a livewire troublemaker who unwisely cons his way out of prison and into a mental institution without realising he has switched from serving a sentence with a release date to being committed until adjudged sane by the same people he is winding up on a daily basis. Louise Fletcher, in a career-defining turn, is Nurse Ratched, the soft-spoken sadist who represents the worst type of matronly authoritarianism and clashes with Randle all down the line. Taking another look at the picture after all these years, it's a surprise that all the unknown actors who seemed like real mental patients have graduated to becoming prolific character actor stars: Danny DeVito, Christopher Lloyd, Vincent Schiavelli, Brad Dourif, the late Will Sampson, Sidney Lassick, Michael Berryman. Unlike many Best Picture Oscar winners, this deals with profound subject matter without seeming self-important: Forman's approach and all-round great acting make it play as a small character story as well as a Big Statement about the human condition. Full marks also for Jack Nitzsche's musical saw-based score. On the DVD: One Flew Over the Cuckoo's Nest comes to DVD in a two-disc special edition with a great-looking anamorphic 1.85:1 print and 5.1 Dolby Digital soundtrack, plus tracks in French and Italian and optional subtitles in half a dozen languages. Disc 2 has the trailer, about 13 minutes of deleted scenes (mostly from the first third of the film, and all pretty good) and a making-of retrospective documentary with interesting material from producers Michael Douglas (who inherited the rights from Kirk) and Saul Zaentz, Forman, screenwriter Bo Goldman and many cast-members (though not Nicholson). There's also a commentary track by Forman, Douglas and others which repeats a few things from the documentary but also goes into more scene-specific detail about the development and shooting. --Kim Newman
The TerminatorThe Terminator was the film that cemented Arnold Schwarzenegger's place in the action-brawn firmament, and both his and the movie's subsequent iconic status are well deserved. He's chilling as the futuristic cyborg that kills without fear, without love, without mercy. James Cameron's story and direction are pared to the bone and are all the more chillingly effective for it. But don't overlook the contribution of Linda Hamilton, who more than holds her own as the Terminator's would-be victim, Sarah Connor, thus creating--along with Sigourney Weaver in Alien--a new generation of rugged, clear-thinking female action stars. The film's minimalist, malevolent violence is actually scarier than that of its far more expensive, more effects-laden sequel. --Anne Hurley, Amazon.comTerminator 2: Judgment DayArguably the finest movie of its kind, Terminator 2: Judgment Day captured Arnold Schwarzenegger at the very apex of his Hollywood celebrity and James Cameron at the peak of his perfectionist directorial powers. Nothing the star did subsequently measured up to his iconic performance here, spouting legendary catchphrases and wielding weaponry with unparalleled cool; and while the director had an even bigger hit with the bloated and sentimental Titanic, few followers of his career would deny that Cameron's true forte has always been sci-fi action. With an incomparably bigger budget than its 1984 precursor, T2 essentially reworks the original scenario with envelope-stretching special effects and simply more, more, more of everything. Yet, for all its scale, T2 remains at heart a classic sci-fi tale: robots running amok, time travel paradoxes and dystopian future worlds are recurrent genre themes, which are here simply revitalised by Cameron's glorious celebration of the mechanistic. From the V-twin roar of a Harley Fat Boy to the metal-crunching Steel Mill finale, the director's fascination with machines is this movie's strongest motif: it's no coincidence that the character with whom the audience identifies most strongly is a robot. Now that impressive but unengaging CGI effects have come to over-dominate sci-fi movies (think of The Phantom Menace), T2's pivotal blending of extraordinary live-action stuntwork and FX looks more and more like it will never be equalled. --Mark WalkerTerminator 3: Rise of the MachinesTerminator 3: Rise of the Machines starts in high gear and never slows down. The apocalyptic "Judgment Day" of Terminator 2 was never prevented, only postponed: John Connor (Nick Stahl, replacing T2's Edward Furlong), now 22 and disconnected from society, is being pursued yet again, this time by the advanced T-X, a sleek "Terminatrix" (coldly expressionless Kristanna Loken) programmed to stop Connor from becoming the saviour of humankind. Originally programmed as an assassin, a disadvantaged T-101 cyborg (Arnold Schwarzenegger, bidding fond farewell to his signature role) arrives from the future to join Connor and future wife Kate (Claire Danes) in thwarting the T-X's relentless pursuit. The plot presents a logical fulfilment of T2's prophecy, disposing of Connor's mother (Linda Hamilton is sorely missed) while computer-driven machines assume control, launching a nuclear nightmare that Connor must survive. With Breakdown and U-571 serving as rehearsals for this cautionary epic of mass destruction, director Jonathan Mostow wisely avoids any stylistic connection to James Cameron's classics; instead he's crafted a fun, exciting popcorn thriller, humorous and yet still effectively nihilistic, and comparable to Jurassic Park III in returning the Terminator franchise to its potent B-movie roots. --Jeff Shannon Terminator Salvation SynopsisSet in the post-apocalyptic 2018, with Christian Bale starring as John Connor, the man fated to lead the human resistance against Skynet and its army of Terminators. But the future Connor was raised to believe in is altered in part by the appearance of Marcus Wright (Sam Worthington), a stranger whose last memory is of being on death row. Connor must decide whether Marcus has been sent from the future, or rescued from the past. As Skynet prepares its final onslaught, Connor and Marcus both embark on an odyssey that takes them into the heart of Skynets operations, where they uncover the terrible secret behind the possible annihilation of mankind.
You could say this is one of the greatest comedies ever but the Monty Python team said it first! 'Life Of Brian' is all about (and here's the big surprise) the life of Brian who was born in a Bethlehem manger next door to Jesus. Three wise men believe he is the messiah but it becomes apparent that he is only Brian. It's written and performed by the Monty Python lads so you know what you're in for; if you don't put this disc down and go out while it's safe!
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