Four young army men are forced to confront their prejudicial feelings shortly before being sent to Vietnam.
Louise is an 18 year old staying in a girls' boarding school. Unbeknownst to Veronica the headmistress Louise is having an affair with Matthew Veronica's husband and the resident art teacher. With half-term looming Louise manages to convince Veronica to let her stay on secretly planning to spend more time with her lover. However Veronica discovers the affair and plots her revenge. What follows is a series of grisly events that culminate in something truly terrifying.
What Ever Happened to Aunt Alice? sees a change of direction for Robert Aldrich's unofficial trilogy which all involve "ageing actresses" in macabre thrillers (What Ever Happened to Baby Jane? and Hush ... Hush, Sweet Charlotte). The busy Aldrich only produced What Ever Happened to Aunt Alice?, calling in TV director Lee H Katzin (a Mission: Impossible regular) to handle the megaphone. Aldrich also opted to shoot the film in pastel colours appropriate to the unusual Arizona desert setting rather than the gothic black and white of the earlier films. The film cast the less iconic Geraldine Page as the genteelly unpleasant Mrs Clare Marrable. Left apparently penniless by her departed husband, Mrs M opts to keep up appearances by hiring a succession of timid elderly housekeepers, bossing them around with well-spoken nastiness, duping them out of their life savings and, on the pretence of getting help with a midnight tree-planting program, lures them into their own graves, batters them to death and plants lovely pines over them. Page gets her own way with the meek likes of Mildred Dunnock, until the feistier, red-wigged R!uth Gordon applies for the job and gets down to amateur sleuthing. While Bette Davis and her partners went wildly over the top in previous films, Page and Gordon play more subtly, finding odd pathetic moments in between the monstrous, irony-laced horror stuff. The supporting cast of pretty or handsome young things, mostly putty in the hands of the manipulative Page, contribute striking little cameos (Rosemary Forsyth sports a pleasing 1969 hairdo as the kindly but intimidated neighbour), but the film belongs to its leading ladies, delivering a fine line in twist-packed cat-and-mouse theatrics. The video is handsomely letterboxed, as befits a film made before widescreen films were shot with all the action in the middle of the frame to facilitate television sales. --Kim Newman
One hot summer's day an ingenious and highly organised gunman goes on a shooting rampage. As he moves from one killing zone to another regardless of sex race age and creed he leaves a trail of death and misery in his wake quickly bringing the city to a standstill. Are his targets random? Is he simply a madman? Who can stop him?
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
A battle of gigantic proportions is looming in the neon underground of New York City. The armies of the night number 100 000; they outnumber the police 5 to 1; and tonight they're after the Warriors - a street gang unfairly blamed for a rival gang leader's death. This contemporary action-adventure story takes place at night underground in the sub-culture of gang warfare that rages from Coney Island to Manhattan to the Bronx. Members of the Warriors fight for their lives seek to su
Available for the first time on DVD! Miguel Piero was a New York City poet and playwright who wrote what he knew: a world of ""stabbing shooting and dying."" This gritty non-linear biographical film presents Piero's dark charisma and even darker life in all it's angry glory. A junkie a drug dealer and a thief Piero (played by Benjamin Bratt) spent time in Sing-Sing prison an experience which was the basis of his most famous play SHORT EYES which won the Tony award in 1974. P
Everyone's falling in love with the wrong person in this hilariously hot all-star romantic comedy - A Pyromaniac's Love Story! William Baldwin stars as the outrageous Garet who tries to win the love of his sweetheart (Erika Eleniak) withia blazing crime of passion... but she's got the hots for Sergio (John Leguizamo) who's carrying a big torch for a hot-tempered waitress named Hattie (Sadie Frost)! Mixed-up romantic signals and comic confusion abound until the smoke finally clears a
Harry Bliss (Nicholson) is the owner of the House of Bliss Guard Dog Agency he's a liar and smart with it. Life's far from perfect and his marriage is on the rocks but hey he's seeing a marriage guidance counsellor. When a famous opera singer Joan Spruance (Ellen Barkin) starts to receive mysterious phone calls and her house is ransacked she moves into the Hollywood home of her sister Andy (Beverly D'Angelo). However life with her sibling is no easier. Besieged by Andy's ex-lovers harassed by her own husband and stalked by a killer she decides to hire protection -a guard dog! Harry is soon offering more than protection to the sexy Joan in this wacky entertaining comedy.
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
A tragic accident leaves a young girl dead. The man responsible goes free. But for the victim's family no crime goes unpunished. Pursued by a family thirsty for vengeance Matt tries to escape to the Blackwoods. But escape is never that easy. Twists and turns reveal themselves as the night grows darker and Matt's chances slip away with the final rays of light...
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
Crime thriller in which a man is haunted by a drink-driving accident in which he killed a young girl. His guilt causes him paranoid delusions and now driving to visit the family of his new girlfriend in their reclusive woodland home his demons seem to be getting worse...
A tragic accident leaves a young girl dead. The man responsible goes free. But for the victim's family no crime goes unpunished. Pursued by a family thirsty for vengeance Matt tries to escape to the Blackwoods. But escape is never that easy. Twists and turns reveal themselves as the night grows darker and Matt's chances slip away with the final rays of light.
A blaxploitation film with a heavy dose of Voodoo Zombies! When her boyfriend is brutally murdered Sugar Hill (Marki Bey) refuses to be shaken down by the local gangsters running their protection racket and decides not to get mad but bad! Calling upon the help of aged voodoo queen Mama Maitresse Sugar entreats her to call upon Baron Zamedi the Lord of the Dead for help in gaining a gruesome revenge...
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