Surf's Up: A stylistically daring CGI feature Surf's Up is based on the groundbreaking revelation that surfing was actually invented by penguins. In the film a documentary crew will take audiences behind the scenes and onto the waves during the most competitive heartbreaking and dangerous display of surfing known to man the Penguin World Surfing Championship. Open Season: Boyz 'n the Wood Boog a domesticated 900lb. Grizzly bear finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot a fast-talking mule deer the two form an unlikely friendship and must quickly rally other forest animals if they are to create a rag-tag army against the hunters. Monster House: CGI animation from executive producers from Robert Zemeckis (Back To The Future) and Steven Spielberg in which three teens discover that their neighbour's house is really a living breathing scary monster! Even for a 12-year old D.J. Walters has a particularly overactive imagination. He is convinced that his haggard and crabby neighbor Horace Nebbercracker who terrorizes all the neighborhood kids is responsible for Mrs. Nebbercracker's mysterious disappearance. Any toy that touches Nebbercracker's property promptly disappears swallowed up by the cavernous house in which Horace lives. D.J. has seen it with his own eyes! But no one believes him not even his best friend Chowder. What everyone does not know is D.J. is not imagining things. Everything he's seen is absolutely true and it's about to get much worse than anything D.J could have imagined....
The violent story of two young lovers on a doomed journey outside of the law, Love & a .45 is perhaps most notable for the appearance of a pre-fame Renee Zellweger. The premise is not particularly original but has spawned some great movies over the years, from Bonnie and Clyde to A Life Less Ordinary. CM Talkington's film, however, fails to break free of cliché--whether it be through its cinematic techniques (voice-over, Tom Verlaine's blasting rock score) or Texan white-trash characterisation. There is much inspiration to be drawn from such a background (witness Brad Pitt's brooding performance in Kalifornia) but Gil Bellows simply isn't given the raw materials to work with. As for Zellweger, she spends most of the film wearing very few clothes, waving a gun around and generally being a million miles away from Bridget Jones. For a much better example of the couple-on-the-road movie look to True Romance or Jonathan Demme's underrated classic Something Wild. As for Love & A .45, it misses the target. On the DVD: the DVD format does enhance Love & A .45 to some degree. The picture quality is as bold and brash as the movie itself, and Verlaine's score sounds fantastic in Dolby Digital. Other than this slight additional polish to the original product, there's little of substance here.--Phil Udell
Episodes included - 'Dominoes' 'Souls in the Balance' and 'End Game'.
Charlie Valentine
A profiler who escapes from his life of serial killers seeks sanctuary in a Scottish town where he plans to begin a book. But his life is threatened by the past and a killer who creates obituaries for his victims...
After Monty Python's Flying Circus (1969-74), and well before going Around the World in 80 Days (1989), Pole to Pole (1992) or even Full Circle (1997), Michael Palin starred in Ripping Yarns, co-written with Terry Jones. As the title suggests, these were spoofs, affectionate pastiche-come-homage Boy's Own-type adventures. Each was an individual short film, less bizarre than the Flying Circus, not so consistently hilarious as fellow ex-Python John Cleese's Fawlty Towers, but inventively surreal with a daffy, gloriously English eccentricity. "Tomkinson's Schooldays" was the 45-minute pilot (originally shown as a one-off programme in 1976) and the funniest of the three tales here. A parody of Tom Brown's Schooldays, the humour comes from the violence, cruelty and insane rules of Graybridge public school in which the unfortunate Tomkinson is incarcerated. Ian Ogilvy is a fine School Bully, terrifying even Terry Jones' useless headmaster. "Escape from Stalag Luft 112B" is a P.O.W. movie send-up (from the first series), and "Golden Gordon" (from Series 2) celebrates the man who won't give-up on an underdog northern football team. In 1983 Palin made The Missionary, essentially a feature-film Ripping Yarn. --Gary S. Dalkin
1940. A vital British convoy is crossing the Pacific, escorted by a cruiser squadron under the command of Captain Richard Saville (Michael Rennie). When a powerful German raider, the Essen, is sighted in the area, Seville despatches his cruisers to attack and destroy the Nazi warship before it can decimate the convoy. The resulting sea battle is brutal and devastating for both sides...When the badly damaged German raider slips into a tropical lagoon for repairs, an escaped Canadian POW (Jeffrey Hunter) makes a desperate bid for freedom. Armed only with raw courage and a sniper rifle, he must pin down the entire warship and its crew in the lagoon until the British fleet arrives...As Saville leads his squadron in a desperate race against time to find and destroy the Essen, neither man has any idea of the strange of twist of fate that connects them both...
The Transformers series (Tatakae Cho Robot Seimetai Transformers, or Fight Super Living Robots Transformers) was written in America, but animated in Japan. Based on a line of robots from Takara that was licensed to Hasbro, Transformers sparked a craze for metamorphic toys in the mid-80s. Each robot-character could be reconfigured to form a car, a tank, a plane, and so on. The 24 episodes in this collection, which ran between 1985 and 1986, conclude the second season and lead up to Transformers 2006. Each episode forms a self-contained story, with little in the way of larger character arcs or plot developments tying them together. Although the cast has expanded, the Autobots remain the good guys who defeat the bad guy Decepticons, and no-one expects anything else. Although the character designs and animation are Japanese, the direction is pure American saturday morning: instead of creating effective transitions, the filmmakers just cut to a shot of the logo--a standard practice in Hanna-Barbera kidvid. Websites, role-playing games, fan fiction, and a brisk commerce in the original toys have kept Transformers alive in the hearts of their fans. But like Robotech, Transformers will appeal most strongly to nostalgic adults who watched the show as kids. --Charles Solomon
Truck driver Tom Weston has dreams of grandeur: he loves his self-invented nickname he fancies himself as a lethal ladies' man he drives a powerful car and he continually fights against the numbing restraints of his humdrum life. But when he seduces a na''ve young girl named Bobbi Gilbert events take a decidedly more sinister turn as Tom begins to live out dreams in reality. So he starts his dangerous life a life which leads to arson bigamy and even murder...
A double bill of bad taste comedies starring Rob Schneider including Deuce Bigalow: Male Gigolo and The Hot Chick. Deuce Bigalow Male Gigolo (Dir. Mike Mitchell 1999): The hit-making producers of Big Daddy now deliver Deuce Bigalow: Male Gigolo - a hilarious must-see smash starring the always outrageous Rob Schneider in one of his funniest role yet! A professional fish tank cleaner Deuce (Schneider) finds himself in
A one-act production performed at The Royal Opera House Covent Garden with Maria Ewing in the lead role ably supported by Michael Devlin and Kenneth Riegel. The Orchestra of The Royal Opera House is conducted by Edward Downes. Directed by Derek Bailey. English subtitles.
Walk All Over Me
Marcus Crowe is a failed writer who struggles with reality. His girlfriend, Jill, is desperate for Marcus to pursue a proper career. Broke, the couple find a perfect room to rent owned by an old couple, Henry and Josephine Baker, who take a keen interest in the young couple's lives. They are shocked when told the old couple have a new born baby. Stuck in the house 24-7 Marcus spirals into paranoia and believes the old couple is spying on them. When he finds the horrifying truth behind the baby, the old couple's real reason for renting the room is revealed.
In a post-apocaplyptic world vicious cannibals are rife. A small band of people are forced to fight for survival no matter what the cost.
Titles Comprise: Get Carter (1971): Double Academy Award winner Michael Caine plays the relentless title character an ice-cold efficiently lethal London mobster investigating his brother's death in the seedy Newcastle underworld. Deliverence: Deliverance remains one of the screen's most powerful man vs. nature adventures and chronicles the journey of four Atlanta 'weekend warriors' who set off in canoes down a dangerous Georgia river and discover a wilderness of terror. John Boorman's taut direction builds the tension and fear to a raging climax as the men travel beyond their comfort zone and are forced to face more than they could have ever imagined. Vilmos Zsigmond's expert cinematography captures the wilderness of forest and river while Eric Weissberg's classic musical theme Dueling Banjos provides a perfect counterpoint to the action. True Romance: Two lovers (Christian Slater Patricia Arquette) are thrust into a dangerous game of high-stakes negotiations and high-speed adventure. The pair come into unexpected possession of a suitcase of mob contraband. Fleeing to Los Angeles they hope to sell the goods and begin a new life. But both sides of the law have other ideas...
"Shotgun Stories" tracks a feud that erupts between two sets of half brothers following the death of their father.
From the depth of space they came to vanish beneath the sea... Doug McClure (The People That Time Forgot) and Cyd Charisse (Singin' In The Rain) star in this classic slice of Seventies adventure a rip-roaring escapade of aquatic mayhem and extraterrestrial intrigue. A maritime expedition of eminent Victorian scientists uncover an ancient artefact of unknown origin only to meet disaster at the tentacles of a rampaging giant octopus. The survivors awaken to discover they are now th
This controversial and daring film from director Lynne Stopkewich focuses on the simple yet complex life of a woman who yearns for more than her humdrum existence offers. Leila (Molly Parker) is bored. Married and working shifts as a clerk in a dilapidated motel she is secure but unfulfilled. Craving change and excitement she agrees to meet with a lonely male guest in the privacy of his room. In spite of the reputation she gets amongst the staff Leila begins a torrid affair wi
This is the story of Clinton and Nadine. Clinton is a small time bird smuggler who gets caught up in a twisted web of danger and deception. Nadine's an ex-hooker who is inexorably pulled in with him. So what could arms traffickers possibly want from them?
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