In 1976 The Omen scored a hit with critics and audiences hungry for more after The Exorcist with its mixture of Gothic horror and mystery and its plot about a young boy suspected of being the personification of the anti-Christ. Directed by Richard Donner (best known for his Superman and Lethal Weapon films), The Omen gained a lot of credibility from the casting of Gregory Peck and Lee Remick as a distinguished American couple living in England, whose young son Damien bears "the mark of the beast". At a time when graphic gore had yet to dominate the horror genre, this film used its violence discreetly and to great effect and the mood of dread and potential death is masterfully maintained. It's all a bit contrived, with a lot of biblical portent and sensational fury but few would deny it's highly entertaining. Jerry Goldsmith's Oscar-winning score works wonders to enhance the movie's creepy atmosphere. --Jeff Shannon, Amazon.com Damien: Omen II takes place several years after the mysterious events that claimed the life of the US Ambassador and his wife as the now teenaged and militarily enrolled Damien Thorne is slowly being made aware of his unholy heritage and horrific destiny. Woe is he (including anyone in Damien's adoptive family and his classmates) who suspects the truth or gets in his way. While not as unrelentingly frightening as its blockbuster predecessor, this more-than-competent sequel raises some interesting questions about the nature of free will (can the anti-Christ deny his birthright?) before falling into a gory series of increasingly outlandish deaths, the best of which is a terrifyingly protracted scene beneath the ice of a frozen lake. Jerry Goldsmith (who won an Oscar for his work on the first film in the series) contributes another marvellously foreboding score. --Andrew Wright, Amazon.com The series concludes with The Omen III: The Final Conflict, starring Sam Neill as the adult Damien--aka the son of Satan--in a battle with the heavens for control of mankind. The film ends up depending more heavily on effects and spectacle than on the kind of basic horrors that made the first movie in the series so unsettling but at least this one gives some closure to the seemingly endless saga. --Tom Keogh, Amazon.com On the DVDs: On the original movie disc there is an all-new 45-minute documentary, "666: The Omen Revealed", with contributions from all the major behind-the-scenes players, including director, editor, screenwriter (who confesses the movie was only set in England because he wanted a free trip to London!), producer and composer. The latter, Jerry Goldsmith, has his Oscar-winning contribution to the movie recognised with a separate feature in which he talks through four key musical scenes in the score. There's also a thought-provoking short called "Curse or Coincidence?" in which the many bizarre accidents that happened during shooting are related, including the terrible story of what happened to the girlfriend of the man responsible for designing the decapitation scene. Director Richard Donner and editor Stuart Baird provide a chatty audio commentary to the movie. The second and third films lack as many extra features, being content with audio commentaries and theatrical trailers: the commentary for Omen II is by producer Harvey Bernhard, that for Omen III by director Graham Baker. --Mark Walker
Filmed just two days after the tragic death of guitarist Brian Jones, some 250,000 fans flocked to Hyde Park, London, on a pilgrimage to see the group described as the greatest rock 'n' roll band in the world - The Rolling Stones. A free show, the band played their hits, including Satisfaction, Honky Tonk Women, Jumping Jack Flash, and Sympathy for the Devil, and released thousands of butterflies into the air in a tribute to their former guitarist. Winner of The Best News Documentary at the 1969 Rank News Film Awards, The Stones in the Park has been lovingly restored in High Definition and has had its soundtrack remixed in Dolby 5.1 (including the additional song Mercy, Mercy) - this concert has never looked or sounded better. A fascinating documentary on the most successful band of their generation, captured at their most vulnerable, The Stones in the Park is a must for all fans of the legendary rockers. Special Features: Three Previously Unseen Songs (Mercy, Mercy, Stray Cat Blues and No Expectations) World in Action: Mick Jagger Interview from 1967 Rolling Stones News Footage from 1964 Interview with Bill Wyman and Charlie Watts from 1971
Don't let the cheesy title put you off, because Jammin' with the Blues Greats, essentially a roadshow headed up by John Mayall's Bluesbreakers, is quality stuff, managing to convey all the virtues of the music without sacrificing one ounce of the atmosphere of what must have been an extraordinary gig. It's pretty much impossible to identify any one contributor as outshining the others, given that there are as many takes on the music here as there are practitioners, but it's worth noting Mayall's ongoing commitment to the form as the Bluesbreakers deliver "An Eye for an Eye", "Room to Move" and several other tunes. Buddy Guy and Junior Wells get a couple of numbers ("Messin' with the Kid" is wonderful), BB King gets three and Etta James just one. However, despite everyone getting the opportunity to cut loose on the finale ("CC Rider Jam"), the whole circus is totally upstaged by the 83-year-old Sippie Wallace, who is gently led onstage, leans on the piano and sings "Shorty George" with the kind of conviction that makes everyone else look like upstarts. On the DVD: Jammin' with the Blues Greats is presented in 4:3 aspect ratio and has only one extra feature, a John Mayall discography. --Roger Thomas
Director John Sturges turns the west upside down in this rip-roaring Western comedy about the year Denver was nearly devastated by a drought (of whiskey) and had to have forty wagonloads imported through very harsh (and very thirsty) territory!
Elvis Presley's third and best film is this musical romp released in 1957, just as the Big "E" was reaching the peak of his hip-swivelling pre-army success. Filmed in ultra-cool black and white, the movie stars Elvis as a good ol' boy who saves a woman from an assault but kills her attacker, so he's convicted of manslaughter and sent to jail. While doing time he takes up the guitar and becomes a singing sensation, ready for the big time when he's finally released. He becomes a big star but his inflated ego gets him into trouble with his former cellmate and his new girlfriend. Short on plot but heavy on rock & roll, this EP classic features such hit songs as "Treat Me Nice", "Baby, I Don't Care", "Don't Leave Me Now" and, of course, the classic title song, performed in an elaborate jailhouse number that Elvis choreographed himself. This is Elvis in all his big-screen glory, and the movie's upbeat ending made it a huge success during its original release. --Jeff Shannon
The story of this vibrant night of Blues, filmed over a decade after the so-called Blues Boom in the UK stimulated a worldwide rediscovery of the roots of Rock 'N' Roll, is the story of John Mayall, the pioneer of British Blues, and roving global ambassador fro the genre. Memphis and Chicago Blues legends joined British Blues icon John Mayall and his Bluesbreakers on stage, one special night in June 1982 at New Jersey's Capitol Theater. The concert turned out to be a summit gathering of some of the greatest names in Blues music, when guitarists Albert King and Buddy Guy, harmonica player Junior Wells and singers Etta James and Sippie Wallace, all showed up to sit in with the band.
Hellraiser: Inferno (Dir. Scott Derrickson 2000): A shady L.A. detective (Sheffer) finds himself lost in a darkly nightmarish world of evil when he solves the mysterious puzzle box that releases the diabolical demon Pinhead! As those around him begin to meet tragic fates he sets out to conquer the horrifying Pinhead and escape eternal hell! Hellraiser: Bloodline (Dir. Kevin Yagher 1996): Spanning three generations this horrifying story chronicles the struggle of one
Australia 1942: the Japanese are bombing Sydney. Anne driven to the bottle by sheer terror of the war and the absence of her husband takes her two young children Emma and Laurel to begin a new and safe life in the mountains. The war that faces the family in the mountains is something else...
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Mickey Spillane's Mike Hammer murder mysteries have sold millions of copies worldwide and it is Spillane himself that brings this tough gritty character to the screen in this film noir thriller. Mike Hammer's secretary has been kidnapped by a ruthless band of communist spies who want Hammer dead prepare for some rough ripping action as he goes in search of her even more dangerous is the bikini clad widow who's caught Hammer's eye!
The Bold And The Brave
Do you know of a film on a band that features Bill Wyman Ron Wood and Charlie Watts (it's not the Rolling Stones) - also features Kenny Jones and John Entwistle (and it's not The Who) - also features Ringo Starr (no - it's not The Beatles) plus a few other 'less well known' artists such as Andy Fairweather-Low Chris Rea Gary Brooker and Raf Ravenscroft (remember the Saxaphone solo in Baker Street?)... don't know? Well it's just got to be... Willie And The Poor Boys! This band in concert was filmed at the Fulham Town Hall London UK in 1985 and was a concept based on an original idea by Bill Wyman. This film is a real gem - unearthed by Classic Pictures from Bill Wyman's personal vault and will be a 'must have' for any collector of classic rock. Tracklisting: Chicken Shack Boogie Baby Please Don't Go You Never Can Tell Let's Talk It Over Poor Boy Boogie Saturday NIght All Night Long These Arms Of Mine Can You Hear Me?
Do you know of a film on a band that features Bill Wyman Ron Wood and Charlie Watts (it's not the Rolling Stones) - also features Kenny Jones and John Entwistle (and it's not The Who) - also features Ringo Starr (no - it's not The Beatles) plus a few other 'less well known' artists such as Andy Fairweather-Low Chris Rea Gary Brooker and Raf Ravenscroft (remember the Saxaphone solo in Baker Street?)... don't know? Well it's just got to be... Willie And The Poor Boys! This band in concert was filmed at the Fulham Town Hall London UK in 1985 and was a concept based on an original idea by Bill Wyman. This film is a real gem - unearthed by Classic Pictures from Bill Wyman's personal vault and will be a 'must have' for any collector of classic rock. Tracklist: 1. Chicken Shack Boogie 2. Baby Please Don't Go 3. You Never Can Tell 4. Let's Talk It Over 5. Poor Boy Boogie 6. Saturday NIght 7. All Night Long 8. These Arms Of Mine 9. Can You Hear Me?
Mickey Rooney in Quicksand Drama DVD NEW
Mick Taylor: Tokyo Concert
Best known as a former guitarist and contributing member of The Rolling Stones Mick Taylor has worked with many famous names over his 40 year career including Jack Bruce and Bob Dylan. The sophisticated jazz- and blues-influenced guitar licks Taylor added to such classic albums as Sticky Fingers (1970) gave the Stones an added dimension they lacked before and after him. He added his famous vibrato effect to the blues lead guitar line on Sway and handled most of the guitars on the quietly majestic Moonlight Mile. Perhaps Taylor's best-remembered Stones work was the Santana-like lead guitar in the jam break of the jazzy Can't You Hear Me Knocking.
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