Free Willy Three and one-half tonnes of best friend: family adventure doesn't get any bigger! Willy is an orca whale confined in a Pacific Northwest aquatic park's too-small tank and separated from his family in the nearby bay. No one understands Willy's moods - except a 12 year-old boy who knows what it's like to be without a family. That boy is scruffy street kid Jesse (Jason James Richter) who befriends Willy and risks all to set him free. Free Willy 2: The Adventure Home Two years after helping his friend escape into the sea Jesse enjoys life with his adoptive parents and is delighted to be reunited with the 3 tonne killer whale. However a crashed supertanker causes an oil spill which threatens the life of both... Free Willy 3: The Rescue Now 16 Jesse has taken a job on an orca research ship to encounter his old friend threatened by illegal whalers hoping to make money from turning the whale into sushi... Free Willy - Escape From Pirate's Cove : Young Kirra (Bindi Irwin) leaves her Australian home to summer with her grandfather (Beau Bridges) in South Africa she soon discovers a baby orca stranded in the lagoon near her grandfather's rundown seaside amusement park. She names the lonely whale Willy - and embarks on a quest to lead the little guy back to his anxious pod before her grandfather's greedy rival turns Willy into a captive moneymaking attraction at his slick theme park.
Robert Downey Jr. returns as billionaire industrialist Tony Stark - otherwise known as chrome-plated superhero Iron Man. And this time he's facing-off against Russian baddie Whiplash, megalomaniac Justin Hammer and...War Machine!!
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Robert Downey Jr. returns as billionaire Tony Stark in this thrilling sequel to the worldwide blockbuster. Now that his Super Hero secret has been revealed Tony's life is more intense than ever. Everyone wants in on the Iron Man technology whether for power or profit... but for Ivan Vanko (Whiplash) it's revenge! Tony must once again suit up and face his most dangerous enemy yet but not without a few new allies of his own. Co-starring Mickey Rourke Gwyneth Paltrow Don Cheadle and Scarlett Johansson Iron Man 2 is Even better than the first It's a complete blast! Special Features: SHIELD Data Vault: An In-Depth Look at the Marvel Cinematic Universe Commentary by Director Jon Favreau
Featuring lovable characters, brilliant animation and heartwarming messages, Disney's classic tale about an unlikely friendship is now available in high definition on Blu-rayTM. When a feisty little fox named Tod is adopted into a farm family, he quickly becomes friends with a fun and adorable hound puppy named Copper. Life is full of hilarious adventures until Copper is expected to take on his role as a hunting dog-and the object of his search is his best friend! Your family will want to share the fun and adventure of The Fox And The Hound again and again!
A powerful study of courage in the face of irrational odds, The Bridges at Toko-Ri (based on James Michener's novel) is no less patriotic than many other war films, but it dispenses with the gung-ho bluster to focus on the very real and tragic consequences of war. This is also one of the first films to openly criticise the morality of the Korean War while praising the honour and integrity of the men who fought it. Lt Harry Brubaker (William Holden) is one of those men: a lawyer with a loving wife (Grace Kelly) and two young daughters, who is recalled to duty from the Navy Reserve, his mission; to fly with a bomber jet squadron over one of the Communists' most heavily protected targets, the strategically vital bridges in the Korean canyon of Toko-Ri. Brubaker has his own noble protection from his fellow pilots (including Charles McGraw in a fine supporting role), admiring admiral (Frederic March), and from the helicopter scouts (Mickey Rooney, Earl Holliman) who saved his life on a previous missions. But his ambivalence--and his fear that the Toko-Ri mission will be his last--is what gives the film its potent emotional impact. Holden is perfect in his role, and director Mark Robson steadfastly avoids any false sentiment or macho theatrics that would diminish the film's devastating climax. The Bridges at Toko-Ri is also a superlative showcase for the naval operations; the aerial sequences earned an Oscar for special effects and the Navy's cooperation assures total authenticity in the "flat-top" aircraft carrier scenes. --Jeff Shannon, Amazon.com
The 3-D epic adventure Immortals is directed by revolutionary visualist Tarsem Singh. Secretly chosen by Zeus, Theseus (Henry Cavill) must save his people from evil King Hyperion (Mickey Rourke) and his hordes.
Frank Miller's acclaimed comic book comes to the screen courtesy of director Robert Rodriguez.
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Keira Knightley stars as real-life model turned bounty hunter Domino Harvey in this thriller from director Tony Scott.
Robert Downey Jr. returns as billionaire industrialist Tony Stark - otherwise known as chrome-plated superhero Iron Man. And this time he's facing-off against Russian baddie Whiplash, megalomaniac Justin Hammer and...War Machine!!
Director Tarsem Singh never, ever, shortchanges you on his visuals. Presented in razor-sharp 1080p, and in 3D too, Immortals is a busy, dramatic and sparkling home cinema demonstration. It hardly skimps on the action, either. Said action kicks off as Mickey Rourkes King Hyperion amasses an army, with the intention of waging war on humankind. This he does quite successfully, until the small matter of Henry Cavills Theseus interjects. It turns out that Theseus has been chosen by Zeus to do battle with Hyperion, and thats pretty much all you need to know, before settling down to a couple of hours of medieval fantasy battling. Anyone familiar with 300 will know the score here. Story isnt Immortals strength, instead giving way to wave after wave of blockbuster carnage. Theres some terrific CG work at play here, too, that makes good use of 3D. And rarely isnt something of note happening on the screen. The extra features are good, with the Blu-ray boasting a pair of alternative endings, along with a different opening too. The ones chosen for the final cut edge them out, but its interesting to see what else was considered. Theres some more traditional deleted material, too, and some welcome insights courtesy of the behind the scenes footage. It all rounds off a strong package, for a relentlessly entertaining film, warts and all. --Jon Foster
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One of Disney's less popular animated movies, for absolutely no good reason at all, because it's an excellent story, simply and expertly told. The box blurb rather confusingly compares it to Bambi, but this is a story which has rather more to do with how social conventions can divide friendships than the coming-of-age subtext which underlies the latter. The story is perhaps predictable--a fox cub and a puppy play together as friends, not realising that their places in the scheme of things dictate that they will grow up to become hunter and hunted. Of course, eventually they see the light and it all ends happily, but even so the story promotes the importance of tolerance. The master-stroke, however, is the gradually evolving realisation that the aggressive prejudices which we all stand to inherit from society are nothing more that the products of stupidity and manipulation, and should be treated with the contempt they deserve. Good stuff for kids and adults alike. Trivia buffs might like to know that this is one of the films Tim Burton worked on at Disney, his first job after graduating from college. --Roger Thomas
When an uptight young man and his fiancee move into the house of his wild music producer of a mother, the resulting clash shakes everyone up.
The film packed with stunning images jaw-dropping scenes and superb performances from Robert De Niro and Mickey Rourke is a fusion of two genres - the classic Chandleresque detective story and the supernatural. Harry Angel is hired for $125 a day to track down the big band swinger Johnny Favourite. What seems like a straight-forward missing person case dramatically becomes a murder hunt for this down-and-out private detective. His client Louis Cypher a mysterious stranger is forced to up his fee to keep Angel on the case. Each of Angel's leads ends up as a victim of a ritualistic act of murder as he begins to put together the pieces in the jigsaw of Johnny's strange story... the nightmare has just begun.
Deservedly acclaimed as one of 1998's best films, this sequel to the beloved 1995 live-action fantasy proved a commercial catastrophe and a source of dismay to parents expecting another bucolic, sweet-natured fable. Every bit as sly and visually stunning as its predecessor, Babe: Pig in the City is otherwise a jolting ride beyond the Hoggetts' farm into a no less vivid but far darker world--the allegorical city of the title, which for the diminutive "sheep pig" proves truly nightmarish. Australian filmmaker George Miller (Mad Max, The Road Warrior), who produced and cowrote the first film, this time takes the director's reins, and he ratchets up the pace and the peril as effectively as he did on his influential trilogy of apocalyptic, outback sci-fi thrillers. From the opening scene, Babe: Pig in the City means to disrupt the reassuring calm achieved by the conclusion of the previous film. Babe's prior triumph proves short-lived, and within moments Miller has us literally peering into the depths as he sets up a horrific well accident that nearly kills the taciturn but good-hearted Farmer Hoggett (James Cromwell), Babe's beloved "Boss." Journeying with the equally pink, even plumper Mrs. Hoggett (Magda Szubanski), the young pig finds himself in a city where animals are outcasts, staying in the lone hotel that allows pets. When Mrs. Hoggett is detained, Babe must contend with the suspicions and rivalries of the hotel's other four-legged guests. The film's G status doesn't fully telegraph the shock Miller induces: bad things happen to good animals, and Babe's new acquaintances are a far cry from his colleagues on the farm. In particular, he must contend with a cynical family of chimps given wonderful, dead-pan voice characterisations by Steven Wright and Glenne Headly. Miller's use of effects to transform his animals into "actors" is even more seamlessly integrated than in Babe. The sequel's production design is crucial to the creation of a complete, absorbing world, and purely visual ideas--such as a deluge of blue balloons during the climactic ballroom battle--achieve a splendour and originality that a room full of computer-graphics desktops couldn't muster. Ultimately, though, the film does more than amaze: as Babe's compassion and courage transform those around him, we're moved in ways that purveyors of by-the-numbers family fare can only dream of. --Sam Sutherland
Two of the most popular stars in screen history are brought together for the first time in the follow up to True Grit. The film returns John Wayne to the role of the rapscallion eye patched whiskey guzzling Deputy Marshall that won him an Academy Award. Katharine Hepburn is prim Eula Goodnight a Bible thumping missionary who teams up with the gun fighter to avenge the death of her father. While in pursuit of the outlaws a warm rapport develops between the rough n' tumble lawman and the flirty reverend's daughter.
Riding the coat-tails of the early 1990's Western revival, the HBO television movie The Last Outlaw is a good, taut B-picture evoking the conventions of bigger and better Spaghetti Westerns of the 1960s and 70s. Set in New Mexico in 1873, from the opening bank robbery onwards the movie plays like The Wild Bunch meets High Plains Drifter, the obsessive, psychotic Colonel Graff (Mickey Rourke at his best) hunting down his own men after they refuse to abandon an injured comrade. Facing up to Graff is the impressively understated Dermot Mulroney as Eustis, a man who has seen too much killing and simply wants it to stop. Writer Eric Red spins some interesting variations on a classic Western set-up, delivering a comparable psychological intensity to his earlier The Hitcher (1986); as the story unfolds Graff becomes an avenging emissary of death, the tale assuming a timeless mythological resonance. Director Geoff Murphy stages what comes down to one long chase with considerable style, and while there's nothing here fans of the genre haven't seen many times before, in an age starved of Westerns that's actually a large part of the appeal. --Gary S Dalkin
An amazing cast of big-screen favourites is directed by Robert Rodriguez (Desperado, From Dusk Till Dawn), Frank Miller and special guest director Quentin Tarantino (Kill Bill 1 and 2, Pulp Fiction) in an acclaimed and visually stunning hit that's the coolest movie of the year! Straight from the pages of Miller's hip series of Sin City graphic novels, Bruce Willis stars as a cop with a bum ticker and a vow to protect a sexy stripper (Jessica Alba Fantastic Four); Mickey Rourke (Man On Fire) as an outcast misanthrope on a mission to avenge the death of his one true love. (Jaime King Pearl Harbor); and Clive Owen (King Arthur) as Dwight, the clandestine love of Shellie (Brittany Murphy Little Black Book), who spends his night defending Gail (Rosario Dawson The Devil's Rejects) and her Old Town girls (Devon Aoki and Alexis Bledel) from a tough guy (Benicio Del Toro 21 Grams) with a penchant for violence. Also starring Elijah Wood, Nick Stahl, Michael Madsen, Carla Gugino and Michael Clarke Duncan.
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