Shrek: Lord Farquaad (John Lithgow) is searching for a wife. Because of a complicated situation he needs a mate so he can qualify as king of the land. The 3-foot-tall despot has already banished all the fairy tale characters from his land resulting in a diaspora of familiar bedtime figures. Shrek (Mike Myers) and the obnoxious Donkey (Eddie Murphy) factor in when Farquaad concludes that he needs dragon-slaying assistance. The woman he wants is the beautiful Princess Fiona (Cameron Diaz) who's imprisoned in a castle by said dragon. To cut a deal to keep his house the antisocial Shrek accepts the mission except he falls in love with the princess he's been ordered to find! Shrek 2: Princess Fiona's parents invite their daughter and her new husband Shrek to her homeland of Far Far Away in order to celebrate their marriage. However there's more than meets the eye in this fairytale kingdom and Shrek & Fiona are about to stumble into some rather awkward social situations! Featuring an all-star cast providing the voices and a whole host of classic new characters in the enchanting Shrek story this is one animated film for all the family that you'll want to watch again and again! Shrek The Third: When Shrek married Fiona the last thing he had in mind was becoming the next King of Far Far Away. But when Shrek's father-in-law King Harold suddenly croaks that is exactly what he faces. Recruiting Donkey and Puss In Boots for a new quest Shrek sets out to bring back the rightful heir to the throne. Meanwhile back in the kingdom Fiona's jilted Prince Charming storms the city with an army of fairy tale villains to seize the throne. Fiona and a band of princesses must stop him to ensure there will be a kingdom left to rule! Shrek Forever After: A bored and domesticated Shrek (Myers) makes a pact with deal-maker Rumpelstiltskin to get back to feeling like a real ogre again but when he's duped and sent to a twisted version of Far Far Away -- where Rumpelstiltskin is king ogres are hunted and he and Fiona (Diaz) have never met -- he sets out to restore his world and reclaim his true love.
Jim Carrey and Jeff Daniels reprise their signature roles as Lloyd and Harry in the sequel to the smash hit that took the physical comedy and kicked it in the nuts: DUMB AND DUMBER TO.
Mike Judge, the creator and voice of MTV's insouciant Beavis and Butt-head characters, made his feature film directorial debut with this full-length B&B misadventure, which finds the boys going on a cross-country adventure after their all-important television set is stolen. Fans of the now-defunct TV show will obviously enjoy this film the most, though almost anyone with a passing awareness of the characters will find something to chuckle about. (The funniest recurring gag finds beleaguered B&B neighbour Tom Anderson constantly sabotaged by the guys while on vacation.) Celebrity voices are fun to pick out, particularly that of David Letterman, who rather appropriately plays Butt-head's long-lost father.--Tom Keogh, Amazon.com --This text refers to the VHS edition of this video
Chuck Norris plays Det. Eddie Cusack a tough Chicago cop who battles two opposing mob gangs in this fast-paced police actioner. Norris is asked to rectify the situation when the daughter of an underworld Don is used as a pawn in an escalating drug war. Complete with dazzling martial arts action and incredible stunts!
Episodes are: 'Worzel The Brave' 'Worzel's Wager' and 'The Return Of Dafthead'.
Hapless Private Alvin Corwin (Jerry Lewis) is the lowest of the low at a World War II US Army training camp. With the overbearing sergeant constantly on his back Alvin blunders from one farcical situation to another.
Howard Hawks's final film once again teams him with John Wayne with a script by Leigh Brackett (who also wrote his 'El Dorado' and 'Rio Bravo'). The time is just after the end of the Civil War. Wayne is Union Colonel Cord McNally who is teamed with two Confederate soldiers he captured during the war in order to take down a thieving bootlegger. Their travels take them to a small town being held in terror by an evil Sheriff. McNally and his crew decide to help the townspeople with
Lord Farquaad (John Lithgow) is searching for a wife. Because of a complicated situation he needs a mate so he can qualify as king of the land. The 3-foot-tall despot has already banished all the fairy tale characters from his land resulting in a diaspora of familiar bedtime figures. Shrek (Mike Myers) and the obnoxious Donkey (Eddie Murphy) factor in when Farquaad concludes that he needs dragon-slaying assistance. The woman he wants is the beautiful Princess Fiona (Cameron Diaz) who's imprisoned in a castle by said dragon. To cut a deal to keep his house the antisocial Shrek accepts the mission except he falls in love with the princess he's been ordered to find!
When Aunt Sally turns up at Worzel's barn the two decide to go to the local village dance. Deciding to have some fun they astound guests by dressing in period costume borrowed from the museum...
Quietly tucked away in a car-collection garage, Brum is only conspicuous by his size. When the owner turns his back at the start of the day however, Brum blazes into action; ready to fight crime and do good deeds in the "big town". TV has tried lots of ideas with cars that think for themselves, but never managed to convey the charm that this series offers. Whether it's thwarting the escape of some naughty bank robbers, or saving a newlywed bride who inadvertently steps on a runaway skateboard, the little car with the big heart is always the perfect gentleman. Each episode sets up a crime to solve or dilemma to resolve, and by way of handy ramps and elevators, Brum is cheerily applauded and waved at by the town's residents. Every so often there's an outburst of song that will unite good guys and bad guys alike, and then there's always the sing-along at the end to look forward to. Warning to parents: expect a look of abject disappointment on the face of the tot who discovers their toy cars won't do any of the tricks on TV. --Paul Tonks
City Hunter: Jackie Chan stars as Ryu Saeba in this hilarious lightning-paced tribute to the ass-kicking girl chasing detective from the popular Manga strip ""City Hunter"". Dragon From Russia: Based on the Legend of Crying Freeman 'Dragon from Russia' is a spectacular visually flamboyant 'Manga in motion' concept adventure from the director of 'Naked Killer'. An invincible killer the Crying Freeman is the most skilled assassin of the Secret Chinese Society 'The 1
Smokey And The Bandit 2: It's another race against time for Burt Sally and Jackie! This time the Bandit is hired to transport a pregnant elephant from Miami to the Republican Party convention in Dallas. But old rival sheriff Buford T. Justice will do whatever he must to prevent Bandit from getting that $400 000 fee. And this time Buford T. has some relatives to help him in his search his brothers Reginald and Gaylord -- all played to the hilt by the incomparable Jacki
The hilarious and loveable puppet porkers have been given their own live TV show full of crazy stunts and mad games. The show is brash loud messy and frequently out of control. Pinky and Perky is funny and fast paced new CGI series for six to twelve-year-olds.
Forever embroiled in controversy, Midnight Express divides viewers into opposing camps: those who think it's one of the most intense real-life dramas ever made, and those who abhor its manipulative tactics and alteration of facts for the exploitative purpose of achieving a desired effect. That effect is powerfully achieved, regardless of how you may feel about director Alan Parker and Oscar-winning screenwriter Oliver Stone's interpretation of the story of Billy Hayes. It was the American Hayes--played by the late Brad Davis in an unforgettable performance--who was caught smuggling 2kg of hashish while attempting to board a flight from Istanbul in 1970. He was sentenced to four years in a hellish Turkish prison on a drug possession charge, but his sentence was later extended (though not by 30 years, as the film suggests), and Hayes endured unthinkable brutality and torture before his escape in 1975. Unquestionably, this is a superbly crafted film, provoking a visceral response that's powerful enough to boil your blood. By the time Hayes erupts in an explosion of self-defensive violence, Parker and Stone have proven the power--and danger--of their skill. Their film is deeply manipulative, extremely xenophobic, and embellishes reality to heighten its calculated impact. Is that a crime? Not necessarily, and there's no doubt that Midnight Express is expertly directed and blessed with exceptional supporting performances (especially from John Hurt as a long-term prisoner). Still, it's obvious that strings are being pulled, and Parker, while applying his talent to a nefarious purpose, is a masterful puppeteer. --Jeff Shannon, Amazon.com
Shrek Forever After delivers laughs, life lessons, and a striking picture of the realities of parenthood in this surprisingly good, fourth Shrek film. Like the original film, this fractured fairytale works because of the humour--it pokes fun at the whole fairytale genre on a multitude of intellectual levels while simultaneously offering visual humour that's appealing to all ages. After a frantic flip through a tongue-in-cheek fairytale book of the first three Shrek films, the scene opens on a beaming Shrek and Fiona as they awaken to a chorus of their noisy children standing at the foot of the bed, and it follows them through a typically hectic day of feeding, diapering, and caring for their children until they collapse into a satisfied heap at the end of the day. One of the funniest bits in the film, at least for adults, is how this scene repeats, faster and faster and in smaller and smaller excerpts, until Shrek's look of bliss slowly turns into a pained, midlife-crisis expression that screams "Help me, I'm trapped in this domestic purgatory and there's no escape in sight." As in any good fairytale, the protagonist's chance for escape comes in the form of a deal with the devil, in this case Rumpelstiltskin. Following in the footsteps of the classic film It's a Wonderful Life, Shrek is granted the opportunity to spend a day in an alternate reality in which he is the independent, terrifying ogre he once was. Of course, the deal carries some very serious, unintended consequences, and Shrek's day of freedom may just cost him Fiona, the children, and even his very existence. Mike Meyers and Cameron Diaz are once again stellar as the voices of Shrek and Fiona; Antonio Banderas is still all swagger despite Puss-in-Boots' now-portly figure and thoroughly domesticated ways; Eddie Murphy remains just as hilarious as in the first film as Donkey, who in this story doesn't recognize Shrek and can't fathom the possibility of a donkey and an ogre becoming friends; and Walt Dohrn is an extremely effective newcomer as the voice of Rumpelstiltskin. Other key players are the Pied Piper, with his new, tricked-out flute; a mob of broom-riding, jack-o'-lantern-throwing witches; an overgrown white goose; and a whole resistance movement of ogres under the command of a most unexpected leader. The battles are fierce and the lesson powerful: learn to appreciate what you've got. While 3-D digital is always nice, most viewers will completely forget that the film is in 3-D after the initial scene, and it will view just as well in the traditional format. --Tami Horiuchi
David Mamet's 1987 directorial debut House of Games is mesmerising study of control and seduction between two kinds of detached observers: a gambler who is also a con artist and a psychotherapist who is also an emerging pop-psych guru in the book market. The latter (played by Lindsay Crouse) meets the former (Joe Mantegna) when one of her clients is driven to despair from his debts to the card shark. Mantegna's character agrees to drop the IOUs in exchange for Crouse's attention at the seedy House of Games in Seattle, a mecca for conmen to talk shop and hustle unsuspecting customers. The shrink gets so caught up in the arcane rules and world view of her guide over subsequent days that she observes--with no false rapture--various stings in progress inside and outside the club. Mamet's story finally becomes a fascinating study of two people protecting and extending their respective cosmologies the way rival predators fight for the same piece of turf. The psychological challenge is compelling; so is the stylised dialogue, with its pattern of pauses and hiccups and humming meter. Mostly shooting at night, Mamet also gave Seattle a different look from previous filmmakers, turning its familiar puddles into concentrations of liquid neon and poisonous noir. --Tom Keogh
BBC TV's legendary 1992 Halloween special caused a storm of controversy. The programme went out as a 'live' telecast about a haunted house on a London estate with Michael Parkinson as anchor man in the studio Mike Smith presenting the phone-in Sarah Greene as the reporter in the house itself and Craig Charles as the Outside Broadcast interviewer. According to the press at least in the days following transmission it caused a wave of panic among the British viewing public similar
The Alcohol Years: Almost 20 years after leaving it behind Carol Morley - winner of the City Of Melbourne Award for Best Short Documentary at the 2000 Melbourne International Film Festival - returned to Manchester where she had spent several years lost in an alcoholic haze at the centre of the city's burgeoning musical and cultural scene. From booze fuelled nights at the city's legendary Hacienda club to inebriated revelries at New Order's expense 'The Alcohol Years' is a poetic retrieval of that time in which Carol's rediscovered friends and acquaintances recount tales of her drunken and promiscuous behaviour. Carol Morley's search for her lost self and the conflicting memories and viewpoints of those around her weave in and out revealing a poignant portrayal of the city its pop culture the people who lived it and of a young woman who found herself at the centre of a defining moment in Manchester's cultural history. Among those contributing to Carol's story are many of the most notable and significant figures from the era including broadcaster record company executive and entrepreneur Tony Wilson author and DJ Dave Haslam Buzzcocks singer Pete Shelley Vini Reilly of The Durutti Column musician journalist and TV presenter Dick Witts Jesus And Mary Chain bassist Douglas Hart and Nico's former manager Alan Wise. 'The Alcohol Years' features music by New Order The Durutti Column Pete Shelley Vini Reilly ToT Stella Grundy and Fall drummer Spencer Birtwistle. Everyday Something: Based on Carol Morley's collection of newspaper cuttings and narrated by the late John Peel 'Everyday Something' presents private moments that give strange glimpses into everyday life.
Zavvi Exclusive Limited to 2000 Units - Debossed on Front Cover - Includes an exclusive poster & a double sided art card. In 1967 fashion photographer and spy Austin Powers (Mike Myers) is on the verge of catching his arch-nemesis Dr Evil (also Myers) when the latter has himself cryogenically frozen. Powers follows suit only to be revived thirty years later when Evil has emerged to threaten the world once more. Teamed with Vanessa Kensington (Elizabeth Hurley) the daughter of his original partner Powers has to get over his culture shock in time to battle his old foe. Mike Myers wrote and stars in this spoof of 'Matt Helm' and James Bond movies.
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