Milos Forman's 1979 film of the 1968 musical Hair is far more watchable than it has any right to be. Controversial though the original stage version might have been at the time, it has not dated well. It was written back when most people thought the Vietnam War was a good idea and long hair on men a signifier of a hopelessly corrupt society, rather than the other way around. By the time the belated movie adaptation arrived attitudes had changed, and what made Hair so unique had become commonplace. However, the exuberance of the performances (led by Treat Williams) and the enduring appeal of some of the songs makes this movie version of Hair, even today, entirely impossible to dislike. On the DVD: The only extra is the theatrical trailer which, much like the film itself, is quite a cute period piece. Inexplicably, the scene-searching menu is not arranged by song, making it infuriatingly difficult to locate the tune you want, unless you already know the movie so well, which would leave little point in hearing these songs again anyway. --Andrew Mueller
Something is alive in the funhouse... Something that has the form of a human but not the face... Something that feeds of the flesh and blood of young innocents... Something that tinight will turn the funhouse into a carnival of terror! Four teens decide to spend a night in the spooky funhouse of a travelling carnival but when they witness a horrific murder by a masked monster they are trapped and their nightmare begins!
Something is alive in The Funhouse! The carnival is a place for fun and laughter but not for Amy and her friends. When their childish dare to stay all night in the spooky funhouse backfires it leaves a trail of dismembered teenagers a mile long in Tobe Hooper's classic video nasty era slasher. Will anyone escape the clutches of the stumbling madman that stalks to sideshow? Is there no end to the carnival barkers chilling sadism? The only way to find out is ascend into the funhouse where the games have no rules and the only prize on offer is a grisly demise. Join us in The Funhouse. So much fun that you’ll never leave...Alive! Special Features: Stunning High Definition transfer of the film from Universal Pictures. Audio commentary with The Funhouse S/FX wizard Craig Reardon and Jeffrey Reddick. Audio commentary with producer Derek Power and genre scholar Howard S. Berger. Audio commentary with Justin Kerswell author of ‘Teenage Wasteland’ and host of the slasher cinema website Hysteria Lives and author Calum Waddell. Stuck in the Funhouse with director Tobe Hooper. Carnage at the Carnival: Tobe Hooper remembers The Funhouse. Miles of Mayhem: Acting in Tobe’s Funhouse with star Miles Chapin. A Trilogy of Terror: The Make-up Madness of Craig Reardon the S/FX wizard recollects his collaborations with Tobe Hooper;'Eaten Alive' 'Poltergeist' and 'The Funhouse'. Master Class of Horror: Mick Garris the director of Sleepwalkers and The Shining reflects on the crimson-covered career of his longtime colleague Tobe Hooper. Live Q&A with Tobe Hooper from San Francisco. Never before seen behind the scenes photographs from the collection of Craig Reardon. Reversible sleeve with original and newly commissioned artwork by Rick Melton. Collector's booklet featuring brand new writing on the film by critic and author Kim Newman.
Something is alive in The Funhouse! The carnival is a place for fun and laughter but not for Amy and her friends. When their childish dare to stay all night in the spooky funhouse backfires it leaves a trail of dismembered teenagers a mile long in Tobe Hooper's classic video nasty era slasher. Will anyone escape the clutches of the stumbling madman that stalks to sideshow? Is there no end to the carnival barkers chilling sadism? The only way to find out is ascend into the funhouse where the games have no rules and the only prize on offer is a grisly demise. Join us in The Funhouse. So much fun that you'll never leave...Alive!
Leave it to Czech director Milos Forman (One Flew Over to Cuckoo's Nest) to make the most entertaining and offbeat celebration of the American Constitution ever filmed. You think the First Amendment was designed to protect Americans from offensive speech? Think again. The real glory of the Constitution and the Bill of Rights--as brought to life in this splendidly quirky and alternately reverent and irreverent comedy--is that it ensures everyone's freedom by protecting a whole range of expression, from the banal to the outrageous. Scripted by the writers of Ed Wood (another affectionately twisted biography of a disreputably eccentric entertainment figure), The People vs. Larry Flynt applies a similar sort of exaggerated and telescoped editorial-cartoon sensibility to the wild life and times of Hustler skin-magazine publisher Larry Flynt. It's the great (and fictionalised-but-true) American story of how smut-peddler Flynt--the poor man's redneck Hugh Hefner--ended up appealing a libel case (brought by televangelist Jerry Falwell) to the Supreme Court and winning a major legal victory that affects all Americans. Terrific performances by Woody Harrelson as Flynt, grunge-star-turned-glamour-puss Courtney Love as his wife Althea, and Edward Norton as their lawyer (a composite character). --Jim Emerson
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