Internationally acclaimed by critics and audiences alike Whisky is an intoxicating deadpan comedy reminiscent of the films of Aki Kaurismaki and Jim Jarmusch. Jacobo is a man of dull routine who arrives each day at his run-down sock factory at the same early hour as his faithful assistant Marta. When his socially adept brother Herman pays an unexpected visit the introverted Jacobo prefers to lie rather than admit his bachelor status asking the dour but obliging Ma
Adriana LecouvreurFrancesco Cilea (1866-1950)Cilea's four-act opera of jealousy and tangled love first performed in Milan in 1902 is based on the true story of Adriana Lecouvreur an 18th-Century actress at the Comedie Francaise whose rival for the love of Maurizio count of Saxony is the married Principessa di Bouillon. Unlocked from the archives of RAI television this 1989 classic recording comes from one of the world's great opera houses.
One way to use the DVD format for opera is to provide a video format with a clear picture and sumptuous sound and let a good performance speak more or less for itself. Severini's La Boheme comes with a minimum of trimmings--subtitles in English, French and German; even a short account of the performance history is relegated to text in a booklet. The live performance has real theatrical presence, even to the extent that, at times, the vocal and orchestral subtleties get lost in wild applause. Pavarotti's Rodolfo was, in 1988, as plangently lyrical as ever and Freni's care-worn Mimi is a deeply touching and musical performance; Pacetti is a beefy full-blooded no-nonsense Musetta--the waltz song and ensuing duet with Marcello is for once the Broadway show-stopper it ought to be. Of the supporting roles, though, perhaps the most moving is Ghiaurov's Colline--his farewell to his old coat is a short passage of deep pathos which he has rarely sung as well as he does here. --Roz Kaveney
Italian composer Umberto Giordano's opera 'Fedora' has all of the qualities of a thrilling murder mystery. On this Bel Canto Society release of an impassioned 1998 performance soprano Mirella Freni lends her remarkable voice to the title role and tenor Sergei Larin provides powerful support.
Jean Rollins' acclaimed cult horror film 'Grapes of Death' stars Brigitte Lahaie as a woman whose vacation takes a sick twist when she finds herself in a town full of zombie-like killers. She begins to think the town winery has got something to do with these evil transformations. Could the pesticides used on the grapes be responsible for all this madness?
I PAGLIACCI: Prologue (Leoncavallo) Sherrill MilnesUP IN CENTRAL PARK: Close as Pages in a Book (Romberg/Fields) Julia Migenes and Sherrill Milnes.COSI FAN TUTTE: Un'aura amorosa (Mozart) Peter Schreier.O TOD WIE BITTER BIST DU: (Brahms) Sherrill Milnes with Jon Spong piano.LA TRAVIATA: Pura siccome un angelo (Verdi) Mirella Freni and Sherrill Milnes.DON CARLO: Dio che nell'alma infondere (Verdi) Placido Domingo and Sherrill Milnes.OTELLO: Credo in un Dio crudel (Verdi) Sherrill Milnes.
The ultimate A Night At The Opera collection from the world's most popular opera composer, featuring many o the greatest singers of our time. Eighteen favourite arias and ensembles from the classic operas La Boheme, Tosca, Madama Butterfly and Turandot, performed by Luciano Pavarotti, Placido Domingo, Mirella Freni and many more.
Herbert von Karajan (1908-1989) one of the twentieth century''s most fascinating and complex geniuses dominated the post-war classical music world like a colossus. He won unprecedented musical power and public acclaim; received far more adulation sold far more records and made far more money than any other classical musician of his era. He also had many detractors -those alienated by his superstar status; those who found the purity and beauty of his music-making cold and superficial; those repelled by his headstrong ambition and endlessly demanding pursuit of his artistic ideals; and those for whom he was forever tainted by the shadow of the Third Reich. Yet his musical playboy image was at odds with the private man who was in reality a shy often solitary figure possessed of great directness simplicity and wit who craved inner quiet and concentration and was deeply loyal to his closest associates. He loved the peace and quiet of lakes and mountains as much as he did his private aeroplane and his fast cars. Charismatic and enigmatic Karajan was also the construct that was 'Karajan''. This film reveals the phenomenon of the man and his music. And it is Karajan himself in archive interviews who talks of events in his life and relates them to his work as a conductor. Herbert von Karajan''s life both on and off the podium is charted. From the influential experiences of his childhood and student days; through his emergence as a young conductor with a reputation for being brilliant but difficult; to his years at the forefkont of classical music; and his last decade when despite failing health and beset by acrimonious musical politics he continued to push himself to the limits of his creative and physical powers. The documentary also touches on the controversial issue of Karajan''s membership of the Nazi Party; his rivalry with FurtwSingler; his fitful association with Walter Legge of EM1 and with the Philharmonia orchestra founded by Legge in 1945; his fascination with science technology art and architecture in relation to music and his conducting style and rapport with his musicians. All are brought into focus and illustrated with a wealth of archive material. And throughout the film there is Karajan''s music drawn from the many sound and audiovisual recordings he made during the course of his extraordinary career. Extracts fiom works by Beethoven Mozart Wagner J.S. Bach Puccini Johann Strauss II Mahler Verdi Richard Strauss and Schoenberg testify to the vast range of the classical repertoire he mastered and summon up the sublime beauty of his music-making.
Zeffirellis 1963 Milan production of La Boheme, preserved in this 1965 film, provides a richly satisfying take on Puccinis much-loved romantic tragedy. The staging is opulent, not least in the way Zeffirelli opens up the Cafe Momus and turns it into a warm, vibrant haven for the bohemians and their followers. But its the relationships which really matter here. Puccinis score--conducted with restrained passion by Herbert von Karajan--develops in a wonderfully linear way, with some of his most intensely moving arias and duets underpinning the evolution of the bohemian artists, particularly Rodolfo and Marcello, from immature egotists to rounded human beings, touched by tragedy. The film does look dated now--Mirella Frenis Mimi, sung with moving clarity, has the doe-eyed look of a 1960s pop star and the camera work is a tad unsophisticated--but the singing still puts the listener through the wringer. Gianni Raimondis Rodolfo ("Che gelida manina") struggles manfully to come to terms with his emotional shortcomings and Adriana Martino (Musetta) has some fine comic moments before playing her vital part in the overwhelming sadness of the final scenes. Soul food for the tragically inclined. On the DVD: La Boheme has no extras here, but excellent booklet notes accompany the disc. The PCM Stereo soundtrack has been digitally remastered to decent effect. The 4:3 picture format inevitably imposes some limitations and the 1960s video quality is a little dull, but after all, this is a product of its time and a vital record of one of Zeffirellis most successful productions.--Piers Ford
Mirella Freni - Live In Concert
The complete opera 'Otello' by Giuseppe Verdi. Performed by the German Opera Choir and the Berlin Philharmonic Orchestra. The cast includes: Jon Vickers Mirella Freni and Peter Glossop. Conducted and directed by Herbert Von Karajan.
Under the musical direction of Claudio Abbado a cast of singers perform works from Bach to Haydn from Donizetti to Verdi and from Schumann to Schonberg.
This stunning compilation includes some of the greatest scenes from favourite Verdi operas taken from spectacular productions filmed at La Scala Milan The Royal Opera House Covent Garden and the Arena di Verona. The DVD features superb performances from major opera stars including Jos Carreras as Oronte in scenes from I Lombardi Mirella Freni as Elvira in Ernani Renato Bruson as Falstaff Nicola Martinucci and Maria Chiara in Aida Ghena Dimitrova as Abigaille in Nabucco an
La Boheme: This San Francisco production of La Boheme has real theatrical presence here, even to the extent that, at times, the vocal and orchestral subtleties get lost in wild applause. Pavarotti's Rodolfo was, in 1988, as plangently lyrical as ever and Freni's careworn Mimi is a deeply touching and musical performance; Pacetti is a beefy full-blooded no-nonsense Musetta--the waltz song and ensuing duet with Marcello is for once the Broadway show-stopper it ought to be. Of the supporting roles, though, perhaps the most moving is Ghiaurov's Colline--his farewell to his old coat is a short passage of deep pathos which he has rarely sung as well as he does here. Madama Butterfly: With its Japanese director and designer, this 1986 production of Madama Butterfly strives for authenticity in the setting, yet is somehow entirely Italian at the same time. Yasuko Hayashi's Cio-Cio-San is surprisingly tough, rejecting the arguments of her uncle and the marriage broker with more anger than usual, and her suicide is as much a moral statement of integrity as a sentimental gesture. Accordingly, Dvorsky's sexually magnetic Pinkerton is even less sympathetic--you can see what she sees in him, but he is arrogant and a user, except when he is being lyrical--and Zancanaro's Sharpless, the consul who expedites Pinkerton's betrayal of his wife but develops his own compassion for her, is all the more complex and interesting. The production has real charm as well as authenticity on its side; the staging of the love duet is impressive in its use of shadow and delicate light. Maazel's interpretation has a forceful energy that the recording impressively conveys. --Roz Kaveney
Gioachino Rossini1. Ouverture2. Coro e danze dell'Imeneo da: Mose in Egitto3. Preghiera: Dal tuo stellato soglio Mirella Freni - Luciana D'Intino - Vincenzo La Scola - Samuel Ramey.Giuseppe Verdi4. Sinfonia5. Va' pensiero da: I vespri siciliani6. Sinfonia7. Te DeumElizabeth Norberg-SchulzGiuseppe Verdi8. Finale II (La vergine degli angeli)Mirella Freni - Samuel RameyGiacomo Puccini9. Intermezzo10. In quelle trine morbideMirella FreniArrigo Boito11. PrologoSamuel RameyGiuseppe Verdi12. Va' pensiero
Of all Puccinis major operas, the intimate tragedy of Madama Butterfly is least in need of elaborate staging and might therefore benefit most from the close scrutiny of film. The story is domestic, the setting Spartan, the incidental characters kept to a minimum. This 1974 version, however, demonstrates that Butterfly still needs a healthy injection of proscenium arch melodrama. Director Jean-Pierre Ponelles production strives for realism but remains unfortunately studio-bound, having neither the benefit of location filming nor the heightened reality of an opera stage. The exterior is a perpetually fog-shrouded heath of indeterminate locale; the interior is cramped and unadorned. The setting is just too prosaic to contain the epic emotions of grand opera. Thankfully, the cast is superb, headed by Placido Domingos rakish Pinkerton and Mirella Frenis rubicund Butterfly. Their singing is incomparable, as is Herbert von Karajans musical direction of the Vienna Phil. The singers mime to pre-recorded music, which is occasionally disconcerting since when film demands close-ups opera provides broad gestures. Musically, this Butterfly is impeccable. Visually it adds nothing that could not be seen to better effect in a stage version. On the DVD: Madama Butterfly is presented disappointingly on disc in a poor NTSC transfer full of distracting graininess that makes every scene, both inside and out, look like it takes place in an omnipresent drizzle. Sound is reasonable stereo and adequate 5.0 surround. There are subtitles in the major European languages as well as Chinese, and the booklet contains a background essay plus synopsis. --Mark Walker
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