One man trapped by destiny and another bound by duty. They're about to discover what they're willing to fight and to die for. From the director of Presumed Innocent and The Pelican Brief comes this suspense drama of two complex proud and passionate men. When New York cop Tom O'Meara (Harrison Ford) agrees to open his family home to Rory Devaney (Brad Pitt) he doesn't know that he is about to shelter a dangerous and wanted terrorist. Accepte
The emotional true story of a family's powerful love as they unite to save their eight year-old boy's life from AIDS...
High Plains Drifter (1973): Eastwood portrays a mysterious stranger who emerges out of the heat waves of the desert and rides into the guilt-ridden town of Lago. After committing three murders and one rape in the first 20 minutes The Stranger is hired by the town to protect it from three gunmen just out of jail. The Stranger then paints the entire town bright red renames it Hell and supplies Divine retribution in a fiery climax. Joe Kidd (1972): Concerning a land war in New Mexico at the turn of the century marks Clint Eastwood at the top of his form as a western hero. Filmed in 1971 Kidd brings together a veteran western Director John Sturges the classic backdrop of the High Sierras the top notch acting skills of Robert Duvall and the rugged Eastwood as a hired gun who takes action based on his own particular sense of justice. And like a very classic western it has gunfights conflicts and a slam-bang finale which has a locomotive being driven through a saloon where the bad guys are hiding. The Beguiled (1971): Set in the Deep South during the Civil War The Beguiled stars Eastwood as John McBurney a severely wounded soldier who is near death when discovered by a teenage girl. She takes him to the mansion that serves as her boarding school where he slowly begins to regain his health under the care of headmistress Martha Farnsworth (Geraldine Page) and the dozen or so girls who live there. As McBurney gets better he begins to charm the girls all of whom are starved for affection because of the war's claim on their men. At length powerful undercurrents of jealousy saturate the atmosphere as the girls and even the headmistress begin to vie for McBurney's attention. He first becomes involved with one of the oldest of the girls Edwina Dabney (Elizabeth Hartman) but ultimately finds it difficult to resist the charms of some of her schoolmates. His promiscuity becomes his undoing.
Mel Gibson set aside his art-house credentials to star as a crazy cop paired with a stable one (Danny Glover) in this full-blown 1987 Richard Donner action picture. The most violent film in the series (which includes three sequels), Lethal Weapon is also the edgiest and most interesting. After Gibson's character jumps off a building handcuffed to a man, and Gary Busey (as a cold, efficient enforcer) lets his hand get burned without flinching, there is a sense that anything can happen, and it usually does. Donner's strangely messy visual and audio style doesn't make a lot of aesthetic sense, but it stuck with all four movies. --Tom Keogh
The death of her loving father shatters 16-year-old Crystal's (Jennie Garth) happy life on a remote ranch. Abused by her bitter mother she's first raped then blamed for the tragic shooting of her younger brother and finally banished from the family home. Alone and penniless she flees to San Francisco and takes a job as a waitress in a night club. Her unique singing talents are soon noticed however and before long she's carving out a sparkling recording career. By chance Crystal meets up with her one true childhood love Spencer Hill (Craig Bierko) who's now engaged to a powerful society beauty. Though infatuated with each other they realise they must go their separate ways - both eventually reaching the pinnacle of their careers. But fame and fortune can never eclipse true love. So when fate finally brings them together again will more than a decade of triumphs and tragedies once more stand in the way of happiness and love?
Clint Eastwood's second film as a director (and his first Western) is a variation on the "man with no name" theme, starring Eastwood as the drifter known only as "the Stranger". He rides into the desert town of Lagos and is quickly attacked by three gunmen. Recovering with the aid of a local dwarf (a memorable role for Billy Curtis), the Stranger is hired by the intimidated townsfolk to fend off a band of violent ex-convicts. After teaching the citizens self-defence and instructing them to paint the entire town red and rename it "Hell", the Stranger vanishes. He reappears when the marauding criminals arrive, and delivers justice and teaches the townsfolk a harsh lesson about moral obligation. Is he a figure from their past or a kind of supernatural avenger? Combining humour with action, High Plains Drifter is both a serious and tongue-in-cheek tribute to the Westerns that made Eastwood a household name. --Jeff Shannon, Amazon.com
Before Private Ryan was saved the Sullivan Brothers did their part for World War II. This rivetting and tragic drama was the basis for Steven Speilgberg's Saving Private Ryan and follows the true story of the five Sullivan brothers who served together at Guadalcanal in 1942. Their patriotisim and devotion to each other was overwhelming and took precedence over all else with tragic results. One of Hollywood's lost classics it was originally pulled from cinemas after its devastating effect on audiences of the time. The Fighting Sullivans is a story you may never have heard of but it's a movie you will never forget.
Arizona. John Wintergreen (Robert Blake) is a motorcycle traffic cop who aspires to be a detective. When he rightly changes the investigation of a seemingly open-and-shut suicide to one of murder John is hired as assistant to Detective Harve Poole (Mitch Ryan) but the endemic corruption he is forced to confront rapidly disillusions him...
A group of renegade San Francisco law enforcers are using policing methods which even hardened Detective Harry Callahan considers to be beyond the pale. As drugs bosses pimps and other street low-life drop like flies Callahan is assigned to track down the loose cannon cops who have decided to take the law into their own hands. The sequel to Dirty Harry with a script co-written by a young Michael Cimino (director of 'The Deer Hunter' and 'Heaven's Gate').
Includes the following 8 great films: Dirty Harry The Outlaw Josey Wales Kelly's Heroes Magnum Force Pale Rider Space Cowboys The Gauntlet True Crime
The ultimate collection (56 hours!) of John Wayne movies many of which have been previously unavailable on DVD! 1. Stagecoach (1939) 2. The Long Voyage Home (1940) 3. Fort Apache (1948) 4. She Wore a Yellow Ribbon (1949) 5. Rio Grande (1951) 6. The Quiet Man (1952) 7. Sands of Iwo Jima 8. The Fighting Seabees 9. The Flying Tigers 10. Back to Bataan 11. Jet Pilot 12. The Flying Leathernecks 13. Dark Command 14. Tall in the Saddle 15. Angel and the Bad Man 16. The Fighting Kentuckian 17. The War Wagon 18. Rooster Cogburn 19. The Spoilers 20. Tycoon 21. Wake of the Red Witch 22. The Conqueror 23. The Magnificent Showman 24. Hellfighters 25. Seven Sinners 26. Three Faces West 27. Lady from Louisiana 28. The Shepherd of the Hills 29. In Old California 30. Pittsburgh 31. Reap the Wild Wind 32. War of the Wildcats 33. Dakota 34. Flame of Barbary Coast
Mad Max: On a remote stretch of deserted highway a band of violent bikers has taken over attacking anyone unlucky enough to cross their savage path. Racing up and down the seemingly endless miles of asphalt the crazed outlaws blaze through small towns plowing into vehicles and pedestrians alike with reckless abandon. Bringing a sense of law to this lawlessness are the mobile police force led by Max and Goose who are as fast and mean as their adversaries and are willing to
A renegade cop with an attitude is chosen by the FBI to transport a mob boss across country to testify against the Mafia. To stay alive he must remain one step ahead of the competition.
Martin Riggs (Mel Gibson) is no ordinary cop. He's a Mad Max gone maniacal a man whose killing expertise and suicidal recklessness make him a Lethal Weapon to anyone he works against. Or with. Roger Murtaugh (Danny Glover) is an easygoing homicide detective with a loving family a big house and a pension he doesn't want to lose. Imagine Murtaugh's shock when he learns his partner is a guy with nothing left to lose; wild-eyed burnt-out Martin Riggs. Lethal Weapon is the trill-packed story of two Vietnam-vets-turned-cops who have just one other thing in common; both hate to work with partners. But their partnership becomes the key to survival when a routine murder investigation leads to all-out take-no-prisoners martial-arts-and-machine-guns war with an international heroin ring. Director Richard Donner moves that war at two speeds: fast and faster. Hot LA days and nights explode in one show-topping scene after an other culminating in a no-holds-barred battle between Riggs and his Angel-of-Death nemesis (Gary Busey) - an electrifying sequence incorporating three martial-art-styles and requiring four full nights to film. Fierce fast and frequently funny Lethal Weapon fires off round after round of can't miss entertainment.
Zavvi Exclusive Limited Edition Steelbook. Limited to 2500 Copies.A nihilistically philosophical hit man (John Cusack) reluctantly accepts an assignment in Detroit, coinciding with his 10-year high school reunion in the ritzy suburb of Grosse Point, Michigan. While in town, he tries to patch things up with the girlfriend (Minnie Driver) he abandoned on prom night, avoid being killed by an over-zealous competitor's henchmen, and survive his surreal homecoming. The film is a bullet-ridden, darkly comedic tale of self-discovery from star-writer-producer Cusack. --This text refers to an out of print or unavailable edition of this title.
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