UnstoppableOrson Welles once said that directing a movie was like playing with the greatest toy train set in the world, and Tony Scott seems to be taking him literally. With the caboose of Scott's Taking of Pelham 123 barely in the distance, the filmmaker turned to Unstoppable, a train-chase picture loosely inspired by a true story (and perhaps just a smidgen by Runaway Train, the 1985 film based on an Akira Kurosawa script). At a Pennsylvania rail yard, some clueless workers let an unmanned train get loose, and the thing is soon hurtling across the countryside. Did we mention that it's pulling a few cars' worth of highly toxic material? Did you doubt it would be? Meanwhile, old-time engineer Denzel Washington and new conductor Chris Pine are making a routine run nearby--of course, in the movies, a routine run almost always turns into something wild. This odd couple is the only hope for stopping the runaway, while upper management dithers and an operations-room dispatcher (Rosario Dawson) spends most of the movie talking into her headset. Scott is an unabashed manipulator, and he yanks all the strings at his disposal for this whipped-up pageant: song cues, hype-filled reaction shots, stunts aplenty. It's all so aggressive, it makes you wish the exciting story could be allowed to tell itself. But the pulse does quicken, if you can turn your mind off for a while. And although it's faint praise, the movie is undeniably better than Pelham 123.--Robert Horton Man on FireStyle trumps substance in Man on Fire, a slick, brooding reunion of Crimson Tide star Denzel Washington and director Tony Scott. The ominous, crime-ridden setting is Mexico City, where a dour, alcoholic warrior with a mysterious Black Ops past (Washington) seeks redemption as the devoted bodyguard of a lovable 9-year-old girl (the precociously gifted Dakota Fanning), then responds with predictable fury when she is kidnapped and presumably killed. Prolific screenwriter Brian Helgeland (Mystic River, L.A. Confidential) sets a solid emotional foundation for Washington's tormented character, and Scott's stylistic excess compensates for a distended plot that's both repellently violent and viscerally absorbing. Among Scott's more distracting techniques is the use of free-roaming, comic-bookish subtitles... even when they're unnecessary! Adapted from a novel by A.J. Quinnell and previously filmed as a 1987 vehicle for Scott Glenn, Man on Fire is roughly on par with Scott's similar 1990 film Revenge, efficiently satisfying Washington's incendiary bloodlust under a heavy blanket of humid, doom-laden atmosphere. --Jeff Shannon
The film of the band's live concert at Celtic Park Glasgow on 7th September 1997. TRACKS: 1. Sweet little mystery 2. Wishing I was lucky 3. Strange 4. Lonely girl 5. Temptation 6. Sweet Surrender 7. Goodnight Girl 8. Lip Service 9. I can give you Everything 10. Julia Says 11. Somewhere Somehow 12. Don't want to Forgive me now 13. If Only I could be with you 14. East of the River 15. If I never see you again 16. Beyond the sea 17. Maybe I'm in love 18. Love is all around
Clint Eastwood's second film as a director (and his first Western) is a variation on the "man with no name" theme, starring Eastwood as the drifter known only as "the Stranger". He rides into the desert town of Lagos and is quickly attacked by three gunmen. Recovering with the aid of a local dwarf (a memorable role for Billy Curtis), the Stranger is hired by the intimidated townsfolk to fend off a band of violent ex-convicts. After teaching the citizens self-defence and instructing them to paint the entire town red and rename it "Hell", the Stranger vanishes. He reappears when the marauding criminals arrive, and delivers justice and teaches the townsfolk a harsh lesson about moral obligation. Is he a figure from their past or a kind of supernatural avenger? Combining humour with action, High Plains Drifter is both a serious and tongue-in-cheek tribute to the Westerns that made Eastwood a household name. --Jeff Shannon, Amazon.com
Limited to 2000 Units & includes exclusive content. Period romance. War epic. Family saga. Popular fiction adapted with crowd-pleasing brilliance. Star acting aglow with charisma and passion. Moviemaking craft at its height. These are sublimely joined in the words Gone with the Wind. This dynamic and durable screen entertainment of the Civil War-era South comes home with the renewed splendor of a New 70th-Anniversary Digital Transfer capturing a higher-resolution image from Restored Picture Elements than ever before possible. David O. Selznick's monumental production of Margaret Mitchell's Pulitzer Prize-winning book can now enthrall new generations of home viewers with a majestic vibrance that befits one of Hollywood's greatest achievements. Disc 1 Gone with the Wind: UCE 70th Anniversary Feature Commentary by Rudy Behlmer Original Mono Track Disc 2 - Exclusive to this Anniversary Release Old South/New South Gone with the Wind: Hollywood Comes to Atlanta
Doctor Helder (Briant) is sent to an asylum for experimenting on cadavers. There he is rescued by Doctor Carl Victor (Cushing) the original Doctor Frankenstein now living under a new identity who learns that a new monster is set to walk the earth...
Thick As Thieves (Aka.The Code)
This fantastic Collector's Edition tin boxed set features six timeless classics from Rodgers and Hammerstein: Titles Comprise; 1. The Sound Of Music 2. The King And I 3. State Fair 4. Carousel 5. Oaklahoma 6. South Pacific For individual synopses please refer to the individual films.
Based on the best-selling horror action game Silent Hill stars Radha Mitchell (Man on Fire) as Rose a desperate other who takes her adopted daughter Sharon to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash Sharon disappears and Rose beings her desperate search to get her back. She descends into a fog of smouldering ash and into the centre of the twisted reality of a town's terrible secret. Pursued by grotesquely deformed creatures and townspeople stuck in permanent purgatory Rose begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years back. Dare to step inside the horrific town of Silent Hill where darkness preys on every soul and Hell's creations wait around every corner. But know that once you enter... there is no turning back.
In this adaptation of David Rabe's savage play Robert Altman offers an intense dramatic film in which a group of young recruits in desolate Vietnam-era barracks come to terms with their prejudices. Billy and Roger have learnt to ignore their racial differences and have become good friends. Richie's obviously effeminate personality alarms the others but it is not until Carlyle an angry black man arrives that these tensions boil over. This film is brimming with anger violence confusion and fear.
The original 1946 The Dark Mirror starred Olivia de Havilland as twin sisters, one of whom has committed a murder. Since each twin can provide an alibi for the other, a rumpled detective (Thomas Mitchell) and a handsome shrink (Lew Ayres) are compelled to get to the truth through patience and not a little sneakiness. Dark Mirror was remade as a TV movie in 1984, this time with Jane Seymour in the 'leads' and Vincent Gardenia as the detective. Seymour has a field day alternating between the good and bad twin; would that the audience was having as much fun. There really isn't any point to this dour remake, except perhaps to honor a contractual commitment to Jane Seymour, whose playing is so ripe that we secretly hope both twins will get the chair.
Based on the hit Thames Television sitcom, which ran from 1970 to 1971, For the Love of Ada follows the late-flowering romance between two young-at-heart pensioners. Irene Handl (Come Play with Me) and Wilfred Pickles (Billy Liar) star as Ada and Walter Bingley who, despite being in their seventies, are only now celebrating their first wedding anniversary. However, unbeknownst to them, a surprise party has been organised to celebrate their big day. But with calamities befalling the couple at every turn, will these comical OAPs ever make it through the day?
'Help!' was The Beatles' second feature film and their first in colour released at the height of their iconic history in 1965.
Sandy Dawson (Robert Ryan) has assembled a platoon of ex-army thugs to run pachinko parlors while pulling off bloody heists and armed robbery. The murder of a friend brings Eddie Spanier (Robert Stack) into the group along with his beautiful mistress (Shirley Yamaguchi). But Spanier's behavior grows treacherous and his loyalties become questionable leading to a breathless murderous conclusion high above the ancient city of Tokyo.
Bex and Dawn are trapped. They dream of taking control of their lives and owning their own upmarket cafe, but no one will give people them the opportunity. One day they meet Jeremy, a charming local, who offers them the money to fund their dream. Not long after it is handed over, does he begin a campaign of intimidation and threats against the girls, bombarding them with unreasonable demands and cruel abuse. Unable to stand his aggression any longer, Bex and Dawn must find a way to turn the tables on their viciously calculated aggressor. Extras: BRAND NEW: Commentary with Director Dominic Brunt, Writer and star Joanne Mitchell and star Victoria Smurfit BRAND NEW: Interview with Frightfest's Paul McEvoy BRAND NEW: Frightfest Premiere footage and interviews Cast and crew interviews Composer Thomas Ragsdale discusses the score The Auditions / Make Up / Locations and set design / Special Effects
Bakugan: Season 1 - Vol.2
Go Kart Go Rival groups build their own Go-Karts and encounter excitement and trouble in their efforts to win the local Go-Kart race. Featuring a very young Dennis Waterman! A Hitch In Time An erratic time machine cuts a bullying teacher down to size...
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