The tragic and romantic story of Vicky Page the brilliant young dancer who must give up everything if she is to become a great ballerina is one of Powell and Pressburger's most famous films. Creators of classics such as Black Narcissus A Matter of Life And Death and The Life And Death Of Colonel Blimp they were renowned for their use of brilliant colour and wonderful costumes and with the exhilarating cinematography of Jack Cardiff were among the most influential film makers of their time. The Red Shoes is one of the finest examples of their work and has become an inspiration to artists film makers and musicians all over the world.
A piercing new 4K restoration of Michael Powell's iconic serial killer classic Peeping Tom, restored by The Film Foundation and BFI National Archive. An influential cinematic masterpiece written by Leo Marks (Twisted Nerve) and starring Carl Boehm (Sissi), Anna Massey (Frenzy), Moira Shearer (The Red Shoes) and Maxine Audley (A King in New York). Now regarded as a ground-breaking masterpiece of the British horror movement, on its initial release in 1960, Peeping Tom received a savage reception from critics who were dismayed by its controversial subject matter and the sympathy it seems to engender for its murderous protagonist. The second film from visionary director Michael Powell, following his run of 1940s and 50s classics collaborating with screenwriter Emeric Pressburger, Peeping Tom left Powell's career in tatters and the film was made unavailable for many years. Peeping Tom has since become recognized as a watershed in genre cinema, its themes of voyeurism and psychopathy proving hugely influential on the evolution of the slasher movie. Mark (Carl Boehm), a focus puller at the local film studio, supplements his wages by taking glamour photographs in a seedy studio above a newsagent. By night he is a sadistic killer, stalking his victims with his camera forever in his hand trying to capture the look of genuine, unadulterated fear - an obsession that stems from his disturbing and terrifying childhood at the hands of his scientist father. Mark slowly becomes enamoured with Helen (Anna Massey), who lives with her blind mother (Maxine Audley) in the flat downstairs, but how long before he turns the deadly gaze of his camera towards her?
A piercing new 4K restoration of Michael Powell's iconic serial killer classic Peeping Tom, restored by The Film Foundation and BFI National Archive. An influential cinematic masterpiece written by Leo Marks (Twisted Nerve) and starring Carl Boehm (Sissi), Anna Massey (Frenzy), Moira Shearer (The Red Shoes) and Maxine Audley (A King in New York). Now regarded as a ground-breaking masterpiece of the British horror movement, on its initial release in 1960, Peeping Tom received a savage reception from critics who were dismayed by its controversial subject matter and the sympathy it seems to engender for its murderous protagonist. The second film from visionary director Michael Powell, following his run of 1940s and 50s classics collaborating with screenwriter Emeric Pressburger, Peeping Tom left Powell's career in tatters and the film was made unavailable for many years. Peeping Tom has since become recognized as a watershed in genre cinema, its themes of voyeurism and psychopathy proving hugely influential on the evolution of the slasher movie. Mark (Carl Boehm), a focus puller at the local film studio, supplements his wages by taking glamour photographs in a seedy studio above a newsagent. By night he is a sadistic killer, stalking his victims with his camera forever in his hand trying to capture the look of genuine, unadulterated fear - an obsession that stems from his disturbing and terrifying childhood at the hands of his scientist father. Mark slowly becomes enamoured with Helen (Anna Massey), who lives with her blind mother (Maxine Audley) in the flat downstairs, but how long before he turns the deadly gaze of his camera towards her?
Michael Powell and Emeric Pressburger create a phantasmagoric marriage of cinema and opera in this one of a kind take on a classic story. In Jacques Offenbach's fantasy opera The Tales of Hoffman a poet dreams of three women - a mechanical performing doll a bejeweled siren and the consumptive daughter of a famous composer - all of whom break his heard in different ways. Powell and Pressburger's feverishly romantic adaptation is a feast of music dance and visual effects an
Commissioned to celebrate the centenary of the birth of the painter L.S. Lowry in 1987 this BAFTA award-winning dramatic ballet celebrates the life and work of a unique artist. Created by Gillian Lynne in collaboration with the composer Carl Davis this memorable production filmed in 1987 is performed by the Northern Ballet Theatre led by ex-Royal Ballet stars Christopher Gable and Moira Shearer. Re-mastered for DVD with the addition of recent interviews with Lynne and Davis it gives a fascinating insight into the creation of an inspirational work in the history of dance which remains as fresh as ever.
Michael Powell's controversial serial killer classic. A clean-cut focus puller (Carl Boehm) at the local film studio supplements his wages by taking girly photographs in a seedy studio above a newsagent. By night he is a sadistic killer, stalking his victims with his camera forever in his hand trying to capture the look of genuine, unadulterated fear. On its initial release the film, now regarded as a masterpiece of the British horror movement, was savaged by critics and public alike. The fearsome reaction went a long way to ruining director Powell's career and the movie was unavailable for many years.
Titian-haired screen icon Moira Shearer takes centre-stage to play multiple roles in this ravishing romantic comedy adapted by Terence Rattigan from his stage play Who Is Sylvia? and co-starring Roland Culver Denholm Elliott and Harry Andrews. Featuring exquisitely choreographed dance sequences and stunning cinematography by Oscar winner Georges Périnal The Man Who Loved Redheads looks more radiant than ever in a brand-new transfer from the original film elements. Mark St. Neots a young peer and a junior member of the Foreign Office is a man destined for a long and distinguished career in the Diplomatic Corps. Mark however is obsessed by a face: that of Sylvia a 16-year-old redheaded girl whom in his boyhood he vowed he would love to eternity. Although many years have passed since he made the promise and he is now a respectably married man Mark has never forgotten the face that symbolises his ideal woman… SPECIAL FEATURES: [] Original Theatrical Trailer [] Image Gallery [] Promotional Material PDFs
Michael Powell lays bare the cinema's dark voyeuristic underside in this disturbing 1960 psychodrama thriller. Handsome young Carl Boehm is Mark Lewis, a shy, socially clumsy young man shaped by the psychic scars of an emotionally abusive parent, in this case a psychologist father (the director in a perverse cameo) who subjected his son to nightmarish experiments in fear and recorded every interaction with a movie camera. Now Mark continues his father's work, sadistically killing young women with a phallic-like blade attached to his movie camera and filming their final, terrified moments for his definitive documentary on fear. Set in contemporary London, which Powell evokes in a lush, colourful seediness, this film presents Mark as much victim as villain and implicates the audience in his scopophilic activities as we become the spectators to his snuff film screenings. Comparisons to Hitchcock's Psycho, released the same year, are inevitable. Powell's film was reviled upon release, and it practically destroyed his career, ironic in light of the acclaim and success that greeted Psycho, but Powell's picture hit a little too close to home with its urban setting, full colour photography, documentary techniques and especially its uneasy connections between sex, violence and the cinema. We can thank Martin Scorsese for sponsoring its 1979 re-release, which presented the complete, uncut version to appreciative audiences for the first time. This powerfully perverse film was years ahead of its time and remains one of the most disturbing and psychologically complex horror films ever made. --Sean Axmaker, Amazon.com
One of Powell and Pressburger's most famous films, "The Red Shoes" is the tragic and romantic story of Vicky Page, the brilliant young dancer who must give up everything if she is to become a great ballerina.
Enter the insane mind of a psycho-killer obsessed with recording on film the most intense fear as it registers on the faces of desirable women. His camera tripod is fitted with a long blade designed to penetrate victims through the neck. And while they watch their own deaths reflected in a mirror attachment he captures their last gasps on celluloid for his evil home movie collection.
One of Powell and Pressburger's most famous films, "The Red Shoes" is the tragic and romantic story of Vicky Page, the brilliant young dancer who must give up everything if she is to become a great ballerina.
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