If you were one of the many complaining that the ending of the first series of Lost was something of a damp squib, that fear not.
You can't cheat an honest man. Jack Steve and Goat are East-End Spivs. They spend their time wheeling and dealing wherever and whenever they can. It's not until Jack and the others get involved with a guy called Villa and they are landed with a big payday they have been waiting for when they realise what a mess they are into. At the back of the lorry they have smuggled goods in they find illigal immegrants. Most of them escape but they are left with 2 kids; a boy and a girl and have to decide what to do with them...Are they going to look after them and feed them clothe them and love them? Or are they going to leave them on the streets of East-End London...
From J.J. Abrams the creator of Alias comes an action-packed adventure that will bring out the very best and the very worst in the people who are lost on a faraway desert island... Out of the blackness the first thing Jack (Matthew Fox) senses is pain. Then burning sun. A Bamboo forest. Smoke. Screams. With a rush comes the horrible awareness that the plane he was on tore apart in mid-air and crashed on a Pacific island. From there it's a blur as his doctor's instinct kic
Eagle Eye: Shia LaBeouf stars as Jerry a young slacker whose overachieving twin brother dies mysteriously. When he returns home he finds that he has been framed as a terrorist - along with his single mother! Forced to become members of a cell that has plans to carry out a political assassination they must work together to extricate themselves. Two unsuspecting Americans are separately drawn into a conspiracy by a mysterious woman they have never met but who seems to know their every move. By the time they discover her frightening identity they have become her unwitting accomplices in a diabolical assassination plot. Disturbia: After his father's accidental death Kale (Shia LaBeouf) becomes sullen withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher he finds himself under a court-ordered house arrest. His mother Julie (Carrie-Anne Moss) works night and day in order to support herself and her son as she tries in vain to understand the changes in his personality. The walls of his house begin to close in on Kale as he takes chances to extend the boundaries of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbours including a mutual attraction to the new girl next door (Sarah Roemer). Together they begin to suspect that another neighbour is a serial killer. Are their suspicions merely the product of Kale's cabin fever and vivid imagination? Or have they unwittingly stumbled across a crime that could cost them their lives?
As Sauron's evil threatens the whole of Middle-Earth, Frodo and Sam edge nearer to Mount Doom while the Fellowship must defend the human city of Minas Tirith in Peter Jackson's third and final instalment of the Tolkein trilogy.
Unwilling to take on the burdens of retirement Hetty Wainthropp (Routledge) decides that she has a natural gift for detection and sets up in business as a private detective ably assisted by husband Robert (Benfield) and her teenage sidekick Geoffrey (Monaghan). Racing to crime scenes on public transport using her bus pass Hetty proves that she can match her wits with the best of them whether the case is a mysterious death a missing son or an alleged suicide. Nine disc set containing all four series of this hugely popular BBC title based on the novels by David Cook.
Stan Helsing: In this insane spoof every horror movie ever made comes hilariously to life as slacker Stan and his stoner pals try to deliver videos to a deserted California town on Halloween night. After being stalked by realistic replicas of horror characters Freddy Kruger Pinhead and The Creeper our gang arrives in the small burg which formerly contained a horror movie studio - hence the throngs of freaky familiar characters literally crawling the streets. Our crew of two mischievous guys and two sexy girls outwit and outslash every cinematic horror character - or in the case of Michael Jackson merely horrific - to uncover the town's shocking secret: the studio's still at it making movies of a very ahem different kind. When the creatures won't let our heroes leave Stan decides to live up to his monster-slaying namesake's destiny. But first he must endure a Survivor-style competition: gobbling down body parts! Risqu'' righteous revolting and ridiculous Stan Helsing is more than a slayer - it's totally killer. I Sell The Dead: 19th century justice has finally caught up to grave robbers Arthur Blake (Dominic Monaghan) and Willie Grimes (Larry Fessenden). With the specter of the guillotine looming over him young Blake confides in visiting clergyman Father Duffy (Ron Perlman) recounting fifteen years of adventure in the resurrection trade. His tale leads from humble beginnings as a young boy stealing trinkets from corpses to a partnership with seasoned ghoul Willie Grimes as they hunt creatures unwilling to accept their place in the ground. The colourful and peculiar history of Grimes and Blake is one filled with adventure horror and vicious rivalries that threaten to put all involved in the very graves they're trying to pilfer. My Name Is Bruce: Something evil is stirring in the small mining town of Gold Lick and it's not happy. Guan-di the Chinese protector of the dead has been awakened by reckless teenagers and now his bloody crusade to wipe out the town's entire population can only be stopped by one man - Bruce Campbell (the guy who starred in all three Evil Dead movies and Bubba Ho-tep) B-movie star and deadbeat ex-husband extraordinaire who's recruited to be their unwitting savior. When our hero faces off against a dark force more fearsome than a Hollywood agent the laughs and screams start flying!
A newlywed man who believes he's just gotten hitched to the perfect woman encounters another lady on his honeymoon.
Focusing on the disappearance of a young girl within a crime-saturated neighbourhood Gone Baby Gone is an urban mystery of failure that mixes high-wire suspense with vivid characters and provocative themes. This dark hard-bitten and powerful adaptation of Dennis Lehane's haunting and emotional crime novel Gone Baby Gone sees Ben Affleck in his debut directorial role produce an intense crime thriller that is constantly surprising and deeply compelling. Dorchester a tough district of Boston where the gritty working class streets are lined with the wreckage of broken families and dreams is home to private investigator Patrick Kenzie (Casey Affleck). With professional partner and girlfriend Angela (Michelle Monaghan) Patrick investigates minor criminal cases. Their approachable tone and familiarity with the neighbourhood enables them to talk to people the police cannot. When four-year-old Amanda McCready (Madeline O'Brien) is abducted from her bedroom after her drug addicted mother Helene (Amy Ryan) leaves her alone the local police unit led by Capt. Jack Doyle (Morgan Freeman) and his ace detective Remy Bressant (Ed Harris) use all their resources to try and track the little girl down. With the police making no headway Patrick and Angela are bought in by Amanda's proud and virtuous aunt Bea to start their own investigation. As Patrick and Angela delve further down a path in to the dark heart of the neighbourhood they uncover an intensifying web of sordid lies and a labyrinthine maze of class corruption evil and innocence. With every clue or fact that is revealed tension mounts and much like Clint Eastwood's adaptation of Lehane's Mystic River Gone Baby Gone packs an emotionally powerful punch that keeps you ultimately involved and unaware of what is around the corner. By opting for a cast that consists of established and confident actors like Morgan Freeman and Ed Harris paired with real-life toughened Bostonians straight out of local pool-halls and clubs Ben Affleck has managed to portray the tough real feel of the streets of South Boston with natural grit and charm and has adapted Dennis Lehane's best-selling novel Gone Baby Gone in to a terrifying and intellectually engaging feature.
Beware the beast within... Returning to his parents' ancestral home Colum Kennedy (Allen Scotti) discovers an Irish village populated by animalistic shapeshifters. When a hauntingly beautiful woman (Julie Cialini) stirs ancient passions with him he must choose between his family and unleashing his own true nature.
The Heartbreak Kid Ben Stiller and the Farrelly brothers bring out the best in each other. In The Heartbreak Kid, Stiller plays Eddie Cantrow, who--persuaded by his father and friends that he's commitment-phobic--marries a gorgeous and seemingly ideal woman named Lila (Malin Akerman, The Brothers Solomon) that he's been dating for several weeks. But after the wedding, things start to go awry... the least of these being that on their honeymoon, Eddie meets a woman who might truly be the girl of his dreams (Michelle Monaghan, Kiss Kiss Bang Bang). As in There's Something About Mary, writers/directors Bobby and Peter Farrelly push Stiller away from his increasingly schticky "tense guy" persona and draw out his sweeter, more multilayered earnest side. On his end, Stiller provides a human core to what could just be a festival of raunch and absurdity (the movie features aroused donkeys, deviated septum jokes, and digitally-enhanced body hair, among other items of questionable taste). It only takes a quick comparison with Jim Carrey in Me, Myself & Irene or Jack Black in Shallow Hal to see what a surprisingly delicate balance that is. The Heartbreak Kid may not be quite as wildly sublime as There's Something About Mary, but it comes extremely close, with kudos to Akerman for her unrestrained nuttiness. --Bret Fetzer Meet the Parents Randy Newman's opening song, "A Fool in Love," perfectly sets up the movie that follows. The lyrics begin, "Show me a man who is gentle and kind, and I'll show you a loser," before praising the man who takes what he wants. Greg Focker (Ben Stiller) is the fool in love in Meet the Parents. Just as he's about to propose to his girlfriend Pam (Teri Polo), he learns that her sister's fiancé asked their father, Jack Byrnes (Robert De Niro), for permission to marry. Now he feels the need to do the same thing. When Greg meets Jack, he is so desperate to be liked that he makes up stories and kisses ass rather than having the courage of his convictions. It doesn't take an elite member of the CIA to see right through Greg, but that's precisely what Jack is. Directed by Jay Roach (the Austin Powers movies), Meet the Parents is an incredibly well-crafted comedy that stands in nice opposition to, say, the sloppy extremes of the Farrelly brothers. Stiller is great at playing up the uncomfortable comedy of errors, balancing just the right amount of selfishness and self-deprecating humour, while De Niro's Jack is funny as the hard-ass father who just wants a few straight answers from the kid. What makes the Jack character all the funnier is Blythe Danner as his wife, the Gracie to his George Burns, who is the true heart of the movie. Oh, and Owen Wilson turns in yet another terrific comic performance as Pam's ex-fiancé. --Andy Spletzer Meet the Fockers Meet the Parents found such tremendous success in the chemistry produced by the contrasting personalities of stars Robert De Niro and Ben Stiller that the film's creators went for broke with the same formula again in Meet the Fockers. This time around, Jack and Dina Byrnes (De Niro and Blythe Danner) climb into Jack's new kevlar-lined RV with daughter Pam (Teri Polo), soon-to-be son-in-law Gaylord (Stiller), and Jack's infant grandson from his other daughter for the trip to Florida to meet Gaylord's parents, Bernie and Roz Focker (Dustin Hoffman and Barbra Streisand in a casting coup). The potential in-laws are, of course, the opposite of Jack, a pair of randy, touchy-feely fun-lovers. The rest of the movie is pretty much a sitcom: put Bernie and Roz together with Jack, and watch the in-laws clash as Gaylord squirms. As with the original, there is a sense of joy in watching these actors take on their roles with obvious relish, and the Hoffman-Streisand-Stiller triumvirate is likeable enough to draw you in. But the formula doesn't work as well in Fockers mostly because much of the humour is based on two obvious gimmicks: Gaylord Focker's name, and the fact that Streisand's character is a sex therapist. As a result, the movie itself is more contrived and predictable, and a lot less fun than the original. The casting is grand, but one wishes more thought was put into the script.--Dan Vancini Zoolander Charge your micro-mini cell phones and whip up some orange mocha Frappuccino, 'cuz Zoolander is on the runway, and you're gonna laugh your booty off! Based on a sketch created by writer-director Ben Stiller and cowriter Drake Sather for the 1996 VH1/Vogue Fashion Awards, Zoolander is a delirious send-up of New York's fashion scene as epitomised by male model Derek Zoolander (Stiller), a dimwitted preener who's oblivious to a Manchurian Candidate-like plot to turn him into a brainwashed assassin. Tipped off by a reporter (Christina Taylor), Zoolander teams with rival model Hansel (Owen Wilson) to foil the poodle-haired fashion designer (Will Ferrell) who's behind the nefarious scheme. The goofy plot's only half the fun; with roles for Stiller's parents (Jerry Stiller and Anne Meara), dozens of celebrity cameos, endlessly quotable dialogue, and improvisational energy to spare, Zoolander is very smart about being very stupid, easily matching the Austin Powers franchise for inspired comedic lunacy. --Jeff Shannon
Wolverine, fan favourite of the X-Men universe in both comic books and film, gets his own movie vehicle with X-Men Origins: Wolverine, a tale that reaches way, way back into the hairy mutant's story. Somewhere in the wilds of northwest Canada in the early 1800s, two boys grow up amid violence: half-brothers with very special powers. Eventually they will become the near-indestructible warriors (and victims of a super-secret government program) known as Wolverine and Sabretooth, played respectively by Hugh Jackman (returning to his role) and Liev Schreiber (new to the scene). It helps enormously to have Schreiber, an actor of brawny skills, as the showiest villain; the guy can put genuine menace into a vocal inflection or a shift of the eyes. Danny Huston is the sinister government operative whose experiments keep pulling Wolverine back in, Lynn Collins is the woman who shares a peaceful Canadian co-existence with our hero when he tries to drop out of the program, and Ryan Reynolds adds needed humour, at least for a while. The fast-paced early reels give an entertaining kick-off to the Wolverine saga, only to slow down when a proper plot must be put together--but isn't that perpetually the problem with origin stories? And despite a cool setting, the grand finale is a little hemmed in by certain plot essentials that must be in place for the sequels, which may be why characters do nonsensical things. So, this one is fun while it lasts, if you're not looking for a masterpiece, or an explanation for Wolverine's facial grooming. --Robert Horton, Amazon.com Stills from X-Men Origins: Wolverine (Click for larger image)
The connection between National Geographic and The Lord of the Rings may seem tentative, but the illuminating TV special Beyond the Movie proves otherwise. While incorporating cast and crew interviews and film clips from director Peter Jackson's 2001 blockbuster The Fellowship of the Ring, this hour-long documentary transcends timely opportunism to explore the myriad inspirations for JRR Tolkien's Middle-Earth fantasy classic, beginning with the influence of Tolkien's idyllic childhood in rural England, which served as the model for his threatened Hobbit paradise. Equally fascinating are the influences of Tolkien's experience in World War I and the "evil" of industrial development on his work, and more directly those of Anglo-Saxon poetry (notably Beowulf) and the mythology of the Finnish Kalevala, which formed the basis of Tolkien's elvish culture. The author's passion for nature conservancy and cultural preservation are what ultimately serve the National Geographic agenda, but eloquent testimonials by archaeologists, anthropologists, and filmmakers make this a most agreeable hour of justified propaganda. --Jeff Shannon, Amazon.com
The year is 2104. Explorers have discovered new worlds and new civilisations. They've established remote outposts in the farthest reaches of the galaxy. A few men and women have volunteered to uphold the law on the frontier: the Space Rangers. Much like the pioneers before them who tamed the Wild West the space rangers have left behind their comfortable lives on Earth to seek new challenges and adventures. And just as the settlers made enemies among the Indians they encountered so
The Heartbreak Kid Ben Stiller and the Farrelly brothers bring out the best in each other. In The Heartbreak Kid, Stiller plays Eddie Cantrow, who--persuaded by his father and friends that he's commitment-phobic--marries a gorgeous and seemingly ideal woman named Lila (Malin Akerman, The Brothers Solomon) that he's been dating for several weeks. But after the wedding, things start to go awry... the least of these being that on their honeymoon, Eddie meets a woman who might truly be the girl of his dreams (Michelle Monaghan, Kiss Kiss Bang Bang). As in There's Something About Mary, writers/directors Bobby and Peter Farrelly push Stiller away from his increasingly schticky "tense guy" persona and draw out his sweeter, more multilayered earnest side. On his end, Stiller provides a human core to what could just be a festival of raunch and absurdity (the movie features aroused donkeys, deviated septum jokes, and digitally-enhanced body hair, among other items of questionable taste). It only takes a quick comparison with Jim Carrey in Me, Myself & Irene or Jack Black in Shallow Hal to see what a surprisingly delicate balance that is. The Heartbreak Kid may not be quite as wildly sublime as There's Something About Mary, but it comes extremely close, with kudos to Akerman for her unrestrained nuttiness. --Bret Fetzer Meet the Parents Randy Newman's opening song, "A Fool in Love," perfectly sets up the movie that follows. The lyrics begin, "Show me a man who is gentle and kind, and I'll show you a loser," before praising the man who takes what he wants. Greg Focker (Ben Stiller) is the fool in love in Meet the Parents. Just as he's about to propose to his girlfriend Pam (Teri Polo), he learns that her sister's fiancé asked their father, Jack Byrnes (Robert De Niro), for permission to marry. Now he feels the need to do the same thing. When Greg meets Jack, he is so desperate to be liked that he makes up stories and kisses ass rather than having the courage of his convictions. It doesn't take an elite member of the CIA to see right through Greg, but that's precisely what Jack is. Directed by Jay Roach (the Austin Powers movies), Meet the Parents is an incredibly well-crafted comedy that stands in nice opposition to, say, the sloppy extremes of the Farrelly brothers. Stiller is great at playing up the uncomfortable comedy of errors, balancing just the right amount of selfishness and self-deprecating humour, while De Niro's Jack is funny as the hard-ass father who just wants a few straight answers from the kid. What makes the Jack character all the funnier is Blythe Danner as his wife, the Gracie to his George Burns, who is the true heart of the movie. Oh, and Owen Wilson turns in yet another terrific comic performance as Pam's ex-fiancé. --Andy Spletzer Zoolander Charge your micro-mini cell phones and whip up some orange mocha Frappuccino, 'cuz Zoolander is on the runway, and you're gonna laugh your booty off! Based on a sketch created by writer-director Ben Stiller and cowriter Drake Sather for the 1996 VH1/Vogue Fashion Awards, Zoolander is a delirious send-up of New York's fashion scene as epitomised by male model Derek Zoolander (Stiller), a dimwitted preener who's oblivious to a Manchurian Candidate-like plot to turn him into a brainwashed assassin. Tipped off by a reporter (Christina Taylor), Zoolander teams with rival model Hansel (Owen Wilson) to foil the poodle-haired fashion designer (Will Ferrell) who's behind the nefarious scheme. The goofy plot's only half the fun; with roles for Stiller's parents (Jerry Stiller and Anne Meara), dozens of celebrity cameos, endlessly quotable dialogue, and improvisational energy to spare, Zoolander is very smart about being very stupid, easily matching the Austin Powers franchise for inspired comedic lunacy. --Jeff Shannon
Released amidst rumours of romance between co-stars Angelina Jolie and soon-to-be-divorced Brad Pitt, Mr. and Mrs. Smith offers automatic weapons and high explosives as the cure for marital boredom. The premise of this exhausting action-comedy (no relation to the Alfred Hitchcock comedy starring Carole Lombard and Robert Montgomery) is that the unhappily married Smiths (Pitt and Jolie) will improve their relationship once they discover their mutually-hidden identities as world-class assassins, but things get complicated when their secret-agency bosses order them to rub each other out. There's plenty of amusing banter in the otherwise disposable screenplay by Simon Kinberg (xXx: State of the Union, Fantastic Four), and director Doug Liman (The Bourne Identity) gives Pitt and Jolie a slick, glossy superstar showcase that's innocuous but certainly never boring. It could've been better, but as an action-packed summer confection, Mr. and Mrs. Smith kills two hours in high style. --Jeff Shannon
Due Date High-strung father-to-be Peter Highman is forced to hitch a ride with aspiring actor Ethan Tremblay on a road trip in order to make it to his child's birth on time. The Hangover A Las Vegas-set comedy centered around three groomsmen who lose their about-to-be-wed buddy during their drunken misadventures, then must retrace their steps in order to find him.
In the industrial wasteland just outside of Los Angeles, circa 2027,there's a covert war raging between the cyborgs and the humans. "86.5% is still human", insists superagent Alex (Jean-Claude Van Damme wannabe Olivier Gruner, complete with kick-boxing credentials and thick Euro-warble) but as the cyborg conspiracy builds around him he discovers that humanity is more than simply a matter of flesh and blood. Borrowing elements from Blade Runner, The Terminator, Escape from New York and The Road Warrior and looking ahead to digital "data couriers" of Johnny Mnemonic, director Albert Pyun turns the sci-fi spy story into an engine for a visceral thrill ride of sleekly designed action sequences driven by a dancing camera and a breakneck editing rhythm. It's a glorious triumph of style over substance, the vigorous pace leaving the story far behind and nimble set pieces belying a tiny budget with ambitious action choreography and impressive displays of property damage. Apart from a few clumsy special effects at the conclusion and the requisite collection of scene-chewing performances, Nemesis is a thoroughly entertaining piece of sci-fi trash, a classic example of cinematic energy overcoming the obstacles of plot. --Sean Axmaker
The New Generation Of Warriors. Gangs rule in this stylish and sexy thrill-ride that recalls such action classics as The Warriors. Dominic Monaghan (Lost and The Lord Of The Rings Trilogy) starts as a member of The Purifiers a gang of martial arts experts with a fierce reputation for protecting the streets. Tired of hopeless government initiatives and bad policing Moses (Kevin McKidd Kingdom of Heaven) the leader of a rival gang attempts to unite the neighbourhood into an all-powerful confederation with complete control over street crime and the drug trade. Because this goes against everything the Purifiers represent they find themselves standing alone and it soon become clear that for the new alliance to succeed the Purifiers need to be eliminated. With the odds stacked against the Purifiers explosive and volatile street fighting reaches all-new heights with very different and deadly outcomes in the balance.
Charlie Rankin, recently released from prison, seeks vengeance for his jail-house mentor William 'The Buddha' Pettigrew. Along the way, he meets the ethereal, yet streetwise, Florence Jane. They embark on a unlikely road trip, careening towards an unlikely redemption and uncertain resolution.
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