For better or worse, David Mamet's hit play Sexual Perversity in Chicago is watered down into this romantic comedy about a couple (played by Rob Lowe and Demi Moore) who get together and then fall apart due to Lowe's character's inability to commit. Jim Belushi is on hand as the gratuitously swinish best friend who looks at women as meat, and Elizabeth Perkins is entertainingly arch as Moore's gal pal and Belushi's nemesis. There is nothing about this 1986 film by Edward Zwick (co-creator of TV's thirtysomething and director of Glory and Courage Under Fire) that is at all reminiscent of Mamet, but that doesn't make it bad or dull. While one can feel the script straining to fill in gaps where chunks of the original play have disappeared, Zwick often successfully tells the story without words at all, relying on the actors to convey pure emotion. Lowe is good, and the then-willowy Moore's understated performance reminds one of the actress she might have been before she became a spectacle. --Tom Keogh
The Legend Comes To Life. From the writers of the Superman trilogy comes Santa Claus The Movie! This is the delightful story of a master toymaker who discovers a magical kingdom of elves at the North Pole where he is entrusted with special powers to become Santa Claus! There he meets Patch (Dudley Moore) an eager-to-please elf who becomes mixed up with a dastardly tycoon's plans to take over Christmas!
Liam Neeson stars in a ferocious action thriller set at 40,000 feet high and 550 miles per hour. Co-starring Julianne Moore (Carrie) and Michelle Dockery (Downton Abbey), NON-STOP is an action-packed thrill ride.
GOODBYE CHRISTOPHER ROBIN gives a rare glimpse into the relationship between beloved children's author A. A. Milne (Domhnall Gleeson) and his son Christopher Robin (Will TIlston), whose toys inspired the magical world of Winnie the Pooh. Along with his mother Daphne (Margot Robbie), and his nanny Olive (Kelly Macdonald), Christopher Robin and his family are swept up in the international success of the books; the enchanting tales bringing hope and comfort to England after the First World War. But with the eyes of the world on Christopher Robin, what will the cost be to the family?
Stephen Fry's directorial debut about the young, wild, party-loving creatures of the 1930s. Sex, scandal, celebrity... Some things never change...
'Freeheld' is the true love story of Laurel Hester (Julianne Moore) and Stacie Andree (Ellen Page) and their fight for justice.
Commencing a risky game of cat and mouse with corrupt D.A. Martin Hunter (Michael Douglas), ambitious reporter C.J. (Jesse Metcalfe) frames himself as a murder suspect to catch Hunter in the act!
Make Way for Tomorrow, by LEO McCAREY (An Affair to Remember), is one of the great unsung Hollywood masterpieces, an enormously moving Depression-era depiction of the frustrations of family, aging, and the generation gap. BEULAH BONDI (It's a Wonderful Life) and VICTOR MOORE (Swing Time) headline a cast of incomparable character actors, starring as an elderly couple who must move in with their grown children after the bank takes their home, yet end up separated and subject to their offspring's selfish whims. An inspiration for Yasujiro Ozu's Tokyo Story, this is among American cinema's purest tearjerkers, all the way to its unflinching ending, which McCarey refused to change despite studio pressure. Special Features High-definition digital restoration, with uncompressed monaural soundtrack Tomorrow, Yesterday, and Today, an interview from 2009 featuring filmmaker Peter Bogdanovich discussing the career of director Leo McCarey and Make Way for Tomorrow Video interview from 2009 with critic Gary Giddins, in which he talks about McCarey's artistry and the political and social context of the film PLUS: A booklet featuring essays by critic Tag Gallagher and filmmaker Bertrand Tavernier, and an excerpt from film scholar Robin Wood's 1998 piece Leo McCarey and Family Values
Disney's 50th full-length animated feature film, Tangled is a visually appealing, music-filled adventure full of romance and humor. The film focuses on Rapunzel, a girl with long magical hair who's lived her entire life imprisoned in a tower by her greedy mother. Naturally optimistic and acquiescent, Rapunzel (Mandy Moore) rarely complains about her circumstances, but for her 18th birthday she longs to leave the tower to see the floating lights that appear every year on her birthday. Her mother (Donna Murphy) refuses her request, but when thief Flynn Ryder (Zachary Levi) climbs the tower to escape his pursuers, Rapunzel (once she's conked him on the head with a frying pan multiple times) impulsively decides to trust the young man and convinces him to help her escape to see the floating lights. Thus begins a journey that alternates quite schizophrenically between optimistic excitement and guilty remorse that will ultimately change Rapunzel's and Flynn's lives forever. Tangled is a masterful blend of humour, adventure, passion and drama combined with a great musical score and top-notch animation. The 3-D effects add to the experience but probably won't be missed in other formats. Best of all, Disney presents a princess who matures from a meek and compliant girl into a spunky young woman who's not afraid to pursue her dreams and risk it all for love--now that's a Disney princess worth emulating. (Ages 6 and older) --Tami Horiuchi
Julie Walters (Filth: The Mary Whitehouse Story; Mamma Mia!) stars in A Short Stay In Switzerland for BBC One a one-off drama inspired by the true story of Dr Anne Turner by award-winning writer Frank McGuinness one of Ireland's foremost dramatists. Having just witnessed the death of her husband Jack from an incurable neurological disease Anne Turner (Julie Walters) is diagnosed with a near identical illness. With determined rationality Anne's answer is that once her illness has reached a critical point she will take her own life. And she needs her children's support. But the more her son and two daughters struggle to gain consensus over their mother's desire to die as they struggle to find another way through the further they pull apart. From Jessica's silent recriminations to Sophie's stubborn practicality the magnitude of the situation threatens to tear the family to pieces. Anne must also face the fury of her best friend Claire - whose opposing views bring them into direct and vocal conflict.
The Joneses have it all: the fastest cars, the trendiest clothes, the largest televisions, the smallest phones - the Joneses have a lifestyle that quickly becomes the envy of all the neighbours in their new suburban town.
This 1955 Oscar-nominated musical romance features the incomparable Fred Astaire in some of his most stunning dance sequences.Daddy Long Legs is a magical musical, following a young French girl (Leslie Caron) through college, her education sponsored by a mysterious man with long legs. Millionaire Jervis Pendleton III (Fred Astaire) is from old money, and although generous with his wealth, he must learn how to give of his emotions. Amid sparkling musical numbers and dream sequences, comic relief comes from Fred Clark as Griggs, Jervis' assistant, and Thelma Ritter as Jervis' secretary.
This horrible misfire from the usually reliable writer-director Andrew Bergman (The Freshman) has nothing funny, provocative, timely or interesting to say (despite being based on a novel by Carl Hiaasen) once Demi Moore gets her clothes off. Moore plays a single, unemployed mum caught up in a custody battle who elects to make some money by stripping at a club. The character's troubles don't end there, however: her ex-husband is posing a threat, and a perverted congressman (Burt Reynolds) is looking for more than a lap dance. Bergman's great wit is nowhere in sight, and the film primarily becomes another opportunity for Moore to function like a special effect. --Tom Keogh, Amazon.com
In this stunning UHD 4K release of Santa Claus: The Movie, viewers will witness every detail of the film's enchanting landscapes, whimsical characters, and dazzling special effects with unparalleled clarity and vibrancy. It's a Christmas treat for the senses. Santa Claus: The Movie (1985) a Christmas family favourite, stars Dudley Moore and John Lithgow. This is the story of how a common woodcutter becomes the legendary Father Christmas. With a fantastical toy workshop run by elves and a herdof flying reindeer, Santa Claus has vowed to ensure that all good children are rewarded at Christmas. But the holiday season soon comes under threat when a rebellious but naïve elf called Patch (Dudley Moore) runs away to modern day New York. Lost in a world he doesn't understand, Patch finds himself being exploited by a villainous toy manufacturer (John Lithgow). Could this be the end of Christmas or will its spirit prevail? Product Features Interview with Mrs.Claus: Judy Cornwell The Making of Santa Claus Shooting the Press Conference Scene Deleted Scenes
Perry's first film is a classic tale of a woman scorned with a notable twist. Helen McCarter (Kimberly Elise) is the wronged wife summarily dumped by her attorney husband Charles (Steve Harris) after 18 years of marriage. Literally booted out of her Atlanta mansion Helen goes to live with her grandmother Madea (Tyler Perry) and begins the difficult process of rebuilding her life. Just as Helen has achieved a new sense of self-confidence through steady employment and new romance Charles suddenly reappears in her life in dire need of her help. For Helen it is a chance for revenge -- but also a chance for redemption through forgiveness.
This box set features the entire third series of the classic British Television drama Inspector Morse. Episodes comprise: 1. The Ghost In The Machine: Valuable erotic paintings are stolen from the stately home of Lord Hanbury and his disappearance is soon investigated by Morse... 2. The Last Enemy: A body is found in the canal and the only clue to its identity points to a connection with one of the Oxford colleges. When Morse discovers that intense riva
The best of the James Bond adventures starring Roger Moore as tuxedoed Agent 007, this globe-trotting thriller introduced the steel-toothed Jaws (played by seven-foot-two-inch-tall actor Richard Kiel) as one of the most memorable and indestructible Bond villains. Jaws is so tenacious that Moore looks genuinely frightened, which adds to the abundant fun. This time Bond teams up with yet another lovely Russian agent (Barbara Bach) to track a pair of nuclear submarines that the nefarious Stromberg (Curt Jürgens) plans to use in his plot to start World War III. Featuring lavish sets designed by the great Ken Adam (Dr. Strangelove), The Spy Who Loved Me is a galaxy away from the suave Sean Connery exploits of the 1960s, but the film works perfectly as grandiose entertainment. From cavernous undersea lairs to the vast horizons of Egypt, this Bond thriller keeps its tongue firmly in its cheek with a plot tailor-made for daredevil escapism. --Jeff Shannon
Nobody does it better than Bond, and he proves it once more in this explosively entertaining adventure that takes him from the Egyptian pyramids to the ocean floor and to a gravity-defying mountaintop ski chase! Roger Moore brings inimitable style to Agent 007 as he teams with beautiful Russian agent Anya Amasova (Barbara Bach) to stop the megalomaniac Stromberg (Curt Jurgens) from unleashing a horrific scheme for world domination.
Ballet in two acts from the Th''atre Royal de la Monnaie Brussels. Based on Nutcracker and Mouse King by E.T.A. Hoffmann. For his witty and audacious Nutcracker award-winning choreographer Mark Morris uses Tchaikovsky''s original score but his story is closer to E.T.A. Hoffmann''s more grisly original Nutcracker and Mouse King than the cosier traditional versions of the ballet. It was filmed at the Th''''tre Royal de la Monnaie Brussels in 1992 and American cartoonist Charles Burns'' pop art set provides the backdrop. As in Hoffmann''s story there is a party at the Stahlbaum''s but this one is set in 60s America with vicious sibling rivalry a stifling marriage and clashing agendas of the campest bunch of guests in town. The Dance of the Snowflakes is a highlight and a Morris masterpiece with men and women in tutus spraying handfuls of snow and sweeping up on pointes. The national dances are funny and inventive with Morris as an Arabic woman in flowing robes. This is Morris at his most entertaining. The Symphony Orchestra and Chorus of the Th''''tre Royal de la Monnaie is conducted by the theatre''s Musical Director Sylvain Cambreling.
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