During a voyage to South America, a British naval captain is cast adrift...
Wartime Germany: Marie a concentration camp escapee on the run from the Nazis narrowly escapes drowing when she is rescued by Wolfe Kristan – a half-mad lighthouse keeper. Brought aboard the lighthouse itself she begins to fall in love with the assistant keeper who unknown to her is a British spy. As the couple become more intimate Kristan's jealously finally pushes him over the brink and into full-blown madness... Featuring a career-best performance from Wilfrid Lawson – as the deranged hook-handed lighthouse keeper – alongside Hollywood stalwart Michael Rennie and Mexican-American actress Movita Castaneda this intriguing genre-defying wartime thriller is presented here in a brand-new High Definition transfer from the original film elements in its as-exhibited theatrical aspect ratio. Bonus Features: Image Gallery Original Script PDF
Wartime Germany: Marie a concentration camp escapee on the run from the Nazis narrowly escapes drowing when she is rescued by Wolfe Kristan – a half-mad lighthouse keeper. Brought aboard the lighthouse itself she begins to fall in love with the assistant keeper who unknown to her is a British spy. As the couple become more intimate Kristan's jealously finally pushes him over the brink and into full-blown madness... Featuring a career-best performance from Wilfrid Lawson – as the deranged hook-handed lighthouse keeper – alongside Hollywood stalwart Michael Rennie and Mexican-American actress Movita Castaneda this intriguing genre-defying wartime thriller is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Bonus Features: Image Gallery Original Script PDF
John Ford's 1948 classic stars John Wayne as a cavalry officer used to doing things a certain way out West at Fort Apache. Along comes a rigid, new commanding officer (Henry Fonda) who insists that everything on his watch be done by the book, including dealings with local Indians. The results are mixed: greater discipline at the fort, but increased hostilities with the natives. Ford deliberately leaves judgements about the wisdom of these changes ambiguous, but he also allows plenty of room in this wonderful film for the fullness of life among the soldiers and their families--community rituals, new romances--to blossom. Fonda, in an unusual role for him, is stern and formal as the new man in charge; Wayne is heroic as the rebellious second; Victor McLaglen provides comic relief; and Ward Bond is a paragon of sturdy and sentimental masculinity. All of this is set against the magnificent, poetic topography of Monument Valley. This is easily one of the greatest of American films. --Tom Keogh, Amazon.com
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