In seventeenth-century France, a promiscuous and divisive local priest, Urbain Grandier (Oliver Reed), uses his powers to protect the city of Loudon from destruction at the hands of the establishment. Soon, he stands accused of the demonic possession of Sister Jeanne (Vanessa Redgrave), whose erotic obsession with him fuels the hysterical fervour that sweeps through the convent. With its bold and brilliant direction by Ken Russell, magnificent performances by Oliver Reed and Vanessa Redgrave, exquisite Derek Jarman sets and sublimely dissonant score by Sir Peter Maxwell Davies, The Devils stands as a profound and sincere commentary on religious hysteria, political persecution and the corrupt marriage of church and state.
Film adaptation of Andrew Lloyd Webber's popular musical. Gerard Butler plays a disfigured musical genius who haunts the Paris Opera, waging a reign of terror over its occupants. But when he falls in love with Christine (Emmy Rossum), the Phantom devotes himself to creating a new star for the Opera.
Joel Schumacher brings Andrew Lloyd-Webber's long-running stage musical to the big screen.
Shelagh Delaney's play A Taste of Honey had already played in the West End and on Broadway when Tony Richardson made his film adaptation, shot on location in Salford and Blackpool. Rita Tushingham made her indelible screen debut as Jo, a young girl who falls pregnant after leaving home and her floozie mother a revelatory performance by Dora Bryan. Jo befriends Geoff, a gentle kind-hearted gay art student, they move in together like two children playing house and - for a while - finding an innocent fragile happiness. Richardson (who co-wrote the screenplay with Shelagh Delaney), always skilled with actors, draws fine performances from the entire cast and A Taste of Honey remains an outstanding example of the British New Wave, and was shot by its star cinematographer Walter Lassally. Special features: Presented in High definition Walter Lassally Video Essay (2002, 21 mins):the cinematographer recalls shooting A Taste of Honey 50th Anniversary Q&A With Rita Tushingham, Murray Melvin and Walter Lassally (2011, 25 mins): the team reunite for a discussion with the BFI's Dr Josephine Botting A Taste of Honey From Stage to Screen - A Journey With Murray Melvin (2018, 25 mins): the actor looks back on both his role in the original play and reprising it for cinema Rita Tushingham on A Taste of Honey (2018, 15 mins): the actor reminisces about the making of the film Holiday (1957, 18 mins): jazz-scored documentary capturing a day (and night) in the life of high-season Blackpool, in glorious colour Illustrated booklet with new writing by Cecilia Mello and Melanie Williams, plus full film credits
What's it all about, Alfie?" asked the hit Burt Bacharach/Hal David title song, to which the less philosophical answer might be: an amoral young man comically seducing a succession of beautiful women in swinging-sixties London. Michael Caine was the titular anti-hero, here consolidating his new star status from Zulu (1964) and The Ipcress File (1965), his conquests including Shelley Winters, Jane Asher and Shirley Ann Field. Alfie was a huge success, bringing a new frankness about changing sexual attitudes to the screen, in which respect it was almost the male companion to Julie Christie's then shocking, Oscar-winning performance in Darling (1965). It was also a sort-of contemporary Tom Jones, which had swept the Oscars for 1963, however, Alfie was not only better made, but in Michael Caine's guilelessly amoral asides to camera, offered a groundbreaking illustration of a newly self-conscious cinema. It is a technique Caine would reprise as the middle-aged philanderer in Blame It On Rio (1983). With Blow Up also released in 1966, and Ken Russell's Women In Love following in 1969, British film-making was truly in the midst of a sexual revolution. Michael Caine would reunite with director Lewis Gilbert and meet his female match in Educating Rita (1983). --Gary S. Dalkin
Perhaps Stanley Kubrick's most underrated film, Barry Lyndon--adapted from the picaresque novel by William Makepeace Thackeray--inhabits the 18th century in the way A Clockwork Orange and 2001: A Space Odyssey inhabit the future: perfect sets, costumes and cinematography capture characters whose rises and falls are at once deeply tragic and absurdly comical. Narrated in avuncular form by Michael Hordern, the film follows the fortunes of Redmond Barry (Ryan O'Neal), a handsome Irish youth forced to flee his hometown after a duel with a cowardly English officer (Leonard Rossiter). Stripped of his small fortune by a deferential highwayman, Barry joins the British army and fights in the Seven Years War, attempting a desertion that leads him into the Prussian army. A position as a spy on an exquisitely painted con man (Patrick Magee) leads to a life of gambling around the courts of Europe, and just before the intermission our hero achieves all he could want by marrying a wealthy, titled beautiful widow (Marisa Berenson). However, Part Two reveals that Barry can no more be a clockwork orange than the protagonist of Kubrick's previous film, and his spendthrift ways, foolhardy pursuit of social advancement and unwise treatment of his new family lead to several disasters, climaxing in another horrific, yet farcical duel. Shot almost entirely in the "magic hour", that point of the day when the light is mistily perfect, with innovative use of candlelight for interiors, Barry Lyndon looks ravishing, but the perfection of its images is matched by the inner turmoil of its seemingly frozen characters. Kubrick is often accused of being unemotional, but his restraint is all the more affecting when, for example, Barry is struck by the deaths of those close to him, his wife writhes into madness or his stepson (Leon Vitali) vomits before he can stand his ground in a duel.On the DVD: The extras are skimpy, a trailer and a list of awards, a French alternate soundtrack and subtitles in seven languages. However, the film--"digitally restored and remastered"--is served superbly by the medium. Letterboxed to 1.59:1 (which fits the 14:9 option of a widescreen TV), with a 5.1 Dolby Digital soundtrack, the print looks and sounds wonderful, which not only allows a fresh appreciation of the wit and beauty of the film but shows just how good the apparent underplaying (unusual in Kubrick films) of the cast is. --Kim Newman
A policeman is shot dead and two South London boys stand accused of his murder. The verdict and the sentence passed the crime. Both the verdict and the sentence were subsequently quashed. This is the case that shocked the nation.
Revered misunderstood and oft-discussed Stephen Weeks' rarely seen 1974 dreamlike chiller is the absolute definition of a cult British Horror film. Set in 1920's England it tells of three former public schoolmates Larry Dann (The Bill) Murray Melvin (The Devils) and the enigmatic Vivian Mackerrell (the inspiration for Bruce Robinson' s creation 'Withnail' seen here in his only major screen role) who reunite in a country mansion haunted by the spirit of insane former resident Marianne Faithfull (Girl On A Motorcycle). The haunting transports them to a surreal world of demonic dolls sadistic doctors incest and murder. Hammer fans will see Barbara Shelley (Dracula Prince Of Darkness) and Leigh Lawson (Hammer House Of Horror) among the cast 'cult TV' enthusiasts will recognise Anthony Bate (Tinker Tailor Soldier Spy Beasts) and sitcom lovers will enjoy a cameo from Penelope Keith (The Good Life To The Manor Born).
Rita Tushingham made her indelible screen debut as Jo a young girl who falls pregnant after leaving home and her floozie of a mother - a revelatory performance by Dora Bryan. Jo befriends Geoff (Murray Melvin) a gentle kind-hearted gay man and they move in together like two children playing house for a while finding an innocent but fragile happiness.
Stephen Weeks's dreamlike chiller is the perfect definition of a cult British Horror film. Reunited in a country mansion in 1930s England, former public schoolmates Larry Dann (The Bill), Murray Melvin (The Devils) and Vivian MacKerrell (the inspiration for Bruce Robinson's creation Withnail in his only major screen role) are visited by the spirit of former resident Marianne Faithfull (The Girl on a Motorcycle). who was wrongly incarcerated in a local asylum. Via her demonic doll, we are transported to a surreal and sinister world of incest and murder, and her revenge on the corrupt asylum s sadistic doctor. Featuring Barbara Shelley (Dracula, Prince of Darkness), Leigh Lawson (Hammer House of Horror), Anthony Bate (Tinker Tailor Soldier Spy, Beasts) and Penelope Keith (The Good Life, To The Manor Born) with a soundtrack by Pink Floyd collaborator Ron Geesin, Ghost Story Now beautifully restored and packed with bonus features, Ghost Story successfully combines 1970s horror with 1930s charm in this high definition premiere!
Shelagh Delaney's play 'A Taste of Honey' had already played in the West End and on Broadway when Tony Richardson made his film adaptation shot on location in Salford and Blackpool. Rita Tushingham made her indelible screen debut as Jo a young girl who falls pregnant after leaving home and her floozie of a mother - a revelatory performance by Dora Bryan. Jo befriends Geoff (Murray Melvin) a gentle kind-hearted gay man and they move in together like two children playing house for a while finding an innocent but fragile happiness. Richardson always skilled with actors draws fine performances from his entire cast and 'A Taste of Honey' remains an outstanding example of the British New Wave shot by its star cinematographer Walter Lassally.
Evita (Dir. Alan Parker 1996): Eva Peron (Madonna) was born the illegitimate daughter of a penniless farmer. Determined to make it to the top Eva attaches herself to a poplar tango singer (Jimmy Nail) in the big city. Eva becomes a radio and film actress moving in influential circles within Buenos Aires society. When she becomes involved with rising politician Juan Peron (Jonathan Pryce) the establishment disapproves and he is arrested. Eva fights on the freedom both for
Directed by Mike Hodges (Get Carter, I'll Sleep When I'm Dead), written by Ace Of Wands creator Trevor Preston, and starring Philip Madoc, Murray Melvin and juvenile leads from the Italia Conti Academy of Theatre Arts, The Tyrant King follows three teenagers as they traverse London searching for an answer to a hidden secret. A quest fraught with drama and danger takes them to some of the capital's most iconic landmarks and beyond (a reflection of the drama's origin as an adventure story published by London Transport), while the action is complemented by an atmospheric contemporary soundtrack featuring, among others, Pink Floyd, The Nice, Cream and The Moody Blues. Shown once in black and white in 1968, this is the first time it will be seen in colour, transferred from original film materials specifically for this release. This six-part mystery thriller was Thames Television's very first production. Shot on location on 16mm film, it was effectively an experiment to assess the feasibility of a small-scale production unit within the company - a subsidiary that would eventually become the legendary Euston Films, responsible for a string of phenomenally successful dramas including The Sweeney and Minder. Music from The Rolling Stones, The Nice, The Moody Blues, Cream and Pink Floyd.
Joel Schumacher brings Andrew Lloyd-Webber's long-running stage musical to the big screen.
A magical blend of choreography, stop-motion and live action, Stories from a Flying Trunk captures the enchantment of three classic stories from Hans Christian Andersen. Conceived, written and directed by Oscarnominated Christine Edzard and featuring the dancers of the Royal Ballet, choreographed by Frederick Ashton it is presented here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio.The Kitchen contains household objects which come to life and hold an animated conversation.Little Ida is an inspired celebration of dance featuring members of the Royal Ballet.SPECIAL FEATURESImage galleryOriginal theatrical trailerOriginal pressbook PDF
On the remote Atlantic island of St. Helena the residence in exile for the past six years of the great Napoleaon Bonaparte that exile is about to end. A secret network of loyal Bonapartists is poised to return the Emperor to Paris while a double will play his part on the island. When the Emperor arrives in Paris the double on St. Helena will reveal himself as an imposter and Napoleon will reclaim his throne. Disguised as able-bodied seaman Eugene Lenormand Napoleon sets off for Paris while his doppelganger the real Eugene Lenormand wakes up in his Emperor's bed. But things don't work out as planned. Napoleon's ship changes course and he misses a crucial link in his network of supporters. Arriving eventually in Paris alone and friendless he meets a widowed melon seller and the two forge an unlikely but life changing relationship while Napoleon waits impatiently for his moment. When his return to glory is thwarted by an unexpected turn of events on St. Helena Napoleon has to find another way to confirm his true identity while finally letting go of imperial dreams.
Based on Jonathan Swift's literary classic this was one of the first feature films to combine live action with animation.
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