"Actor: Nancy Marchand"

  • The Sopranos: Complete Series 1 [1999]The Sopranos: Complete Series 1 | DVD | (24/11/2003) from £13.89   |  Saving you £48.10 (346.29%)   |  RRP £61.99

    Writer-producer-director David Chase's extraordinary television seriesThe Sopranos is nominally an urban gangster drama, but its true impact strikes closer to home. This ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there's the added complexity posed by heading twin families, his collegiate mob clan and his own nouveau-riche brood. The brilliant first series is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his midlevel capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get. Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed. The first year's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what's not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland

  • The Sopranos: Complete Series 1 (Six Disc Set) [1999]The Sopranos: Complete Series 1 (Six Disc Set) | DVD | (29/10/2000) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £61.99

    The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: This ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there's the added complexity posed by heading twin families, his collegial mob clan and his own nouveau riche brood. The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his midlevel capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers, and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get. Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful, and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed. The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive, and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what's not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com

  • Sabrina [1996]Sabrina | DVD | (10/06/2002) from £13.69   |  Saving you £-0.70 (N/A%)   |  RRP £12.99

    Love is a funny thing. Especially when Harrison Ford Julia Ormond and Greg Kinnear form the warmest romantic triangle ever! Directed by Sydney Pollack Sabrina shimmers like a fairy tale come true. Ford plays Linus Larrabee a busy tycoon who has no room for love in his appointment book. But when a romance between his playboy brother (Kinnear) and Sabrina (Ormond) daughter of the family chauffeur threatens one of Linus' business deals the CEO clears his schedule for some ruthl

  • Naked Gun [1989]Naked Gun | DVD | (09/04/2001) from £2.65   |  Saving you £13.34 (503.40%)   |  RRP £15.99

    Zucker-Abrahams-Zucker, the creative troika behind Airplane!, scored another hit with this big-screen adaptation of their short-lived television show Police Squad!. Deadpan as ever, Leslie Nielsen revives his TV role of Lt Frank Drebin, the idiot with a detective's badge. The jokes come thick and fast, gathering a momentum that lasts until the final act. Ricardo Montalban is a perfect foil as a villain whose aquarium is invaded by Drebin during routine questioning, and George Kennedy is delightful in a self-parodying part as an earnest but obtuse lawman. There's a hilarious bit when Drebin--wearing a live police wire while going to the bathroom--can be overheard over the loudspeakers at a speech given by a flustered mayor (Nancy Marchand). And yes, that's OJ Simpson as a detective who ends up on the wrong side of numerous Drebin blunders. --Tom Keogh, Amazon.com

  • The Bostonians [1984]The Bostonians | DVD | (17/03/2008) from £17.62   |  Saving you £-1.63 (N/A%)   |  RRP £15.99

    Vanessa Redgrave (in an Oscar-nominated performance) and Christopher Reeve are the stars of THE BOSTONIANS Merchant Ivory Productions' acclaimed 1984 screen adaptation of the Henry James classic which charts the struggle between two charismatic forces - feminist and a chauvinist - to gain control over the destiny of a spirited young woman. The story takes place in Boston in the aftermath of the American Civil War - a time of political and social turmoil. Verena Tarrant (Madeleine Potter Slaves Of New York) a gifted young orator has attracted the attention of Olive Chancellor (Redgrave) who wished to nurture Verena as an inspirational force for the Woman's Movement But ranged against her is Basil Ransom (Reeve) a handsome male chauvinist who wants Verena as his wife. Against a backdrop of luminous New England landscapes battle is joined and for Olive the struggle will prove an odyssey that forces her to acknowledge her true nature.

  • The Sopranos - Complete HBO Season 1 [Blu-ray]The Sopranos - Complete HBO Season 1 | Blu Ray | (23/11/2009) from £15.42   |  Saving you £35.83 (253.04%)   |  RRP £49.99

    Meet Tony Soprano: your average middle-aged businessman. Tony's got a dutiful wife. A not-so-dutiful daughter. A son named Antony Jr. A mother he's trying to coax into a retirement home. A hot-headed uncle. A not too-secret mistress. A nd a shrink to tell all his secrest except the one she already knows:Tony's a mob boss. These The Sopranos chronicles a dysfunctional suburban American family. For Tony Soprano there's the added complexity posed by heading twin families his mob clan and his own nouveau-riche brood. The beginning of the epic Sopranos story can now be enjoyed in superior Blu-ray high definition and sound. Episodes Comprise: 1. The Sopranos 2. 46 Long 3. Denial Anger Acceptance 4. Meadowlands 5. College 6. Pax Soprano 7. Down Neck 8. Tennessee Moltisante 9. Boca 10. A Hit Is A Hit 11. Nobody Knows Anything 12. Isabella 13. Jeanne Cusamano

  • The Sopranos: Series 1 (Vol. 1) [1999]The Sopranos: Series 1 (Vol. 1) | DVD | (16/04/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

    The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: This ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there is the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his mid-level capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what is not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com

  • The Bostonians [1984]The Bostonians | DVD | (28/04/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

    Vanessa Redgrave (in an Oscar-nominated performance) and Christopher Reeve are the stars of THE BOSTONIANS Merchant Ivory Productions' acclaimed 1984 screen adaptation of the Henry James classic which charts the struggle between two charismatic forces - feminist and a chauvinist - to gain control over the destiny of a spirited young woman.The story takes place in Boston in the aftermath of the American Civil War - a time of political and social turmoil. Verena Tarrant (Madeleine Potter Slaves Of New York) a gifted young orator has attracted the attention of Olive Chancellor (Redgrave) who wished to nurture Verena as an inspirational force for the Woman's Movement But ranged against her is Basil Ransom (Reeve) a handsome male chauvinist who wants Verena as his wife. Against a backdrop of luminous New England landscapes battle is joined and for Olive the struggle will prove an odyssey that forces her to acknowledge her true nature.

  • The Bostonians (the Merchant Ivory Collection)The Bostonians (the Merchant Ivory Collection) | DVD | (06/09/2004) from £17.97   |  Saving you £-4.99 (N/A%)   |  RRP £9.99

    The daughter of a faith healer is forced to choose between her mother's religious activities and her desire to use her speaking ability to further the women's suffragette movement. To complicate matters more the man she loves is strongly opposed to the feminist cause.

  • The Sopranos: Series 2 (Vol. 2) [2000]The Sopranos: Series 2 (Vol. 2) | DVD | (21/05/2001) from £6.03   |  Saving you £6.96 (115.42%)   |  RRP £12.99

    The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs

  • The Sopranos - Complete HBO Series - Deluxe Edition [1999]The Sopranos - Complete HBO Series - Deluxe Edition | DVD | (24/11/2008) from £114.90   |  Saving you £15.09 (13.13%)   |  RRP £129.99

    Tony Soprano tries to be a good family man on two fronts - to his wife kids and widowed mother - and as a capo in the New Jersey mob. But when the pressures of work and family life start giving him panic attacks Tony begins seeing a therapist. These visits he keeps to himself because Tony has already identified his biggest problem - if one family doesn't kill him the other one will. The groundbreaking dramatic series from writer-producer David Chase stars James Gandolfini Lorraine Bracco Edie Falco Michael Imperioli and Nancy Marchand in an inside look at the family life of a modern-day mob boss. Part satirical loving homage to the influences of the great American gangster films part darkly comedic study of a New Jersey Italian-American family it is has become one of the most admired television series of all time.

  • The Sopranos: Series 1 (Vols. 1-3) [1999]The Sopranos: Series 1 (Vols. 1-3) | DVD | (17/07/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £32.99

    Pilot- The Sopranos: Tony Soprano agrees to see a psychiatrist after suffering a series of anxiety attacks. 46 Long: Acting boss of the family Giacomo 'Jackie' April is ill with cancer Tony gets into a power struggle with Uncle Junior that he doesn't want. Denial Anger Acceptance: Unbeknownst to her parents Meadow and her friend Hunter score some crystal meth from Brendan and Christopher to help them study. Meadowlands: Christopher along with his girlfriend Adriana finds Brendan's brains splattered all over his tub. College: Tony takes Meadow around Maine to interview for colleges. When Dr. Melfi telephones to cancel an appointment Carmela realises that Tony lied about his psychiatrist's gender and is immediately suspicious. Politics go out the window and Tony finds himself in strife as members of the family get head strong and make a stand. Tony's position becomes increasingly more uncomfortable. Still it gives him time to reflect. The Sopranos series won Golden Globes for Best Actor (James Gandolfini) best actress (Edie Falco) and best supporting actress (Nancy Marchand).

  • The Sopranos: Series 2 (Vols. 1-3) [2000]The Sopranos: Series 2 (Vols. 1-3) | DVD | (23/07/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £32.99

    The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs

  • The Sopranos: Series 2 (Vol. 1) [2000]The Sopranos: Series 2 (Vol. 1) | DVD | (21/05/2001) from £6.03   |  Saving you £6.96 (115.42%)   |  RRP £12.99

    The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs

  • The Sopranos: Series 1 (Vol. 2) [1999]The Sopranos: Series 1 (Vol. 2) | DVD | (16/04/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £13.99

    The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: This ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there is the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his mid-level capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what is not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com

  • The Sopranos: Series 2 (Vols. 4-6) [2001]The Sopranos: Series 2 (Vols. 4-6) | DVD | (25/06/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £33.99

    The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs

  • The Sopranos: Series 1 (Vol. 3) [1999]The Sopranos: Series 1 (Vol. 3) | DVD | (16/04/2001) from £33.02   |  Saving you £-17.77 (N/A%)   |  RRP £13.99

    The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: This ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there is the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his mid-level capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what is not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com

  • The Sopranos: Series 1 (Vol. 6) [2000]The Sopranos: Series 1 (Vol. 6) | DVD | (16/04/2001) from £16.79   |  Saving you £-1.54 (N/A%)   |  RRP £13.99

    The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: This ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there is the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his mid-level capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what is not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com

  • The Sopranos: Series 2 (Vol. 3)The Sopranos: Series 2 (Vol. 3) | DVD | (21/05/2001) from £22.77   |  Saving you £-8.52 (N/A%)   |  RRP £12.99

    The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs

  • The Sopranos: Series 2 (Vol. 5) [2000]The Sopranos: Series 2 (Vol. 5) | DVD | (25/06/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

    The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs

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