US Navy submarines bravely try to penetrate the heavily-mined entrance to the Sea of Japan in order to sink enemy shipping which is carrying coal food and iron from China to the Japanese homeland. Available for the first time on DVD!
If you loved director Meng Hua Ho's awesome game-changing martial arts masterpiece THE FLYING GUILLOTINE (1974) then you will lose your head over his decapitation-packed follow-up THE DRAGON MISSILE (1976). Headlined by the legendary kung-fu icon Lo Lieh (THE 36TH CHAMBER OF SHAOLIN) this brutal tale of rivalry and skullduggery in ancient China packs a potent punch from start to finish. Absolutely crammed full of carnage - the blood flies thick and fast as the 'missile' itself glides across the screen and slices limbs from bodies in this wuxia wonder that is finally on BluRay in all of its HD chopsocky glory! Sit down to THE DRAGON MISSILE and remind yourself why Hong Kong was once at the forefront of world action cinema - for this is a must-have motion picture that positively re-invented the excess of East Asian adventure epics!!! SPECIAL EDITION CONTENTS Both Chinese with English Subtitles and English soundtrack Options Audio Commentary by Bey Logan Audio Commentary by Hong Kong cinema expert, David West Reverse Sleeve featuring Original Hong Kong Poster Art
These all-time classic adventures, each featuring pioneering special effects by filmmaking legend Ray Harryhausen, are presented here in stunning 4K restorations. Containing a wealth of new and archival extras including audio commentaries with the great Ray Harryhausen himself, a Jason and the Argonauts commentary with Lord of the Rings director Peter Jackson, new interviews with SFX maestro Hal Hickel and genre-film expert Kim Newman this ravishing Limited Dual Format Edition Box Set from Indicator is strictly limited to 6,000 units. Extras: 4K restorations from the original camera negatives Mono and 5.1 surround sound audio options Ray Harryhausen audio commentaries Additional Mysterious Island audio commentary with film historians Randall William Cook, C. Courtney Joyner and Steven C. Smith Additional Jason and the Argonauts audio commentary with filmmaker Peter Jackson and Randall William Cook 'Jason and the Argonauts' Original Skeleton Fight Storyboards Ray Harryhausen on 'Mysterious Island' Hal Hickel on 'Mysterious Island' (2017): new interview with the special effects maestro Kim Newman on 'Mysterious Island' (2017): new appreciation by the author and genre-film expert Islands of Mystery: vintage featurette Randall William Cook Introduces 'First Men in the Moon' Tomorrow the Moon: vintage featurette New and exclusive interviews with crew members, including camera assistant Ray Andrew (Mysterious Island) and production manager Ted Wallis >First Men in the Moon) Mysterious Island comic-book Archival documentaries and interviews Super 8 versions of Mysterious Island and Jason and the Argonauts Isolated scores: experience the music of Bernard Herrmann (Mysterious Island) and Laurie Johnson (First Men in the Moon) Original trailers, teasers, TV spots and promotional films John Landis trailer commentary for First Men in the Moon Image galleries: extensive promotional and on-set photography, poster art and archive materials Limited edition exclusive 80-page book with new essays by film experts Kim Newman and Tim Lucas, an in-depth oral history of all three films, and full film credits UK Blu-ray premieres of Mysterious Island and First Men in the Moon Limited Dual Format Edition Box Set of 6,000 numbered units
The Naked Gun (Dir. David Zucker 1988): Those screw-loose Airplane! creators have done it again! Leslie Nielsen stars as Police Squad's own granite-jawed rock-brained cop Frank Drebin who bumbles across a mind-control scheme to assassinate Queen Elizabeth. Priscilla Presley O.J. Simpson a stuffed beaver two baseball teams and an odd assortment of others join the wacko goings-on and blow the laugh-o-meter to smithereens. The Naked Gun 2 1/2 - The Smell O
Los Angeles which lives by the automobile has begun to die by it. A homicidal maniac the Skull has been terrorizing the city killing motorists at random with his death car. But when Rick's little brother is killed Rick becomes part Guardian Angel part crusader and part warrior with one thing on his mind - revenge.
John Carpenter's Assault On Precinct 13 is a riveting low-budget thriller from 1976, in which a nearly abandoned police station is held under siege by a heavily armed gang called Street Thunder. Inside the station, cut off from contact and isolated, convicts heading for death row and the cops must now join forces or die. That's the basic plot, but what Carpenter does with it is remarkable. Drawing specific inspiration from the classic Howard Hawks Western Rio Bravo (which included a similar siege on disadvantaged heroes), Carpenter used his simple setting for a tense, tightly constructed series of action sequences, emphasising low-key character development and escalating tension. Few who've seen the film can forget the "ice cream cone" scene in which a young girl is caught up in the action by patronising a seemingly harmless ice cream van. It's here, and in other equally memorable scenes, that Carpenter demonstrates his knack for injecting terror into the mundane details of daily life, propelling this potent thriller to cult favourite status and long-standing critical acclaim. From this Carpenter went on to make the original Halloween, one of the most profitable independent films of all time. --Jeff Shannon, Amazon.com
Box office star and hit comedian Martin Lawrence returns to his roots in this live stand-up show that sees him bring his unique brand of cynical humour to the stage. Lawrence joins such comedy legends as Richard Pryor and Eddie Murphy in cementing the perfect live stand-up routine in this 90 minute show casting his scathing opinion over many aspects of contemporary life. Lawrence's passionate style of comedy tells it how it is and offers a hilarious insight into what people are real
Not All Aliens Come From Space. Save Your Last Breath...To Scream. Far below the surface of the unforgiving sea the daring crew of DeepStar Six are explorers in a forbidding world of impenetrable darkness and unimaginable pressure. They have invaded the icy fathoms into which no human has ever ventured. Their mission is to establish a top secret Navy base on the ocean floor. But something's down there and the crew of DeepStar Six are about to make a startling discovery - there's n
Bring home this essential collection of 8 Paramount Pictures classics starring the one and only King Of Rock & Roll, Elvis Presley. Including Blue Hawaii; King Creole; Roustabout; G.i. Blues; Girls! Girls! Girls!; Paradise, Hawaiian Style; Fun In Acapulco; Easy Come, Easy Go. Blue Hawaii The year was 1961. Fallout shelters dot suburban backyards. Ken joins Barbie. Roger Maris slugs 61 home runs. And Elvis Presley is in paradise, playing an ex-G.I. who comes home to Blue Hawaii. His mother (Angela Lansbury) expects him to climb the corporate ladder. But Elvis would rather wear an aloha shirt than a white collar, so he goes to work as a tour guide. Lucky Elvis: his first customers are a careful of cuties. Elvis, lovely scenery, lovelier girls and rock-a-hula songs - now that's paradise! Fun in Acapulco The year was 1963. The hot line links the White House and the Kremlin. The first major pop art exhibition stirs up a major buzz. The Whisky-A-Go-Go opens. And in Fun In Acapulco, Elvis heads south of the border, where he's fired as a boat hand, hired as a lifeguard and singer, admired by local beauties (including Ursula Andress) and inspired to jump off a 136-foot cliff. Put another way: he overcomes a fear of heights in spectacular fashion. Spectacular, too, are the scenic vistas and Latin-beat tunes. Dive in! King Creole The year was 1958. Everybody's datin' at the drive-in. America launches its first satellite. The novel Lolita stirs up controversy. And Elvis Presley gives Bourbon Street a new beat in King Creole. He plays a troubled youth whose singing sets the French Quarter rockin'. With a sweet girl to love him and nightclubbers cheering, it looks like Elvis will shake off his past and head for the top. But will a mobster (Walter Matthau) and his man-trap moll (Carolyn Jones) snare him in a life of crime? Roustabout The year was 1964. The miniskirt is in. If you can't Watusi, you can't dance. Cassius Clay (soon to be Muhammad Ali) claims the heavyweight crown. And Elvis is a karatechopping biker who's hired as a carnival Roustabout. At first he just provides muscle and a diversion for the beautiful carny girls. Then he picks up a guitar and gets the midway rockin'. Looks like this talented tough guy may be what the good-hearted owner (Barbara Stanwyck) needs to save her travelling show from bankruptcy. Easy Come, Easy Go The year was 1967. It's Packers vs. Chiefs in the first Super Bowl. Twiggy is a supermodel sensation. America's 100,000,000th telephone is installed. And Elvis dives for dollars in Easy Come, Easy Go. On his last day in the Navy, frogman Elvis discovers a sunken treasure ship. On his first day as a civilian, Elvis starts his new job-self-employed treasure hunter! Fans will dig these treasures, too: Rockin' tunes, romance with a go-go dancer, underwater action, and The King twisted like a human pretzel at a groovy 60's yogafest Costarring Elsa Lanchester (Bride of Frankenstein). GI Blues The year was 1960. A payola scandal shocks the music world. Movie fans are introduced to glorious Smell-O-Vision. The 50-star flag is adopted. And in G.I. Blues, Elvis adopts an on-screen persona he knows well in real life-a singin' G.I. in West Germany. Eager to open a stateside nightclub after his hitch in khakis, he takes part in a wager to raise the dough he needs. The bet: he can melt the iceberg heart of a willowy dancer (Juliet Prowse). But all bets may be off when real love intervenes Girls! Girls! Girls! The year was 1962. Teens twist at the Peppermint Lounge. John Glenn orbits Earth. Wilt Chamberlain scores 100 points in a single game. And Elvis digs the possibilities of Girls! Girls! Girls! This time he's a charter-boat skipper who helps tourists land the big ones. Of course, plenty of beautiful girls (including Stella Stevens) want to land Elvis. But there's something Elvis likes almost as much as romance-a boat! He yearns for a sleek sailboat with a $10,000 price tag. Let's see, that makes him about $9,999 short. Paradise, Hawaiian Style The year was 1966. A little-known series called Star Trek⢠beams up. Valley of the Dolls is the hot book. Half of all TVs sold are color sets. And in Paradise, Hawaiian Style, Elvis takes to the skies over the island paradise of Kauai. He's a partner in a helicopter charter service. Romance, naturally, is in the air for the King but his business may be grounded. A threatened suspension of his pilot's license means he may have to kiss his assets goodbye.
The Last Detail nearly didn't get a release. Columbia, for whom it was made, was alarmed by the movie's barrage of profanity and resented the unorthodox working style of its director, Hal Ashby, who loathed producers and made no secret of it. Only when the film picked up a Best Actor Award for Jack Nicholson at Cannes did the studio reluctantly grant it a release--with minimal promotion--to widespread critical acclaim. Nicholson, in one of his best roles, plays "Bad-ass" Buddusky, a naval petty officer detailed, along with his black colleague "Mule" Mulhall (Otis Young), to escort an offender from Virginia to the harsh naval prison at Portsmouth, NH. The miscreant is a naïve youngster, Meadows (Randy Quaid), who's been given eight years for stealing $40 from his CO's wife's favourite charity. The escorts, at first cynically detached, soon start feeling sorry for Meadows and decide to show him a good time in his last few days of freedom. Ashby, a true son of 60s counterculture, avidly abets the anti-authoritarian tone of Robert Towne's script. Meadows is a sad victim of the system--but so too are Buddusky and Mulhall, as they gradually come to realise. A lot of the film is very funny. Nicholson gets to do one of his classic psychotic outbursts--"I am the fucking shore patrol!"--and there are some pungent scenes of male bonding pushed to the verge of desperation. But the overall tone is melancholy, pointed up by the jaunty military marches on the soundtrack. Shot amid bleak, wintry landscapes, in buses and trains and grey urban streets, The Last Detail is a film of constant, compulsive movement going nowhere--a powerful, finely acted study of institutional claustrophobia. On the DVD: The Last Detail disc doesn't have much in the way of extras. There are abbreviated filmographies for Ashby, Nicholson and Quaid (though not for Young) and a trailer for A Few Good Men (1992). The mono sound comes up well in Dolby Digital, and the transfer preserves DoP Michael Chapman's subtle, subfusc palette and the 1.85:1 ratio of the original. --Philip Kemp
Season 6 of The Simpons arrives as they begin season 17 in the US !
Father Brown (Mark Williams) cycles back on screen to solve more mysteries in the sleepy Cotswold village of Kembleford in this charming series based on the short stories by G K Chesterton. Once again he is aided by his no- nonsense parish secretary Mrs. McCarthy glamorous socialite Lady Felicia Montague and her chauffeur Sid Carter.
This terrifying adaptation of Stephen King's bestselling horror novel was directed by shock maestro Brian De Palma for maximum, no-holds-barred effect. Sissy Spacek stars as Carrie White, the beleaguered daughter of a religious kook (Piper Laurie) and a social outcast tormented by her cruel, insensitive classmates. When her rage turns into telekinetic powers, however, school's out in every sense of the word. De Palma's horrific climax in a school gym lingers forever in the memory, though the film is also built upon Spacek's remarkable performance and Piper Laurie's outlandishly creepy one. John Travolta has a small part as a thug, De Palma's future wife, Nancy Allen, is his girlfriend, and Amy Irving makes her screen debut as one of the girls giving Carrie a hard time.--Tom Keogh
In the year 2018, violence and crime have been totally eliminated from society and given outlet in the brutal blood sport of rollerball, a high-velocity blend of football, hockey, and motor-cross racing sponsored by the multinational corporations that now control the world following the collapse of traditional politics. James Caan plays Jonathan ., the reigning superstar of rollerball, whose corporate controllers fear that Jonathan's popularity has endowed him with too much power. They begin to pressure him according to their own ruthless set of rules, but Jonathan has rules of his own--ones for a man determined to retain his soul in a world gone mad. As directed by Norman Jewison (who was enjoying a peak of success during the early and mid-1970s), Rollerball creates a believable society that's been rendered passive and compliant by the homogenisation of corporate dictatorships, where the control and flow of information is the only currency of any importance. It's a world in which natural human aggressions have been sublimated and vented through the religious fervour toward rollerball and its players. Rollerball now looks like one of those 1970s science fiction films (another example being Logan's Run) that seems a bit dated and quaint, but its ideas are still provocative and fascinating, and the production is visually impressive. --Jeff Shannon, Amazon.com
Treehouse Of Horror X: A techno-invasion hits the Simpson household... Itchy And Scratchy Land: The Simpsons go on holiday to the most violent place on earth! Das Bus: Homer becomes a wizard of the worldwide web... Homer Goes To College: Homer's lack of techno-skill causes a mini meltdown and he's sent to college!
Based on the novel by A.J. Cronin this moving drama tells of a group of coalminers who through the greed of their pit-owner boss are buried alive ...
One of the greatest performers of the twentieth century Frank Sinatra is presented here in a series of legendary American television series' from the 1950s. There's the Welcome Home Elvis show which features Frank and Nancy Sinatra Sammy Davis Jr and of course Elvis Presley a tribute show to the ladies and the performance of Cole Porter's Anything Goes among the seven shows. The performers include Ella Fitzgerald Bing Crosby Dean Martin Mitzi Gaynor and many more!
Reprising his role as Stanley the bellboy Jerry Lewis returns in The Patsy. When a star comedian dies unexpectedly the team behind the man decide to train an unknown to fill the shoes of the late comedian for a TV show. Undeniably absurd but extremely funny the film centres on the disastrous attempts by Stanley to fulfil the requirements to pass himself off as the comedian. As Stanley's big debut approaches his abilities deteriorate rapidly into a melting-pot of mayhem and slap
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