If you were a kid in the early 1960s, then you saw The Parent Trap with Hayley Mills--it's as simple as that. Now Disney has pulled the beloved comedy--about a pair of twins who meet for the first time at summer camp and vow to reunite their long-divorced parents--out of the mothballs and remade it with a decidedly 90s feel. This time, the twins act is performed by newcomer Lindsay Lohan, who plays both Hallie and Annie, who each live with one of their parents (Dennis Quaid and Natasha Richardson). Adversaries when they first meet at camp, Hallie and Annie become, well, sisters when they figure out that they are siblings. The comedy springs from their efforts to sabotage Dad's impending marriage to the gold-digging Elaine Hendrix, while reintroducing Dad to Mom. Quaid has a nice, loosey-goosey way with slapstick, as does Richardson, who plays a very funny drunk scene. --Marshall Fine
Adapted from the novel of the same name by J L Carr, A Month in the Country, is set during a 1920s summer in rural Yorkshire. Tom Birkin (Colin Firth), a destitute World War I veteran coming to terms with the after-effects of the war, has been employed by a village church to carry out restoration work on a medieval mural. During his time in the slow-paced village, Birkin forms a close friendship with archaeologist James Moon (Kenneth Branagh), a fellow veteran who is also emotionally scarred following the conflict. The film follows Birkin as he settles into village life, forming romantic relationships and bonding with families and locals. Neglected after its initial 1987 cinema release, the film features a score by Howard Blake (The Snowman, The Avengers) and is notable for its strong British cast which also includes Natasha Richardson, Patrick Malahide and Jim Carter.
Dystopian drama adapted by Harold Pinter, from Margaret Atwood's novel, starring Natasha Richardson, Faye Dunaway, and Robert Duvall. Atwood's timeless novel became an instant bestseller and continues to attract attention. It's about a new social order brought about by declining birth rates. The few remaining fertile women are kept as slaves to carry children for the new regime's leadership and elite. Kate, a handmaid, is sent to the house of Fred, the Commander. There she must submit to his demands, and those of Serena his jealous, vindictive wife. Natasha Richardson, Faye Dunaway, and Robert Duvall star.
Directed by cult favourite Ken Russell (The Devils) and starring Gabriel Byrne (The Usual Suspects), Julian Sands (A Room with a View), Natasha Richardson (The Comfort of Strangers) and Timothy Spall (Secrets & Lies), Gothic delves into the erotic and terrifying night that ultimately birthed Mary Shelley's classic horror story Frankenstein. When a wild storm rages over Lord Byron's literary house party, he suggests to his guests that they concoct a ghost story. However, upon deciding to hold a séance they soon conjure up their deepest fears. Plunged into a surreal horror, they wonder if it's merely the power of their own intense lust and vivid imaginations that is tormenting them, or if they have in fact raised the dead!
A senatorial candidate falls for a hotel maid, thinking she is a socialite when he sees her trying on a wealthy woman's dress.
Dystopian drama adapted by Harold Pinter, from Margaret Atwood's novel, starring Natasha Richardson, Faye Dunaway, and Robert Duvall. Atwood's timeless novel became an instant bestseller and continues to attract attention. It's about a new social order brought about by declining birth rates. The few remaining fertile women are kept as slaves to carry children for the new regime's leadership and elite. Kate, a handmaid, is sent to the house of Fred, the Commander. There she must submit to his demands, and those of Serena his jealous, vindictive wife. Natasha Richardson, Faye Dunaway, and Robert Duvall star.
Mary (Natasha Richardson) and Colin (Rupert Everett) first fell in love on a romantic holiday in Venice, Italy. Now four years later, they have returned to rekindle their romance and determine where their relationship is headed. What they don't know is why an English-speaking Venetian (Christopher Walken Pulp Fiction) is following them, watching them, and taking pictures. Soon they learn they are involved in a bizarre tale of sex, voyeurism, deception and passion. Oscar® winner Helen Mirren plays Walken's wife in a film that will take you into the dark world of charming yet dangerous strangers. Written by the great Harold Pinter from a novel by Ian McEwan, the film was directed by Paul Schrader (Director of American Gigolo and Blue Collar, and writer of Taxi Driver). Special features: Archive interview with Paul Schrader Original theatrical trailer Other extras TBC Fully illustrated booklet with new writing on the film by film scholar Dr Deborah Allison and on Harold Pinter by Guardian theatre critic Michael Billington, plus full film credits
A dying woman remembers her romantic past while her daughters face their emotional present.
Edwina has moved into the neighbourhood known as 'Widows' Peak' so called due to the prevalent maritial status of the residents. The residents are all curious about their new neighbour Edwina including Mrs Counihan the residents leader whose son is busy wooing Edwina. Miss O'Hare and Edwina have an immediate dislike for each other and some accidential encounters look like Edwina is trying to ruin her new rival.
From the writer of "The Full Monty" comes an emotion packed comedy about one broken family's attempt to get things back together as they attempt to win the British Hairdressing competition!
Sleepless In Seattle (Dir. Nora Ephron 1993): Christmas is a magical time when anything can happen. And for Annie Reed (Meg Ryan) a down-to-earth newspaper reporter it's just about to. Whilst driving to her fianc''e's house on Christmas Eve she hears a radio broadcast that will change her life. Eight-year-old Jonah is worried about his recently widowed father and calls a radio station agony aunt. Persuaded onto the phone Jonah's dad Sam (Tom Hanks) tells of his love for his dead wife and how their time together was pure magic. Annie is so touched by his heartfelt sentiment that she becomes determined to meet him. But there are a few problems: Sam's in Seattle Annie's in Baltimore and Sam doesn't even know that Annie exists! Maid In Manhattan (Dir. Wayne Wang 2002): Marisa Ventura is a single mother born and bred in the boroughs of New York City. She works as a maid in a first-class Manhattan hotel. By a twist of fate and mistaken identity Marisa meets Christopher Marshall a handsome heir to a political dynasty who believes that she is a guest at the hotel. Fate steps in and throws the unlikely pair together for one night. When Marisa's true identity is revealed the two find that they are worlds apart even though the distance separating them is just a subway ride between Manhattan and the Bronx. French Kiss (Dir. Lawrence Kasdan 1995): Meg Ryan and Kevin Kline are a Paris match made in heaven in this hilarious adventure-filled romantic comedy. Straight-laced Kate (Ryan)has her future all planned out: marry her fiance Charlie (Timothy Hutton) and live happily ever after. What she didn't count on was Juliette the beautiful French woman Charlie falls for on a business trip to Paris! Determined to win him back Kate jumps on a plane where she meets Luc (Kline) a petty thief whom she immediately dislikes. But when Luc sneaks a stolen necklace into Kate's purse she finds herself travelling through France with him on a trip full of surprises: the biggest one being that this con man is stealing her heart! A sexy savvy and very funny romantic romp 'French Kiss' is a passionate heartfelt reminder that life can always surprise you.
Not long after Roy (Swayze) and Candy (Theron) and Lonnie Earl (Thornton) and Darlene (Richardson) arrive in Reno for their dream vacation together at the Monster Truck Show, these Arkansas natives learn they're sharing more than a two-bedroom suite! With side-splitting laughs and a sizzling cast, let yourself go because you're sure to enjoy this fun-filled guilty pleasure!
Uses astonishing visuals to tell the intersecting stories of George Mallory, the first man to attempt a summit of Mount Everest, and Conrad Anker, the mountaineer who finds Mallory's frozen remains 75 years later.
A young woman (Foster) is found hiding in the rafters of her Blue Ridge Mountain home after the death of her mother. She has been totally cut off from the outside world and has developed her own impenetrable language. A local doctor (Neeson) attempts to hide her from the outside world's prying eyes but she may have to be locked up in an institution for her own safety from hostile locals...
Set in Shanghai in the late 1930s, this is the story of the relationship between a disillusioned former US diplomat and a refugee White Russian countess.
Uses astonishing visuals to tell the intersecting stories of George Mallory, the first man to attempt a summit of Mount Everest, and Conrad Anker, the mountaineer who finds Mallory's frozen remains 75 years later.
A richly detailed delightfully chilling horror tale centering around the romanticism's poetic elite. When Lord Byron Percy and Mary Shelley and other assorted artistic guests gather at a secluded mansion they enjoy a frightfully scary drug-induced evening that ultimately inspires the writing of both Mary Shelley's ""Frankenstein"" and Polidori's ""The Vampyre.""
A woman becomes very curious about one of her psychiatrist husband's inmates, a man who was found guilty in the murder and disfigurement of his former wife.
In the not-so-distant future strong-willed and beautiful Kate (Richardson) possesses a precious commodity that most women have lost and most men want to control... fertility. Forced into a brain-washing bootcamp that turns fertile women into surrogate mothers for social-elite men and their infertile wives Kate thinks she's made out well when she's assigned to an eminent party leader (Duvall). But when she learns that he's sterile she's faced with the impossible choice: produce him an heir or die!
Based on an Ian McEwen novel, The Comfort of Strangers is directed by Paul Schrader at his most portentous. A young couple holidaying in Venice are taken up by an older more sophisticated pair. Christopher Walken as the Eurotrashy Roberto portrays with considerable vigour the sort of smooth stranger from whom anyone who has ever seen this sort of movie ought to run a mile, and Helen Mirren as his complaisant wife is hardly less sinister. Rupert Everett and Natasha Richardson are believably obtuse as the lovers who fail to understand exactly what they are being sucked into. This ought to be a far better film than it is: Harold Pinter's script is elliptically menacing and Angelo Badalamenti's score attractively gloomy. But in the end The Comfort of Strangers presents a rather low-rent vision of decadence: Roberto's praise of Margaret Thatcher and habit of photographing the unwary and beautiful are not quite enough to make the film's shocking climax entirely plausible. The DVD contains no additional features other than the obligatory theatrical trailer. --Roz Kaveney
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