Mission: Impossible was one of the best action blockbusters of the 1990s, deriving a quality unique among its peers from the tension between Brian De Palma's directorial stylisation and the overriding presence of its star and producer, Tom Cruise. The original 1960s television series provides not only the wonderful musical motif, but also the layered complexity of false realities and masked identities, which are revealed with the playful conjuring of a Russian doll. De Palma's trademark set pieces include a giant exploding fishtank in Prague, a helicopter chase through the Channel Tunnel, and, most notably, a break-in to steal a vital disc from CIA headquarters in Langley. The moment in the latter when, in almost complete silence, Cruise dangles precariously from a cable is as sublimely exhilarating as any in American movies of recent years. --Steve NapletonVisually stunning, and a likely must for John Woo aficionados, the second Mission: Impossible outing from megastar Tom Cruise suffers from an inconsistent tone and tired plot devices--not only recycled from other films, but also repeated throughout the film. Despite remarkable cinematography and awe-inspiring, trademark Woo photography, the movie offers a tepid story from legendary screenwriter-director Robert Towne (Chinatown) and a host of other writers, most uncredited. Woo's famed mythic film-making is far from subtle, with heroic Hunt frequently slow-motion walking through fire, smoke or other similar devices, replete with a white dove among pigeons to signal his presence. The emphasis on romance is an attempt to develop character and a more human side to superspy Hunt, but still the story proves a distraction from the exciting action sequences. --NF Mendoza, Amazon.com
Hide Your Smiling Faces vividly depicts the young lives of two brothers as they abruptly come of age through the experience of a friend's mysterious death. The event ripples under the surface of their town, unsettling the brothers and their friends in a way that they can't fully understand. Once familiar interactions begin to take on a macabre tone in light of the tragic accident, leading Eric and Tommy to retreat into their wild surroundings. As the two brothers vocally face the questions they have about mortality, they simultaneously hold their own silent debates within their minds that build into seemingly insurmountable moral peaks. Hide Your Smiling Faces is a true, headlong glimpse into the raw spirit of youth, as well as the calluses that one often develops as a result of an unfiltered past.
Al Pacino and Michelle Pfeiffer light up the screen in this captivating romantic comedy. Johnny (Pacino) is head-over-heels crazy for Frankie. But after a series of hurtful relationships the last thing Frankie's looking for is a new man until he comes looking for her. Pacino is an outgoing ex-con who's hired as the new short-order cook. He's head-over-heels crazy for Frankie. But to Frankie they're as different as scrambled and hard-boiled. What can he mean when he says ""We were a
Tony Jaa returns in this action-packed adventure which sees him heading to Australia to rescue his two beloved elephants.
A gorgeous young automobile fanatic - and front to the hottest unsigned band on the West coast - finds herself caught up in illegal drag-racing competitions organized by exotic car fanatics.
The Nutcracker
When a princess falls into a deep sleep after pricking her finger on a spinning wheel she can only be awoken by a knight in shining armour!
The seventh and final season of Buffy the Vampire Slayer begins with a mystery: someone is murdering teenage girls all over the world and something is trying hard to drive Spike mad. Buffy is considerably more cheerful in these episodes than we have seen her during the previous year as she trains Dawn and gets a job as student counselor at the newly rebuilt Sunnydale High. Willow is recovering from the magical addiction which almost led her to destroy the world, but all is not yet well with her, or with Anya, who has returned to being a Vengeance demon in "Same Time, Same Place" and "Selfless," and both women are haunted by their decisions. Haunting of a different kind comes in the excellent "Conversations with Dead People" (one of the show's most terrifying episodes ever), in which a mysterious song is making Spike kill again in spite of his soul and his chip. Giles turns up in "Bring on the Night" and Buffy has to fight one of the deadliest vampires of her career in "Showtime". In "Potential" Dawn faces a fundamental reassessment of her purpose in life. Buffy was always a show about female empowerment, but it was also a show about how ordinary people can decide to make a difference alongside people who are special. And it was also a show about people making up for past errors and crimes. So, for example, we have the excellent episodes "Storyteller", in which the former geek/supervillain Andrew sorts out his redemption while making a video diary about life with Buffy; and "Lies My Parents Told Me," in which we find out why a particular folk song sends Spike crazy. Redemption abounds as Faith returns to Sunnydale and the friends she once betrayed, and Willow finds herself turning into the man she flayed. Above all, this was always Buffy's show: Sarah Michelle Gellar does extraordinary work here both as Buffy and as her ultimate shadow, the First Evil, who takes her face to mock her. This is a fine ending to one of television's most remarkable shows. --Roz Kaveney
Who wants a superhero with an ASBO? A gang of five teenage outsiders - party-girl Alisha hard-as-nails Kelly one-time sporting hero Curtis painfully shy nerd Simon and smart-aleck Nathan - get caught in a flash storm while on Community Service and suddenly find themselves saddled with strange superpowers. Unlike their more conventional counterparts they don't swap their mobile phones and ankle tags for capes and tights. Instead they discover just how tough life can be when you're all that stands between good and evil. Well that and your curfew order...
When five outsiders on community service get struck by a flash storm they end up lumbered with special powers. Hard-as-nails Kelly can suddenly hear people's thoughts shamed sporting hero Curtis discovers he has the ability to turn back time and party-girl Alisha can send people into a sexual frenzy when they touch her skin. Even painfully shy Simon can make himself invisible which makes it all the more hard to swallow for smart-alec Nathan who seems to have been unaffected... or has he? Unlike their more conventional counterparts our misfits don't swap their ankle tags and mobile phones for capes and tights. Instead they discover just how tough life can be when you're stuck with a super power you didn't want.
Mikey is a former child star having a little trouble with his new role as a kids' talent agent. He's desperate to find a way to keep his third-rate talent agency from going under when he meets Angie a young con artist. With her streetwise smarts she's a natural for TV commercials and could be their ticket to the big time; that is if they don't drive each other crazy first! Count on big laughs with Life With Mikey a fun filled comedy treat that's sure to entertain everyone!
At the behest of his father, young d'Artagnan travels from rural Gascony to Paris, where he becomes embroiled in a devious plot between the King's Musketeers and the Guardsmen of Cardinal Richelieu.
My Favourite Broadway--The Love Songs, the follow-up to 1998's My Favourite Broadway--The Leading Ladies, allows the gentlemen in, but that's not always an advantage. Sure, Michael Crawford developed a great following as the Phantom and Nathan Lane is a comedian nonpareil, but Tom Wopat, Brent Spiner, Peter Gallagher, Adam Pascal, and Ron Raines, while all fine performers with good career histories, simply can't match the marquee power of the original's Liza Minnelli, Audra McDonald, Jennifer Holliday, Nell Carter, and many others. And even when old-timers appear, Robert Goulet seems closer to Las Vegas than Lancelot, and Barry Manilow (mostly making his name as a composer these days) looks pretty awkward. That said, this is still an enjoyable live show from New York's City Centre. Among the ladies returning, Rebecca Luker and Marin Mazzie shine in songs from the revivals they star in, and super diva Linda Eder raises the roof with a three-song medley. And there are other additions to the roster, one legend, Chita Rivera (reprising her "English Teacher" from Bye Bye Birdie), and one up-and-comer, Heather Headley (sharing her "Elaborate Lives" duet with Aida co-star Pascal). But the first 100 minutes is all prologue, anyway. The real star is the host, Julie Andrews, who also hosted the original show and conspicuously did not sing in it, following her infamous, lawsuit-laden vocal-chord surgery that effectively ended her music career. Throughout the evening she teases the audience, reciting lyrics and making references to My Fair Lady. So when Crawford begins the finale "I've Grown Accustomed to Her Face" and Andrews enters, the audience holds its breath: Will she or won't she? It's an electric moment, and perfect theatre. --David Horiuchi, Amazon.com
Six legendary Green Lanterns.Six interlocking stories.One groundbreaking film.With stories by acclaimed writers including Geoff Johns, Alan Burnett and Dave Gibbons, the DC Universe Animated Original Movie explored the rich mythology of the Green Lantern universe through six interlocking chapters.While awaiting a battle with Krona, an ancient enemy of the Guardians of the Universe, Earth's Green Lantern Hal Jordan, Kilowog, Sinestro and other members of the Green Lantern Corps recount their greatest adventures to recruit Arisia - everything from sales of the first Lantern to the ominous events that led to the Corps' Blackest Night! The power-packed voice cast includes Nathan Fillion, Jason Isaacs, Elisabeth Moss, Henry Rollins and Arnold Vosloo.
Knockabout British comedy about a group of young DJs who have trouble achieving their dreams, featuring cameos from numerous celebrities including Alan Davies, Melanie Blatt, Gary Kemp and Ricky Gervais.
Ex-drug dealer Superfly is persuaded to return to America in order to trap the current dealers....
The Lion King II: Simba's Pride is another made-for-video sequel to a Disney masterpiece. As with the Beauty and the Beast and Pocahontas sequels, most of the recognisable vocal talents return, creating a worthwhile successor to the highest-grossing animated film ever. We pick up the story as the lion king, Simba (voiced by Matthew Broderick) and Nala (Moira Kelly) have a new baby cub, a girl named Kiara (Neve Campbell). Like her father before, she seeks adventure and ends up outside the Pridelands, where lions loyal to the evil Scar (who died in the original) have lived with revenge in their hearts. The leader, Zira (a spunky turn from Suzanne Pleshette), schemes to use her son Kovu (Jason Marsden) to destroy Simba. As luck with have it, Kiara has bumped into Kovu and fallen in love. This all sounds familiar since all of Disney's straight-to-video sequels have played it very safe, nearly repeating the originals' story, tone, and pace. Perhaps there were too many cooks for this production. Besides the two screenplay credits, there are eight other writers credited for additional written material. The look of the film has none of the surprise of the original but is far superior to other animated videos. In fact, the film played in European cinemas. For children, the sequel will be a favourite. The comic antics of Timon (Nathan Lane) and Pumba (Ernie Sabella) are enjoyable, as is Andy Dick as Nuka, the mixed-up older son of Zira. And there's plenty of action. The best element is the music. Relying on more African-influenced music, the five songs featured are far superior to those in Disney's other sequels. Zira's song of revenge, "My Lullaby," was cowritten by Buffy the Vampire Slayer creator Joss Whedon. The oustanding opening number, "He Lives in You", was created for the Lion King Broadway smash and now finds a whole new audience. --Doug Thomas
Fearless: Inspired by the life of Huo Yuan Jia a real Chinese martial arts master at the turn of the century Jet Li takes the title role in his final martial arts epic with action sequences choreographed once again by the legendary Yuen Woo-Ping. Unleashed: Written and produced by Luc Besson and directed by Louis Leterrier Unleashed features a fantastic performance from martial arts superstar Jet Li. On and beneath the mean streets of Glasgow fiery gangster Bart (Hoskins) is merciless with debtors would-be rivals and anyone else he takes a passing dislike to. Bart maintains his stranglehold through his unwitting enforcer Danny (Jet Li) who he has 'raised' since boyhood. Danny has been kept as a near-prisoner: trained to attack and if necessary kill. Danny knows little of life except the brutal existence that Bart has so cruelly fashioned for him. However when Danny has a chance encounter with the sightless piano tuner Sam (Morgan Freeman) he senses true kindness and compassion for the first time and experiences the transforming power of music. When a sudden gangland coup separates Danny from Bart and the gang Danny escapes the underworld. Taking refuge with Sam and his stepdaughter Victoria (Kerry Condon) Danny finds a family of sorts and a future... However the mob will not give up their prize asset so easily and Danny must soon call upon his skills once more to protect his family and bury his past.
Love laughs and outstanding stars add a warm glow to this heartfelt hit comedy. For a sensitive young boy some distressing news about his mother (gorgeous Andie MacDowell - Four Weddings And A Funeral) and neglect from his crackpot inventor father (John Turturro - Quiz Show) force him into the refuge of his wildly eccentric uncles. Their wacky lifestyle and his impressionable mind lead to one zany situation after another. It's an unlikely trio for sure but together they'll learn
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