Just Cause is a film that relies on phony plot twists and steals openly from any other thriller that it can remember. If there was a drinking game requiring players to drink during every cinematic "homage", you'd be tanked after its first 45 minutes. Take one case of racial injustice, place it in an exotic, exquisitely photographed location (the Florida Everglades), and bring in an outsider, played by a bankable star, to save the day. Make sure nothing appears as it seems. Add a couple of plot twists, some over-the-top character actors (Ed Harris, shamelessly riffing on Hannibal Lecter), stir, and serve. The big name in this case is Sean Connery, who plays a Harvard law professor summoned to the swamps by an apparently innocent death row inmate (Blair Underwood), who swears he didn't rape and kill that 11-year-old girl. He says he confessed because maverick psycho-cop Tanny Brown (Laurence Fishburne) made him play a solo game of Russian roulette. He says his Serial-killer neighbour on death row (Harris) committed the crime. Connery buys it, the audience buys it, and how could they not? Director Arne Glimcher (who made the lacklustre Mambo Kings) coerces everyone with simplistic plot manipulations. Characters are given no depth, and the actors are pawns moved about like pieces on a Cluedo gameboard. -- Dave McCoy, Amazon.com
The Bus of the title is the world's first nuclear-powered coach and this fabulous parody of early 70's disaster movies hits the mark with misfit stereotyped passengers rediscovering God sex and the will to live a saboteur from the oil companies and a cannibalistic driver all coming together for the maiden voyage of the block-long super-coach. The passengers on this fun-filled ride from New York to Denver including ensure that the one-liners come thick and fast in this very funn
It helps to have one of history's greatest scoops as your factual inspiration, but journalism thrillers just don't get any better than All the President's Men. Dustin Hoffman and Robert Redford are perfectly matched as (respectively) Washington Post reporters Carl Bernstein and Bob Woodward, whose investigation into the Watergate scandal set the stage for President Richard Nixon's eventual resignation. Their bestselling exposé was brilliantly adapted by screenwriter William Goldman, and director Alan Pakula crafted the film into one of the most intelligent and involving of the 1970s paranoid thrillers. Featuring Jason Robards in his Oscar-winning role as Washington Post editor Ben Bradlee, All the President's Men is the film against which all other journalism movies must be measured. --Jeff Shannon, Amazon.com
Mark Wahlberg and director Antoine Fuqua (INFINITE ) first teamed up for this standout action thriller, available for the first time in 4K UHD. Respected former Marine scout and sniper Bob Lee Swagger (Wahlberg) is pressed into service to stop an assassination attempt against the President. But the unthinkable occurshe's double-crossed and framed for the attempt. And so begins a high-tension race against every law enforcement agency in the country and a shadowy organisation that wants him dead. Proving his innocence will be the most dangerous mission of his life.
Frederick Forsyth wrote both the novel and screenplay of The Fourth Protocol, a story about a plot to stage an enormous nuclear accident in England, a catastrophe so large that its source can never be identified but will lead to assumptions that America is behind it. Michael Caine plays an ageing intelligence agent who picks up clues that the ingredients for such an apocalypse are being smuggled piece-by-piece into the UK--but he cannot seem to get his superiors to care. Caine is outstanding in a role that seems tailor-made for him and Pierce Brosnan is very good as the Russian agent working undercover in England to effect the planned tragedy. The film perfectly captures a spreading suspicion and resentment toward superpower adventurism, even though such sentiments are in fact being exploited by the bad guys. Caine, as always, suggests a man walking a narrow line through a gauntlet of moral compromises. --Tom Keogh
A hot and steamy thriller in more ways than one! To Lieutenant Remy McSwain life in New Orleans is all about the 'Big Easy' until a series of gang killings spiral out of control. When a beautiful investigator Ann Osborne arrives from the D.A.'s police corruption task force Remy realises he is caught between truth and lies honour and corruption. Soon he finds himself jailed for attempting bribes and life is far from 'The Big Easy'.
It's the most hilarious suspense ride of your life! In this wild comedy adventure rail passenger George Caldwell (Gene Wilder) finds that a romantic escapade with a sultry secretary (Jill Clayburgh) puts him in the middle of a Hitchcockian murder plot. Leaping on and off the train in and out of roomettes bars and dining cars George teams up with an amiable small-time crook (Richard Pryor) to defy the murderer's henchmen FBI agents and a host of other outrageous characters!
Media madness reigns supreme in screenwriter Paddy Chayefsky's scathing satire about the uses and abuses of network television. But while Chayefsky's and director Sidney Lumet's take on television may seem quaint in the age of "reality TV" and Jerry Springer's talk-show fisticuffs, Network is every bit as potent now as it was when the film was released in 1976. And because Chayefsky was one of the greatest of all dramatists, his Oscar-winning script about the ratings frenzy at the cost of cultural integrity is a showcase for powerhouse acting by Peter Finch, Faye Dunaway and Beatrice Straight (who each won Oscars), and Oscar nominee William Holden in one of his finest roles. Finch plays a veteran network anchorman who's been fired because of low ratings. His character's response is to announce he'll kill himself on live television two weeks hence. What follows, along with skyrocketing ratings, is the anchorman's descent into insanity, during which he fervently rages against the medium that made him a celebrity. Dunaway plays the frigid, ratings-obsessed producer who pursues success with cold-blooded zeal; Holden is the married executive who tries to thaw her out during his own seething midlife crisis. Through it all, Chayefsky (via Finch) urges the viewer to repeat the now-famous mantra "I'm as mad as hell, and I'm not gonna take it anymore!" to reclaim our humanity from the medium that threatens to steal it away. --Jeff Shannon
What made the original Toy Story so great, besides its significant achievement as the first-ever feature-length computer animated film, was its ability to instantly transport viewers into a magical world where it seemed completely plausible that toys were living, thinking beings who sprang to life the minute they were alone and wanted nothing more than to be loved and played with by their children. Toy Story 3 absolutely succeeds in the very same thing--adults and children alike, whether they've seen the original film or not, find themselves immediately immersed in a world in which Woody (Tom Hanks), Buzz Lightyear (Tim Allen), Jessie (Joan Cusack), Mr. and Mrs. Potato Head (Don Rickles and Estelle Harris), Ham (John Ratzenberger), Rex (Wallace Shawn), the aliens, and the rest of Andy's toys remain completely devoted to Andy (John Morris) even as he's getting ready to pack up and leave for college. Woody scoffs at the other toys' worries that they'll end up in the garbage, assuring them that they've earned a spot of honor in the attic, but when the toys are mistakenly donated to Sunnyside Daycare, Woody is the only toy whose devotion to Andy outweighs the promise of getting played with each and every day. Woody sets off toward home alone while the other toys settle in for some daycare fun, but things don't turn out quite as expected at the daycare thanks to the scheming, strawberry-scented old-timer bear Lots-o'-Huggin' (Ned Beatty). Eventually, Woody rejoins his friends and they all attempt a daring escape from the daycare, which could destroy them all. The pacing of the film is impeccable at this point, although the sense of peril may prove almost too intense for a few young viewers. Pixar's 3-D computer animation is top-notch as always and the voice talent in this film is tremendous, but in the end, it's Pixar's uncanny ability to combine drama, action, and humour in a way that irresistibly draws viewers into the world of the film that makes Toy Story 3 such great family entertainment. (Ages 7 and older) --Tami Horiuchi
During World War II, a brave, patriotic American Soldier called Steve Rogers undergoes radical new experiments to turn him into a new supersoldier, Captain America. After racing to Germany to sabotage the dastardly plan of insane Nazi baddie Red Skull, Captain America winds up frozen in ice until he is discovered 60 years later. He reawakens to find that the Red Skull has changed identities and is now planning to kidnap the President of the United States and start World War 3!!
Southern Californians and military personnel panic under rumors of a Japanese attack in their own backyard. Bonus Features: The Making of 1941 {Play all - Introduction by Steven Spielberg In The Beginning... Based On Real Life Events Setting Up The Project Collaboration Script Changes Casting Once That Movie Started Inside Jokes Dance At The USO The Louma Crane Steven Spielberg's Home Movies The Hollywood Blvd. Set Airplanes! The Torpedo Test The Miniatures The Different Ending Post-Production Reactions To 1941 Dedication To Charlsie Bryant (102:36)} Deleted Scenes Production Photographs (Graphics) 1941 (1979) Theatrical Trailer #1 1941 (1979) Theatrical Trailer #2 1941 (1979) Theatrical Trailer #3
A high school basketball prodigy is overshadowed by his father's violent past... Denzel Washington stars as convict Jake Shuttlesworth who is given temporary release from prison so that he can persuade the top college basketball player his son Jesus to play for the Governor's Alma Mater. Under pressure and temptation Jesus tries to make his decision Jake does some soul searching too.
Streets Of Laredo is the third title in the Lonesome Dove Saga. An exhilarating tale of legend and heroism continues the epic of the waning years of the Texas Rangers. Captain Woodrow Call is long in the tooth but still a legendary hunter. He is hired to track down a young Mexican train robber and killer Joey Garza. Riding with Call are an Eastern city slicker a witless deputy and one of the last remaining members of the Hat Creek outfit Pea-Eye Parker. Their long chase leads the
Mark Wahlberg and director Antoine Fuqua (INFINITE ) first teamed up for this standout action thriller, available for the first time in 4K UHD. Respected former Marine scout and sniper Bob Lee Swagger (Wahlberg) is pressed into service to stop an assassination attempt against the President. But the unthinkable occurshe's double-crossed and framed for the attempt. And so begins a high-tension race against every law enforcement agency in the country and a shadowy organisation that wants him dead. Proving his innocence will be the most dangerous mission of his life. Starring: Mark Wahlber Michael Peña Rhona Mitra Danny Glover
The race is on to rescue a crew of sailors after a nuclear submarine collides with a Norwegian freighter and becomes stranded on the seabed. Skilful direction from David Greene (The People Next Door) and top-tier performances by Charlton Heston, David Carradine, Stacy Keach, Ned Beatty, Stephen McHattie, and Ronny Cox combine to make this the definitive disaster film. Product Features High Definition remaster Original mono audio Audio commentary with film historian Peter Tonguette (2021) The Guardian Interview with Charlton Heston (1985, 75 mins): archival audio recording of the great actor in conversation with Quentin Falk at the National Film Theatre, London Lady's Man (2021, 12 mins): actor Stacy Keach recalls his role as the dashing captain leading the rescue The Changing Tide (2021, 8 mins): character actor Stephen McHattie remembers working with a great team Plumbing the Depths (2021, 41 mins): film historian and former Navy officer Alan K Rode on the US Navy Submarine Rescue Program Original theatrical trailer TV spot Radio spots Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
The Exorcist The belief in evil - and that evil can be cast out. From these two strands of faith author William Peter Blatty and director William Friedkin wove The Exorcist the frightening and realistic story of an innocent girl inhabited by a malevolent entity. The Exorcist II: The Heretic Pasuzu the incarnation of evil cast out of little Regan by Father Merrin returns to torment her once again... The Exorcist III A serial killer haunts the streets of
Ebulliently imaginative and far more cleverly presented than you would expect from a TV miniseries, this adaptation of Gulliver's Travels succeeds by never pandering to the lowest common denominator. Closely based on Jonathan Swift's 1726 classic, it is enhanced by dazzling special effects from Jim Henson Productions and a superb, multi-ethnic cast. The biggest surprise is Ted Danson in the title role--one of his best performances, even if he is the only person in England with an American accent. He conveys amusement, amazement and intelligence as he travels from one strange country into another. Not that anyone back in Blighty believes Mr Gulliver's tales of little people or giants. The story is told in flashback from an insane asylum, where he is forcibly confined. This far outshines several previous adaptations of Swift's satirical novel. --Rochelle O'Gorman, Amazon.com
Miles Kendig is a veteran CIA agent who finds himself reduced to a desk job after the arrival of new boss Myerson. Refusing to take it lying down he disappears and begins to write his memoirs threatening to lift the lid on the world's top intelligence agencies. He soon has both the CIA and the KGB in hot pursuit but Kendig is a hard man to keep up with. Walter Matthau and Glenda Jackson are the perfect comic partnership in this classic spy caper from celebrated director Ronald Neame.
Newlyweds Peter (Alec Baldwin) and Rita (Meg Ryan) find their promise to love each other forever is tested in a way they could never have imagined! Just moments after they exchange wedding vows an elderly man appears and asks if he may kiss the bride. Rita says yes and it is not long before Peter notices that his bride is no longer the girl he knew. When he realizes that Rita and the old man have somehow exchanged souls Peter knows he must find him to get back the woman he loves!
When it was released in 1977 The Exorcist II: The Heretic was virtually laughed off the screen. A much-anticipated sequel to the Oscar-winning original, it turned out to be an unintentionally hilarious mishmash and received such terrible reviews that director John Boorman yanked it out of cinemas. He reedited it, cutting eight minutes in hopes of getting the story (written by William Goodhart) to the point of coherency--but to no avail. The film remains a kind of reverse gold standard for sequels. It's still a ridiculously overacted, although at times visually haunting, movie. Richard Burton stars as a troubled priest (something of a speciality of his) who is brought in to follow up on the case of Linda Blair, who is institutionalised, still troubled by her encounter with the devil (who wouldn't be?). By the time they confront Satan's minion in the final struggle, you'll be rooting for evil to win. --Marshall Fine
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