When it comes down to naming the best Western of all time, the list usually narrows to three completely different pictures: Howard Hawks' Rio Bravo, Hawks' Red River and John Ford's The Searchers. About the only thing they all have in common is that they all star John Wayne. But while The Searchers is an epic quest for revenge and Red River, a sweeping cattle-drive drama, Rio Bravo is a much calmer film. Basically, it comes down to Sheriff John T Chance (Wayne), his alcoholic friend Dude (Dean Martin), the hotshot new kid Colorado (Ricky Nelson), and deputy-sidekick Stumpy (Walter Brennan), sittin' around in the town jail, drinkin' black coffee, shootin' the breeze, and occasionally singin' a song. Hawks--who, like his pal Ernest Hemingway, lived by the code of "grace under pressure"--said he made Rio Bravo as a rebuke to High Noon, in which sheriff Gary Cooper begged for townspeople to help him. So, Hawks made Wayne's Sheriff Chance a consummate professional--he may be getting old and fat, but he knows how to do his job, and he doesn't want amateurs getting mixed up in his business; they could get hurt. If the configuration of characters sounds familiar, it should: Hawks remade Rio Bravo two more times--as El Dorado in 1967, with Wayne, Robert Mitchum, and James Caan; and as Rio Lobo in 1970, with Wayne, Jack Elam, and Christopher Mitchum. The film achieved additional notoriety in the 90s when Quentin Tarantino revealed that he uses it as a litmus test for prospective girlfriends. --Jim Emerson, Amazon.com
Two young women from very different backgrounds meet and fall in love. Their families and friends reject them but they don't mind... they're in love!
Both Abel (Nelson A. Rodriguez), who works in social services, and Diego (Andrew L. Saenz), an auto mechanic, have waited a long time for the love they have yearned for. After several chance meetings the two finally hook up and quickly fall deeply for each other. But Diego has been hiding a secret: he s an undocumented immigrant and his repeated attempts to attain citizenship have led nowhere. When word reaches him that his mother is dying, Diego must decide whether or not to risk a trip back to Mexico, knowing he may jeopardize his chances of returning to America and a future with Abel. What will Abel do when he learns the truth? Can their love survive the dangerous choice the couple ultimately makes? A remarkably prescient love story for our time, A PLACE TO BE stirs both the heart and the head
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