Aaron Sorkin's American political drama The West Wing is more than mere feel-good viewing for sentimental US patriots. It is among the best-written, sharpest, funniest and most moving American TV series of all time. In its first series, The West Wing established the cast of characters comprising the White House staff. There's Chief of Staff Leo McGarry (John Spencer), a recovering alcoholic whose efforts to be the cornerstone of the administration contribute to the break-up of his marriage. CJ (Alison Janney) is the formidable Press Spokeswoman embroiled in a tentative on-off relationship with Timothy (Thirtysomething) Busfield's reporter. Brilliant but grumpy communications deputy Toby Ziegler, Rob Lowe's brilliant but faintly nerdy Sam Seaborn and brilliant but smart-alecky Josh Lyman make up the rest of the inner circle. Initially, the series' creators had intended to keep the President off-screen. Wisely, however, they went with Martin Sheen's Jed Bartlet, whose eccentric volatility, caution, humour and strength in a crisis make for such an impressively plausible fictional President that polls once expressed a preference for Bartlet over the genuine incumbent. The issues broached in the first series have striking, often prescient contemporary relevance. We see the President having to be talked down from a "disproportionate response" when terrorists shoot down a plane carrying his personal doctor, or acting as broker in a dangerous stand-off between India and Pakistan. Gun control laws, gays in the military and fundamentalist pressure groups are all addressed--the latter in a most satisfying manner ("Get your fat asses out of the White House!")--while the episode "Take This Sabbath Day" is a superb dramatic meditation on capital punishment. Handled incorrectly, The West Wing could have been turgid, didactic propaganda for The American Way. However, the writers are careful to show that, decent as this administration is, its achievements, though hard-won, are minimal. Moreover, the brisk, staccato-like, almost musical exchanges of dialogue, between Josh and his PA Donna, for instance, as they pace purposefully up and down the corridors are the show's abiding joy. This is wonderful and addictive viewing. --David Stubbs
On the day of his first fight since leaving prison, former middleweight champion and weathered boxer, Irish Mike Flannigan, prepares for his highly anticipated return to the ring, a huge long-shot undercard at the legendary Madison Square Garden. But before he can face off against a new champion, he first needs to face the demons from his past, embarking on a redemptive emotional journey of second chances, self-sacrifice and forgiveness. From the producer of The Irishman and Joker, Day of the Fight marks a bold filmmaking debut from acclaimed actor turned writer-director Jack Huston (Boardwalk Empire, House of Gucci), starring Michael C. Pitt (Seven Psychopaths, The Dreamers), in a fearless lead performance, with knockout support from Nicolette Robinson (Woman of the Hour), John Magaro (Past Lives), Emmy and Golden Globe winner Steve Buscemi (Boardwalk Empire, Fargo), Golden Globe winner Ron Perlman (Hand of God, Hellboy), and Oscar winner Joe Pesci (The Irishman, Raging Bull).
Adapted by Kemp Powers (Soul) from his acclaimed play, the feature directorial debut of Academy Awardwinning actor Regina King (If Beale Street Could Talk) puts viewers in a room with four icons at the forefront of Black American culture as they carouse, clash, bare their souls, and grapple with their places within the sweeping change of the civil rights movement. February 25, 1964, has gone down in history as the day that the brash young boxer Muhammad Ali (then known as Cassius Clay) defeated Sonny Liston, but what happened after the fight was perhaps even more incredible: Ali (Race's Eli Goree), civil rights leader Malcolm X (High Fidelity's Kingsley Ben-Adir), NFL great Jim Brown (Hidden Figures' Aldis Hodge), and King of Soul Sam Cooke (Hamilton's Leslie Odom Jr.) all came together at a Miami motel. Electric with big ideas and activist spirit, One Night in Miami plunges us into the midst of an intimate, ongoing conversation - and a defining moment in American history. Special Edition Features: New 4K digital transfer, approved by director Regina King, with 5.1 surround DTS-HD Master Audio New conversation between King and filmmaker Kasi Lemmons New conversation among King, screenwriter Kemp Powers, and critic Gil Robertson Conversation between King and filmmaker Barry Jenkins from a 2021 episode of The Director's Cut A DGA Podcast New program featuring King and actors Kingsley BenAdir, Eli Goree, Aldis Hodge, and Leslie Odom Jr. New program on the making of the film, featuring King, Powers, director of photography Tami Reiker, editor Tariq Anwar, producer Jody Klein, costume designer Francine Jamison-Tanchuck, and set decorator Janessa Hitsman New program on the film's sound design, featuring sound editor and mixer Andy Hay, sound mixer Paul Ledford, and music producer Nick Baxter English subtitles for the deaf and hard of hearing English descriptive audio PLUS: An essay by critic Gene Seymour
Aaron Sorkin's American political drama The West Wing, set in the White House, has won innumerable awards--and rightly so. Its depiction of a well-meaning Democrat administration has warmed the hearts of countless Americans. However, The West Wing is more than mere feel-good viewing for sentimental patriots. It is among the best-written, sharpest, funny and moving American TV series of all time. In its first series, The West Wing established the cast of characters who comprise the White House staff. There's Chief of Staff Leo McGarry (John Spencer), a recovering alcoholic whose efforts to be the cornerstone of the administration contribute to the break-up of his marriage. CJ (Alison Janney) is the formidable Press Spokeswoman embroiled in a tentative on-off relationship with Timothy (Thirtysomething) Busfield's reporter. Brilliant but grumpy communications deputy Toby Ziegler, Rob Lowe's brilliant but faintly nerdy Sam Seaborn and brilliant but smart-alecky Josh Lyman make up the rest of the inner circle. Initially, the series' creators had intended to keep the President off-screen. Wisely, however, they went with Martin Sheen's Jed Bartlet, whose eccentric volatility, caution, humour and strength in a crisis make for such an impressively plausible fictional President that polls once expressed a preference for Bartlet over the genuine incumbent. The issues broached in the first series have striking, often prescient contemporary relevance. We see the President having to be talked down from a "disproportionate response" when terrorists shoot down a plane carrying his personal doctor, or acting as broker in a dangerous stand-off between India and Pakistan. Gun control laws, gays in the military, Fundamentalist pressure groups are all addressed--the latter in a most satisfying manner ("Get your fat asses out of the White House!")--while the episode "Take This Sabbath Day" is a superb dramatic meditation on Capital punishment. Handled incorrectly, The West Wing could have been turgid, didactic propaganda for The American Way. However, the writers are careful to show that, decent as this administration is, its achievements, though hard-won, are minimal. Moreover, the brisk, staccato-like, almost musical exchanges of dialogue, between Josh and his PA Donna, for instance, as they pace purposefully up and down the corridors are the show's abiding joy. This is wonderful and addictive viewing.--David Stubbs
Aaron Sorkin's American political drama The West Wing is more than mere feel-good viewing for sentimental US patriots. It is among the best-written, sharpest, funny and moving American TV series of all time. In its first series, The West Wing established the cast of characters who comprise the White House staff. There's Chief of Staff Leo McGarry (John Spencer), a recovering alcoholic whose efforts to be the cornerstone of the administration contribute to the break-up of his marriage. CJ (Alison Janney) is the formidable Press Spokeswoman embroiled in a tentative on-off relationship with Timothy (Thirtysomething) Busfield's reporter. Brilliant but grumpy communications deputy Toby Ziegler, Rob Lowe's brilliant but faintly nerdy Sam Seaborn and brilliant but smart-alecky Josh Lyman makes up the rest of the inner circle. Initially, the series' creators had intended to keep the President off-screen. Wisely, however, they went with Martin Sheen's Jed Bartlet, whose eccentric volatility, caution, humour and strength in a crisis make for such an impressively plausible fictional President that polls once expressed a preference for Bartlet over the genuine incumbent. The second series of The West Wing takes up where the first one left off and, a few moments of slightly toe-curling patriotic sentimentalism apart, maintains the series' astonishingly high standards in depicting the everyday life of the White House staff of a Democratic administration. With Aaron Sorkin's dialogue ranging as ever from dry, staccato mirth to almost biblical gravitas, an ensemble of overworked (and curiously undersexed) characters and an overall depiction of the workings of government that's both gratifyingly idealised yet chasteningly realistic, The West Wing is one of the all-time great American TV dramas. --David Stubbs
Denis Leary stars as the grown-up Dawg. A womanizing cheat of a man who misses his own grandmother's funeral due to his philandering. Nonetheless his grandmother leaves him a million dollars on one condition...Dawg must find 12 of the woman he has 'known' and apologise for his heartless behavior in the past. This takes Dawg on the journey of his life.
The second series of The West Wing takes up literally where the first series left off and, after a few moments of slightly toe-curling patriotic sentimentalism, maintains the series' astonishingly high standards in depicting the everyday life of the White House staff of a Democratic administration. The two-part opener covers the immediate aftermath of the assassination attempt on President Bartlet (Martin Sheen), switching between the anxious wait on the injured and flashbacks to Bartlet's campaign for the Presidency. Other peaks in a series exceedingly short on troughs include "Noel", the episode in which Alan Arkin's psychiatrist forces Josh Lynam to confront his post-traumatic stress disorder and the concluding episodes in which President Bartlet, having lost his secretary Mrs Landingham in a tragic car accident, rails angrily against God in Latin. Other new features of this series include the introduction of Ainsley Hayes, a young Republican counsel hired after she beats communications deputy Sam Seaborn (Rob Lowe) in a TV debate ("Sam's getting his ass kicked by a girl!" crow his colleagues), as well as the revelation (to us first, then later his staff) that the President has been suffering from multiple sclerosis. Meanwhile, the White House must move heaven and earth to make incremental political gains as well as deal with a host difficulties abroad, demonstrating, some might argue, more compassion, skill and restraint than that exercised by the real-life US administration. With Aaron Sorkin's dialogue ranging as ever from dry, staccato mirth to almost biblical gravitas, an ensemble of overworked (and curiously undersexed) characters and an overall depiction of the workings of government that's both gratifyingly idealised yet chasteningly realistic, The West Wing is one of the all-time great American TV dramas. --David Stubbs
The second series of The West Wing, Aaron Sorkin's relentlessly erudite drama about life behind the scenes at the White House, continues here with the emphasis on President Bartlet's multiple sclerosis, a condition that he has hitherto concealed from the American electorate and most of his staff. Tensions grow between himself and the First Lady (Stockard Channing) as she realises, in the episode "Third State of the Union" that he intends to run for a second term in office. It becomes clear to Bartlet (Martin Sheen) that he must go public with his MS, and his staff are forced to come to terms with this, as well as deal with the usual plethora of domestic and international incidents, which apparently preclude any of them from having any sort of private lives, least of all love lives. These include crises in Haiti and Columbia, an obstinate filibuster and a Surgeon General's excessively frank remarks about the drugs situation. Thankfully, the splendid Lord John Marbury (Roger Rees) is on hand to make chief of staff Leo McGarry's life more of a misery in "The Drop-In". These episodes, though occasionally marred by a sentimental soundtrack and an earnest and wishfully high regard for the Presidential office, are masterclasses in drama and dialogue, ranging from the wittily staccato to the magnificently grave, capturing authentically the hectic pace of political intrigue and the often vain efforts of decent, brilliant people to do the right thing. "Two Cathedrals", which features flashbacks to Bartlet's schooldays and his thunderous denunciation of God following a funeral, is perhaps the greatest West Wing episode of all. On the DVD: The West Wing, Series 2 Part 2 features no extras, though the transfer is immaculate. --David Stubbs
Aaron Sorkin's American political drama The West Wing, set in The White House, has won innumerable awards--and rightly so. Its depiction of a well-meaning Democrat administration has warmed the hearts of countless Americans. However, The West Wing is more than mere feel-good viewing for sentimental patriots. It is among the best-written, sharpest, funny and moving of recent American TV series. In its first series, The West Wing established the cast of characters who comprise the White House staff. There's Chief of Staff Leo McGarry (John Spencer), a recovering alcoholic whose efforts to be the cornerstone of the administration contribute to the break up of his marriage. CJ (Alison Janney) is the formidable press spokeswoman embroiled in a tentative on-off relationship with Timothy Busfield's reporter. Brilliant but grumpy communications deputy Toby Ziegler, Rob Lowe's brilliant but faintly nerdy Sam Seaborn and brilliant but smart-alecky Josh Lynam make up the rest of the inner circle. Initially, the series' creators had intended to keep the President off-screen. Wisely, however, they went with Martin Sheen's Jed Bartlet, whose eccentric volatility, caution, humour and strength in a crisis make for such an impressively plausible fictional President that polls once expressed a preference for Bartlet over the genuine incumbent. Handled incorrectly, The West Wing could have been turgid, didactic propaganda for The American Way. However, the writers are careful to show that, decent as this administration is, its achievements, though hard-won, are minimal. Moreover, the brisk, staccato-like, almost musical exchanges of dialogue, between Josh and his PA Donna, for instance, as they pace purposefully up and down the corridors are the show's abiding joy. --David Stubbs
More controversial than The Exorcist; more terrifying than The Omen... Ben Cross Hal Holbrook Ned Beatty and the legendary Trevor Howard star in The Unholy a supernatural thriller of demonic proportions. After a miraculous recovery from a seventeen-storey fall Father Michael (Cross) is appointed pastor of St. Agnes church which has been closed for three years following the mysterious and violent deaths of his predecessors. When the young priest is told he is the ""Chosen One"" Father Michael sets out on a search for the answer to these mysteries... but what he encounters is a life and death battle with the demon of desire The Unholy.
Elephant (2003): Winner of the Palme d'Or and Best Director prizes at the 2003 Cannes Film Festival Gus Van Sant's realistic drama takes us inside an American high school on one single ordinary day that very rapidly turns tragic... Last Days (2005): Introspective artist Blake is buckling under the weight of fame professional obligations and a mounting feeling of isolation. Many people are looking for Blake - his friends his managers and record label even a private
This box set containing the complete first three series of The West Wing is available exclusively from Amazon.co.uk. Aaron Sorkin's American political drama The West Wing, set in the White House, has won innumerable awards--and rightly so. Its depiction of a well-meaning Democrat administration has warmed the hearts of countless Americans. However, The West Wing is more than mere feel-good viewing for sentimental patriots. It is among the best-written, sharpest, funniest and moving US TV series of all time. Martin Sheen leads a strong ensemble cast: his Jed Bartlet is such an impressively plausible fictional President that polls once expressed a preference for Bartlet over the genuine incumbent. Handled incorrectly, The West Wing could have been turgid, didactic propaganda for The American Way. However, the writers are careful to show that, decent as this administration is, its achievements, though hard-won, are minimal. Moreover, the brisk, staccato-like, almost musical exchanges of dialogue, between Josh and his PA Donna, for instance, as they pace purposefully up and down the corridors are the show's abiding joy. --David Stubbs
Meet Buraki, the vicious, 200-meter long Imoogi serpent from ancient Korea. His army includes giant lizards with missile launchers, flying dragons, soldiers bred for evil and mega-intelligent dinosaurs. Together, they will destroy Los Angeles and possibly the world unless reincarnated warriors Ethan and Sarah can outrun them and resurrect the Good Imoogi, Buraki's ancient nemesis. Dragon Wars reveals every last detail of Earth's greatest battle... a war you'll only believe when you see it for yourself.
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