Holly Hunter plays a network news producer who, much to her chagrin, finds herself falling for pretty-boy anchorman William Hurt. He is all glamour without substance and represents a hated shift from hard news toward packaged "infotainment", which Hunter despises. Completing the triangle is Albert Brooks, who provides contrast as the gifted reporter with almost no presence on camera. He carries a torch for Hunter; she sees merely a friend. Written and directed by James L. Brooks, Broadcast News shows remarkable insight into the people who make television. On the surface the film is about that love triangle. If you look a little deeper, however, you will see that this behind-the-scenes comedy is a very revealing look at obsessive behaviour and the heightened emotions that accompany adrenaline addiction. It is for good reason this was nominated for seven Academy Awards (though it did not win any). There are scenes in this movie you cannot shake, such as Hunter's scheduled mini-breakdowns, or Brooks' furious "flop sweat" during his tryout as a national anchor. Watch for an uncredited Jack Nicholson as a senior newscaster. --Rochelle O'Gorman
It's 1997 and filmmaker Erik Rothman (Lindhardt) meets closeted lawyer Paul Lucy (Booth) through an anonymous phone sex line. What starts as casual sex becomes a more permanent relationship as they start to build a life together whilst each continues to privately battle their own compulsions and addictions. Their greatest challenge is down to Paul's increasing drug use which threatens to pull them apart and over the years destroy the relationship. A film about sex friendship intimacy and most of all love Keep The Lights On takes an honest look at the nature of relationships in our times. Ira Sachs director of 40 Shades of Blue and Married Life returns with his Teddy Award winning gay drama set in New York City Keep The Lights On. Starring Danish actor Thure Lindhardt (Angel and Demons Into The Wild) and Zachary Booth (Dark Horse Damages) and featuring stunning music from the late Arthur Russell. Special Features: 4 Deleted Scenes Behind The Scenes Audition Video with Zachary Booth and Thure Lindhard Documentary In Search Of Avery Willard The Making of
Infuriated by her tight-lipped boyfriend, Brittany Murphy's TV producer delves into his palm pilot to find all about his ex-girlfriends - and finds more than she bargained for.
In a small US costal town a motorcycle gang arrives on holiday. Also in town trying to reconnect with his pregnant girlfriend Karen is businessman Paul Collier. Paul and the leader of the gang J.J. knew each other years before so when menacing Bunny beats up Paul and begins a sexual assault on Karen J.J. tries to intervene. He suggests they hold cycle-riding contests where the winner can claim Karen (he promises to set her free if he wins). After the contests commence Paul crawls away to look for help. He meets with a shrug from a cowardly sheriff's deputy; where can he turn?
Celebrating the 40th Anniversary of the Kubrick Classic, this limited edition set includes: 4K UHD Extended Cut, Blu-ray Extended and Theatrical Cuts, Exclusive Booklet, Letter from Stanley Kubrick to Saul Bass, Saul Bass Early Design Illustrations, Behind-the-Scenes Imagery, and a Replica Theatrical Poster. Academy Award winner Jack Nicholson and Shelley Duvall star in director Stanley Kubrick's adaptation of Stephen King's disturbing blockbuster horror novel. Writer Jack Torrance (Nicholson), a former alcoholic, accepts a job as the writer caretaker for a hotel high in the Rocky Mountains, isolating him, his wife (Duvall) and their psychic young son until spring. But when the first blizzard blocks the only road out, the hotel's store energy from evil past deeds begins to drive Jack insane...and there may be no escape for his family in this haunting story of madness, memory and violence. Special Features: Commentary by Steadicam Inventor/Operator Garrett Brown and Historian John Baxer (on 4K and Blu-ray) Vivian Kubrick's Documentary The Making of The Shining with Optional Commentary 3 Mesmerizing Featurettes: View from the Overlook: Crafting The Shining, The Visions of Stanley Kubrick and Wendy Carlos, Composer
Contains: Sweeney Todd (2007) Corpse Bride (2005) Charlie and the Chocolate Factory (2005) Mars Attacks! (1996) Batman Returns (1992) Batman (1989) Beetlejuice (1988) Pee Wee’s Big Adventure (1985) Bonus Disc
This high-concept, big-budget screwball comedy directed by Mike Nichols (The Graduate, Wolf) stars Warren Beatty (Mickey One, Bonnie and Clyde) as a slick con man and Jack Nicholson (One Flew Over the Cuckoo's Nest, The Border) as his dim-witted sidekick trying to get their hands on the fortune of a hapless young heiress played by Stockard Channing (Grease, The West Wing). A commercial failure on its initial release, this buoyant and beautifully staged madcap comedy is ripe for rediscovery and reappraisal. Product Features High Definition remaster Original mono audio Audio commentary with critic and film historian Nick Pinkerton (2017) Mike Nichols and Elaine May in Conversation (2006, 69 mins): the two friends and collaborators discuss many aspects of filmmaking after a screening of May's Ishtar at New York's Walter Reade Theater Professor Kyle Stevens on 'The Fortune' (2017, 6 mins): appreciation by the author of Mike Nichols: Sex, Language, and the Reinvention of Psychological Realism Isolated music and effects track Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard of hearing
In one of the most acclaimed films of all time, Michelangelo Antonioni (Blow-up, Zabriskie Point) directed international star Jack Nicholson (The Last Detail, The Border, Wolf) and Maria Schneider (Last Tango in Paris) in an elliptical and fascinating thriller about alienation and lost identities. Now finally making its Blu-ray debut in the UK, this essential work from one of cinema's most renowned and celebrated film artists is accompanied by an array of fascinating and insightful extra features. Features: High Definition remaster Original mono audio Audio commentary with actor Jack Nicholson Audio commentary with screenwriter Mark Peploe and journalist Aurora Irvine New interview with actor Steven Berkoff (2018) New interview with actor Jenny Runacre (2018) Antonioni: 'Profession Reporter' (1975, 4 mins): the director interviewed about the film at the 1975 Cannes Film Festival Michelangelo Antonioni à propos du cinéma (1975, 5 mins): Antonioni discusses his philosophy of cinema Original theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Amy Simmons, an overview of contemporary critical responses, and historic articles on the film UK premiere on Blu-ray Limited Edition of 3,000 copies All extras subject to change
Daisy Gamble an unusual woman who hears phones before they ring and does wonders with her flowers wants to quit smoking to please her fiance Warren. She goes to a doctor of hypnosis to do it. But once she's under her doctor finds out that she can regress into past lives and different personalities and he finds himself falling in love with one of them!
This box-office hit from 1969 is an important pioneer of the American independent cinema movement, and a generational touchstone to boot. Peter Fonda and Dennis Hopper play hippie motorcyclists crossing the Southwest and encountering a crazy quilt of good and bad people. Jack Nicholson turns up in a significant role as an attorney who joins their quest for awhile and articulates society's problem with freedom as Fonda's and Hopper's characters embody it. Hopper directed, essentially bringing the no-frills filmmaking methods of legendary, drive-in movie producer Roger Corman (The Little Shop of Horrors) to a serious feature for the mainstream. The film can't help but look a bit dated now (a psychedelic sequence toward the end particularly doesn't hold up well) but it retains its original power, sense of daring and epochal impact. -- Tom Keogh, Amazon.com
Director John Huston was a master of storytelling and Prizzi's Honor was his black comedy masterpiece. It was nominated for eight Academy Awards including Best Picture and Anjelica Huston won the Best Supporting Actress Oscar for her caustic performance. Charley Partanna a do-it-yourself kind of guy has been loyal to 'The Family' since he can remember. If you need somebody rubbed out he's your eraser ready to kill at the drop of a dollar. Boss Don Corrado Prizzi's daughter Maerose has eyes for Charley but Charley has already fallen for a sultry hit-woman named Irene Walker. Their unlikely romance hits a snag however as Irene and Charley have each been hired to knock off the other.
Titles Comprise: Shirley Valentine: Shirley Bradshaw has always been able to see the funny side of any situation. She was a high-school rebel and now she's a housewife and mother who one day looks back at her life and realises that she has lost touch with her dreams. When her best friend wins a magazine contest and asks Shirley to accompany her on a fortnight's holiday in Greece Shirley begins a voyage of self-discovery. On the island of Mykonos as Shirley luxuriates among sun sand and taramasalata she encounters islander Costas Caldes and falls in love...with life! First Wives Club: Marriage has turned into a crash dive for Brenda Cushman Elise Atchison and Annie Paradise. These three well-heeled Manhattan women chums during their college days all took different paths. Now they're reunited by catastrophe--each has just been callously dumped by her husband for a younger sexier trophy wife. Smarting from the pain Brenda Elise and Annie join forces and concoct a plan to exact the most exquisitely bitter vengeance upon their exes. War has been declared Terms of Endearment: This Oscar-winning film is both eccentrically funny and an old-fashioned tearjerker. The story centers around the volatile relationship between a mother and daughter spanning 30 years. The various permutations of their lives are examined including the daughter's bout with terminal cancer.
Sophisticated to a point, this well-executed wolf-man tale works due to its clever setting and enormous star power. We all know Jack Nicholson can go nuts but the script makes his character aware of his changes, sometimes for the better, early on. The setting, a publishing house in the middle of a takeover, gives the characters dramatic life before the horror elements kicks in. A senior editor about to get the boot, Nicholson's character becomes a new man after being bitten by a wolf. He takes on challenges at work, lives a more robust life and attracts a new love. But will his new-found energy consume him? Director Mike Nicholson keeps the action alive in the first half but the film peters out at the end with cheap theatrics and the overuse of slow motion. Michelle Pfeiffer has little to do as simply the love interest with a grittier than average personality. Better is James Spader as a smarmy colleague. Nicholson is in fine form, relying on his keen gift to spark interest (a twitch of the head, a look in the eyes), instead of heavy doses of movie make-up. Giuseppe Rotunno's sweeping camerawork sets the mood quite well. Wolf is easy to recommend, with the added feature it's hardly gratuitous. --Doug Thomas
Sophisticated to a point, this well-executed wolf-man tale works due to its clever setting and enormous star power. We all know Jack Nicholson can go nuts but the script makes his character aware of his changes, sometimes for the better, early on. The setting, a publishing house in the middle of a takeover, gives the characters dramatic life before the horror elements kicks in. A senior editor about to get the boot, Nicholson's character becomes a new man after being bitten by a wolf. He takes on challenges at work, lives a more robust life and attracts a new love. But will his new-found energy consume him? Director Mike Nicholson keeps the action alive in the first half but the film peters out at the end with cheap theatrics and the overuse of slow motion. Michelle Pfeiffer has little to do as simply the love interest with a grittier than average personality. Better is James Spader as a smarmy colleague. Nicholson is in fine form, relying on his keen gift to spark interest (a twitch of the head, a look in the eyes), instead of heavy doses of movie make-up. Giuseppe Rotunno's sweeping camerawork sets the mood quite well. Wolf is easy to recommend, with the added feature it's hardly gratuitous. --Doug Thomas
After a young boy witnesses his parents' murder on the streets of Gotham City he grows up to become Batman a mysterious figure in the eyes of Gotham's citizens who takes crime-fighting into his own hands. He first emerges out of the shadows when the Joker appears - a horribly disfigured individual who is out for revenge on his former employer and generally likes to have a good time but the identity of the ""bat"" is unknown. Perhaps millionaire Bruce Wayne and photographer Vicki Val
E. Nesbit's family favourite 'The Railway Children' follows the story of Roberta (Bobbie), Phyllis and Peter, three sheltered siblings who suffer a huge upheaval when their father is falsely imprisoned. The children and their mother, now penniless, are forced to move from London to rural Yorkshire into a new home next to a railway line. Dealing with themes of justice, the importance of family and the kindness of strangers the event is filmed from the National Railway Museum in Yorkshire, featuring the train from the original much-loved film. York Theatre Royal s Olivier award-winning production of 'The Railway Children' has been imaginatively adapted by Mike Kenny and Damian Cruden and beautifully directed for the screen by Ross MacGibbon.
Seymour Krelbourne works at a struggling flower shop where he shows the owner Gravis Mushnick a plant hybrid he has been working on. Named Audrey II in honour of Audrey Fulguard the plant proves an instant attraction and business at Mushnick's booms almost overnight. A delighted Mushnick invites Seymour and Audrey out for a meal to celebrate their new found success but Audrey already has a date with her boyfriend and Seymour needs care for the ailing plant. Seymour soon realises
This superb nine-disc Stanley Kubrick Box Set contains all the late director's work from 1962's Lolita to Kubrick's final film, the highly controversial Eyes Wide Shut (1999). There's also the excellent and highly informative two-hour documentary: Stanley Kubrick: A Life in Pictures, narrated (a little drably) by Tom Cruise. It isn't exactly a warts-and-all portrait of Stan the Man, which is not surprising, really, given that it's directed and produced by Kubrick's brother-in-law Jan Harlan, and that Kubrick's widow Christine was closely involved in the making of it. But it does give a detailed and revealing portrait of a brilliant, demanding and often infuriating man, airing rare footage that goes right back to his earliest years as a brash youngster in the Bronx, already playing to camera with a frightening degree of self-awareness. Six of the eight movies (all but Dr Strangelove and Eyes Wide Shut) have been digitally restored and remastered, and almost all (barring Strangelove again and Lolita) now boast Dolby Digital 5.1 stereo sound remixes. For some bizarre reason, Kubrick insisted on mono sound for the 1999 set, which he approved shortly before his death. Visually the improvement over the often grainy, scratchy prints previously on offer--The Shining (1980) was notoriously messy--is immense. All the features are presented in their original ratios, which in the case of Strangelove means the changing ratios in which it was originally shot, and for 2001: A Space Odyssey (1968) the full glorious 2.21:1 expanse of the Cinerama screen.So what don't you get? Essentially, the early Kubrick--the work of the young, hungry director before he moved to England and started to gather all the controlling strings into his own hand: most notably the tough, taut thriller The Killing (1956) and the icily furious war film Paths of Glory (1957). Too bad Warners couldn't have negotiated the rights for those too. But what we have here is the culminating phase of Kubrick's filmmaking career--the final 27 years of one of the great masters of cinema. On the DVDs: Besides the visual and sonic improvements mentioned above, each of the eight features includes the original theatrical trailer and multiple-language subtitles. The DVD of Dr Strangelove also gives us filmographies of the principal players, plus theatrical posters and a photo gallery, while Eyes Wide Shut includes interviews (taped after Kubrick's death) with Tom Cruise, Nicole Kidman and Steven Spielberg, plus a couple of 30-second TV spots. And with The Shining we get a fascinating 34-minute documentary made by Kubrick's then 17-year-old daughter Vivian, plus--just to add a further layer--Vivian's present-day voice-over commentary on her film. --Philip Kemp
Contains the films: The Shooting Ride In The Whirlwind The Wild Ride Flight To Fury Studs Lonigan. The Shooting (Dir. Monte Hellman 1965): Monte Hellman reinvented the Western genre with 'The Shooting' a cryptic tale of revenge that has become an underground masterpiece of existentialism. The story follows Willett Gashade (Warren Oates) an ex-bounty hunter who returns home searching for his brother only to discover that he has disappeared. He is met by Coley (Will Hu
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