Dark Star is absurd, surreal and very funny. John Carpenter once described it as "Waiting for Godot in space." (It's also, surely, one of the primary inspirations for Red Dwarf.) Made at a cost of practically nothing, the film's effects are nevertheless impressive and, along with the number of ideas crammed into its 83 minutes, ought to shame makers of science fiction films costing hundreds of times more. The story concerns the Dark Star's crew who are on a 20-year mission to destroy unstable planets and make way for future colonisation. The smart bombs they use to effect this zoom off cheerfully to do their duty. But unlike Star Trek, in which order prevails, the nerves of this crew are becoming increasingly frayed to the point of psychosis. Their captain has been killed by a radiation leak that also destroyed their toilet paper. "Don't give me any of that 'Intelligent Life' stuff," says Commander Doolittle when presented with the possibility of alien life. "Find me something I can blow up." When an asteroid storm causes a malfunction, Bomb Number 20 (the most cheerful character in the film) has to be repeatedly talked out of exploding prematurely, each time becoming more and more peevish, until they have to teach him phenomenology to make him doubt his existence. And the film's apocalyptic ending, lifted almost wholly from Ray Bradbury's story "Kaleidoscope", has the remaining crew drifting away from each other in space, each to a suitably absurd end. --Jim Gay
The crew of the spaceship Dark Star are on a 20-year mission to destroy unstable planets and make way for future colonisation by using smart bombs which zoom off cheerfully to do their duty. But unlike the orderly inhabitants of Star Trek's Enterprise, the nerves of this crew are becoming frayed to the point of psychosis. Their captain has been killed by a radiation leak that also destroyed their toilet paper. "Don't give me any of that 'Intelligent Life' stuff", says Commander Doolittle when presented with the possibility of alien life, "Find me something I can blow up". When an asteroid storm causes a malfunction, Bomb Number 20 (the most cheerful character in the film) has to be repeatedly talked out of exploding prematurely, each time becoming more and more peevish, until they have to teach him phenomenology to make him doubt his existence. And the film's apocalyptic ending, lifted almost wholly from Ray Bradbury's short story "Kaleidoscope" has the remaining crew drifting away from each other in space, each to a suitably absurd end. Absurd, surreal and very funny. John Carpenter once described Dark Star as "Waiting for Godot in space". Made at a cost of practically nothing, the film's effects are nevertheless impressive and, along with the number of ideas crammed into its 83 minutes, ought to shame makers of science fiction films costing hundreds of times more. --Jim Gay
An aspiring director decides to make a documentary on low-life drug dealer Terry Jones. He becomes immersed into a world of drugs sex and violence. Hoping to capture some documentary gold he gets way more than he bargains for setting out on a journey that would change his life forever. How far will he go to get his film made on the local schemer? Whatever happens... just keep filming...
Handsome Drake is the hunky and charismatic stranger who infiltrates a group of successful thirty-something gay men in New York City. Devious and flirtatious he spices up the lives of this tight knit circle of friends but soon creates unexpected drama. Drake has a bitter past filled with hurt and betrayal unable to commit and intent on splitting lovers apart for sport. Sure enough he proceeds to manipulate seduce and separate these friends to prove that no one deserves happiness. Will the group prove that love and friendship can prevail against all odds?
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