Antonio Banderas returns as the masked hero in this sequel to the 1998 adventure.
Soccer hooliganism explodes into the world of white-collar crime head on as two recently reunited footie friends find themselves way out of their league in this hard-hitting compelling British crime-thriller...based on a true story.
Antonio Banderas returns as the masked hero in this sequel to the 1998 adventure.
Bully, based on a true story, sees Larry Clark return to the violent and disturbing underworld previously documented in his controversial and provocative 1995 debut KIDS.
This time New York cop John McClane (Willis) is the personal target of the mysterious Simon (Jeremy Irons) a terrorist determined to blow up the entire city if he doesn't get what he wants. Accompanied by an unwilling civilian partner (Samuel L. Jackson) McClane careens wildly from one end of New York City to the other as he struggles to keep up with Simon's deadly game. It's a battle of wits between a psychopathic genius and a heroic cop who once again finds himself having a real
The Mask Of Zorro (1998): With the slash of a steel blade and the mark of a 'Z' he defends the weak and exploits and avenges the wrongs committed against them... It has been twenty years since Don Diego de la Vega (Anthony Hopkins) successfully fought Spanish oppression in Alta California as the legendary romantic hero Zorro. He transforms troubled bandit Alejandro (Antonio Banderas) into his successor in order to stop the tyrannical Don Rafael Montero (Stuart Wilson) who
For the time, there had never been a more lavishly produced science-fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.comOn this DVD: Presented in production order (not the sequence they were transmitted in), this first volume from Space: 1999's first year nonetheless begins with the all-important "Breakaway". Commander Koenig arrives at Moonbase Alpha as planet Meta is passing Earth. He's there to investigate why people are dying of what seems to be radiation poisoning and ensure the Meta Probe is launched in time. Everything is tied into what's wrong with their nuclear waste disposal. Then on September 13, 1999, the unthinkable happens, and the Moon with its 311 inhabitants is catapulted out of Earth's orbit. Some time later they pass planet Terra Nova which seems too good to be true. When Dr Russell's supposed dead husband (Richard Johnson) re-appears from the long-lost Astro 7 mission, it becomes a "Matter of Life and Death" in determining whether to settle on a Paradise populated by parrots! Another passing stellar body accidentally drags them towards a "Black Sun" in the next episode. Given three days to live, there's a graceful acceptance of fate by the team that is paid off by what seems to be some sort of guiding hand watching over them all. Finally an orange eye appears and emits a "Ring Around the Moon", a mysterious enveloping beam that exerts mind-control over various crew members. After a warning from the mythic planet Triton, Dr Russell is taken as their "conduit" (much like Ilia in Star Trek: The Motion Picture). Three publicity stills, 15 production drawings and eight character biographies may seem a little stingy as extra features. The neat CGI-animated menus make up for that a little though: an Eagle has never looked so agile. --Paul Tonks
Mike Jacobs (Nevern) is back and living the good life in Spain with a new identity under the witness protection scheme. However, when old enemies discover his whereabouts and kidnap his girlfriend, Mike has just four days to pay off the gangsters.
His reputation precedes him but commander Fess Parker is in no position to be choosy when he learns that his tired platoon will not be shipping home as rumored but tossed into a ragged new offensive...
Die Hard New York cop John McClane facing Christmas alone flies to Los Angeles to see his estranged wife Holly (Bonnie Bedelia) and their kids in an attempt to patch things up. He arrives at his wife's high tech office building in the middle of their Christmas party just as it is gatecrashed by the ruthless master criminal Hans Gruber (Alan Rickman) and a dozen fellow activists intent on relieving the Nakatomi Corporation of six hundred million dollars in negotiable bonds...
Since a tragic accident left him hideously scarred seven years ago Justin MacLeod has hidden away in his cliffside retreat. Meanwhile the locals have delighted in painting him as a perverted madman with an horrific past. Twelve-year-old Chuck Norstadt is also an outsider. Alienated from his family he awaits the day he can go to a boarding school far from home - but he has to pass his entrance exam first. Then by accident Chuck meets Justin Macleod. Justin turns out to be the fr
Double bill of British crime dramas. The Rise and Fall of a White Collar Hooligan (2012)Mike Jacobs (Nick Nevern) a football casual who is no stranger to finding himself on the wrong side of the law. However the violence and intimidation he indulges in at football matches are one thing the credit card fraud schemes proposed by his friend Eddie Hill (Simon Phillips) are something else and Mike is soon in over his head. The Rise and Fall of a White Collar Hooligan 2: England Away (2013)Mike is living in Spain safeguarded by the Witness Protection Programme after testifying against several of his former associates. Mike's fatal weakness is his passion for the England football team and his problems begin when he is spotted attending a game. Soon his life is turned upside down as those he betrayed seek revenge through the kidnapping of his friend Katie.
Featured episodes include: Breakaway A Matter Of Life & Death Black Sun Ring Around The Moon Earthbound Another Time Another Place Missing Link Guardian of Piri Force Of Life Alpha Child The Last Sunset Voyager's Return
Many fans don't rate the second series of Space: 1999 as highly as the first. Responding to audience feedback, as well as the separation of producers Gerry and Sylvia Anderson, the programme makers drafted in new producer Fred Freiberger, the man responsible for the third and weakest season of the original Star Trek. Under his guidance the storylines drifted away from the hard sci-fi of the first season in favour of more action and a faster pace. The theme music, sets and costumes all changed, as did some key personnel. Out went professorial (and very dull) Barry Morse, in came dashing Tony Anholt as security officer Tony Verdeschi, while the glamour quotient was upped considerably by Catherine Schell as the shape-shifting Maya (a much-needed change, since the frosty Barbara Bain had reduced the show's sex appeal to nil in Series 1). Series 2 also introduced lots and lots more aliens kitted out in badly fitting costumes and dodgy glam-rock era makeup. Responding to yet more feedback from American TV executives the protagonists now had to encounter more highly unconvincing monsters than even Dr Who ever dared imagine: "The Beta Cloud", for example, is a classic rampaging-bloke-in-a-suit scenario. That said, this second season has more emphasis on characters other than the headline stars, as various stranded Alphans are allowed to come to the fore instead of just blankly following Commander Koenig's orders. It's all good fun in a silly, nostalgic sort of way, and fans of the more vintage Season 1 will find it hard to resist this second season as well.On the DVD: There aren't many extras here, although sundry interviews with principal cast and crew are scattered across the six discs in this complete box set. There's also a commentary on some episodes with special effects man Brian Johnson, a couple of deleted scenes, production stills and some text features. Each disc has a small booklet that gives some useful background information on the episodes. The remastered 4:3 ratio picture and mono sound are fine. --Mark Walker
Space 1999 is a Gerry Anderson cult classic as unmissable today as it was when first conceived in 1973. Starring husband and wife team Martin Landau and Barbara Bain Space 1999 revolves around the crew of Moonbase Alpha where scientific experiments are conducted and space data gathered. Disaster strikes and the Moon is blown out of the Earth's orbit by a huge explosion emanating from man-made nuclear waste pits causing it to drift endlessly through t
Terror has been reinvented! When residents of his apartment building begin to disappear Marvin comes to believe the unthinkable: the mutant breed of giant carnivorous insects that once plagued society are back and beginning to revisit their devastation! Though he's confined to his room due to a severe illness Marvin must rally whatever support he can in order to exterminate these horrifying creatures before he ends up their next victim! Available on DVD for the first t
Dorzak: A spaceship lands on the moon. A beautiful young woman emerges from inside seeking medical attention for a colleague who was injured by a criminal that they had captured. The criminal turns out to be a man from Maya's home planet Psychon named Dorzac and persuades Maya that he was not responsible for the injury signalling the start of the troubles to come. Devil's Planet: Answering a distress signal Koenig and Blake Maine go to Entra. The first thing they see is a man being chased by three beautiful girls carrying long electric whips! Maine is killed and then Koenig imprisoned. Can he escape? The Immunity Syndrome: On a seemingly inhabitable planet a series of misfortunes befall Alpha's advance party. Tony Verdeschi is rendered insane by a piercing sound. The metal in the Eagle corrodes and the craft starts to fall apart. Two Alphans die after drinking spring water. Then a skeleton is found inside a geodetic structure with a video beside it explaining how any future visitors might survive. The Dorcons: A huge alien Dorcon ship materialises nearby. When the three leaders demand Maya be sent to them Koenig refuses. A leader comes aboard the spaceship and takes Maya and Alpha by force. But Koenig manages to come along too and using the power struggle between the three leaders tries to rescue Maya.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on an astounding first-season budget of 3.25 million pounds, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course, the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to physical law. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on an astounding first-season budget of 3.25 million pounds, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course, the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to physical law. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
When it was made there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm, which causes the moon to break away from Earth orbit and travel endlessly through space. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for the premise of the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to any physical laws. And in "Earthbound" aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are valid complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena the crew encounter on their journey through the Galaxy. --Jim Gay, Amazon.com
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