One of Hammer's most enduringly popular films and a benchmark for 1970s horror Countess Dracula stars Ingrid Pitt in an iconic career-defining role as the aged countess who must regularly bathe in virgins' blood to regain her fading youth. Genre stalwart Peter Sasdy directs arguably his best Hammer film from a script by award-winning writer Jeremy Paul and showcasing a rousing score from composer Harry Robinson. Countess Dracula is featured here in a brand-new High Definition transfer from the original film elements in its as-exhibited theatrical aspect ratio. In medieval Hungary Countess Elisabeth Nádasdy an embittered ageing widow discovers by accident that virgin's blood causes her skin become youthful and smooth. Determined to retain her new youth at all costs the Countess coerces her lover to abduct a string of young virgins to keep her supplied with the blood she now craves to stay beautiful... Special Features: Audio commentary with Ingrid Pitt and horror experts Kim Newman and Stephen Jones Original Theatrical Trailer Archive interview with Ingrid Pitt 50 Years of Hammer - news feature Thriller episode Conceptions of Murder episode
101 Films presents 1970s sci-fi classic Phase IV (1974), a gripping and philosophical cult classic that examines humanity's place in the universe. Title 012 on the 101 Films Black Label and a UK Blu-ray debut, Phase IV is the only feature film directed by designer and filmmaker Saul Bass, this release includes his original ending, among a host of additional extras, including a bonus disc featuring the finest of the director's short films. In a sealed lab in the Arizona desert, scientists James Lesko (Michael Murphy, Manhattan) and Dr. Ernest Hubbs (Nigel Davenport, A Man for All Seasons) search for answers to an evolutionary shift in the ant population; the development of a collective intelligence and cross-species hive mentality. With humanity under threat, the scientists are faced with the choice of either communicating with or eradicating their antagonists. Extras/Episodes: New HD restoration The Original Saul Bass ending (plus optional commentary) An Ant's Life: Contextualising Phase IV Commentary with film historians Allan Bryce and Richard Holliss Theatrical trailer Saul Bass: Short Films (Disc 2) The Searching Eye (1964) Why Man Creates (1968) Bass on Titles (1977) Notes on the Popular Arts (1978) The Solar Film (1980) Quest (1984) (new HD restoration)
The ground-shaking impact of The Comic Strip's anarchic humour rattled the televisions of 1980s Britain and when the smoke cleared they left a gaping crater that lesser comics are still failing into today. This 5 disc box set includes new episodes The Hunt for Tony Blair Five Go to Rehab and Sex Actually plus the anniversary episode 30 Years of Comic Strip including hilarious new and previously unreleased footage all of which are new to DVD. Also includes the best of the original Comic Strip Presents films: Bad News 1 and 2 Five Go Mad In Dorset Fistful of Travellers Cheques Strike G.L.C. Gino Susie Mr Jolly Lives Next Door Spaghetti Hoops Red Nose of Courage Bullshitters Detectives on the Edge of a Nervous Breakdown Gregory Diary of a Nutcase The Crying Game Four Men in a Car Four Men in a Plane
San Angeles, a megalopolis stretching from Santa Barbara to San Diego, is the futuristic utopia of the politically correct. Red meat, salt, sugar, smoking and sex have all been outlawed. This spells h-e-l-l for John Spartan, a 20th century cop revived to chase down a 20th century terrorist on the loose in this sterile paradise.
The Who: Live at the Royal Albert Hall commemorates a remarkable charity gig in aid of the Teenage Cancer Trust. Roger Daltrey does allow himself a smirk as he declaims his famous hope that he'll die before he gets old, but other than that, The Who are to be commended for playing their reunion entirely straight. Their souped-up rhythm'n'blues was always propelled by a self-belief as fervent as it was absolute; had any irony been allowed to impinge on proceedings here, the spectacle of three men well into their 50s delivering a set of what remain definitive hymns to youth and its attendant furies would have been wholly preposterous. As it is, the three surviving members of The Who (Daltrey, Pete Townshend, Jon Entwhistle) combine with keyboardist John Bundrick and drummer Zak Starkey (son of Ringo Starr) to altogether engaging effect. There is, obviously, nothing wrong with the songs "Pinball Wizard", "The Kids Are Alright", "You Better You Bet", and they all get the treatment they deserve here. In fact, the only downsides are the many guest performances, which are either redundant, like Noel Gallagher's rhythm guitar on "Won't Get Fooled Again", or actually detrimental, like Kelly Jones' dreadful braying of "Substitute".On the DVD: The widescreen DVD is enhanced for 16:9 TVs. The second disc of extras includes backstage and rehearsal footage, the option to watch the performance of "Pinball Wizard" from a variety of angles, and an interview with Roger Daltrey, which he devotes principally to his work for the Teenage Cancer Trust, who were the beneficiaries of the concert. Also included is a derisory booklet of hopeless out-of-focus photos of the show taken by Bryan Adams, who would be well advised, on this evidence, to stick with the day job. --Andrew Mueller
A huge success for Thames Television, Van der Valk stars Barry Foster as the no-nonsense Dutch detective whose exploits enthralled ITV audiences over three decades. As head of Amsterdam CID he has to contend with murder, blackmail, missing persons and the more tricky cases that come the way of the Dutch police! Created by Nicolas Freeling, this ratings-topping series co-stars Michael Latimer, Nigel Stock and Ronald Hines, and guest stars include Clifford Rose, Geoffrey Bayldon, Michael Sheard, Paul Eddington, Sydney Tafler, Lisa Daniely, Jane Lapotaire, Freddie Jones, Hildegard Neil, Patrick Troughton, Suzy Kendall, Bob Hoskins, Pamela Salem, Ian Hendry, Jane Merrow, Tom Bell, Amanda Burton, Kenneth Cranham, Brian Cox and Anthony Valentine. This set contains all five series, including the feature-length specials that were made in the early 1990s.
Written by award-winning screen-writer and novelist Frederic Raphael, The Glittering Prizes is the critically acclaimed series of six teleplays chronicling the changing lives of friends who first meet at Cambridge University. Tom Conti (Shirley Valentine, Merry Christmas Mr. Lawrence) stars as would-be novelist Adam Morris with Mark Wing-Davey and Nigel Havers among his college peers. Barbara Kellerman, Malcolm Stoddard, Connie Booth, Miriam Margolyes and Tim Pigott-Smith also feature among.
"That damned elusive Pimpernel" finds a dashing embodiment in Leslie Howard, who has the steel to be an action hero and the wit to hide behind his alter ego: a British fop. Based on Baroness Orczy's novel, The Scarlet Pimpernel focuses on the efforts of this British dandy to aid members of the French aristocracy in escaping the guillotines of the French revolution. He also romances Merle Oberon, a beauty forgotten by recent generations and engages in a wonderfully wicked duel of wits with the humourless enforcer for the French Republicans (Raymond Massey). If somewhat short on swashbuckling, it's long on the kind of costume drama that Hollywood seems to have forgotten how to do. The film was remade in 1982 for television, in an equally engaging version starring Anthony Andrews. --Marshall Fine
Antony Jay and Jonathan Lynn's superb sitcom Yes, Prime Minister entered 10 Downing Street with Jim Hacker now Prime Minister of Britain, following a campaign to "Save the British Sausage". Whether tackling defence ("The Grand Design"), local government ("Power to the People") or the National Education Service, all of Jim Hacker's bold plans for reform generally come to nothing, thanks to the machinations of Nigel Hawthorne's complacent Cabinet Secretary Sir Humphrey (Jeeves to Hacker's Wooster) who opposes any action of any sort on the part of the PM altogether. This is usually achieved by discreet horse-trading. In "One of Us", for instance, Hacker relents from implementing defence cuts when he is presented with the embarrassingly large bill he ran up in a vote-catching mission to rescue a stray dog on an army firing range. Only in "The Tangled Web", the final episode of Series 2, does the PM at last turn the tables on Sir Humphrey. Paul Eddington is a joy as Hacker, whether in mock-Churchillian mode or visibly cowering whenever he is congratulated on a "courageous" idea. Jay and Lynn's script, meanwhile, is a dazzlingly Byzantine exercise in wordplay, wittily reflecting the verbiage-to-substance ratio of politics. Ironically, Yes, Prime Minister is an accurate depiction of practically all political eras except its own, the 1980s, when Thatcher successfully carried out a radical programme regardless of harrumphing senior civil servants. --David Stubbs
Bio-engineered the spacecraft Lexx is a powerful weapon which is capable of destroying a planet with ease. Grown in The Cluster under the rule of His Shadow Lexx is stolen by fugitives: security guard Stanley Tweedle the love slave Zev and Kai the last of the Brunnen-G and the one man prophesied to destroy His Shadow's order. Running from The Cluster and the wrath of His Shadow the fugitives take Lexx through the fractal core to the Dark Zone a universe of evil and chaos. Now they are looking for a new home...
One of the twentieth century's most successful crime novelists, Edgar Wallace's thrillers have been widely adapted for film and television - the most memorable of which are the Edgar Wallace Mysteries series, made at Merton Park Studios during the first half of the 1960s. A noir-esque series, it updates some of the author's stories to more contemporary settings, blending classic B-movie elements with a distinctly British feel. Unseen for decades and freshly transferred from the origina...
A disgruntled veteran recruits a group of disgraced colleagues to perform a bank robbery with military precision
After watching Snow White and the Seven Dwarfs, Edgar Rice Burroughs wrote to Walt Disney about adapting his novel of an ape-man into a feature animated cartoon. Some 60 years later, the tale is finally told with brilliant design work that looks unlike any previous animated film. The story is a natural for Disney since the themes of misunderstood central figures have been at the heart of its recent hits. Disney's Tarzan doesn't wander far from the familiar story of a shipwrecked baby who is brought up by apes in Africa. What gives the film its zing is its clever use of music (the songs are sung by Phil Collins himself rather than onscreen characters) and the remarkable animation. Deep Canvas, a 3-D technology, was developed for the film, creating a jungle that comes alive as Tarzan swings through the trees, often looking like a modern skateboarder racing down giant tree limbs. The usual foray of sidekicks, including a rambunctious ape voiced by Rosie O'Donnell, should keep the little ones aptly entertained. The two lead voices, Tony Goldwyn as Tarzan and Minnie Driver as Jane, are inspired choices. Their chemistry helps the story through the weakest points (the last third) and makes Tarzan's initial connection with all things human (including Jane) delicious entertainment. Disney still is not taking risks in its animated films, but as cookie-cutter entertainment, Tarzan makes a pretty good treat. --Doug Thomas
The first two episodes of this BBC miniseries only hint at the delights to come. A lawsuit aimed at church reform in the town of Barchester forces a decent middle-aged clergyman (Donald Pleasence) into a moral crisis and a conflict with his son-in-law, a pompous archdeacon (Nigel Hawthorne, The Madness of King George). The gracefully written and acted narrative shows glimpses of dry wit--but in episode 3, the arrival of a new bishop (Clive Swift, Keeping Up Appearances), his imperious wife (Geraldine McEwan, The Magdalene Sisters), and his devious chaplain (Alan Rickman, Truly Madly Deeply, the Harry Potter movies) launches The Barchester Chronicles into a satirical power struggle all the more mesmerizing because of the smallness of the territory. The scheming of the citizens and clergy of this British town is both Byzantine and wonderfully comic as the tempestuous personalities claw and dig at each other. Rickman, in one of his first film or television roles, turns in a tour de force of oily ambition. McEwan's ferocious machinations are downright terrifying, while the sputtering Hawthorne seems constantly in danger of bursting a vein. At the center of it all is Pleasence. Making goodness compelling has always been difficult, since wickedness is always more dramatic; but Pleasence brings a deep and stirring passion to his role that proves as engaging as all the back-biting that surrounds him. And these are just the more familiar faces; a host of lesser-known actors give equally superb performances. The final episode (of seven) will have you on pins and needles. The Barchester Chronicles, adapted from two novels by Anthony Trollope, is one of those marvels of British television, a skillful production that proves intelligent fare can be hugely entertaining. --Bret Fetzer
Available for the first time on DVD! Five years after their triumphant teaming in Lawrence of Arabia Peter O'Toole and Omar Sharif reunited for this powerful World War II thriller about a Nazi General who becomes a serial killer. When a Polish prostitute is brutally murdered in Nazi-occupied Warsaw her killer is identified as a German General. The investigator Major Grau (Sharif) narrows the suspects to three Generals in the German high command: the heroic Tanz (O'Toole) the cy
Whilst on holiday, young timid ladies companion (Joan Fontaine) meets handsome and wealthy widower Maxim de Winter (Laurence Olivier) whose wife Rebecca has recently died in a boating accident.The two fall in love and marry. However, her joy is short lived when she returns to the de Winter estate and soon discovers that Rebecca still has a strange, unearthly hold over everyone there.
The thrillers of Edgar Wallace one of the twentieth century’s most successful crime novelists have been widely adapted for film and television – the most memorable of which being the Edgar Wallace Mysteries series made at Merton Park Studios during the first half of the 1960s. A noir-esque series it updates some of the author’s stories to more contemporary settings blending classic B-movie elements with a distinctly British feel. Unseen for decades these dramas have been freshly transferred from the original film elements specifically for this release.
From the acclaimed director of Lawrence of Arabia, Doctor Zhivago and The Bridge on the River Kwai, A Passage To India was Sir David Lean's last ever feature film and a winner of two Oscars®.
Boxset of four classic films from the 1950s. 'Simba' (1955) is an adventure drama about a man who travels to post-colonial Africa to visit his brother only to find he has been killed by a Kenyan rebel group. When Alan Howard (Dirk Bogarde) arrives in Africa, he soon learns his brother has been killed by the Mau Mau, a group of rebels who are fighting against the newly imposed rule of the white man. Enraged by his brother's murder, Alan decides to stay and put all of his energy into fighting the Mau Mau who he now considers his enemy. However, along the way he falls in love with a neighbouring settler called Mary (Virginia McKenna) who disagrees with his abhorrence of the native people and tries to put an end to his prejudices. 'Sapphire' (1959) is a hard-hitting crime drama exploring racism towards immigrants among the London police and public. Sapphire (Yvonne Buckingham), a fair-skinned West Indian immigrant is discovered hiding in London and murdered. To the police, led by Superintendent Hazard (Nigel Patrick) and Inspector Learoyd (Michael Craig), the case seems clear cut - Sapphire must have been killed by a member of the black community. However, when Sapphire's brother (Earl Cameron) turns up at the police station and Sapphire's true ethnic roots become known, Hazard and Learoyd must face up to the racism of two communities and, quite possibly, their own. 'The Happy Family' stars Stanley Holloway and Kathleen Harrison as a couple who refuse to move from their house as the government reveal their plans to build a Festival Hall on the South Bank. The tenants of the local corner shop, Mr and Mrs Lord (Holloway and Harrison), are the only residents who refuse to make way for the construction - even when the police issue an eviction order. As the family barricade themselves into the shop, the bailiffs must try to think of another way to get them out. Violent Playground (1958) is a tough kitchen sink drama starring Stanley Baker and David McCallum and is set amongst the tough council estates of Liverpool.
The complete third series of Jim Hacker's ascent up Westminster's greasy pole and the civil service scheming of his Whitehall aide Sir Humphrey Appleby (Nigel Hawthorne). Also includes the 1984 Christmas Special 'Party Games'. Episodes comprise: Equal Opportunities / The Challenge / The Skeleton in the Closet / The Moral Dimension / The Bed Of Nails / The Whiskey Priest / The Middle Class Rip Off
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