Set Comprises: Annie Get Your Gun (1950): Betty Hutton and Howard Keel star in this sharpshootin' funfest based on the 1 147-performance Broadway smash boasting Irving Berlin's beloved score including Doin' What Comes Natur'lly I Got the Sun in the Morning and the anthemic There's No Business like Show Business. Seven Brides For Seven Brothers (1954): When rugged frontiersman Adam sweeps local beauty Milly off her feet the whole town is turned upside-down. But no one's more shocked than Milly who discovers that she's now expected to cook and clean not only for Adam but for his six rowdy brothers too! Well Milly's no pushover and soon she has those boisterous boys whipped into groomhood and dancing for joy over six brides of their own! Singin' In The Rain (1952): Starring Gene Kelly Donald O'Connor and Debbie Reynolds and featuring unforgettable song and dance classics like 'Singin' in the Rain' 'Make 'Em Laugh' and 'All I Do Is Dream of You' it has just about everything you could ask for in a movie musical Sunday Review. Gigi (1958): A scruffy tomboy is transformed into a radiant high society beauty in this glorious musical from MGM. Scored by the talented team of Lerner and Lowe the movie features splendid musical numbers like Thank Heaven for Little Girls and I Remember It Well. The Wizard Of Oz (1939) We click our heels in anticipation. There's no place like home and no movie like this one. From generation to generation The Wizard Of Oz brings us together - kids grown-ups families friends. The dazzling land of Oz a dream-come--true world of enchanted forests dancing scarecrows and singing lions wraps us in its magic with one great song-filled adventure after another. Calamity Jane (1953): The Deadwood Stage is comin' to town bringing Doris Day and Howard Keel to fuss feud and fall in love as Calamity Jane and Wild Bill Hickok in this entertainment from the golden age of movie musicals. At first curvaceous Calamity is too durned busy fighting Indians and cracking a bullwhip to pay much mind to such girlie what-alls as dresses and perfume. And Wild Bill is too danged busy wooing a dainty chanteuse to give a hoot about a hotheaded tomboy. But things change in a rootin' tootin' big way with love and romance just down the trail. High Society (1956): Beautiful aloof Newport heiress Tracy Lord is about to marry bland businessman George Kittredge but matters become complicated when her ex-husband C K Dexter-Haven moves to her neighbourhood determined to win back her hand. Things go from bad to worse for Tracy when journalist Mike Connor arrives to cover the wedding for Spy Magazine. When Tracy is forced to choose between her suitors will she realise that safe doesn't always mean the best bet? Meet Me In St Louis (1944): The wonderful Judy Garland stars in this charming musical as Esther Smith whose father comes home and announces he is going to uproot his whole family to New York on the very eve of the 1903 St. Louis World Fair. Brilliantly directed by Vincente Minnelli and full of wonderful songs - 'Trolley Song' 'Have yourself A Merry Little Christmas'. An American in Paris (1951): Jerry Mulligan is an American G.I. who decides to stay in Paris after the Second World War. Keen to sample some of the city's legendary romantic lifestyle he becomes an art student and joins a colony of painters living in a Montmartre garret. Penniless and starving his pursuit of the experience of the great artists is fast becoming a little too realistic when he is discovered by wealthy heiress Milo Roberts...
A nurse has a recurring dream about a man being murdered. When she meets that man in real life, they team up to tackle a Nazi spy ring in the fog of San Francisco. An early directorial effort from Budd Boetticher (Bullfighter and the Lady, The Tall T), Escape in the Fog is brisk film noir starring Otto Kruger (Scandal Sheet) and Nina Foch (Johnny O'Clock). Extras: Indicator Standard Edition Special Features 2K restoration Original mono audio Audio commentary with film historian Pamela Hutchinson (2020) The Fleet That Came to Stay (1945, 22 mins): World War II documentary, compiled by Budd Boetticher from original combat footage captured during the Battle of Okinawa, and released shortly after Escape in the Fog You Nazty Spy! (1940, 18 mins): World War II comedy starring the Three Stooges, in which the trio satirise the Third Reich and help publicise the Nazi threat to American audiences Image gallery: publicity and promotional material New and improved English subtitles for the deaf and hard of hearing
Jerry Mulligan, a struggling American painter in Paris, is "discovered" by an influential heiress with an interest in more than Jerry's art.
Gigi: Scored by the talented team of Lerner and Lowe the movie features splendid musical numbers like Thank Heaven for Little Girls and I Remember It Well where a scruffy tomboy is transformed into a radiant high society beauty in this glorious musical! An American In Paris: Jerry Mulligan (Gene Kelly) is an American G.I. who decides to stay in Paris after the Second World War. Keen to sample some of the city's legendary romantic lifestyle he becomes an art student and joins a colony of painters living in a Montmartre garret. Penniless and starving his pursuit of the experience of the great artists is fast becoming a little too realistic when he is discovered by wealthy heiress Milo Roberts (Nina Foch). She becomes his patron although Jerry soon realises that her interest in him doesn't end with his art! High Society: Beautiful aloof Newport heiress Tracy Lord (Kelly) is about to marry bland businessman George Kittredge (John Lund) but matters become complicated when her ex-husband C K Dexter-Haven (Crosby) moves to her neighbourhood determined to win back her hand. Things go from bad to worse for Tracy when journalist Mike Connor (Sinatra) arrives to cover the wedding for Spy Magazine. When Tracy is forced to choose between her suitors will she realise that safe doesn't always mean the best bet?
In the tradition of Die! Die! My Darling comes this tale of a young heroine made miserable by a lover's eccentric relations. Gwyneth Paltrow plays a New Yorker who marries a handsome boyfriend (Jonathon Schaech) and--following a confidence-shattering encounter with Manhattan crime--moves to his family's thoroughbred ranch. There, the young man's dominating mother (a hammy, Blanche DuBois-like role for Jessica Lange) goes to war with new bride's claim on mama's Oedipal turf. A stock thriller ensues and while one has a sense of déjà vu about the whole thing, the film is fun for its audacity, its underpinnings of dime-store psychology and some gothic stereotypes. (Hal Holbrook is perfect as one's fantasy of a country doctor.) --Tom Keogh
In the tradition of Die! Die! My Darling comes this tale of a young heroine made miserable by a lover's eccentric relations. Gwyneth Paltrow plays a New Yorker who marries a handsome boyfriend (Jonathon Schaech) and--following a confidence-shattering encounter with Manhattan crime--moves to his family's thoroughbred ranch. There, the young man's dominating mother (a hammy, Blanche DuBois-like role for Jessica Lange) goes to war with new bride's claim on mama's Oedipal turf. A stock thriller ensues and while one has a sense of déjà vu about the whole thing, the film is fun for its audacity, its underpinnings of dime-store psychology and some gothic stereotypes. (Hal Holbrook is perfect as one's fantasy of a country doctor.) --Tom Keogh
In A World Of Lies Nothing Is More Dangerous Than The Truth. When the daughter of a billionaire philanthropist is murdered in a rough sex romp gone bad District Attorney Jack Campioni (Tom Berenger) is quick to indict an up-and-coming rap artist. Fresh off the acquittal of Councilman Steven Mayer (John Ritter) high-profile defense attorney Kitt Devereaux (Melanie Griffith) comes to the aid of the young rapper. Teaming with investigator Al Gordon (Huey Lewis) Devereaux finds herself up against unexpected dangerous forces including one of the city's most politically ambitious families. Blindsided at every turn Devereaux offers herself up as bait - and in the end discovers that behind every conspiracy theory lies a grain of truth.
Gladiator: The great Roman General Maximus (Russell Crowe) has once again led the legions to victory on the battlefield. The war won Maximus dreams of home wanting only to return to his wife and son; however the dying Emperor Marcus Aurelius (Richard Harris) has one more duty for the general - to assume the mantle of his power. Jealous of Maximus' favor with the emperor the heir to the throne Commodus (Joaquin Phoenix) orders his execution - and that of his family. Barely escaping death Maximus is forced into slavery and trained as a gladiator in the arena where his fame grows. Now he has come to Rome intent on avenging the murder of his wife and son by killing the new emperor; Commodus.... Spartacus: Stanley Kubrick's film tells the tale of Spartacus the bold gladiator slave and Virinia the woman who believed in his cause. Challenged by the power-hungry General Crassus Spartacus is forced to face his convictions and the power of Imperial Rome at its glorious height. A classic inspirational true account of one man's struggle for freedom Spartacus combines history with spectacle to recreate a moving drama of love and commitment.
Cecil B. DeMille's Biblical epic starring Charlton Heston and Yul Brynner is a vintage product of the old Hollywood studio system complete with sweeping scenery and breathtaking effects including the crossing of the Red Sea by thousands of Hebrew slaves. With a dramatic and gripping plot superbly acted by Heston as the Hebrew saviour Moses The Ten Commandments has lost none of the impact and power it held over audiences on its initial release back in 1956.
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