In 1984 Romancing the Stone was a huge hit for director Robert Zemeckis (who later went on to make Forrest Gump, Contact and Castaway among others) thanks in no small part to the winning team of Michael Douglas, Kathleen Turner, and Danny DeVito. The chemistry between all three stars is infectious, but Turner steals the show from the guys, playing a pushy romance novelist who gets stuck among some dangerous figures in Colombia and has only a rumpled guide (Michael Douglas) as an ally. Zemeckis--whose specialty at the time was creating set pieces of raucous action (as in his Back to the Future trilogy)--keeps things hopping with lots of kinetic material. --Tom Keogh, Amazon.com The Jewel of the Nile is a moderately entertaining sequel that pales by comparison to its predecessor. Romance novelist Kathleen Turner and retired soldier-of-fortune Michael Douglas return as a now-complacent couple. Bored with life on a yacht, they find excitement thrust upon them when she accepts a speaking engagement in the Middle East. Once there, she is abducted and finds herself involved with the "jewel" everyone is chasing. Douglas teams up once more with Danny DeVito to rescue his love. Less charming and more predictable than the original, this suffers for one simple reason: the characters have nowhere to go. In the original story we watched Turner blossom from timid storyteller to lusty adventuress. In this flick she is too much like all the other action adventure babes we've seen before. The same trio of stars reunited to better effect in DeVito's dark comedy The War of the Roses. --Rochelle O'Gorman, Amazon.com
Few films have defined a generation as much as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chic has dimmed a bit, yet it's still a joy to see Dustin Hoffman's bemused Benjamin and Anne Bancroft's deliciously decadent, sardonic Mrs Robinson. The script by Buck Henry and Calder Willingham is still offbeat and dryly funny and Mike Nichols, who won an Oscar for his direction, has just the right, light touch. --Anne Hurley, Amazon.com
The second series of Red Dwarf is, as Danny John-Jules says in the accompanying DVD commentary, "the one where it really went good". First broadcast in the autumn of 1988, these six episodes showcase Rob Grant and Doug Naylor's sardonic, sarcastic humour to perfection. The writing has matured, no longer focussing solely on SF in-jokes and gags about bodily functions, instead allowing the humour to develop from the characters and their sometimes surprisingly poignant interactions: Lister's timeless love for Kochanksi, for example, or Rimmer's brief memory-implanted love for one of Lister's ex-girlfriends. The cast had gelled, too, and there's even more colour this year as the drab sets are spiced up, a little more money has been assigned to models and special effects, and the crew even go on location once in a while. "Kryten" introduces us to the eponymous house robot (here played by David Ross), although after this first episode he was not to reappear until Series 3, when Robert Llewellyn made the role his own. Then in "Better Than Life" the show produced one of its all-time classic episodes, as the boys from the Dwarf take part in a virtual reality game that's ruined by Rimmer's tortured psyche. Other highlights include "Queeg", in which Holly is replaced by a domineering computer personality, the baffling time travel paradox of "Stasis Leak", the puzzling conundrum of "Thanks for the Memory", and the astonishingly feminine "Parallel Universe". On the DVD: Red Dwarf, Series 2 has another chaotic and undisciplined group commentary from the cast, all clearly enjoying the opportunity to reminisce. The second disc has a host of fun extras, including an "A-Z of Red Dwarf", outtakes, deleted scenes, a Doug Naylor interview, model shots, and the full, unexpurgated "Tongue Tied" music video. As with the first set, the animated menus are great fun and the "Play All" facility is the most useful little flashing button ever created. --Mark Walker
Blade: A blood chilling action-packed thriller about modern day vampires unlike any previously encountered. Wesley Snipes is Blade the ultimate vampire hunter and immortal warrior who possesses the superhuman strength and cunning of a vampire but shares none of their weakness. Able to walk by day and stalk by night Blade must confront his ultimate adversary the omnipotent vampire overlord Deacon Frost Stephen Dorff who is intent on leading an underground legion of vamp
Adapted from Evelyn Waugh's Jazz Age satire, A Handful of Dust is a brutal story of a failed marriage with shattering consquences. James Wilby stars as a country gentleman, Tony Last, who loves rattling around his expansive estate, Hetton Abbey. Tony's wife, Brenda (Kristin Scott Thomas), however, pines for London's excitement and commences an affair in the city with penniless aristocrat John Beaver (Rupert Graves). The fallout of Brenda's betrayal includes a family tragedy and creative divorce settlement ultimately undone when fed-up Tony goes on a naturalist trek through Brazil and becomes the hostage of a mad, illiterate explorer (Alec Guinness). One might wonder whether it's more appropriate to laugh or tremble at these events, and director Charles Sturridge's handsome, graceful production ingeniously accommodates the story's streaks of dark comedy and horror. With brief, memorable supporting roles for Anjelica Huston and Stephen Fry.----Tom Keogh
The Walking Dead follows a group of survivors who travel in search of a safe and secure home during the zombie apocalypse. The series explores the challenges of life in a world overrun by walkers who take a toll on the survivors, and sometimes the interpersonal conflicts present a greater danger to their continuing survival than the zombies that roam the country. Over time, the characters are changed by the constant exposure to death, and some grow willing to do anything to survive.
A woman's car breaks down in the country and when she goes to get help she's whisked back in time to 1944 and witnesses a murder. Returning to her car time reverts to normal but unable to convince anyone of her story she investigates the crime herself...
In the highly anticipated new season, Rick and his fellow survivors continue to seek refuge in a desolate and post-apocalyptic world and soon discover that there are greater forces to fear than just the walking dead. The struggle to survive has never been so perilous.
In Bud the C.H.U.D. a couple of high-school kids loose the cadaver for the next day's science experiment, then hit on a plan to steal a body from the local hospital to replace it. Unfortunately what they dont know is that the hospital is home to a rather more sinister and dubious military trial, the sole remaining C.H.U.D (Cannibalistic Humanoid Underground Dweller), who has been cryogenically frozen after the experiment went horribly wrong. Unwittingly they thaw Bud the C.H.U.D, who has the rebel-boy charm of James Dean and the personal tastes of Hannibal Lector. Bud then lumbers off on a cannibalistic rampage infecting everyone he munches on (including the family dog) and turning the town into a whole army of C.H.U.Ds. Only the Colonel (played with great melodramatic gusto by Robert "Napoleon Solo" Vaughn) and the kids who unleashed him can save the town from a fate worse than death. This tongue-in-check schlock horror movie is worth watching just for the late-80s nostalgia, the performances are clichéd and the plot wafer thin, but the humour hits the spot and Brian Robbins as the eponymous Bud positively eats his way into your heart. On the DVD: the DVD is unfortunately devoid of any special features other than a filmography and the film stock has a kind of graininess that comes from being low budget (rather than purposefully art house). It wont be to everyones taste but you cant beat the pure entertainment factor of a cannibalistic poodle. --Kristen Bowditch
Discover a 'lost' masterpiece from acclaimed director Michael Powell (The Red Shoes and Peeping Tom), with this stunning adaptation of Béla Bartok's expressionist opera. Starring Norman Foster as the murderous Bluebeard and Ana Raquel Satre as his doomed wife, Judith, this boldly original production was made for West German television in 1963. Combining outstanding performances with spectacular production designs (by Academy Award-winner Hein Heckroth), Powell concocts a daring and inventive interpretation of this haunting work, equal to the creative innovation of the iconic The Tales of Hoffmann. Unavailable for many years, Bluebeard's Castle has been painstakingly restored by the BFI National Archive and The Film Foundation, and is presented here on its 60th anniversary - in its original 1963 version and the revised 1978 edition and featuring limited English subtitles added by Powell. Product Features Newly restored by the BFI National Archive and The Film Foundation in association with The Ashbrittle Film Foundation and presented in High Definition Newly recorded interview with film scholar Ian Christie (2023) Gallery All extras are TBC and subject to change **FIRST PRESSING ONLY** Fully illustrated booklet featuring new and archive writing
Notoriously, and entirely appropriately, the original outline for Doug Naylor and Rob Grant's comedy sci-fi series Red Dwarf was sketched on the back of a beer mat. When it finally appeared on our television screens in 1988 the show had clearly stayed true to its roots, mixing jokes about excessive curry consumption with affectionate parodies of classic SF. Indeed, one of the show's most endearing and enduring features is its obvious respect for the conventions of SF, even as it gleefully subverts them. The scenario owes something to Douglas Adams's satirical Hitch-Hiker's Guide, something to The Odd Couple and a lot more to the slacker SF of John Carpenter's Dark Star. Behind the crew's constant bickering there lurks an impending sense that life, the universe and everything are all someone's idea of a terrible joke. Later series broadened the show's horizons until at last its premise was so diluted as to be unrecognisable, but in the earlier episodes contained in this box set the comedy is witty and intimate, focusing on characters and not special effects. Slob Dave Lister (Craig Charles) is the last human alive after a radiation leak wipes out the crew of the vast mining vessel Red Dwarf (episode 1, "The End"). He bums around the spaceship with the perpetually uptight and annoyed hologram of his dead bunkmate, Arnold Rimmer (Chris Barrie, the show's greatest comedy asset) and a creature evolved from a cat (dapper Danny John Jules). They are guided rather haphazardly by Holly, the worryingly thick ship's computer (lugubrious Norman Lovett). --Mark Walker
50th ANNIVERSARY EDITION BRAND NEW RESTORATION A complete sensation on its original release in 1967, THE GRADUATE was a one-of-a-kind cinematic portrait of America which captured the mood of disaffected youth seething beneath the laid-back exterior of 1960s California. It earned Mike Nichols a Best Director Oscar, introduced the music of Simon & Garfunkel to a wider audience and featured one of the most famous seductions in movie history and a truly iconic final scene. THE GRADUATE also introduced the world to a young actor named Dustin Hoffman, perfectly cast as the jaw-droppingly naïve Benjamin. Benjamin Braddock (Dustin Hoffman) has just finished college and is already lost in a sea of confusion as he wonders what to do with his life. He returns to his parents' luxurious Beverly Hills home, where he idles away the summer floating in the pool and brooding in silence. He is rescued from the boredom when he is seduced into a clandestine affair with a middle-aged married friend of his parents, Mrs Robinson (Anne Bancroft). That liaison is soon complicated by Benjamin's infatuation with her college-age daughter Elaine (Katharine Ross). Visually imaginative and impeccably acted, with a witty, endlessly quotable script by Calder Willingham and Buck Henry (based on the novel by Charles Webb), with a supporting cast that includes William Daniels, Murray Hamilton, Walter Brooke and Elizabeth Wilson, THE GRADUATE had the kind of cultural impact that comes along only once in a generation.
Night Mail (1936) remains one of the most popular and instantly recognised films in British film history and was one of the most critically acclaimed films to be produced with the British documentary film movement. Night Mail is an account of the operation of the Royal mail train delivery service and shows the various stages and procedures of that operation. The film begins with a voiceover commentary describing how the mail is collected for transit. Then as the train proceeds along the course of its journey we are shown the various regional railway stations at which it collects and deposits mail. Inside the train the process of sorting takes place. As the train nears its destination there is a sequence - the best known in the film - in which Auden's spoken verse and Britten's music are combined over montage images of racing train wheels. Night Mail has been re-mastered and digitally restored and beautifully packaged in a clamshell box. Music by Benjamin Britten. Poetry by WH Auden.
Exclusive Art By Matt FergusonThe year is 2005 For millennia, the heroic Autobots, led by Optimus Prime (Peter Cullen), have been at war with the evil Megatron (Frank Welker) and his Decepticons over control of their home planet of Cybertron. However, an even greater threat Unicron (Orson Welles, Citizen Kane), a colossal converting planet that devours everything in its path is heading right for Cybertron. The only hope is the Autobot Matrix of Leadership. Will the Autobots be able to save themselves and their home world in time?An all-star cast, including Judd Nelson (The Breakfast Club), Leonard Nimoy (Star Trek), Eric Idle (the Monty Python films) and Robert Stack (The Untouchables), brings this inimitable, explosively entertaining Autobot adventure to life.Special FeaturesNew 4k Transfer From Original Film ElementsNew Feature-Length Storyboards, including deleted, alternate and extended sequencesNew Fathom Events 30th Anniversary Featurette, including Stan Bush's acoustic performances of The Touch and Dare 'Til All Are One A comprehensive documentary looking back at The Transformers: The Movie with members of the cast and crew, including story consultant Flint Dille, cast members Gregg Berger, Neil Ross, Dan Gilvezan, singer/songwriter Stan Bush, composer Vince Dicola and others!Audio Commentary with Director Nelson Shin, story consultant Flint Dille and star Susan BluFeaturettesAnimated StoryboardsTrailers and TV Spots
In the highly anticipated new season, Rick and his fellow survivors continue to seek refuge in a desolate and post-apocalyptic world and soon discover that there are greater forces to fear than just the walking dead. The struggle to survive has never been so perilous.
Exclusive Art By Matt Ferguson The year is 2005 For millennia, the heroic Autobots, led by Optimus Prime (Peter Cullen), have been at war with the evil Megatron (Frank Welker) and his Decepticons over control of their home planet of Cybertron. However, an even greater threat Unicron (Orson Welles, Citizen Kane), a colossal converting planet that devours everything in its path is heading right for Cybertron. The only hope is the Autobot Matrix of Leadership. Will the Autobots be able to save themselves and their home world in time? An all-star cast, including Judd Nelson (The Breakfast Club), Leonard Nimoy (Star Trek), Eric Idle (the Monty Python films) and Robert Stack (The Untouchables), brings this inimitable, explosively entertaining Autobot adventure to life. Special Features New 4k Transfer From Original Film Elements New Feature-Length Storyboards, including deleted, alternate and extended sequences New Fathom Events 30th Anniversary Featurette, including Stan Bush's acoustic performances of The Touch and Dare 'Til All Are One A comprehensive documentary looking back at The Transformers: The Movie with members of the cast and crew, including story consultant Flint Dille, cast members Gregg Berger, Neil Ross, Dan Gilvezan, singer/songwriter Stan Bush, composer Vince Dicola and others! Audio Commentary with Director Nelson Shin, story consultant Flint Dille and star Susan Blu Featurettes Animated Storyboards Trailers and TV Spots
For over 30 years the Children's Film Foundation produced quality entertainment for young audiences, employing the cream of British filmmaking talent. Released for the first time on DVD is Masters of Venus, an out of this world science fiction serial by Ernest Morris (The Vise, Richard the Lionheart). Starring Norman Wooland (The Guns of Navarone, Hamlet), Mandy Harper (Four Winds Island) and Robin Stewart (Bless This House), Masters of Venus tells the story of a spaceship from Earth which lands on the planet Venus, where the crew meet a race of beings that they suspect are descended from the lost city of Atlantis.
Eight-year-old Peter is plagued by a mysterious, constant tap, tap from inside his bedroom wall-a tapping that his parents insist is all in his imagination. As Peters fear intensifies, he believes that his parents (Lizzy Caplan and Antony Starr) could be hiding a terrible, dangerous secret and questions their trust. And for a child, what could be more frightening than that?
After the poor reception given to George Lazenby in Her Majesty's Secret Service, Sean Connery was no doubt lured back to the series with a gadget-stuffed briefcase full of cash (most of which he allegedly gave to charity) for this wry, snappily made seventh instalment in the series. Some of its secret weapons include a smart script, a Las Vegas setting providing plenty of neon reflections on windscreens for a memorable car chase through the Strip, and the comely Jill St. John as Tiffany Case, a diamond cut-above most of the preceding Bond girls. (Apart from Diana Rigg in Her Majesty's Secret Service, that is). Blofeld and his fluffy white cat are on hand to menace 007--it's the Nehru jackets and steely surface-look of this one in particular that the Austin Powers spoofs are sending up. Blofeld's initial cover as a reclusive Howard Hughes-like millionaire points to how the series was catching up with more contemporary figures and issues. Other highlights include two truly ferocious, karate-kicking female assassins and a sizzling moon-buggy chase across the dunes. --Leslie FelperinOn the DVD: The mind boggling possibility of casting Adam West (TV's Batman) as Bond was seriously mooted because the suits at United Artists wanted to Americanise the franchise, th e documentary reveals. Sean Connery was eventually persuaded to return but demanded a record fee to reprise his role, and then donated all the cash to his charitable foundation, the Scottish International Education Trust. The rags to riches story of larger-than-life producer Albert R Broccoli is told in the second documentary. The commentary is another in the series of edited selections from interviews with cast and crew, which are exhaustive in the wealth of detail offered but a little exhausting to sit through. Sundry trailers, radio and TV spots plus a few deleted scenes complete the comprehensive selection. --Mark Walker
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