""...This is the USS Nimitz. Where the Hell are we...?"" Trapped inside the boundaries of time and space... 102 aircraft.... 6000 men.... all missing. It is 1980 and the USS Nimitz puts to sea off of Pearl Harbor for routine exercises. After encountering a strange storm and losing all contact with the US Pacific Fleet nuclear war with the Soviet Union is assumed and the USS Nimitz arms herself for battle. However after encountering Japanese Zero scout planes and finding Pearl Harbor filled with pre-World War II battleships it is realized that the storm the Nimitz went through caused the ship to travel back in time: to December 6th 1941.
Jane Hall - shy hapless and chronically unemployed - has spent so much time convinced she's an idiot that she's got no idea how loveable gorgeous and funny she actually is. So when after a massive row with her parents she finally decides to move away from home it's a radical life-change: she heads straight for the bright lights of the big smoke - London. The last place she expects to find sex fun and adventure is in driving a bright red London bus. But she does. Features all s
This town drama from Ted Demme centres on former classmates coming together for their 10-year reunion. Scott Rosenberg's (Things to Do in Denver When You're Dead) script thoughtfully passes over the usual grumblings of young adults who can't believe they still live in the same snowbound town. They accept--even welcome--their blue-collar jobs, whether ploughing snow or cutting hair. Willie (Timothy Hutton), the lone wanderer, returns to his listless house in a state of flux, the piano-bar circuit wearing thin as is his relationship with Tracy, a well-off attorney (Annabeth Gish). He isn't the only one with problems. Tommy (Matt Dillon) occasionally sleeps with his now-married high school sweetheart Darian (Lauren Holly) while the earnest Sharon (Mira Sorvino) is left to wait. Paul (another thick-headed role for Michael Rapaport) refuses to commit to Jan (Martha Plimpton) until it's too late. Paul is enamoured with the idea of the supermodel (the title's "beautiful girls") that, he believes, can make life perfect. It's a very satisfying comedy, with some forced poignancy (Willie's description of Tracy as a "seven and a half" comes off as a death sentence). Rosie O'Donnell's dissertation on why Playboy and Penthouse have ruined male expectations is much like Meg Ryan's orgasm scene in When Harry Met Sally: it's hilarious, even memorable, but never wholly believable. The two wild cards thrown into Beautiful Girls give the film its kick. Uma Thurman enters as the local barman's (Pruitt Taylor Vince) radiant cousin. From the big city, she can flirt with the awestruck guys and still keep her head. Willie's true emotional tug is from Marty, his precocious 13-year-old neighbour. If you didn't see Natalie Portman's sophisticated work in Leon, her performance here will come as a revelation. You deeply believe that Willie and Marty are connected despite their age difference. Their courtship will never come to be, but the way the two talk (and talk some more) about their lives is the most insightful part of Rosenberg's script. Everyone's so comfortable in his or her roles that you may truly feel sad when the film ends. --Doug Thomas, Amazon.com
One of Woody Allen's best-loved films, this won three richly deserved Oscars* (for Michael Caine, Dianne Wiest and the screenplay), and is a joy from start to perfectly judged finish. Hannah (Mia Farrow) is a devoted wife, loving mother and successful actress. She's also the emotional backbone of the family, and her sisters Lee (Barbara Hershey) and Holly (Dianne Wiest) depend on this stability while also resenting it because they can't help but compare Hannah's seemingly perfect life with theirs. But with her husband Elliot (Michael Caine) becoming increasingly interested in Lee, it's clear that Hannah might have problems of her own. An unusually strong supporting cast includes Allen himself as Hannah's existentially conflicted ex-husband and Max von Sydow as a perfectionist artist, but it's Caine who practically steals the film as a middle-aged man behaving like a lovesick teenager. It also has some of Allen's greatest one-liners, with a philosophical discussion about the nature of good and evil getting shot down with How should I know why there were Nazis? I don't even know how the can opener works.
The John Wayne Ultimate Collection
A look at the lesbian experience over different decades and social climates in America told through three stories of love. An elderly woman 'widowed' when her companion of 50 years dies in 1961; a feminist co-ed discovering her attraction to an outsider in 1972; a loving couple eager to experience parenthood in 2000: three couples three different decades. 'If These Walls Could Talk 2' is an honest portrayal of women in three very different times all searching for love and acceptance.
His wife just left him for another man; and so did his boyfriend.... Ben (Bates) is a man full of energy that he doesn't know what to do with. He's lost a grip on what gives his life purpose he's not sure that teaching is of any use or that he's even meant to be a teacher and he's feasting off the dregs of his relationships. In this first American Film Theatre Collection release Harold Pinter makes a very impressive directorial debut creating intricate characterisations in a movi
The U.S.S. Sea Tiger is on its last legs until the dapper skipper and his ingenious (if slightly unethical) junior officer scavenge the parts and supplies needed to put the sub back into action. Forced out to sea prematurely by an enemy air attack the sub leaks and limps along its path until five stranded army nurses come aboard and take over its renovation... and the sub ends up a blushing pink! Cary Grant Tony Curtis and a star-filled supporting cast keep the laughs afloat in one of the funniest voyages ever to grace the high seas!
Attorney Matt Murdock is blind, but his other four senses function with superhuman sharpness. By day, Murdock represents the downtrodden. At night, he is Daredevil, a masked vigilante stalking the dark streets of the city, a relentless avenger of justice.
Darkness and Light. One conceals, the other reveals, but each is infinitely seductive. Prepare for the ultimate battle between these epic opposing forces in ABC Studios' Once Upon a Time: The Complete Fifth Season. When the Saviour becomes the Dark Swan, the lines between good and evil blur as Emma begins to relish the intoxicating taste of absolute power. Terrified she'll succumb, Emma and Hook visit Camelot to find the one person who may be able to aid them: Merlin. Unfortunately, King Arthur proves treacherous, and when he joins forces with a vengeful Zelena, Emma and Hook's hopes are shattered. Now Emma and her entire Storybrooke family must embark on a chilling descent to the Underworld of Hades, where they'll try to rescue Hook from a fate worse than death with help from Rumplestiltskin. But will any of them survive the journey? Treat yourself to all 23 riveting episodes of Season 5. Plus, indulge your senses with never-before-seen bonus features as you share the romance, relive the magic and unlock the secrets of Once Upon a Time. The Dark Swan With Commentary By Co-Creators/Executive Producers Edward Kitsis And Adam Horowitz & Actor Jennifer Morrison Birth With Commentary By Executive Producer/Writer David H. Goodman, Producer/Writer Jerome Schwartz And Actor Colin O'Donoghue The Fairest Bloopers Of Them All Tales from the Underworld: A Knight with Cruella Merida In Storybrooke Only You With Commentary By Executive Producers/Writers David H.Goodman & Andrew Chambliss Once Celebrates One Hundred Deleted Scenes: Savior Remains, Dad Duty, Trivial Pursuits, Fork In The Past, Safe & Cloud, Enchantment, Another Option, Reality Check, blcoked Magic, Writing Wrongs, Unappetizing, Belle Of The Box, Two Halves, Eating Feelings, Stunner's Stew, Earning Trust, Reconnecting & Loaded
Otto Preminger's sprawling Second World War drama, In Harm's Way, packs a lot in its 165 minutes, beginning with the attack on Pearl Harbor (which Preminger re-creates in amazing detail) and ending a couple of years later with America's return to the South Pacific in force. John Wayne and Kirk Douglas star as a career naval captain and his self-pitying commander in the peacetime navy who are thrust into battle when Pearl Harbour is bombed while they are on manoeuvres. Minutes into World War II, they are already scapegoated and demoted by the embarrassed military brass. Wayne romances a WAVE nurse (Patricia Neal) and attempts a reconciliation with his estranged, spoiled son (Brandon de Wilde) while Douglas sinks into the bottle after the death of his cheating wife until the American fleet rebuilds and calls upon Wayne to lead one of the initial invasion forces. Henry Fonda makes a brief but commanding appearance as the fleet admiral. Burgess Meredith is a former writer turned witty commander, Dana Andrews a showy but indecisive admiral, and Stanley Holloway a genial Australian scout working with the American invasion forces. Tom Tryon and Paula Prentiss play newlyweds torn apart by the war, and also appearing are Franchot Tone, Carroll O'Conner, Slim Pickens, George Kennedy, Bruce Cabot, and Larry Hagman, among many, many more. Loyal Griggs's handsome black-and-white photography is topped only by Saul Bass's impressive closing credits sequence, a rising cascade of crashing waves and rough surf reportedly paced to mirror the dramatic rhythm of the film. --Sean Axmaker
Listen To Your Heart. It's the late '60s and the British Invasion has conquered the world! The Liverpool Sound tops the charts in every country except in Ireland where traditional Irish music still reigns supreme! But could the unthinkable happen? Could an upstart Irish band from Liverpool win the All Irish Music Championship for the first time in history? Transplanted Irishman Jimmy McMahon (Colm Meany) and his motley English crew have their hearts set on it. Meanwhile back in County Clare Ireland Jimmy's stalwart older brother John Joe (Bernard Hill) and his feisty local band are determined to win the trophy for the third year in a row. Meanwhile Clare's star fiddler Anne (the radiant music icon Andrea Corr of The Corrs family band) chafes under her mother's rules against dating - especially when her eye lands on Teddy (Shaun Evans) Liverpool's star flute player. They are Ireland's answer to Romeo and Juliet. The film weaves these timeless themes of discord - star-crossed lovers feuding brothers narrow-minded parents and rebellious children - with the passion all the characters share for the music they play. And against a backdrop of amber-lit pubs narrow streets and sandy shores the visuals keep pace with toe-tapping soundtrack and reflect the honor and traditions at stake in the competition.
With a tantalising "what-if?" scenario and a respectable cast of Hollywood veterans, The Final Countdown plays like a grand-scale episode of The Twilight Zone. It's really no more than that, and time-travel movies have grown far more sophisticated since this popular 1980 release, but there's still some life remaining in the movie's basic premise: what if a modern-era navy aircraft carrier--in this case the real-life nuclear-powered USS Nimitz--was caught in an anomalous storm and thrust 40 years backwards in time to the eve of Japan's attack on Pearl Harbor? Will the ship's commander (Kirk Douglas) interfere with history? Will the visiting systems analyst (Martin Sheen) convince him not to? Will a rescued senator from 1941 (Charles Durning) play an unexpected role in the future of American politics? Veteran TV director Don Taylor doesn't do much with the ideas posed by this potentially intriguing plot; he seems more interested in satisfying aviation buffs with loving footage of F-14 "Jolly Roger" fighter jets, made possible by the navy's generous cooperation. That makes The Final Countdown a better navy film than a fully fledged time-travel fantasy, but there's a nice little twist at the end, and the plot holes are easy to ignore. James Cameron would've done it better, but this popcorn thriller makes an enjoyable double bill with The Philadelphia Experiment. --Jeff Shannon
Nine year-old Molly and her father move to Ireland to a house they've inherited nicknamed Misfortune Manor. It brings bad luck to anyone who lives in it and Molly and her father soon fall victim to the curse: they will lose their new found home unless they can pay the taxes owed on it. Then Molly discovers a leprechaun living on the grounds and befriends him. His luck has run out too because he hasn't eaten a four-leaf clover in over a hundred years. The bad luck begins to rub off on Molly getting her into all kinds of trouble. Finally Molly turns things around by growing a four-leaf clover. Can Molly get the four-leaf clover to the leprechaun in time? Will the leprechauns magic return or will the evil landlords win the day? Find out all the answers in this hilarious and enchanting fun-filled family adventure!
If you spliced Charles Addams, Dr. Seuss, Charles Dickens, Edward Gorey, and Roald Dahl into a Tim Burtonesque landscape, you'd surely come up with something like Lemony Snicket's A Series of Unfortunate Events. Many critics (in mostly mixed reviews) wondered why Burton didn't direct this comically morbid adaptation of the first three books in the popular series by Daniel Handler (a.k.a. "Lemony Snicket," played here by Jude Law and seen only in silhouette) instead of TV and Casper veteran Brad Silberling, but there's still plenty to recommend the playfully bleak scenario, in which three resourceful orphans thwart their wicked, maliciously greedy relative Count Olaf (Jim Carrey), who subjects them to... well, a series of unfortunate events. Along the way they encounter a herpetologist uncle (Billy Connolly), an anxious aunt (Meryl Streep) who's afraid of everything, and a variety of fantastical hazards and mysterious clues, some of which remain unresolved. Given endless wonders of art direction, costume design, and cinematography, Silberling's direction is surprisingly uninspired (in other words, the books are better), but when you add a throwaway cameo by Dustin Hoffman, Law's amusing narration, and Carrey's over-the-top antics, the first Lemony movie suggests a promising franchise in the making. --Jeff Shannon, Amazon.com
Restless gambler and wayward rascal James Coburn can't resist a pretty lady or the chance at gold. This is a rootin' tootin' tongue-in- cheek comedy western that packs a passel of laughs. There's brothel action waterhole skirmishes and sheriff's shootouts!
For better or worse MTV funded a bumbling cast of idiots to play with poo and dress in a variety of men's undergarments. Never before has arrested development looked so much fun as the cast of Jackass make it. From stapling Jackass on their rear end to mounting magazine stands in gorilla costumes Johnny Knoxville and the rest of the gang show us what it takes be a Jackass! With over 50 unreleased segments this will be the first time these outrageous skits from the ground-breaking
Fathom: From exploding earrings to dances with bulls to leaps from a plane at 10 000 feet there isn't much Fathom can't handle in this wildly entertaining espionage spoof! Voluptuous dental hygienist-turned-skydiver Fathom Harvill (Raquel Welch) is recruited by a top-secret government agency to parachute into Spain in search of an elusive war defector (Tony Franciosa) and a missing H-bomb detonator he is believed to possess. But the super sexy spy may expose more than she bargained for as she unravels the truth behind her employer's motives - with hilarious results! (Dir. Leslie H. Martinson 1967) Fantastic Voyage: A Fantastic and spectacular voyage... Through the human body... Into the brain. Shrunk to microscopic size an elite scientific and medical team enters the bloodstream of an ailing scientist in a desperate effort to save his life. Battling the body's incredible defenses the crew must complete their mission before time runs out. The film was to win Oscars for Best Visual Effects (by Art Cruikschank) and Art Direction. The legacy of the film was to continue as 'Fantastic Voyage' later received an animated spin-off show. (Dir. Richard Fleischer 1966) Bandolero: It's a Wild West clash of personalities in Val Verde Texas for the warring Bishop brothers (Dean Martin and James Stewart) who must now join forces to escape a death sentence. Featuring an all-star cast including Raquel Welch and George Kennedy and exploding with action Bandolero! packs a smoking six-gun wallop from its first tense show-down to its last exciting shootout. (Dir. Andrew V. McLaglen 1968) Lady In Cement: The suave sleuth Tony Rome makes a shocking discovery while diving for treasure: a beautiful blonde woman anchored in a block of cement. When a local hood hires him to find his missing girlfriend his investigation begins with the mysterious ""Lady in Cement."" But everyone he talks to either is killed or trying to kill him... (Dir. Gordon Douglas 1968)
A man ends up in hospital after a car accident. He does not remember his name, but it is soon discovered he is a famous attorney. To make things worse, the police start to suspect him of having murdered his missing niece.
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