It's easy to see why The Nutcracker, Tchaikovsky's perennially popular ballet first performed in 1892, has such enduring appeal. As Patrice Bart's 1999 production shows, it is always beautiful to look at, lending itself to the Christmas season where it has a permanent place in the schedules of the major dance companies. And Hoffmann's tale of the troubled child who must go on a wonderful (and occasionally terrifying) journey of discovery has a universal and timeless appeal. Bart's production for the Staatsoper Unter den Linden in Berlin builds on Petipa's original choreography and develops the context of the child Marie's (Nadja Saidakova) anxiety into a strong narrative. The godfather Drosselmayer (Oliver Matz) is initially a sinister figure, forcing her to confront past events before leading her into the glittering land of the Sugar Plum Fairy. Here, all expectations are exceeded. The familiarity of Tchaikovsky's intricately woven themes works in total harmony with sumptuous production values. The dancing is sublime. As the Prince, Vladimir Malakhov evokes the spirit of a young Nureyev. His pas de deux with the Sugar Plum Fairy should challenge even the most cynical tear ducts. Sit back, share the frisson of anticipation as Daniel Barenboim enters the conductor's box and let the whole experience engulf you. On the DVD: There are no extras. In addition to the 16:9 picture format, which enhances the authentic theatrical atmosphere, the Dolby Digital 5.1 sound helps make this Nutcracker an aural feast. Under Barenboim's masterful control, the orchestra draws you into the heart of the music. Booklet notes provide historical background as well as performer biographies, but a more complete cast list would have been useful. --Piers Ford
A disaster at its 1877 premiere, the fantastical Swan Lake was revived in 1895 and has since established itself as the most popular ballet ever. Daniel Barenboim, conductor of this sumptuous performance at Berlin's Staatsoper Unter den Linden (of which he is Artistic Director and General Musical Director) says "Tchaikovsky's Swan Lake is a masterpiece that transcends its time!". The production uses choreography adapted and subtly modernised by Patrice Bart from the 1895 staging, which combined with elegant costume and set design results in a very traditional and thoroughly engaging evening's entertainment. Barenboim ensures that Tchaikovsky's score is a romantic delight, the ensemble dancing is highly polished, Oliver Matz passionately intense as Prince Siegfried, Steffi Scherzer making an enchanting fairytale heroine.On the DVD: The generally excellent anamorphically enhanced picture is almost completely free of grain, a slight soft focus in mid and long shots probably more attributable to the live production being shot on video rather than any fault in the transfer. Mastered in Dolby Digital 5.1, the sound mix is sensibly tied to the screen, the rear channels used to enhance live ambience, subtly establishing an effective sense of "being there". The only "special feature" is a plot synopsis, however, the superior booklet also provides a synopsis, notes on Tchaikovsky and the writing of the ballet, the performance and the performers. --Gary S. Dalkin
A new version of 'Swan Lake' in a modern staging by Patrice Bart of Tchaikovsky's immortal ballet from the Berlin Staatsoper with Daniel Barenboim providing the score. Also includes a modern performance of Hoffman's Christmas fairy tale 'Nutcracker', produced by Patrice Bart and set to the timeless music of Tchaikovsky.
Swan Lake: a disaster at its 1877 premiere, the fantastical Swan Lake was revived in 1895 and has since established itself as the most popular ballet ever. Daniel Barenboim conducts this sumptuous performance at Berlin's Staatsoper Unter den Linden using choreography adapted and subtly modernised by Patrice Bart from the 1895 staging; combined with elegant costume and set design the result is a very traditional and thoroughly engaging evening's entertainment. Barenboim ensures that Tchaikovsky's score is a romantic delight, the ensemble dancing is highly polished, Oliver Matz passionately intense as Prince Siegfried, Steffi Scherzer making an enchanting fairytale heroine. --Gary S Dalkin The Nutcracker: as Patrice Bart's 1999 production of The Nutcracker shows, Tchaikovsky's perennially popular ballet lends itself to the Christmas season where it has a permanent place in the schedules of the major dance companies. Bart's production for the Staatsoper Unter den Linden in Berlin builds on Petipa's original choreography and develops the context of the child Marie's (Nadja Saidakova) anxiety into a strong narrative. The godfather Drosselmayer (Oliver Matz) is initially a sinister figure, forcing her to confront past events before leading her into the glittering land of the Sugar Plum Fairy. Here, all expectations are exceeded. The familiarity of Tchaikovsky's intricately woven themes works in total harmony with sumptuous production values. The dancing is sublime. As the Prince, Vladimir Malakhov evokes the spirit of a young Nureyev. His pas de deux with the Sugar Plum Fairy should challenge even the most cynical tear ducts. Sit back, share the frisson of anticipation as Daniel Barenboim enters the conductor's box and let the whole experience engulf you. --Piers Ford
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