Based on Robert Harling's play and directed by Herbert Ross, Steel Magnolias is a comedy-drama that follows several years in the lives of women who regularly see one another at a beauty shop in their small Louisiana hometown. The story deepens as Julia Roberts, playing a serious diabetic and the daughter of Sally Field, goes downhill healthwise. But as an ensemble piece, this is one of those enjoyably lumpy tearjerkers with many years' worth of stored truths suddenly being shared between the characters, lots of grievances aired, that sort of thing. Daryl Hannah and Shirley MacLaine assume the most eccentric roles, Dolly Parton the most fun and Olympia Dukakis the most dignified, while Sally Field essentially provides the moral and emotional centre of the movie. --Tom Keogh, Amazon.com
U.S. Customs agent Robert 'Bob' Mazur (Bryan Cranston) goes deep undercover to infiltrate Pablo Escobar's blood-soaked drug trafficking scene plaguing the nation in 1985 by posing as slick, money-laundering businessman Bob Musella.
Acclaimed star Richard Dreyfuss gives the performance of a lifetime in this uplifting hit cheered by audiences everywhere! Glenn Holland is a passionate musician who dreams of composing one truly memorable piece of music. But reality intrudes when he reluctantly accepts a ""day job"" as a high school music teacher to support his family. In time however Mr. Holland realizes that his real passion is teaching and his legacy is the generations of young people he inspires. You're sure to
Look Who's Talking: If you've always wanted to know what a baby thinks of the world around him, you finally have your chance. With Bruce Willis supplying the voice of Mikey's thoughts, this is one baby who says exactly what's on his mind. Mollie (Kirstie Alley) is a single working mother who's out to find the perfect father for her child. Her baby, Mikey, prefers James (John Travolta), a cab driver turned babysitter who has what it takes to make them both happy. But Mollie won't even consider James. It's going to take all the tricks a baby can think of to bring them together before it's too late. Look Who's Talking Too: John Travolta and Kirstie Alley return in this charming sequel to the S100 million box-office smash. Also starring the voices of Bruce Willis as Mikey, Rosanne Barr as his new baby sister and Mel Brooks as the voice of Mr. Toilet Man. Look Who's Talking Now: Now that the kids finally know how to talk, this family is going to the dogs! Thanks to the unique voice talents of Danny DeVito and Diane Keaton as two canine comedians determined to turn the household upside down, LOOK WHO'S TALKING NOW is as fresh and funny as the original. John Travolta and Kirstie Alley return as the fun-loving parents whose marriage is put to the test when she loses a job and he finds one with a female boss who shows an over-active interest in merging. Loaded with one-liners and enough humour for kids and adults alike, LOOK WHO'S TALKING NOW proves that when it comes to comedy, it's a dog's life!
"Away From Her" is a moving love story that deals with memory and the circuitous, unnamable, paths of a long marriage.
As adorable as she is ambitious Kate is determined to turn her mid-level advertising job into an executive position - and equally determined to snare Sam the agency's ultra-suave Romeo who prefers illicit affairs with attached women. She achieves both goals by pretending she's getting married to Nick a man she met at a wedding and barely knows. But her carefully constructed fictional life comes face to face with reality when her boss wants to meet Nick sending Kate's personal and
The writer-producer-director team of Charles Shyer and Nancy Meyers (Father of the Bride) can't lift this sugary ode to Howard Hawks's His Girl Friday to a believable--let alone enjoyable--plateau. Neither, unfortunately, can its two great and perfectly cast leads, Nick Nolte and Julia Roberts. As competing newspaper reporters after the same story, there should be enough sparks and brilliantly barbed dialogue flying between them to resurrect the screwball comedy genre of classic Hollywood. But the material isn't there, the charisma isn't there, and the direction (by Shyer) certainly isn't there. At more than two hours, I Love Trouble begins to dismantle itself, and the cute factor becomes a pain. --Tom Keogh
If nothing else, the powers that be behind this terrible sequel to the 1989 hit Look Who's Talking will be divinely punished for abusing John Lennon's "Jealous Guy" on the soundtrack. Until then, it's better to push memories of this movie to the back of one's memory. John Travolta and Kirstie Alley reprise their roles from the earlier film, but this time their married relationship is in trouble for sundry reasons. Adding to that complication is the arrival of a new baby (whined by Roseanne Barr) to join the previous one (quipped by Bruce Willis). Mel Brooks and Damon Wayans add their voices to those of some other kids, but this hastily patched-together follow-up wouldn't be funny no matter how may comic minds you threw in the mix. Between the shoddy script and miscasting of Barr, there's enough doom to go around in this thing, but an opening-credits sequence that manages, through crummy special effects, to turn a sperm's path toward an egg into a nauseating experience doesn't help. Stick with the original. --Tom Keogh
This cute, 1989 comedy directed by Amy Heckerling (Fast Times at Ridgemont High) helped keep John Travolta busy during some fallow years and extended America's then-love affair with Bruce Willis, whose voice is the only part of him that appears. Kirstie Alley costars as an unwed mother in search of a suitable man to become her baby's father. Travolta is a cab driver who doesn't match her ideal, but he gets involved anyway. Half the fun comes from Willis's risible reading of the newborn's thoughts. Look Who's Talking was followed by two lesser sequels, Look Who's Talking Too and Look Who's Talking Now. --Tom Keogh
Look Who's Talking: Led on and let down by boyfriend Albert (George Segal) 32 year old Mollie (Kirstie Alley) is looking for a proper father for her son. Little Mikey favours cab driver-turned-baby-sitter James (John Travolta). It's a case of baby knows best but by the time he learns to talk it could be too late! Look Who's Talking Too: A new baby is on the way and it's a girl. Wrapped together with the standard conflict between mother and father Mikey engages in a bit of sibling rivalry with his new sister voiced by Roseanne Barr... Look Who's Talking Now: The kids are growing and can now talk but the Ubriacco household is turned upside down with the arrival of two talking dogs...
The extraordinary story tells of a quest that took as illiterate French peasant girl and transformed her into one of the most revered leaders of all time.
Remember the outfit Cher wore to the Oscars when she won an Academy Award for her performance in this 1987 film? Ay-yi-yi. The actress' more retiring character in this infectious comedy leaps several psychological hurdles just giving her hair a permanent. But then the original screenplay of Moonstruck, by John Patrick Shanley (Joe Versus the Volcano), is a wonderful, gently satirical tale of an Italian-American family dealing with repression and dissatisfaction against a backdrop of cultural expectations. Cher is focused and funny as a widow who feels she should marry an older fellow (Danny Aiello), but then falls for his black-sheep brother (Nicolas Cage). Olympia Dukakis and Vincent Gardenia are perfect as her parents, and John Mahoney (of TV's Frasier) has a memorable, small role as a middle-aged man on the make who gets a lecture from Dukakis's character. Shanley's dialogue is comically stylised in a way that makes one appreciate how much words can inform an actor's performance. Taking its cues from him and director Norman Jewison (And Justice for All), the cast immerse themselves in a pool of hilariously operatic emotion. --Tom Keogh
Double bill of drama miniseries based on the books by Armistead Maupin. In 'Tales of the City', naive country girl Mary Ann Singleton (Laura Linney) arrives in San Francisco in 1976 and receives a rude awakening to the rather more hectic pace of life in the big city when she moves into an apartment block owned by exotic, free-thinking landlady Anna Madrigal (Olympia Dukakis). 'More Tales of the City' follows the continuing adventures of Mary Ann in which she goes on a cruise with her gay frie...
Armistead Maupin's riveting bestseller comes to life in this brilliant adaptation of the hilarious and affectionate chronicle of colourful San Francisco life in the 1970s. The highly acclaimed and double Emmy nominated series based on the first volume in Maupin's six volume Tales Of The City series generated a large and devoted following.
Remember the outfit Cher wore to the Oscars when she won an Academy Award for her performance in this 1987 film? Ay-yi-yi. The actress' more retiring character in this infectious comedy leaps several psychological hurdles just giving her hair a permanent. But then the original screenplay of Moonstruck, by John Patrick Shanley (Joe Versus the Volcano), is a wonderful, gently satirical tale of an Italian-American family dealing with repression and dissatisfaction against a backdrop of cultural expectations. Cher is focused and funny as a widow who feels she should marry an older fellow (Danny Aiello), but then falls for his black-sheep brother (Nicolas Cage). Olympia Dukakis and Vincent Gardenia are perfect as her parents, and John Mahoney (of TV's Frasier) has a memorable, small role as a middle-aged man on the make who gets a lecture from Dukakis's character. Shanley's dialogue is comically stylised in a way that makes one appreciate how much words can inform an actor's performance. Taking its cues from him and director Norman Jewison (And Justice for All), the cast immerse themselves in a pool of hilariously operatic emotion. --Tom Keogh
Sci-fi drama starring Zosia Mamet and Olympia Dukakis. When Rhea Carver (Mamet) realises that she is different to the other children at school, she reaches out to her grandmother, Rosmarie (Dukakis). As Rhea's mother (Virginia Madsen) and grandmother tell her the truth about the women of the Carver family being descendents of ancient witches, Rhea fears that life as she knew it will never be the same.
TBC
The Object Of My Affection: Nina a social worker shares a cozy flat with her dear friend George who happens to be gay. When Nina becomes pregnant by her overbearing boyfriend she begs George to step into the breach - but is he ready to be a surrogate dad? Picture Perfect: As adorable as she is ambitious Kate is determined to turn her mid-level advertising job into an executive position - and equally determined to snare Sam the agency's ultra-suave Romeo who pref
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