An angel in Berlin decides to become human after falling in love with a mortal. One of Wim Wenders' biggest commercial successes and arguably his most accessible film to date Wings of Desire (aka: Der Himmel uber Berlin) centres around two trench-coated angels Damiel (Bruno Ganz) and Cassiel (Otto Sander) wandering the streets of post-war pre-unification Berlin. Invisible to humans they listen to the tortured thoughts of the mortals occasionally dispensing heavenly solace to those in need. An encounter with a beautiful circus trapeze artist Marion (Solveig Dommartin) sees Damiel falling in love and longing to give up his immortal state in order to experience the simple joys of human experience. Damiel is assisted in his transformation by an American actor (Peter Falk) filming on location in the city himself a former angel who has traded in his wings for a mortal existence. Scripted by Wenders and respected German playwright and novelist Peter Handke the film is impeccably shot by legendary cinematographer Henri Alekan (Jean Cocteau's cameraman on La belle et la bete) blossoming from the monochrome perspective of the angels to colour following Damiel's eventual transmutation. As ever with Wenders music plays an important part and the film features rare on-screen performances by the bands Crime And The City Solution and Nick Cave And The Bad Seeds. Multi-award winning (including the Best Director prize at the 1987 Cannes Film Festival) and hugely acclaimed Wings Of Desire is a delightfully poetic celebration of the human condition. It famously inspired Brad Silberling's 1998 hit film City of Angels starring Nicolas Cage and Meg Ryan. In 1993 Wenders reunited with Ganz Sander Dommartin and Falk along with Nastassja Kinski and Willem Dafoe for a sequel Faraway So Close!.
This remastered version of Wim Wenders' heart-breaking Berlin masterpiece is a glorious love letter to a city and a time capsule of a bygone era. Damiel (Bruno Ganz at his best) is one of a legion of angels who watches over the lives of residents in a divided city. Set towards the end of the 1980s, before the Berlin Wall came down, the film charts Damiel's desire to feel, just as the subjects he watches over do. In particular, he is enraptured by Solveig Dommartin's Marion, an acrobat in a circus. Although it is only children who can see the angels, Marion is faintly aware of Damiel's presence. As is Peter Falk's actor, filming on location in the city, who has a past that links him with the otherworldly guardians. Outside the central romance, the richness of Wenders' film lies in the snapshots of the lives of Berlin's populace individuals who exist on the periphery of the narrative but who inform Damiel's desire to achieve a human state. Wenders' camera flies above the city (the film's original German title is literally translated as The Sky Over Berlin ), capturing these lives in motion, as Damiel's fellow angel Cassiel (Otto Sander) reminds his friend of what he will lose by achieving a mortal state. Mirroring the shift between colour and black and white first employed by Michael Powell and Emeric Pressburger's 1946 drama A Matter of Life and Death , Wings of Desire matches that film's magical aura not just in its subject matter, but as a work of transcendent cinema.
One of Wim Wenders' biggest commercial successes and arguably his most accessible film to date Wings of Desire (aka: Der Himmel uber Berlin) centres around two trench-coated angels Damiel (Bruno Ganz) and Cassiel (Otto Sander) wandering the streets of post-war pre-unification Berlin. Invisible to humans they listen to the tortured thoughts of the mortals occasionally dispensing heavenly solace to those in need. An encounter with a beautiful circus trapeze artist Marion (Solveig Dommartin) sees Damiel falling in love and longing to give up his immortal state in order to experience the simple joys of human experience. Damiel is assisted in his transformation by an American actor (Peter Falk) filming on location in the city himself a former angel who has traded in his wings for a mortal existence. Scripted by Wenders and respected German playwright and novelist Peter Handke the film is impeccably shot by legendary cinematographer Henri Alekan (Jean Cocteau's cameraman on La belle et la bete) blossoming from the monochrome perspective of the angels to colour following Damiel's eventual transmutation. As ever with Wenders music plays an important part and the film features rare on-screen performances by the bands Crime And The City Solution and Nick Cave And The Bad Seeds. Multi-award winning (including the Best Director prize at the 1987 Cannes Film Festival) and hugely acclaimed Wings Of Desire is a delightfully poetic celebration of the human condition. It famously inspired Brad Silberling's 1998 hit film City of Angels starring Nicolas Cage and Meg Ryan. In 1993 Wenders reunited with Ganz Sander Dommartin and Falk along with Nastassja Kinski and Willem Dafoe for a sequel Faraway So Close!.
This remastered version of Wim Wenders' heart-breaking Berlin masterpiece is a glorious love letter to a city and a time capsule of a bygone era. Damiel (Bruno Ganz at his best) is one of a legion of angels who watches over the lives of residents in a divided city. Set towards the end of the 1980s, before the Berlin Wall came down, the film charts Damiel's desire to feel, just as the subjects he watches over do. In particular, he is enraptured by Solveig Dommartin's Marion, an acrobat in a circus. Although it is only children who can see the angels, Marion is faintly aware of Damiel's presence. As is Peter Falk's actor, filming on location in the city, who has a past that links him with the otherworldly guardians. Outside the central romance, the richness of Wenders' film lies in the snapshots of the lives of Berlin's populace individuals who exist on the periphery of the narrative but who inform Damiel's desire to achieve a human state. Wenders' camera flies above the city (the film's original German title is literally translated as The Sky Over Berlin ), capturing these lives in motion, as Damiel's fellow angel Cassiel (Otto Sander) reminds his friend of what he will lose by achieving a mortal state. Mirroring the shift between colour and black and white first employed by Michael Powell and Emeric Pressburger's 1946 drama A Matter of Life and Death , Wings of Desire matches that film's magical aura not just in its subject matter, but as a work of transcendent cinema.
There are angels on the streets of Berlin... One of Wim Wenders' biggest commercial successes and arguably his most accessible film to date WINGS OF DESIRE (Der Himmel uber Berlin) centres around two trench-coated angels Damiel (Bruno Ganz) and Cassiel (Otto Sander) wandering the streets of post-war pre-unification Berlin. Invisible to humans they listen to the tortured thoughts of the mortals occasionally dispensing heavenly solace to those in need. An encounter with a beaut
In 1799 Russian general Souvarof spearheads the invasion of Italy. Left alone as her father commands a force in the thick of battle against the Russians the beautiful young widow the Marquis of O is captured and violated by Count F a Russian lieutenant she mistook for her saviour. Unconscious at the time of the attack she has no recollection of events and only when she begins to experience strange feelings and sensations does she realise that she may be carrying Count F's child..
The Jack Bull was produced for and premiered on American television network HBO, but it's easily the most respectable job that feature director John Badham (Saturday Night Fever, WarGames) has done in the past two decades. The title refers to a metaphorical Jack Russell terrier that, once it's annoyed enough to close its jaws on something, will hang on to the point of death. This terrier is Myrl Redding (John Cusack), a horse breeder of limited means who has a deeply entrenched sense of justice. His independence galls Henry Ballard (L Q Jones), the crusty land baron out to set his brand on most of the countryside. Ballard insults and cheats Redding several times over and his men beat Redding's Indian horse trainer and friend (Rodney A Grant). When Redding seeks redress from the law, its agents can't be bothered as the local magistrate is in Ballard's pocket. So Redding musters a vigilante army to enforce his own law. Scratch this handsome but rigorously unromanticised Westerna full hour passes without a shot being fired--and you find the classic Heinrich von Kleist book Michael Kohlhaas transposed to Wyoming Territory on the eve of statehood. The script--by the star/producer's dad, Dick Cusack--is sturdy and uncompromising and willing to engage the knotty ambiguities of embracing vigilantism even in a just cause. Badham's decision to treat the authorities (Scott Wilson, Jay O Sanders, John Goodman) as period caricatures is regrettable but John Cusack is solid as a figure of utterly matter-of-fact integrity. --Richard T. Jameson, Amazon.com
This stunning new 4K restoration of Wim Wenders' heartbreaking Berlin masterpiece Wings of Desire was overseen by the acclaimed filmmaker himself, and includes a variety of special features such as deleted scenes, an in-depth conversation with Wenders, audio commentary and more. The film is a glorious love letter to a city and a time capsule of a bygone era. Set in the 1980s, Wings of Desire is a fantastical romance that follows Damiel (Bruno Ganz), an angel who yearns to feel when he becomes enraptured by Solveig Dommartin's Marion, an acrobat in a circus. Product Features New 4K digital restoration overseen by Wim Wenders Featurette In Conversation with Wim Wenders at the BFI (2022) Deleted Scenes Audio Commentary with Wim Wenders and Peter Falk Wim Wenders Lecture, Featurette Helicopter Over Berlin German and English trailers edited by Wim Wenders Curzon Retrospective Trailer
The Tin Drum is the newest entry into Umbrella's sub-label 'World Cinema' directed by Volker Schlöndorff. This drama is an adaptation of the 1959 novel The Tin Drum by Günter Grass and was mostly shot in West Germany. The film also won the Palme d'Or at the 1979 Cannes Film Festival and Best Foreign Language Film at the 1980 Academy Awards.When Oskar Matzerath (the extraordinary David Bennent, just twelve at the time) receives a tin drum for his third birthday, he vows to stop growing there and then and woe betide anyone who tries to take his beloved drum away from him, as he has a banshee shriek that can shatter glass.As a result, he retains a permanent child's-eye perspective on the rise of Nazism as experienced through petit-bourgeois life in his native Danzig, the free city' claimed by both Germany and Poland whose invasion in 1939 helped kick-start World War II.With the help of Luis Buñuel's favourite screenwriter Jean-Claude Carrière, director Volker Schlöndoff turns Günter Grass' magical-realist masterpiece into a carnivalesque frenzy of bizarre, grotesque yet unnervingly compelling images as Oskar turns his increasingly jaded eye and caustic tongue on the insane follies of the adult world that he refuses to join.BANNED IN OKLAHOMA (2004) A film by Gary D. Rhodes: A documentary that covers the 1997 Oklahoma confiscation of the film The Tin Drum due to a judicial ruling of child pornography, and the six years of legal wranglings that ensuedAn Interview by Volker SchlondorffVolker Schlöndorff on the Director's CutVolker Schlöndorff on the Making of The Tin Drum, Cannes 2001 (French with English subtitles)Theatrical Trailer (English subtitles)
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