Although it received mixed reactions from critics and audiences alike when released in 1998, this supernatural thriller benefits from a sustained atmosphere of anticipation and dread, and its combination of detective mystery and demonic mischief is handled with ample style and intelligence. Under the direction of Gregory Hoblit (who fared better with Primal Fear), Denzel Washington plays detective John Hobbes, who witnesses the gas-chamber execution of a serial killer (Elias Koteas). But when another series of murders begins, Hobbes suspects that the killer's evil spirit has survived and is possessing the bodies of others to do its evil bidding. Even Hobbes's trusted partner (John Goodman) thinks the detective is losing his grip on reality, but the dire warnings of a noted linguist (Embeth Davidtz) confirm Hobbes's far-out theory, and his case intensifies toward a fateful showdown. Although its idea is better than its execution, and the story's film noir ambitions are never fully accomplished, this slickly directed thriller has some genuinely effective moments in which evil forces are entwined into the fabric of everyday reality. Among the highlights is a memorable scene in which Detective Hobbes must track the killer as the evil spirit is transferred between many people via physical contact. Even if the film is ultimately less than the sum of its parts, it's an intriguing hybrid that resides in the same cinematic neighbourhood as Seven and The Silence of the Lambs with a cast that also includes Donald Sutherland and James Gandolfini. Included on the DVD is a full-length audio commentary by director Hoblit, screenwriter Nicholas Kazan and producer Charles Roven. --Jeff Shannon, Amazon.com
Set in Queens, New York City, The Transfiguration is an atmospheric drama that focuses on 14-year-old Milo, a troubled outsider who takes refuge in the vampire mythology he studies to the point of obsession. When a chance encounter with equally lonely neighbour Sophie leads him to develop new, romantic feelings, Milo begins struggling to suppress his dark urges - and a terrible secret. The directorial debut from indie filmmaker Michael O'Shea won plaudits at the 69th Cannes Film Festival for its bold and unusual take on the classic coming-of-age tale, with added bite.
Based on Terry McMillan's best-selling novel How Stella Got Her Groove Back, stars Angela Bassett as a 40-year-old, Manhattan stock trader and single mother whose static life gets a jolt during a vacation with her pal (Whoopi Goldberg) in Jamaica. Sparks fly when Bassett meets a 20-year-old stud (Taye Diggs) who has an ambivalent career path but a great body and lots of sexual energy to burn. After some prodding by Goldberg's warm-funny secondary character, Bassett gets it on with the fellow--and proceeds to worry about what she's doing with a man half her age. The film is most enjoyable in its sunny, exotic early scenes and becomes more formulaic once the unlikely couple transports their will-we-stay-together-or-won't-we tensions back to the Big Apple. But director Kevin Rodney Sullivan goes out of his way to make a movie unabashedly thick with fantasy and wish-fulfilment for female audiences (it's Diggs who reveals a lot more flesh than the regal Bassett). This is a Saturday-night movie all around. --Tom Keogh
See It! Live It! Spread It! A young R&B singer returns home to find his father's once powerful congregation in disarray. With his childhood nemesis creating a ""new vision"" for the church he is forced to deal with family career and relationship issues that send him on a collision course with redemption or destruction...
The Overlanders
Set in Queens, New York City, The Transfiguration is an atmospheric drama that focuses on 14-year-old Milo, a troubled outsider who takes refuge in the vampire mythology he studies to the point of obsession. When a chance encounter with equally lonely neighbour Sophie leads him to develop new, romantic feelings, Milo begins struggling to suppress his dark urges - and a terrible secret. The directorial debut from indie filmmaker Michael O'Shea won plaudits at the 69th Cannes Film Festival for its bold and unusual take on the classic coming-of-age tale, with added bite.
A mysterious virus carried by mutated rats creates pandemonium on the streets of New York City when rat-bite victims turn into homicidal rat-mutants. This movie focuses on six tenants on a small apartment complex on the Lower East Side Mulberry Street. They must fight to survive the night against the rats and the multiplying mutants.
The night before a notorious haunted house is opened for a Halloween party six teenage friends break in for a few hours of spooky fun. But before the night is over they will not only discover the meaning of fear but the meaning of hell itself.
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