Banned, censored and reviled the world over since its release, Pasolini's final and most controversial masterpiece is presented here fully uncut and uncensored in a new restoration. The content and imagery of Salò is extreme: it remains the power to shock, repel and distress. But it remains a cinematic milestone: culturally significant, politically vital and visually stunning. Based on a novel by the Marquis de Sade - and taking as its setting the miniature fascist republic which Mussolini established in 1944 in Italy - this is a film about power, corruption, and the degradation of the human body. It is a devastating, angry cry from one of the most controversial auteurs in cinema history. Special features: Presented in High Definition Includes both Italian-language and English-language versions Ostia-The Death of Pasolini by Coil the band's 1986 track with a new video accompaniment Original Italian trailer Open Your Eyes! (2008, 21 mins): Pasolini and his actors at work on the set of Salò Walking with Pasolini (2008, 21 mins): documentary featuring Neil Bartlett, David Forgacs, Noam Chomsky and Craig Lapper Whoever Says the Truth Shall Die (1981, 58 mins): the classic documentary on the life and death of Pasolini Fade to Black (2001, 24 mins): documentary exploring the ongoing relevance and power of Pasolini s masterpiece Ostia (1987, 26 mins): a short film about Pasolini starring Derek Jarman with optional director's commentary ***FIRST PRESSING ONLY*** booklet with introduction by Sam Rohdie, reviews, BBFC correspondence exploring the film's troubled history, stills and on-set photographs Other extras TBC
The world's most controversial film comes to DVD and Blu-ray in 2-disc editions. Presented fully uncut and in its most complete version the film has been re-mastered from the original Italian restoration negatives. Pier Paolo Pasolini's final and most shocking film has been banned censored and reviled the world over since its first release in 1975. Salo did not receive UK certification until late 2000 when it was passed uncut. The BFI then released it on DVD in 2001 and despite having been out of print for almost three years the title still ranks amongst BFI's all-time top 10 best-selling DVDs. The film's content and imagery is extreme and it retains the power to shock repel and distress even today. A brutal allegory based on the novel 120 Days of Sodom by the Marquis de Sade the film is a cinematic milestone - culturally significant politically vital and visually stunning.
Alone among assassins, Jack is a master craftsman. When a job in Sweden ends more harshly than expected for this American abroad, he vows to his contact Larry that his next assignment will be his last.
Pier Paolo Pasolini's Salò or the 120 Days of Sodom (known in Italian as Salò o le 120 giornate di Sodoma) provoked howls of outrage and execration on its original release in 1975, and the controversy rages to this day. Until the British Board of Film Classification finally ventured a certificate in 2000, the movie could only be shown at private cinema clubs, and even then in severely mutilated form. The relaxation of the censors' shears allows you to see for yourself what the fuss was about, but be warned--Salò will test the very limits of your endurance. Updating the Marquis de Sade's phantasmagorical novel of the same title from 18th-century France to fascist Italy at the end of World War II, writer-director Pasolini relates a bloodthirsty fable about how absolute power corrupts absolutely. Four upper-class libertines gather in an elegant palazzo to inflict the extremes of sexual perversion and cruelty upon a hand-picked collection of young men and women. Meanwhile, three ageing courtesans enflame the proceedings further by spinning tales of monstrous depravity. The most upsetting aspect of the film is the way Pasolini's coldly voyeuristic camera dehumanises the victims into lumps of random flesh. Though you may feel revulsion at the grisly details, you aren't expected to care much about what happens to either master or slave. In one notorious episode, the subjugated youths are forced to eat their own excrement--a scene almost impossible to watch, even if you know the meal was actually composed of chocolate and orange marmalade. (Pasolini mischievously claimed to be satirising our modern culture of junk food.) Salò is the ultimate vision of apocalypse--and as if in confirmation, the director was himself brutally murdered just before its premiere. You can reject the movie as the work of an evil-minded pornographer, but you won't easily forget it. --Peter Matthews
Alone among assassins, Jack is a master craftsman. When a job in Sweden ends more harshly than expected for this American abroad, he vows to his contact Larry that his next assignment will be his last.
Forever embroiled in controversy, Midnight Express divides viewers into opposing camps: those who think it's one of the most intense real-life dramas ever made, and those who abhor its manipulative tactics and alteration of facts for the exploitative purpose of achieving a desired effect. That effect is powerfully achieved, regardless of how you may feel about director Alan Parker and Oscar-winning screenwriter Oliver Stone's interpretation of the story of Billy Hayes. It was the American Hayes--played by the late Brad Davis in an unforgettable performance--who was caught smuggling 2kg of hashish while attempting to board a flight from Istanbul in 1970. He was sentenced to four years in a hellish Turkish prison on a drug possession charge, but his sentence was later extended (though not by 30 years, as the film suggests), and Hayes endured unthinkable brutality and torture before his escape in 1975. Unquestionably, this is a superbly crafted film, provoking a visceral response that's powerful enough to boil your blood. By the time Hayes erupts in an explosion of self-defensive violence, Parker and Stone have proven the power--and danger--of their skill. Their film is deeply manipulative, extremely xenophobic, and embellishes reality to heighten its calculated impact. Is that a crime? Not necessarily, and there's no doubt that Midnight Express is expertly directed and blessed with exceptional supporting performances (especially from John Hurt as a long-term prisoner). Still, it's obvious that strings are being pulled, and Parker, while applying his talent to a nefarious purpose, is a masterful puppeteer. --Jeff Shannon, Amazon.com
An intellectual painter turned doctor Carlo Levi is exiled to a remote region of Southern Italy near Eboli a place were according to local myth Christ would venture no further than in his journey south. Over time Levi begins to integrate with the local community...
Pasolini's controversial film has been widely regarded to be one of the most disturbing ever made based on the book The 120 Days of Sodom by the Marquis de Sade. Pasolini transposes the setting of De Sade's book from 18th century France to the last days of Mussolini's regime in the Republic of Sal''.
The Marx Brothers meet The Godfather when the bumbling Dante (Roberto Benigni) discovers that there's nothing organized about organized crime in this hilarious tale of mistaken identity that reveals why Benigni has become Italy's most popular film comedian. A naive schoolbus driver Dante finally meets the passionate woman of his dreams. Unfortunately she only wants him for his body; his dead body. Dante doesn't realize he looks just like mobster Johnny Stecchino and that femme fatale Maria (Nicoletta Braschi) is setting him up to be the victim of a hit so that she and husband Johnny can escape the crime world. The dim-witted innocent doesn't catch on fast; every time a round of gunfire goes off Dante thinks he's being hunted for shoplifting a banana! 'Johnny Stecchino' .
On the trail of a deranged serial rapist and killer Detective Anna Manni (Asia Argento) hides her own secret: she suffers from the Stendhal Syndrome a mental condition which makes her retreat into frightening hallucinations when confronted with works of art. Her quarry the sadistic Alfredo Grossi (Thomas Kretschmann) discovers her condition and uses it against Anna to reduce her to a helpless victim. Subjected to these savage relentless attacks Anna is a powerless witness as hi
The Marx Brothers meet The Godfather when the bumbling Dante (Roberto Benigni) discovers that there's nothing organized about organized crime in this hilarious tale of mistaken identity. Dante finally meets the woman of his dreams; unfortunately she only wants him for his body his dead body. Dante doesn't realize he looks just like mobster Johnny Stecchino and that femme fatale Maria is setting him up to be the victim of a hit so that she and husband Johnny can escape their life of crime. Starring Italy's most popular film comedian as Dante and Johnny the Toothpick.
Pasolini's controversial film has been widely regarded to be one of the most disturbing ever made based on the book The 120 Days of Sodom by the Marquis de Sade. Pasolini transposes the setting of De Sade's book from 18th century France to the last days of Mussolini's regime in the Republic of Sal''.
On the trail of a deranged serial rapist and killer Detective Anna Manni (Asia Argento) hides her own secret: she suffers from the Stendhal Syndrome a mental condition which makes her retreat into frightening hallucinations when confronted with works of art. Her quarry the sadistic Alfredo Grossi (Thomas Kretschmann) discovers her condition and uses it against Anna to reduce her to a helpless victim. Subjected to these savage relentless attacks Anna is a powerless witness as his murder spree continues. Now alone she has to face her own fears her own terrors and the terrible legacy of the Stendhal Syndrome...
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