Helen Mirren stars as the 'Virgin Queen' Elizabeth I in this Channel 4 drama penned by acclaimed novelist Nigel Williams. Elizabeth I daughter of Henry VIII reunited a nation divided by religious strife faced down the Spanish Armada and after an unprecedented forty-five year reign died one of England's best-loved monarchs. During her time as Queen poets and playwrights wrote about her artists painted her composers dedicated their work to her all contributing to the legen
The Middle is the most honest--and, for that reason, the funniest--sitcom about middle class family life since Roseanne. Frankie Heck (Patricia Heaton, Everybody Loves Raymond) wearily runs a cluttered, chaotic household with her husband Mike (Neil Flynn, Scrubs) and three unruly kids: sullen teen jock Axl (Charlie McDermott), hopeless klutz Sue (Eden Sher), and smart but socially awkward Brick (Atticus Shaffer). The plots revolve around the kind of mild crises that make domestic life so difficult: Frankie and Mike can't find time to be alone together; debts force difficult choices; the kids spend more time watching television than talking to each other. Again and again, Frankie longs to teach her kids good values but realizes she isn't living up to those values herself--and her reluctant efforts to muster virtue within herself can be achingly funny. Frankie is superbly well realized, a perfect match of writing and performer. Heaton portrays her contradictory impulses (virtue vs. convenience, open-heartedness vs. a hunger for just a little time alone) with wonderful subtlety; the wary look in her eyes flickers between sincerity and cynicism. The supporting cast is every bit as strong. These kids actually look and act like kids, in all their obnoxious, oblivious, naive glory, not like glossy supermodels in training. Flynn pulls his own deft balancing act, making husband Mike blunt and a little insensitive without seeming like a jerk or a caricature. The show is still working out some kinks--Chris Kattan (Saturday Night Live) plays a hapless coworker of Frankie's; the character has possibilities and Kattan seems game for anything, but the writers don't quite know what to do with him yet. A host of guest stars--including Brooke Shields as a white trash neighbor and Betty White as an imperious librarian--fit nicely into the show's world, rather than sticking out like stunt casting. The Middle treats middle America with compassion, intelligence, and genuine appreciation. --Bret Fetzer
Work. Kids. Bills. Comedy. It's how the middle half lives. The Heck family returns for Season Two bringing with them 24 episodes of offbeat fun with one foot in reality and the other on a greasy wrapper from Burgerworld. Patricia Heaton and Neil Flynn star as Frankie and Mike Heck frazzled parents trying to stretch their patience and paychecks around three brilliantly true-to-life kids: their oldest Axl is a teen jock slacker whose wardrobe of choice is boxer shorts and an attitude; Sue who's thrilled to come in eighth (out of eight) in Square Dancing with the Stars; and Brick the only kid who has his birthday party at the public library.
Andrew Davies' 1999 adaptation of Mrs Gaskell's Wives and Daughters was hailed as the rediscovery of a "forgotten" classic novel and found the BBC on the crest of a wave with costume dramas--led by Pride and Prejudice. Handsome and beautifully filmed, if anything, it surpassed the quality of even that highly praised landmark production. "We should all look pretty strange under a microscope," botanist Robert Hamley tells our heroine Molly Gibson and of course Mrs Gaskell places all her characters under intense scrutiny, with affection but without judgement. Davies' screenplay peals back the layers, giving full vent to the comedy, tragedy and satire that drive this tale of provincial life to its highly satisfactory conclusion. Justine Waddell imbues Molly with an increasingly exasperated but remarkably forbearing intelligence, while Francesca Annis, as the outrageously self-absorbed step-mother Hyacinth, paints a wonderful portrait of affectation without ever totally alienating our sympathy. Michael Gambon's immensely touching Squire Hamley won him a Best Actor BAFTA, but all the performances are uniformly excellent, contributing immeasurably to five hours of television drama of the highest calibre. On the DVD: Presented in 16:9 format with a Dolby Digital stereo soundtrack, this two-disc presentation retains all the hallmarks of the original BBC viewing experience. The picture quality is lush--the production lighting is excellent--and the sound quality sharp. The only gripe is with the extras: the Omnibus documentary "Who the Dickens is Mrs Gaskell?" is brutally truncated, cutting off talking heads like novelists Fay Weldon and Margaret Drabble in their prime and giving limited insight into how the production was made. As an audio bonus, there is also 30 minutes of John Keane's music.--Piers Ford
24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize a man about to die: both men are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad.
This box set features the entire first series of the classic British Television drama Inspector Morse. Episodes comprise: 1. The Dead of Jericho: Morse who never quite finds romance thinks that at last things will turn out differently when he meets beautiful Anne Stavely (Gemma Jones). But it is a love destined not to be when Anne is found hanging from a beam in mysterious circumstances. Morse suspects murder and sets out to discover the truth. Joining him is Serg
Johnson High School will never forget the day when ex-student Jason Copeland (Rick Schroder) decided to inflict a devastating revenge on the system that had rejected him. Armed and dangerous he marched into the school and started to fire indiscriminately at both students and staff then took dozens of terrified students hostage barricaded himself into a classroom and began a bloody reign of terror. But from this murderous mayhem an unlikely hero emerged: Deputy Skip Fine (Henry Winkler). Ignoring the mockery of both his colleagues and the FBI Fine took on the role of go-between- knowing that only his courage and negotiating skills could prevent even more bloodshed.
In the latest comedy from the Farrelly brothers, two conjoined twins find their brotherly bond tested when one of them decides to head to Hollywood to become a movie star.
Lover Come Back: Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart! (Dir. Delbert Mann 1961) Pillow Talk: Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet he's taken with her beauty and pretending to be a wealthy Texan begins to court her mercilessly. Though flattered by this stranger's attention it's not long before she discovers his true identity. Now it's her turn to have a little fun...at his expense! (Dir. Michael Gordon 1959) Send Me No Flowers: Rock is ready to make love yesterday tomorrow and especially to Day (Doris that is!) When he overhears a doctor discussing the imminent death of a patient hypochondriac George (Hudson) believes the doc is referring to him. Convinced he's living on borrowed time George enlists the aid of his best friend Arnold (Randall) to find a new husband for his soon-to-be-widowed wife Judy (Day). Already alarmed by her husband's increasingly strange behavior Judy is even more bewildered when an old flame shows up George bends over backwards to encourage his advances! (Dir. Norman Jewison 1964)
A triple bill of Doris Day movies including Lover Come Back Send Me No Flowers and Pillow Talk. Lover Come Back: Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart! Send Me No Flowers: When he overhears a doctor discussing the imminent death of a patient hypochondriac George (Hudson) believes the doc is referring to him. Convinced he's living on borrowed time George enlists the aid of his best friend Arnold (Randall) to find a new husband for his soon-to-be-widowed wife Judy (Day). Already alarmed by her husband's increasingly strange behavior Judy is even more bewildered when an old flame shows up George bends over backwards to encourage his advances! Pillow Talk: Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet he's taken with her beauty and pretending to be a wealthy Texan begins to court her mercilessly. Though flattered by this stranger's attention it's not long before she discovers his true identity. Now it's her turn to have a little fun...at his expense!
Few thought that any German player would be able to emulate the incredible playing qualities of 'the Kaiser' Franz Beckenbauer... They were wrong. This documentary takes a look at the life and career of Lothar Matthaus. Born in Erlangen on January 21st 1961 Matthaus is one of the finest midfielders that Germany or any other nation has ever produced. From the much-fabled 'libero' position effectively created by Beckenbauer Matthaus commanded the German team over 3 decades. The man has played in a record 5 World Cups captaining the team to victory in 1990. The following year his success was consolidated by the accolade of FIFA World Player of the Year. Recently he's moved into coaching where he's had a degree of success but courted controversy for a few abrupt resignations. However the footballing community fully expect Lothar to achieve greatness in the coaching field eventually. This documentary features interviews with residents from Lothar Matthaus' hometown and the people who were influential in his life. Not only that but Lothar himself offers his own thoughts on his achievements. With a smattering of top quality footage of Matthaus in action this is ideal viewing for fans of the player and the game.
Battle Cry: A tight-knit group of marines have adventures in both love and war as they progress from boot camp training to a New Zealand ops base and on to the hard-fought invasion of Saipan. Operation Pacific: 'Duke' Gifford an ultra devoted commander feeling guilty about the death of his former commanding officer and the failure of his marriage leads his submarine crew up into uncharted waters in the battle for the Pacific... Objective Burma: A crack squad of paratroopers parachute into Japanese-occupied Burma with a dangerous and important mission: to locate and blow up a radar station. When an ambush cuts off their only escape route his troop are forced into the swamp-infested hell of the Burmese jungle. The harrowing fight for survival begins in a realistic account of the grim hardships facing brave men in battle...
Director Victor Nunez's richly photographed Ulee's Gold drew critical acclaim for Peter Fonda's and Patricia Richardson's subtle performances--and premiered as the Festival Centrepiece in 1997's Sundance Film Festival. Vividly photographed and set amid southern Florida's tupelo swamps, the film's narrative hinges on the evolution of a more-than-platonic connection between neighbours Ulysses, "Ulee" for short (Fonda), and Connie (Richardson). Best-known for her role on TV's Home Improvement, Richardson makes a satisfying foray into film with this appropriately smaller role where she manages to hatch out of potential typecasting. Fonda is independent, stubborn, and reserved Ulee anchors the narrative. He is a beekeeper whose struggling small business is all that keeps him focused in the wake of his wife Penelope's death, his daughter-in-law Helen's (Christine Dunford) drug addiction, and the de facto single-parent obligations he takes on to his adolescent granddaughters (notice the Homeric references). Soon the plot twists, however, in the sociopathy of Eddie and Ferris, friends of Ulee's jailed son--a sociopathy that is also the impetus for the family to confront its dysfunction and for Connie and Ulee to see more in each other than mere neighbourliness. Thankfully, Nunez foregoes the bathos of a Hollywood ending and leaves us satisfied on one hand with Helen's healing and Eddie's justice but uncertain, though hopeful, about Ulee's next step. --Erik Macki, Amazon.com
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