The men of Bravo Company are facing a battle that's all uphill... up Hamburger Hill. Fourteen war-weary soldiers are battling for a mud-covered mound of earth so named because it chews up soldiers like chopped meat. They are fighting for their country their fellow soldiers and their lives. War is hell but this is worse. Hamburger Hill tells it the way it was the way it really was. It's a raw gritty and totally unrelenting dramatic depiction of one of the fiercest battles of America's bloodiest war. Dodge the gunfire. Get caught behind enemy lines. Go into battle beside the brave young men who fought and died. Feel their desperation and futility. This happened. Hamburger Hill - war at its worst men at their best.
It is 1888 and London is a city in the grip of one of the most gruesome and mysterious crime sprees in history. Women are being strangled and murdered by a madman who can't be found a serial killer who strikes with ruthless precision. Under extreme pressure from the Royal family the head of Scotland Yard (Michael York) assigns its top man (Patrick Bergin) to the grisly case. Inspector James Hanson's only witness is a beautiful girl (Gabrielle Anwar) a former prostitute who the authorities consider expendable and with whom Hanson soon falls in love. Stories of the investigation quickly reach the top of England's royalty but who would think the prime suspect is among them? In a society where the privileged get away with murder Hanson knows he must stop this relentless killer - and protect the woman he loves.
Versatility, thy name is Van Damme! So Arnold cries in End of Days? Hah! In this relentless revenge actioner, Jean-Claude not only cries, but has a drunk scene, suffers suicidal despair, does a little slapstick, and still manages to flash his ubiquitous butt. Which, of course, is what his legion of fans want to see him kick plenty of (other people's butts, that is; not his own). Van Damme may no longer generate any box-office heat (like 1998's Legionnaire, this bypassed cinemas to go straight to video), but he at least gives his fans what they want. Originally titled Coyote Moon, Desert Heat recalls that guilty pleasure Road House, as Eddie Lomax (Van Damme) comes to the rescue of a gallery of colourful characters terrorised by slobbering, drug-dealing bikers and rednecks in a dilapidated desert town. And this time, it's personal. As one denizen ominously observes, "There's trouble on the hoof and it's coming this way" for the three ill-fated bullies who beat up and shot Eddie and left him for dead. Despite its desert setting, Heat is an oasis for great character actors who pick up Van Damme's considerable slack. They include Danny Trejo (Con Air) as Eddie's Native American friend Johnny Sixtoes, Pat Morita (The Karate Kid), Larry Drake (Darkman), Vincent Schiavelli (One Flew Over the Cuckoo's Nest, Ghost), Bill Erwin (Candy Stripe Nurses), and luscious Jaime Preslly as Dottie the waitress. The director is credited as Danny Mulroon, a pseudonym for John Avildsen, the Academy Award-winning director of Rocky. His career, too, seems to be on the ropes, but he keeps punching with some welcome eccentric touches. At one point Johnny gives the recuperating Eddie a foot massage (didn't he see Pulp Fiction?). And the script offers such goodies as a lovelorn bus driver (Tom's brother, Jim Hanks) inviting Dottie to see Yojimbo, and one biker's plea for mercy from a local tough: "Jessie, we were in high school together. I signed your yearbook". --Donald Liebenson, Amazon.com
Marlon Brando's famous "I coulda been a contenda" speech in On the Water Front is such a war horse by now that a lot of people probably feel they've seen the film already, even if they haven't. And many of those who have seen it may have forgotten how flat-out thrilling it is. For all its great dramatic and cinematic qualities, and its fiery social criticism, Elia Kazan's has created one of the most gripping melodramas of political corruption and individual heroism ever made in the United States, a five-star gut-grabber. Shot on location around the docks of Hoboken, New Jersey, in the mid-1950s, it tells the fact-based story of a longshoreman (Brando's Terry Malloy) who is blackballed and savagely beaten for informing against the mobsters who have taken over his union and sold it out to the bosses. (Karl Malden has a more conventional stalwart-hero role, as an idealistic priest who nurtures Terry's pangs of conscience.) Lee J Cobb, who created the role of Willy Loman in Death of Salesman under Kazan's direction on Broadway, makes a formidable foe as a greedy union leader. --David Chute, Amazon.com
""You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody instead of a bum which is what I am let's face it."" - Terry Malloy (Marlon Brando) Marlon Brando is the longshoreman who finds himself increasingly isolated when he challenges the might and power of the tough New York City dockers' Union. Rod Steiger is his elder brother torn between loyalty to union and love of family. Lee J. Cobb is the powerful union boss while Eva Marie Saint
Chuck Connors stars in the title role as the Indian Chief who, having reluctantly surrendered to the US forces in return for food and land, finds the white man's promises broken as their land is revoked. He leads the Apache tribe in all-out war against the Americans, which they can never hope to win. However, as his tribe is depleted, Geronimo continues to hold his ground.
A fantasy-adventure story based on Nordic myths of the 'Ring Of The Nibelungs' about the son of a simple swordsmith who repeatedly saves his country not knowing that he is heir to the throne... The original mythology (a heroic saga capturing all the magic passion and adventure that have thrilled readers for over 1 500 years) inspired Richard Wagner's opera 'The Ring Cycle' as well as J.R.R. Tolkien's 'The Lord Of The Rings'.
Chuck Connors stars as the legendary Apache leader in this sweeping 1883 story that has the brave Geronimo steadfastly holding his ground against both US and Mexican military forces.
Perhaps the most easily parodied action series of its era, The Professionals was the one about the gruff but fatherly counter-terrorist top cop Cowley (Gordon Jackson) and his favourite surrogate sons, the curly haired ex-copper Ray Doyle (Martin Shaw) and taciturn-but-pouting ex-mercenary William Bodie (Lewis Collins). As set out by series creator Brian Clemens (veteran of the more fantastical Avengers), their job was to stop threats to the government, visiting dignitaries or the general public "by any means necessary". What this boiled down to was dashing about, leaping out of cars, getting into thump-happy fistfights, leering at every "bird" who passed by as if they were trying to prove something, wearing eye-abusing late-70s leisure wear well beyond the sell-by date, potting baddies with guns hauled out of their smart shoulder holsters, and occasionally choking back manly tears when another of the trio was wounded. All three leads were professionals of another stripe--the sort of actors who could soar with a good script and do their best to sell a weak one--and they were generally set against a parade of top-flight British character acting talent along with sundry sit-com/pin-up refugee disposable girlfriends and suspects. One strange, if understandable, element of the premise is that CI5 tackle all manner of Greek, Middle Eastern, Soviet and radical nutcase groups--with the odd racist Klansman, corrupt civil servant and dubious big business tycoon thrown in to prove they're not fascists--but almost never have anything to do with the Irish terrorist groups who were the main focus of the organisation's real-life counterparts from 1977 to 1983. --Kim Newman
Arliss (Mitch Rouse) realises that he's in for trouble when he shows up at the Asylum Cafe and his blind date is nowhere to be found. He is expecting the slender virginal Jasmine who answered his lonely hearts ad. Instead a strange looking woman in black (Janeane Garofalo) appears. Realising he has been duped Arliss attempts to make his escape. Being held hostage in a cafe by a manic depressive woman was not quite the romantic evening that Arliss had hoped for. But as events begin to unfold it seems that two imperfect strangers can become more than friends in the strangest of circumstances...
A very loose retelling of the legendary story of Pat Garrett and Billy The Kid the film achieved notoriety thanks to the lead female Jane Russell. Aged just 19 when the film was made her ample physical attributes were such that the producer and director Howard Hughes spent thousands advertising the film in advance of its release with the slogan 'what are the two reasons for Jane Russell's rise to stardom?' The film was initially banned (which Hughes wanted) although this did not st
A beautiful Soviet agent and a US Customs agent investigate the sale of nerve gas. A hijacked train becomes their final battle ground.
The 'King Of Cowboys' stars in volume 3 of the Roy Rogers show.
This box set contains the following three action films: Rocky: Rocky Balboa is an aspiring boxer in downtown Philadelphia. His one chance to make a better life for himself is through his boxing and Adrian a girl who works in the local pet store. Through a publicity stunt Rocky is set up to fight Apollo Creed the current Heavyweight champion who is already set to win. But Rocky really needs to triumph even if it is against all the odds..... Road House: Dalton's the best bouncer in the business. His nights are filled with fast action hot music and beautiful women. It's a dirty job but somebody's got to do it. Blown Away: Jimmy Dove works for the bomb squad in Boston and he is always the one who is on the tough jobs. One day he decides to quit the force and to become a teacher for the rookies of the squad. A few days later his successor is killed by a bomb and Jimmy becomes suspicious that maybe this bomb could have been built by a former friend of himself. He begins to investigate and finds out that his worst nightmare has returned from his past.
The 'King Of Cowboys' stars in volume 2 of the Roy Rogers show.
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