"Actor: Patricia Duff"

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  • Brat Pack Collection - Breakfast Club / About Last Night / St Elmo's FireBrat Pack Collection - Breakfast Club / About Last Night / St Elmo's Fire | DVD | (27/02/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

    The Breakfast Club (Dir. John Hughes 1985): Without doubt John Hughes' The Breakfast Club is one of the greatest teen movies of all-time if not the best. Without it we might not have witnessed the phenomenal rise of the 'Brat Pack'; the group of actors synonymous with the teen films of the '80s. They were five teenage students with nothing in common faced with spending a Saturday detention together in their High School library. At 7am they had nothing to say but

  • Human Nature [2001]Human Nature | DVD | (04/08/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

    When Lila (Arquette) starts puberty something goes wrong and begins to grow a covering of thick hair all over her body. Unable to cope with this she moves to a secluded forest and becomes a best selling author. However at the age of thirty lila craves for male company and sets out to get back into society where she finds Puff (Ifans) a man raised by animals in the jungle...

  • About Last Night [1986]About Last Night | DVD | (17/05/2010) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

    For better or worse, David Mamet's hit play Sexual Perversity in Chicago is watered down into this romantic comedy about a couple (played by Rob Lowe and Demi Moore) who get together and then fall apart due to Lowe's character's inability to commit. Jim Belushi is on hand as the gratuitously swinish best friend who looks at women as meat, and Elizabeth Perkins is entertainingly arch as Moore's gal pal and Belushi's nemesis. There is nothing about this 1986 film by Edward Zwick (co-creator of TV's thirtysomething and director of Glory and Courage Under Fire) that is at all reminiscent of Mamet, but that doesn't make it bad or dull. While one can feel the script straining to fill in gaps where chunks of the original play have disappeared, Zwick often successfully tells the story without words at all, relying on the actors to convey pure emotion. Lowe is good, and the then-willowy Moore's understated performance reminds one of the actress she might have been before she became a spectacle. --Tom Keogh

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