One of television's most beloved crime series draws to a close with even more suspense, fun and sexiness than ever. Brennan's (Emily Deschanel) uncanny forensic skills help resolve even grislier cases, including a retirement home murder, a possible death by robot, and the slaying of a close friend. Along the way, family tragedy strikes and Booth (David Boreanaz) lands in the crosshairs of a serial killer. And a former Jeffersonian accused of murder kidnaps Brennan, prompting a shocking move by Booth. The fascinating storylines, heart and humour of Bones is here in all 12 episodes of the final season.
Box-set collection of five of Audrey Hepburn's most famous films. Roman Holiday (1953) In her Hollywood debut, Hepburn won an Academy Award as Princess Anne, the bored royal who absconds from her duties and meets up with Gregory Peck's American ex-pat journalist. Sabrina Fair (1954) Billy Wilder directs her as the shy daughter of a wealthy family's chauffeur, who returns from two years in Paris as a sophisticated young woman. Funny Face (1957) The musical romanti...
From Out Of Space... A Warning And An Ultimatum! A spacecraft lands in Washington D.C. and an alien emerges flanked by a menacing robot with destructive capabilities far beyond anyone's imagination. So begins the science-fiction thriller The Day The Earth Stood Still a classic ""atomic movie"" from the 50s that would go on to inspire alien-invasion films for decades to come. Rebuffed in his efforts to meet the world's leaders and warn them of the earth's impending doom the alien Klaatu (Michael Rennie) takes to the streets. Klaatu's plea for peace is embraced by a pretty young woman (Patricia Neal) and an eminent scientist (Sam Jaffe) but the rest of humanity reacts with mistrust fear and violence. With time running out Klaatu is forced to demonstrate his awesome powers in a mind-boggling display teaching all of mankind a lesson for the ages. Watch The Day The Earth Stood Still and and you will never forget these words - ""Klaatu barada nikto!""
From Out Of Space... A Warning And An Ultimatum! A spacecraft lands in Washington D.C. and an alien emerges flanked by a menacing robot with destructive capabilities far beyond anyone's imagination. So begins the science-fiction thriller The Day The Earth Stood Still a classic atomic movie from the 50s that would go on to inspire alien-invasion films for decades to come. Rebuffed in his efforts to meet the world's leaders and warn them of the earth's impending doom the alien Klaatu (Michael Rennie) takes to the streets. Klaatu's plea for peace is embraced by a pretty young woman (Patricia Neal) and an eminent scientist (Sam Jaffe) but the rest of humanity reacts with mistrust fear and violence. With time running out Klaatu is forced to demonstrate his awesome powers in a mind-boggling display teaching all of mankind a lesson for the ages. Watch The Day The Earth Stood Still and and you will never forget these words - Klaatu barada nikto!
The very epitome of a cult SF classic, The Day the Earth Stood Still is more often referenced than seen, which is a pity since it remains even now one of the most thought-provoking examples of the genre. The title is a misnomer, a mere tease to entice 1950s audiences into the cinema in the expectation of seeing another sensationalist B-movie about murderous aliens (i.e. Communists). In fact, Robert Wise's film of Edmund North's screenplay is a thoughtful Cold War allegory about a Christ-like visitor (Michael Rennie) who comes to Earth preaching a message of salvation for mankind, only to be spurned, killed then finally resurrected (significantly, Rennie's character Klaatu adopts the pseudonym "Mr Carpenter" while on the run from the authorities). Aside from its philosophical message, the film also boasts memorable imagery--notably the giant robot Gort--a much-quoted catchphrase in "Klaatu barada nikto", and one of composer Bernard Herrmann's most admired scores, featuring the theremin and other electronic instruments that must have sounded very otherworldly back in 1951. The result is a bona fide landmark in cinema SF with a central message about "weapons of mass destruction" that's still uncannily relevant today. On the DVD: The Day the Earth Stood Still has been splendidly restored for its DVD incarnation from the original 35 mm print, and the results are demonstrated in the "Restoration Comparison" feature. Also included is a fascinating 1951 newsreel showing Klaatu receiving a certificate of merit amid stories of Communist threats, the Korean war and beauty pageants ("Pomp and pulchritude on parade in Atlantic City"). Best of all is an absorbing commentary track with director Robert Wise in conversation with Nicholas Meyer (both men have Star Trek movies on their CV). --Mark Walker
Heidi
Paul Newman is Hud a man at odds with his father tradition and himself. Hud's only interests are fighting drinking hot-rodding his Cadillac and womanising. Melvyn Douglas is the father an old-line cattle rancher and Patricia Neal is the understanding and appealing housekeeper. Academy Awards went to Patricia Neal Melvyn Douglas and James Wong Howe's brilliant cinematography.
The very epitome of a cult SF classic, The Day the Earth Stood Still is more often referenced than seen, which is a pity since it remains even now one of the most thought-provoking examples of the genre. The title is a misnomer, a mere tease to entice 1950s audiences into the cinema in the expectation of seeing another sensationalist B-movie about murderous aliens (i.e. Communists). In fact, Robert Wise's film of Edmund North's screenplay is a thoughtful Cold War allegory about a Christ-like visitor (Michael Rennie) who comes to Earth preaching a message of salvation for mankind, only to be spurned, killed then finally resurrected (significantly, Rennie's character Klaatu adopts the pseudonym "Mr Carpenter" while on the run from the authorities). Aside from its philosophical message, the film also boasts memorable imagery--notably the giant robot Gort--a much-quoted catchphrase in "Klaatu barada nikto", and one of composer Bernard Herrmann's most admired scores, featuring the theremin and other electronic instruments that must have sounded very otherworldly back in 1951. The result is a bona fide landmark in cinema SF with a central message about "weapons of mass destruction" that's still uncannily relevant today. On the DVD: The Day the Earth Stood Still has been splendidly restored for its DVD incarnation from the original 35 mm print, and the results are demonstrated in the "Restoration Comparison" feature. Also included is a fascinating 1951 newsreel showing Klaatu receiving a certificate of merit amid stories of Communist threats, the Korean war and beauty pageants ("Pomp and pulchritude on parade in Atlantic City"). Best of all is an absorbing commentary track with director Robert Wise in conversation with Nicholas Meyer (both men have Star Trek movies on their CV). --Mark Walker
Titles Comprise: Breakfast At Tiffany's: Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her nextdoor neighbour a writer who is 'sponsored' by wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this classic set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini/Johnny Mercer song 'Moon River'. Funny Face: In the role of bookstore clerk transformed into a modeling sensation Hepburn showcases singing and dancing skills she had honed on the London stage performing ""How Long Has This Been Going On? "" a ""Basal Metabolism"" dance in a cool-cat bistro and more. Astaire as the fashion photographer who discovers her conjures up his inimitable magic for sequences that include his ""Let's Kiss And Make Up"" matador diversion a heavenly dance with Hepburn to ""He Loves And She Loves"" and again with Hepburn the title-tune enchantment ""I Love Your Funny Face."" Now and forever so do we. Sabrina: Humphrey Bogart William Holden and Audrey Hepburn star in a Cinderella story directed by renowned filmmaker Billy Wilder. Bogie and Holden are the mega-rich Larrabee brothers of Long Island. Bogie's all work Holden's all playboy. But when Sabrina daughter of the family's chauffeur returns from Paris all grown up and glamorous the stage is set for some family fireworks as the brothers fall under the spell of Hepburn's delightful charms.
Breakfast At Tiffany's: The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her nextdoor neighbour a writer who is 'sponsored' by wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this classic set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini/Johnny Mercer song 'Moon River'. Roman Holiday: Audrey Hepburn won an Oscar for her portrayal of a modern-day princess rebelling against her royal obligations who explores Rome on her own. She meets Gregory Peck an American newspaperman who seeking an exclusive story pretends ignorance of her true identity. But his plan falters as they rapidly fall in love...
Richard Todd Ronald Reagan and Patricia Neal star in this sensitive adaptation of John Patrick's play focusing on a proud Scottish soldier who has little time to live and the friendships he eventually makes among those around him. A huge success in 1949 The Hasty Heart received two Golden Globes as well as an Oscar nomination for Todd for his performance as the surly mistrustful Corporal MacLachlan. This classic film is presented here in a brand-new transfer from the original film elements. Burma 1945: a group of Allied soldiers languishes in a military hospital each man longing for the day he may return home. Easy-going 'Yank' shares a ward with Londoner 'Tommy' New Zealander 'Kiwi' Australian 'Digger' and 'Blossom' a Basuto African who speaks no English; all are in the care of the sympathetic Sister Margaret Parker. When told they will be joined by a young Scot who – unbeknown to him – has but weeks to live they react with a mixture of compassion and trepidation. But little could have prepared them for the gruff recalcitrance and downright hostility of Cpl. Lachlan 'Lachie' MacLachlan... Special Features: Original Theatrical Trailer Extensive Image Galleries
Submarine commander Duke Gifford feels guilty in the death of his former commanding officer, as well as about his failed marriage. These issues pull at him during a hazardous mission against the Japanese in World War II.
No film better utilises Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewellery. George Peppard is her upstairs neighbour, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay and Hepburn's mix of knowing experience and naivety combine to create one of the great screen romances and a refined slice of high-society bohemian chic. --Sean Axmaker
Attention all Audrey Hepburn fans! Now you can buy this delightful box set featuring 5 of her most famous and celebrated celluloid entries. Enjoy! Breakfast at Tiffany's (Dir. Blake Edwards 1961): The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her nextdoor neighbour a writer who is 'sponsored' by wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this classic set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini/Johnny Mercer song 'Moon River'. Roman Holiday (Dir. William Wyler 1953): Audrey Hepburn won an Oscar for her portrayal of a modern-day princess rebelling against her royal obligations who explores Rome on her own. She meets Gregory Peck an American newspaperman who seeking an exclusive story pretends ignorance of her true identity. But his plan falters as they rapidly fall in love... Paris When It Sizzles (Dir. Richard Quine 1964): A veteran Hollywood screenwriter goes to Paris to write the screenplay of his career--in three days. Lacking fresh ideas he turns to his gamine secretary to provide fuel for his imagination and they come up with various scenarios for his screenplay called 'The Girl Who Stole The Eiffel Tower'. William Holden and Audrey Hepburn heat up the main characters with terrific supporting help from the likes of Frank Sinatra Noel Coward Tony Curtis Fred Astaire Marlene Dietrich and the glorious city of Paris. Sabrina (Dir. Billy Wilder 1954): Humphrey Bogart William Holden and Audrey Hepburn star in a Cinderella story directed by renowned filmmaker Billy Wilder. Bogie and Holden are the mega-rich Larrabee brothers of Long Island. Bogie's all work Holden's all playboy. But when Sabrina daughter of the family's chauffeur returns from Paris all grown up and glamorous the stage is set for some family fireworks as the brothers fall under the spell of Hepburn's delightful charms. Funny Face (Dir. Stanley Donen 1957): Paris the City of Light shines even brighter when Audrey Hepburn and Fred Astaire team up for the only time and bring their luminous starpower to this exquisite musical featuring songs by George and Ira Gershwin. This dazzling romp -- filmed on location in Paris -- garnered four Academy Award nominations. In the role of bookstore clerk transformed into a modeling sensation Hepburn showcases singing and dancing skills she had honed on the London stage performing How Long Has This Been Going On? a Basal Metabolism dance in a cool-cat bistro and more. Astaire as the fashion photographer who discovers her conjures up his inimitable magic for sequences that include his Let's Kiss And Make Up matador diversion a heavenly dance with Hepburn to He Loves And She Loves and again with Hepburn the title-tune enchantment I Love Your Funny Face. Now and forever so do we.
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
Taken from the novel by Erich Maria Remarque, All Quiet on the Western Front is a devastating portrait of a small group of German soldiers during World War I. In this 1979 made-for-TV version the star-studded cast is lead by Richard Thomas (The Waltons) as Paul Baumer, strongly supported by screen veterans Ernest Borgnine, Ian Holm and Patricia Neal. As both narrator and star, Thomas occasionally seems to reincarnate his familiar John-Boy persona, but does at least succeed in creating a character that has more levels than his television alter ego. After watching all of his high school buddies loose their lives, Paul returns home a changed man, conflicted in his feelings about the Army and war, and altered from an idealistic schoolboy into a fearful and humble veteran. Although Lewis Milestone's 1930 films remains the cinema's definitive version, director Delbert Mann (Desire Under the Elms, Marty) has done a workmanlike job bringing the novel to the screen. The scenery and costuming in this period piece are well done, and surely contributed to its winning the Golden Globe for Best Motion Picture Made for TV. Also exceptional are the cinematography and special effects that, while realistically gruesome, truly emphasise the horrors of war. --Zachary Lively, Amazon.com
Comprising the 1961 & 1962 serials A For Andromeda and its sequel The Andromeda Breakthrough both written by Fred Hoyle and John Elliott. A For Andromeda sees the construction of an alien designed computer by scientist John Fleming (Peter Halliday). Once built however the computer secretly kills one of the lab assistants Christine (Julie Christie) then gives detailed instructions for a new biological organism to be created which quickly develops into a full
This Audrey Hepburn Collection box set contains the following films: Breakfast at Tiffany's, Sabrina, Funny Face, Paris When It Sizzles and Roman Holiday.
COOKIE'S FORTUNE mischievously uncovers the legacy of JEWEL MAE
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