He's a doll. He's a dreamboat. He's a delinquent. Cry Baby finally makes it to DVD for the first time! Cult director John Waters goes mainstream (well sort of) in this send-up of 1950s teen melodramas. Heart-throb Johnny Depp stars in the title role as a glamorous delinquent who heads a gang of hoods known as the Drapes. Wade 'Cry-Baby' Walker (Depp) is the coolest toughest hood in his Baltimore high school. His ability to shed one single tear drives all the
Ray Galton and Johnny Speight, two of Britain's most successful comedy writers, teamed up to create this Top 20-rated, wryly comic look at daily life in a suburban police station where corruption is rife and unenlightened attitudes abound. Lasting three series and paying homage to the immortal Will Hay, Spooner's Patch stars Ronald Fraser (in series one only) and Donald Churchill as the eponymous police inspector, alongside sitcom stalwarts Norman Rossington, Peter Cleall and Patricia Hayes...
Based on the classic children's novel by John Masefield this tale follows the adventures of Kay Harker a young boy who finds himself lured into a world of fantasy and danger after a chance encounter with an old Punch and Judy man. A magical mix of animation and live-action this spectacular production is guaranteed to thrill the fantasies of children and adults alike. Seldom is a story so sophisticated as to draw its audience spellbound into a series of such enchanting advent
Two girls drive their boyfriends Bud and Doyle to what appears to be a futuristic shopping mall in the desert. The 'mall' is really a controlled environment run by scientists. Bud and Doyle manage to disrupt life in the 'Bio-Dome' and get locked in. Their futures look bleak without cigarettes booze or fast food until their sights fall on two gorgeous eco-babes...
Submarine commander Duke Gifford feels guilty in the death of his former commanding officer, as well as about his failed marriage. These issues pull at him during a hazardous mission against the Japanese in World War II.
This legendary animated feature is surely beyond criticism by now and, furthermore, it's unlikely that we'll see such forceful narrative in a kids' cartoon ever again. Disney's treatment of Collodi's story of the little wooden puppet who wants nothing more than to be a real boy is always guaranteed to have audiences entranced. While some of the movie's success is derived from its liberal use of the kind of imagery no children's film-maker would even attempt to get past the storyboard stage today--a mysterious island where children smoke cigars, get drunk and turn into donkeys, a monstrous, malicious sea-creature which is devoid of any trace of cuddliness and a pair of villains who routinely abduct children, to give just a few examples--the characters are depicted with the finest attention to detail, most of the songs have become classics in their own right ("When You Wish Upon a Star" being only one of many) and the graceful, stylised animation positively glows with fine detail. Essential family viewing. --Roger Thomas
In Ivan Passer's Cutter's Way, Jeff Bridges (The Big Lebowski and Rancho Deluxe), John Heard (Chilly Scenes of Winter and After Hours) and Lisa Eichhorn (Yanks and King of the Hill) deliver exemplary performances as a trio of '60s casualties embroiled in a murder investigation that goes increasingly off-the-rails and threatens to swallow them whole. Unambitious yacht salesman and gigolo Richard Bone (Bridges) skates on his good looks and avoids all responsibility. His best friend Alex Cutter (Heard) returned from Vietnam with his body ruined, but his mind sharpened and attuned to the injustices and politics that led to his predicament. After Bone witnesses a shadowy figure dump a young woman's body in the trash, he fingers local oil magnate J.J. Cord (Stephen Elliot, Beverly Hills Cop and Death Wish) as the killer. As Bone backs away from this accusation, Cutter charges forward on a crusade to make Cord pay not only for this murder, but for all the other crimes fat cats like him have routinely gotten away with. Cutter's long-suffering wife Mo (Eichhorn), struggles to keep her own head above the surface, while steering the two men toward saner waters. Based on Newton Thornburg's 1976 novel Cutter and Bone, and initially released under that title to little notice the film was reborn as Cutter's Way and became a highly acclaimed cult favourite. The lush, sunny Santa Barbara setting, luminously photographed by DP Jordan Cronenweth (Blade Runner and Stop Making Sense), is an ironic counter to the deeply cynical and tragic vibes of this neo-noir. The distinctly beautiful score by pop and rock maestro Jack Nitsche ranks as one of his most stirring works. Helmed by Czech filmmaker Passer (Intimate Lighting and Born to Win), Cutter's Way is one of the most impassioned and truthful critiques of the American hierarchy ever filmed. Now, perhaps, more relevant as ever, it's been freshly restored in 2K from its 35mm interpositive. Product Features New 2K restoration from its 35mm interpositive Mo's Way, a newly filmed video interview with star Lisa Eichhorn From Cutter and Bone to Cutter's Way, a newly filmed video interview with UA Classics exec Ira Deutchman Archival video interview with director Ivan Passer Archival video interview with writer Jeffrey Alan Fiskin Archival video interview with producer Paul Gurian Archival video featurette on composer Jack Nitzsche Archival audio introduction by star Jeff Bridges Archival video introduction by director Bertrand Tavernier Theatrical trailers Isolated music track Newly recorded audio commentary by novelist Matthew Specktor Archival audio commentary by film historians Julie Kirgo and Nick Redman Archival audio commentary by assistant director Larry Franco and unit production manager Barrie Osborne
John Bentley - Playing Paul Temple for the third time aids the police in solving a series of gruesome murders. Murder mystery based on Francis Durbridge's amateur sleuth. While holidaying in New York, English novelist and amateur detective Paul Temple (John Bentley) learns of a series of murders terrorising his homeland. Warned by the culprit, the notorious 'Marquis' not to get involved, Temple nevertheless wastes no time in setting after his quarry.
Donna Deitch's tender, ground-breaking debut, a landmark in queer cinema and a triumph of independent filmmaking The swooning and sensual first narrative feature by DONNA DEITCH, Desert Hearts was ground breaking upon its 1985 release: a love story about two women, made entirely independently, on a self-financed shoestring budget, by a woman. In the 1959-set film, an adaptation of a beloved novel by Jane Rule, straitlaced East Coast professor Vivian Bell (The Colour of Money's HELEN SHAVER) arrives in Reno to file for divorce but winds up catching the eye of someone new, the younger free spirit Cay (Manhunter's PATRICIA CHARBONNEAU), touching off a slow seduction that unfolds against a breath-taking desert landscape. With undeniable chemistry between its two leads, an evocative jukebox soundtrack, and vivid cinematography by ROBERT ELSWIT (Punch-Drunk Love), Desert Hearts beautifully exudes a sense of tender yearning and emotional candour. BONUS FEATURES DIRECTOR-APPROVED SPECIAL EDITION FEATURES New, restored 4K digital transfer, supervised by cinematographer Robert Elswit, with uncompressed monaural soundtrack Audio commentary from 2007 featuring director Donna Deitch New conversation between Deitch and actor Jane Lynch New conversation between Deitch, Elswit, and production designer Jeannine Oppewall about the film's visual style New interviews with actors Helen Shaver and Patricia Charbonneau Excerpt from Fiction and Other Truths: A Film About Jane Rule, a 1995 documentary about the author of Desert of the Heart, the 1964 novel on which the film is based PLUS: An essay by critic B. Ruby Rich
Happiness is a tightrope. Some walk it successfully. Some fail. And some kill to preserve it... For three months Ellen finds perfect happiness. She deeply loves her husband Jason and they have a beautiful home. Then one day she meets him by chance in a local pub with his business partner. She faints and the two men take her home. Frightened and unhappy she tells her husband that she is being followed... Patricia Owens gives a strong performance as the woman tormented by her past starring opposite legendary Hollywood bad guy Dan Duryea in this tense crime/suspense drama gorgeously shot in black and white. Walk a Tightrope is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Special Features: Image gallery Promotional materials PDF
Leslie Phillips, Bob Monkhouse, Patricia Hayes, Harry H. Corbett, David Jason, Jimmy Edwards and Richard O'Sullivan are just a few of the legendary performers starring in this collection of humorous plays penned by Ray Galton and Alan Simpson the legendary writing writing team whose timeless credits include both Hancock's Half Hour and Steptoe and Son.Following the same format that had proved so effective with their earlier run of plays for Comedy Playhouse, this series consists of six shows:The Suit: starring Leslie Phillips and Bill OddieA married man falls victim to a rather embarrassing burglary.Friends in High Places: starring Bob Monkhouse and Patricia HayesA 55-year-old wishes to be young again and his wish is granted!Never Talk to Strangers: starring Harry H. Corbett and Rosemary LeachTwo lonely people have a chance to find happiness together.Don't Dilly Dally on the Way: staring Jimmy Edwards and David JasonAfter 23 years in the same bungalow, a couple prepares to move house.Pity Poor Edie... Married to Him: starring Milo O'Shea and Gwendolyn WattsWhat happens to a marriage when the breadwinner finds she is expecting?An Extra Bunch of Daffodils: starring Stratford Johns and Patsy RowlandsA man who has buried five heavily insured wives begins a search for his sixth
This gorgeous adaptation of Lucy Maud Montgomery's classic children's story is well worth watching with the whole family. Produced for Canadian television, it's one of those rare productions that actually sticks to the book and even enhances it through first-rate performances and an excellent script. Set on bucolic Prince Edward Island in the late 19th century, Anne of Green Gables is the story of Anne Shirley, an imaginative and headstrong orphan. When brother and sister Marilla and Mathew Cuthbert decide to adopt an orphan boy to help Matthew work the farm, they are astonished when Anne arrives at the train station by mistake. "What use is she to us?" grumbles the gruff Marilla. "We might be of some use to her", answers Matthew, who has taken an instant liking to the talkative Anne. As Anne grows up, her adventures are both hilarious and moving. It's a delight to watch as she forms a friendship with the beautiful Diana and her admirer--the dashing Gilbert Blythe--then dyes her hair green, cracks a slate over Gilbert's head when he calls her "Carrots", and finds a sympathetic teacher who encourages her to attend college. Richard Farnsworth is perfect as the shy and gentle bachelor Matthew, who confides to Anne that he never went courting because "I would have had to say something". Colleen Dewhurst delivers a nuanced and powerful performance as Marilla, a seemingly cold-hearted spinster whose no-nonsense exterior conceals a warm heart. And as Anne, Megan Follows strikes the perfect note, maturing from freckle-faced orphan to elegant and poised young woman. --Elisabeth Keating
Wes Craven was tempted back to the Nightmare on Elm Street franchise, in partnership with writers Bruce Wagner (Wild Palms) and Frank Darabont (The Shawshank Redemption), to script this fun, action-oriented sequel directed by Chuck Russell (The Mask). Langenkamp (as the world's only teenage psychiatrist) and Saxon return, but the heroine is debuting Patricia Arquette, who has the power to pull her friends into her dreams and thus assemble an army to take on Freddy, who begins here to spout those post-death witticisms that became a trademark. A nun reveals the villain's backstory as "the bastard son of a hundred maniacs". It's full of wild images and effects, such as the sleepwalker turned into a puppet strung on his ripped-out veins, and pays homage to Ray Harryhausen with not only an animated Freddy puppet but also his evil, walking skeleton. --Kim Newman
Ray Barone seemingly has it all. A wonderful wife a beautiful family a great job a nice house on Long Island. There's only one problem...His obnoxious parents (who live across the street) and his jealous brothers are always getting in the way! The complete eighth season of HBO's award winning comedy Everybody Loves Raymond. Episode Comprise: 1. Fun With Debra 2. Thank You Notes 3. Home From School 4. Misery Loves Company 5. The Contractor 6. Peter On The Couch 7. Liars 8. The Surprise Party 9. The Bird 10. Jazz Records 11. Deborah At The Lodge 12. Slave 13. Whose Side Are You On 14. Lateness 15. Party Dress 16. Security 17. The Ingrate 18. Crazy Chin 19. The Nice Talk 20. Blabbermouths 21. The Model 22. The Mentor 23. Golf For It
No film better utilises Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewellery. George Peppard is her upstairs neighbour, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay and Hepburn's mix of knowing experience and naivety combine to create one of the great screen romances and a refined slice of high-society bohemian chic. --Sean Axmaker
Eddie Murphy stars as Dr Sherman Klump a kind ""calorically challenged"" genetics professor who longs to shed his 400-pound frame in order to win the heart of beautiful Jada Pinkett. So with one swig of his experimental fat-reducing serum Sherman becomes ""Buddy Love"" a fast-talking pumped-up plumped-down Don Juan. Can Sherman stop his buff alter ego before it's too late or will Buddy have the last laugh?
Attention all Audrey Hepburn fans! Now you can buy this delightful box set featuring 5 of her most famous and celebrated celluloid entries. Enjoy! Breakfast at Tiffany's (Dir. Blake Edwards 1961): The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her nextdoor neighbour a writer who is 'sponsored' by wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this classic set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini/Johnny Mercer song 'Moon River'. Roman Holiday (Dir. William Wyler 1953): Audrey Hepburn won an Oscar for her portrayal of a modern-day princess rebelling against her royal obligations who explores Rome on her own. She meets Gregory Peck an American newspaperman who seeking an exclusive story pretends ignorance of her true identity. But his plan falters as they rapidly fall in love... Paris When It Sizzles (Dir. Richard Quine 1964): A veteran Hollywood screenwriter goes to Paris to write the screenplay of his career--in three days. Lacking fresh ideas he turns to his gamine secretary to provide fuel for his imagination and they come up with various scenarios for his screenplay called 'The Girl Who Stole The Eiffel Tower'. William Holden and Audrey Hepburn heat up the main characters with terrific supporting help from the likes of Frank Sinatra Noel Coward Tony Curtis Fred Astaire Marlene Dietrich and the glorious city of Paris. Sabrina (Dir. Billy Wilder 1954): Humphrey Bogart William Holden and Audrey Hepburn star in a Cinderella story directed by renowned filmmaker Billy Wilder. Bogie and Holden are the mega-rich Larrabee brothers of Long Island. Bogie's all work Holden's all playboy. But when Sabrina daughter of the family's chauffeur returns from Paris all grown up and glamorous the stage is set for some family fireworks as the brothers fall under the spell of Hepburn's delightful charms. Funny Face (Dir. Stanley Donen 1957): Paris the City of Light shines even brighter when Audrey Hepburn and Fred Astaire team up for the only time and bring their luminous starpower to this exquisite musical featuring songs by George and Ira Gershwin. This dazzling romp -- filmed on location in Paris -- garnered four Academy Award nominations. In the role of bookstore clerk transformed into a modeling sensation Hepburn showcases singing and dancing skills she had honed on the London stage performing How Long Has This Been Going On? a Basal Metabolism dance in a cool-cat bistro and more. Astaire as the fashion photographer who discovers her conjures up his inimitable magic for sequences that include his Let's Kiss And Make Up matador diversion a heavenly dance with Hepburn to He Loves And She Loves and again with Hepburn the title-tune enchantment I Love Your Funny Face. Now and forever so do we.
Ray Barone seemingly has it all. A wonderful wife a beautiful family a great job a nice house on Long Island. There's only one problem...His obnoxious parents (who live across the street) and his jealous brothers are always getting in the way!
The critics and public agree. Brian De Palma's The Untouchables is a must-see masterpiece – a glorious, fierce, larger-than-life depiction of the mob warlord who ruled Prohibition-era Chicago... and the law enforcer who vowed to bring him down. This classic confrontation between good and evil stars Kevin Costner as federal agent Eliot Ness, Robert De Niro as gangland kingpin Al Capone and Sean Connery as Malone, the cop who teaches Ness how to beat the mob: shoot fast and shoot first. Special Features: The Script, The Cast Production Stories Reinventing the Genre The Classic Original Featurette: The Men Theatrical Trailer
The L-Shaped Room, adapted by writer-director Bryan Forbes from Lynne Reid Banks' novel, unfolds in a dank, depressing London boarding house. Leslie Caron plays Jane Fosset, a 27-year-old French woman, down on her luck, who takes a room. There are bugs in her mattress. The taps drip. The landlady ("the lovely Doris") is a drunken, malicious busybody. Forbes doesn't paint the English in a flattering light. They're covetous, eccentric and xenophobic. "I never close my door to the nigs," Doris tells Fosset, as if to prove that she is no racist. When Fosset reveals that she's pregnant and unmarried, everybody turns against her. The one real friend Fosset makes is Toby (Tom Bell), an impoverished would-be writer who lives in the room downstairs. She starts an affair with him, but for all his protestations to the contrary, he too turns out to be moralistic and conservative--he can't accept the idea that she is having another man's baby.Forbes' dialogue sometimes grates, the film risks running into a dead end (Fosset is stuck with nowhere to go and no prospects), but this is compelling fare all the same. Cameraman Douglas Slocombe (who went on to shoot Raiders of the Lost Ark) makes the boarding house seem as gloomy and oppressive as a Gothic mansion. Forbes doesn't sentimentalise at all. The London he portrays is nothing like the swinging, hedonistic city shown in later British movies of the 60s. --Geoffrey Macnab
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