French director Luc Besson broke the commercial taboo against female-driven action movies with Nikita, his seminal, seductively slick film about a violent street punk (Anne Parillaud) trained to become a smooth, stylish assassin. Though it amounts, in the end, to little more than disposable pop, the film has a cohesiveness in style and tone--akin to the early James Bond films--that gives it a sense of integrity. Parillaud is compelling both as a wild child and chic-but-lethal pro (trained in good manners by none other than Jeanne Moreau). Tchéky Karyo is also good as the cop mentor who develops feelings for her. --Tom Keogh
Nikita
Praised by film-makers (Akira Kurosawa called it One of the most beautiful films that I have ever seen) and critics the world over Truffaut's 400 Blows launched the Nouvelle Vague and paved the way for some of cinema's most important and influential directors. Twelve-year-old Antoine Doinel has troubles at home and at school. Ignored and neglected by his parents his relationship with his mother is further strained when he discovers that she has taken a secret lover. Added to this his school teachers have written him off as a troublemaker and with luck seemingly never on his side it is Antoine who ends up getting the blame for bad behaviour. Finding refuge only in his love of cinema Antoine soon finds it necessary to break free and discover what the world can offer outside of the confines of his everyday life. This remarkable film features the extraordinary talent of Jean-Pierre Leaud as the rebellious Antoine a character based on Truffaut himself. Antoine Doinel was to make appearances in a number of Truffaut's films (including 'Stolen Kisses' 'Bed and Board' and 'Love on the Run') all of which chart his further adventures into adulthood.
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