Agent J and Agent K are back! Agent J (Will Smith) needs help with a new breed of alien terror intent on destroying the planet. He is sent to find Agent K (Jones), restore his memory and enlist him in the fight of a lifetime.
"The Burrowers" is a completely original creature feature and a blend of raw western grit and unnerving horror from the director of "Mimic: Sentinel"
Hard Times
Many young girls have entered these gates – none have yet come out! British horror maestro Peter Walker (Frightmare) delivers the ultimate tale of terror and degradation as Page 3 beauty Penny Irving finds herself locked up in a secret women’s prison where girls are abused whipped and hung to cure them of their immoral ways! Ann Michelle co-stars.
Fifteen years before Stranger Things combined science fiction, Spielbergian touches and 80s nostalgia to much acclaim, Richard Kelly set the template and the high-water mark with his debut feature, Donnie Darko. Initially beset with distribution problems, it would slowly find its audience and emerge as arguably the first cult classic of the new millennium. Donnie is a troubled high school student: in therapy, prone to sleepwalking and in possession of an imaginary friend, a six-foot rabbit named Frank, who tells him the world is going to end in 28 days, 06 hours, 42 minutes and 12 seconds. During that time he will navigate teenage life, narrowly avoid death in the form of a falling jet engine, follow Frank's maladjusted instructions and try to maintain the space-time continuum. Described by its director as The Catcher in the Rye as told by Philip K. DickĀ, Donnie Darko combines an eye-catching, eclectic cast pre-stardom Jake and Maggie Gyllenhaal, heartthrob Patrick Swayze, former child star Drew Barrymore, Oscar nominees Mary McDonnell and Katharine Ross, and television favourite Noah Wyle and an evocative soundtrack of 80s classics by Echo and the Bunnymen, Tears for Fears and Duran Duran. This 4K restoration by Arrow Films allows a modern classic to receive the home video treatment it deserves.
In 1987, some 20 years after the original series had ended, Star Trek: the Next Generation was launched into a decade renowned for its materialistic greed, but also for its hesitant steps towards a more unified world order. Creator Gene Roddenberry revised his vision of humanity's future accordingly, shifting the Trek timeline 80 years on and reinventing the new Starship Enterprise as an Ark-like exploration vessel full of families, schools, soothing recreational facilities and a maternally pacifying computer voice (Roddenberry's wife, Majel Barrett). The Next Generation crew were not soldiers, but scientists and diplomats. Unlike the fiercely individualistic Captain Kirk, Patrick Stewart's patrician Captain Jean-Luc Picard was a model team leader: no matter how desperate the crisis, he ensured that everyone got to sit round the conference room table and talk it over. And in a true late-1980s touch, a key member of the Bridge crew was psychoanalyst Counsellor Troi, always on hand to discuss everyone's feelings. Even the slogan change to "Where no one has gone before" acknowledged that there's no "one" in a team. But for all its earnest political correctness and an over-reliance on "technobabble", good stories played by an appealing ensemble cast were at the heart of the show's success. --Paul Tonks On the DVD: Star Trek: The Next Generation comes to DVD in a distinctively packaged seven-disc set. This is reproduced for all seven series, thus forming a handsome collection. The outer gunmetal grey case is plastic, and the discs themselves are held in a rather flimsy cardboard fold-out sleeve. Each disc has nicely done animated menus and audio/subtitle options for each episode--though no "play all" facility. Disc 7 also includes bonus features in the shape of informative cast and crew interviews (both new and from the launch of Season 1), subdivided into four chapters: "The Beginning", "Selected Crew Analysis", "The Making of a Legend" and "Memorable Missions". Picture is adequate 4:3 with good Dolby 5.1 showing off the innovative sound effects. --Mark Walker
Platoon (Dir. Oliver Stone 1986): Writer/director Oliver Stone has created a personal and searing testament to the men who fought the war in Vietnam. Seen through the eyes of a college drop-out the war is a real nightmare a private hell of fears from outside and in with enemies on both sides of the line. His platoon's allegiance is split between leaders Sergeant Barnes and Sergeant Elias. Barnes is a scar-faced gung-ho fanatic bent on destroying the elusive Viet Cong and anyone who disagrees with him. Elias is a different type of soldier--he has lost faith in the war but not in man. Friction between the two sergeants leads to a second war as deadly as the one being waged against the enemy. Tigerland (Dir. Joel Schumacher 2000): Roland Bozz after being conscripted into the US army joins a platoon of other young soldiers preparing to fight in Vietnam. He has no interest in fighting for his country and tries to get sent home as a trouble maker but his superiors mistake his defiance as intelligence and he soon gets a chance to try his hand at leadership... Hamburger Hill (Dir. John Irvin 1987): The men of Bravo Company are facing a battle that's all up hill... up Hamburger Hill. Fourteen war-weary soldiers are battling for a mud-covered mound of earth so named because it chews up soldiers like chopped meat. They are fighting for their country their fellow soldiers and their lives. War is hell but this is worse. Hamburger Hill tells it the way it was the way it really was. It's a raw gritty and totally unrelenting dramatic depiction of one of the fiercest battles of America's bloodiest war. Dodge the gunfire. Get caught behind enemy lines. Go into battle beside the brave young men who fought and died. Feel their desperation and futility. This happened. Hamburger Hill - war at its worst men at their best.
An elite policeman and an ex convict have to diffuse a bomb that's fallen into the wrong hands.
A small team of Vatican investigators arrive at a remote church in hopes of demystifying the buildings unusual goings on, but what they discover is more disturbing than they could ever imagine. Special FeaturesNew audio commentary by Actors Robin Hill and Gordon Kennedy, Producer Jennifer Handorf and Special Effects Designer Dan MartinDressed the Part: a new interview with Robin Hill and Gordon KennedyLosing Faith: a new interview with Jennifer HandorfMonster Goo: a new interview with Dan MartinArchive featurette: Behind the ScenesLimited Edition ContentsRigid slipcase with new artwork by Christopher Shy70-page book with new essays by Tim Coleman, Martyn Conterio, Shellie McMurdo and Johnny Walker6 collectors' art cards
Based on Anna Quindlen's bestselling novel, this is a mother-daughter and father-daughter story, two for the price of one. But director Carl Franklin also tries to inject a police-mystery angle that it neither needs nor will support. Renee Zellweger plays a young writer on the rise, who has finally got her break for a New York magazine. While home for a birthday party for her nearly famous writer father (William Hurt), she learns that her mother (Meryl Streep) has been diagnosed with cancer. Then her father does the unthinkable: he all but commands her to put her career on hold to take care of her mother and nurse her through her illness. Dad, a popular college professor who has never received the literary acclaim he always believed he deserved, essentially checks out--and daughter must play parent to her mother. Strong performances by Streep and Zellweger give this parent-child relationship the heart--and the anger--of the real thing, while Hurt seems slightly disembodied as the self-involved father whose needs have dominated both women. Still, the detective-story aspect (the film is told in flashback, as the cops try to discover whether someone slipped Mom a fatal dose of morphine) is a construct that could have been done without. --Marshall Fine
Ella lives in a magical enchanted world where her fairy godmother has given her a troublemsome gift: she cannot refuse any comman, so she undertakes a quest to free herself from the mysteriuous curse.
Patrick Macnee stars as the indomitable spy John Steed alongside his glamorous sidekicks Cathy Gale (Honor Blackman), Emma Peel (Diana Rigg) and Tara King (Linda Thorson) in extraordinary mystery solving adventures and criminal defeating escapades.
Power wealth sex glorious extravagance. One place has them all - Dallas. This 5-disc set includes all 29 of the hugely entertaining show's First- and Second-Season Episodes including a cast reunion special. Patrick Duffy Victoria Principal and more play Texas sons and daughters whose lives revolve around oil family and power. And Larry Hagman portrayspetroleum magnate J.R. Ewing whose pursuit of in no particular order money and clout knows no limits.
A phenomenal global success, The Professionals has thrilled audiences for four decades, gaining a body of devoted fans and an enduring cult status. In the late 1990s its legend received a new lease of life with this explosive series starring veteran British actor Edward Woodward as Harry Malone, head of an expanded CI5 now a global agency with a multinational body of highly skilled operatives whose job is to combat 21st century threats in the form of global terrorism, ethnic cleansing, the mass slaughter of protected species and the emergence of powerful organised crime syndicates. Featuring scripts by The Professionals' original creator Brian Clemens, this set features all thirteen episodes, complete and uncut. Guest stars include Charlotte Cornwell, Gayle Hunnicutt, Denis Lill, Patrick Mower, Michael Brandon, David Threlfall and Ray Lonnen.
Alan Ball's incredible drama series comes to an end in this the concluding season of Six Feet Under Episodes Comprise: 1. A Coat of White Primer 2. Dancing For Me 3. Hold My Hand 4. Time Flies 5. Eat a Peach 6. Rainbow of Her Reasons 7. The Silence 8. Singing For Our Lives 9. Ecotone 10. All Alone 11. Static 12. Everyone's Waiting
One of the twentieth century's most successful crime novelists, Edgar Wallace's thrillers have been widely adapted for film and television - the most memorable of which are the Edgar Wallace Mysteries series, made at Merton Park Studios during the first half of the 1960s. A noir-esque series, it updates some of the author's stories to more contemporary settings, blending classic B-movie elements with a distinctly British feel. Unseen for decades and freshly transferred from the origina...
A disgruntled veteran recruits a group of disgraced colleagues to perform a bank robbery with military precision
Nearly every biblical film is ambitious, creating pictures to go with some of the most famous and sacred stories in the Western world. DreamWorks' first animated film, The Prince of Egypt was the vision of executive producer Jeffrey Katzenberg after his ugly split from Disney, where he had been acknowledged as a key architect in that studio's rebirth (The Little Mermaid, etc.). His first film for the company he helped create was a huge, challenging project without a single toy or merchandising tie-in, the backbone du jour of family entertainment in the 1990s. Three directors and 16 writers succeed in carrying out much of Katzenberg's vision. The linear story of Moses is crisply told, and the look of the film is stunning; indeed, no animated film has looked so ready to be placed in the Louvre since Fantasia. Here is an Egypt alive with energetic bustle and pristine buildings. Born a slave and set adrift in the river, Moses (voiced by Val Kilmer) is raised as the son of Pharaoh Seti (Patrick Stewart) and is a fitting rival for his stepbrother Rameses (Ralph Fiennes). When he learns of his roots--in a knockout sequence in which hieroglyphics come alive--he flees to the desert, where he finds his roots and heeds God's calling to free the slaves from Egypt. Katzenberg and his artists are careful to tread lightly on religious boundaries. The film stops at the parting of the Red Sea, only showing the Ten Commandments--without commentary--as the film's coda. Music is a big part (there were three CDs released) and Hans Zimmer's score and Stephen Schwartz's songs work well--in fact the pop-ready, Oscar-winning "When You Believe" is one of the weakest songs. Kids ages 5 and up should be able to handle the referenced violence; the film doesn't shy away from what Egyptians did to their slaves. Perhaps Katzenberg could have aimed lower and made a more successful animated film, but then again, what's a heaven for? --Doug Thomas
"Valentine's Day" follows the trials and romantic tribulations of a group of Los Angelinos on Cupid's favourite day.
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