It's clear from the opening episodes of its third season that Farscape has developed into a grown-up show. There's a new self-confidence and a new maturity here that's entirely welcome after the often wildly erratic tone of the second season. The production design and high-quality effects remain true to the show's original quirky style, although both the look and the more adult-themed scripts have become progressively darker. It's also clear that anyone who has not followed Farscape extremely closely from the very first episode of Season One will be utterly baffled by the convoluted plotting and complex character interactions. Farscape is a whole galaxy away from the clean, cosy world of Star Trek. On the DVD: Farscape's third season is being released as both standard two-disc sets and strictly limited deluxe editions: the latter are handsomely packaged with a variety of collectable extras, in this case a Farscape watch, limited edition prints and a photo album. The discs are the same as the standard Volume 3.1. --Mark Walker
The surprise hit of 1995, this splendidly entertaining family film was nominated for six Academy Awards, including best picture, director, and screenplay, and deservedly won the Oscar for its subtly ingenious visual effects. Babe is all about the title character, a heroic little pig who's been taken in by the friendly farmer Hoggett (Oscar nominee James Cromwell), who senses that he and the pig share "a common destiny." Babe, a popular mischief-maker the Australian farm, is adopted by the resident border collie and raised as a puppy, befriended by Ferdinand the duck (who thinks he's a cockerel), and saves the day as a champion "sheep-pig." Filled with a supporting cast of talking barnyard animals and a chorus of singing mice (courtesy of computer enhancements and clever animatronics), this frequently hilarious, visually imaginative movie has already taken its place as a family classic with timeless appeal. --Jeff Shannon
With the third season well under way by now it's clear that Farscape has developed into a grown-up show. There's a new self-confidence and a new maturity here that's entirely welcome after the often wildly erratic tone of the second season. The production design and high-quality effects work remain true to the show's original quirky style, although both the look and the more adult-themed scripts have become progressively darker. It's also clear that anyone who has not followed Farscape extremely closely from the very first episode of Season One will be utterly baffled by the convoluted plotting and complex character interactions. All the principal actors know their characters inside and out by now, and delight in showing off their many weaknesses and flaws. Refreshingly, the crew of Moya are a squabbling, bickering, selfish bunch most of the time, who somehow and against expectations manage to pull together (just) at the crucial moment. The writing has matured, too, remaining as witty as ever but equally unafraid to push both genre and censorship boundaries as villains bloodily torture their victims (usually Crichton) and the main characters become more and more obsessed about their sex lives (or lack thereof). Farscape is a galaxy far, far away from the clean, cosy world of Star Trek.--Mark Walker
Throughout its consistently strong third season itÂ’s clear that Farscape has developed into a grown-up show. There's a new self-confidence and a new maturity here that's entirely welcome after the often wildly erratic tone of the second season. The production design and high-quality effects work remain true to the show's original quirky style, although both the look and the more adult-themed scripts are have become progressively darker. It's also clear that anyone who has not followed Farscape extremely closely from the very first episode of Season One will be utterly baffled by the convoluted plotting and complex character interactions.--Mark Walker
The Bob Hope collection contains some of the greatest works from the comic genius that is Bob Hope. Entertaining audiences during his long career & working alongside some of the greatest stars in the industry Bob Hope has stamped his mark in history. Tiitles Include: * My Favourite Brunette * Road To Rio * Road To Bali * The Bob Hope Story * Cat And The Canary
Trumpet playing college students Fred Astaire and Burgess Meredith vie for a place in Artie Shaw's band and for the heart of their lovely manager in this breezy oscar winning musical that features such notable hits as: Would you like to be the love of my life Poor Mr Chisolm I'm Yours
Pot 'O' Gold: While 'Born To Dance' is the movie musical most associated with James Stewart the largely forgotten Pot o' Gold is the one in which he is most involved with music. The plot has Stewart as Jimmy Haskell a music-loving harmonica-playing man who comes across a poor but excellent band (led by Horace Heidt) that rehearses on a boarding-house roof. Jimmy becomes interested in the people who own the boarding-house Ma McCorkle (Mary Gordon) and her lovely daughter
Modern Times marks the last proper appearance of Charles Chaplin's iconic Little Tramp, and finds our hero struggling to make ends meet in the Depression of the 1930s. Along the way he takes up with a juvenile delinquent (actually 24-year-old Paulette Goddard) and plays a prison incident with "nose powder" for drug-induced laughs--both plot elements seeming quite innocent here, though both would provoke controversy today. Modern Times' most famous sequences portray the dehumanisation of factory labour to fine comic effect, balancing satire with slapstick to perfection in several superbly executed set-pieces. While the film has sound-effects and musical score, speech is only presented through mechanical means, via a gramophone, or through wall-sized TVs far more futuristic than in those in HG Wells' Things to Come (also 1936)--it's an interesting footnote that the comic and the SF visionary were friends. Chaplin famously not being a fan of sound cinema acknowledges the need to move with the times, yet hilariously spoofs the exploitation of man and machine while doing so. Amid some great laughs, the political message comes though clearly: the boss is making a fortune while doing jigsaw puzzles in his luxury office, the workers are toiling ever harder on the production line for their pittance. On the DVD: Modern Times is offered in the original 4:3 black and white with good mono sound evidencing just a little distortion and a very clean, clear picture with minimal grain to give away its age. Also included are French and Italian dubbed versions and a pointless and ineffective English Dolby Digital 5.1 version of the soundtrack. The disc features multiple subtitle options, including English for hard of hearing. Disc Two begins with a six-minute introduction by David Robinson. Next comes a very worthwhile 26-minute documentary by Philippe Truffault, Chaplin Today, centred around a perceptive subtitled discussion between French filmmakers Luc & Jean-Pierre Dardenne. There are three trailers, beautifully reproduced posters, an eight-part photo gallery and one entertaining deleted scene, as well as Chaplin's "nonsense song" from the film in isolated form and in a "Karaoke" version. The Documents section begins with a silent 42-minute 1931 documentary/propaganda film, In the Machine Age made by the US Dept of Labor. Along similar but more entertaining lines is Symphony in F a 1940 colour film combining music, manufacturing footage and animation celebrating the Ford motor company, while also included is a sequence from the Liberace Show (1956) with the star performing the vocal version of "Smile", the theme from Modern Times. Demonstrating the truly universal appeal of Chaplin is a 1967 short For the First Time, documenting what happens when the people of the remote Baracoa mountains in Cuba see their first ever movie, Modern Times. This is a remarkable collection which does a great film justice. --Gary S Dalkin
If we men married the women we deserved...We should have a very bad time of it. 1890s high society provides the setting for Oscar Wilde's sparkling comedy of morals and manners in which an 'ideal' husband must fight to save both his marriage and reputation when a blackmailing adventures threatens him with a political scandal.
Chaplin's last 'silent' film filled with sound effects was made when everyone else was making talkies. Charlie turns against modern society the machine age (the use of sound in films?) and progress. Firstly we see him frantically trying to keep up with a production line tightening bolts. He is selected for an experiment with an automatic feeding machine but various mishaps leads his boss to believe he has gone mad and Charlie is sent to a mental hospital... When he gets out he is mistaken for a communist while waving a red flag sent to jail foils a jailbreak and is let out again. We follow Charlie through many more escapades before the film is out.
In this turbulent swashbuckler Cecil B. DeMille presents a tale of daring piracy and hot-blooded love! 1840s Key West is filled with salvage businesses thriving on the cargo of wrecked ships. Ship owner Loxi Claiborne suspects salvager King Cutler of foul play since he's always first on the scene at a wreck. Meanwhile Loxi's suitor Captain Jack Stuart is another suspect - at least to jealous lawyer Steve Tolliver. Who will be found guilty - and how - hinges on some amazing developments. Along with the star-studded cast (including Robert Preston and Susan Hayward) this glorious sea spectacle has stars of another kind. There are huge clipper ships gliding in the mist storms splintering them on the rocks and a giant squid in a memorable underwater battle. With Given DeMille's robust direction it all adds up to an Oscar for Special Effects
ONCE AGAIN THE WHOLE WORLD LAUGHS... During the last days of the First World War a clumsy soldier saves the life of devoted military pilot Schultz. Unfortunately their flight from the advancing enemy ends in a severe crash with the clumsy soldier losing his memories. After quite some years in the hospital the amnesia patient gets released and reopens his old barber shop in the Jewish ghetto. But times have changed in the country of Tomania: Dictator Adenoid Hynkel who accidentally looks very similar to the barber has laid his merciless grip on the country and the Jewish people are discriminated against. One day the barber gets in trouble and is brought before a commanding officer who turns out to be his old comrade Schultz. So the ghetto enjoys protection from then on. Meanwhile Dictator Hynkel develops big plans he wants to become Dictator of the whole world and needs a scapegoat for the public. Soon Schultz is being arrested for being too Jewish-friendly and all Jews except those who managed to flee are transported into Concentration Camps. Hynkel is planning to march into Osterlich to show off against Napaloni Dictator of Bacteria who already has deployed his troops along the other border of the small country. Meanwhile Schultz and the barber manage to escape guised in military uniforms. As luck would have it Schultz and the barber are picked up by Tomanian forces and the barber is mixed up with Hynkel himself. The small barber now gets the once-in-a-lifetime chance to speak to the people of Osterlich and all of Tomania who listen eagerly on the radio.
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