"Actor: Paul Guilfoyle (II)"

• Final Analysis | DVD | (22/11/1999) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £13.99

  This film, which again pairs Richard Gere and Kim Basinger (who starred in 1986's No Mercy), offers up elements of classic noir: a hapless man becomes intimately involved with a beautiful blonde who may or may not be who or what she appears to be. Dedicated psychiatrist Isaac Barr (Gere) reluctantly, and then more obsessively, becomes involved with Heather Evans (Basinger), the sister of his patient, Diana Baylor (Uma Thurman). Evans is unhappily married to a gangster (appropriately played by a muscular and menacing Eric Roberts in a trademark role). Gere and Basinger make a credible, if dangerous couple, and Thurman delivers a subtle, understated performance and demonstrates her range and potential. The thriller is appropriately shot in gorgeous San Francisco, where the literal and figurative curving and hilly roads wind throughout. Credit legendary art director Dean Tavoularis for some amazing sets and scenes, notably the elegantly cavernous restaurant where Evans and her husband have a fateful dinner. This film is, in a way, glossy director Phil Joanou's Hitchcockian tribute--as a climactic lighthouse scene best demonstrates. Final Analysis doesn't offer an intimate look at its characters, but a beautifully stylized one, moody and gloomy. The intricate plot experiments with the device of "pathological intoxication," in which the subject completely loses control after drinking alcohol. And this doesn't mean a conventional ugly drunk; it means a frightening psychotic. Good and evil, hope and despair, beauty and repulsion are often juxtaposed in the film's complex world. --NF Mendoza

• In Dreams | DVD | (29/01/2001) from £22.27   |  Saving you £-2.28 (N/A%)   |  RRP £19.99

  Anyone who has seen and loved Neil Jordan's The Company of Wolves should feel right at home in his offbeat psychological thriller In Dreams. A sexy, very adult take on "Little Red Riding Hood", Wolves unreeled as a series of surreal fairy tales interwoven within the heated dreams of a young girl verging on womanhood. The film's patron saints were Freud and Jung (as sifted through Jordan's wickedly fertile imagination), and the duo is very much aboard for In Dreams as well. Here's a film that takes place entirely in dreamtime, where the dark, violent fantasies of Claire Cooper (Annette Bening)--wife, mother and illustrator of children's books--play out unpoliced by superego, conscience or society. On the face of it, Claire's a clairvoyant whose mind becomes more and more possessed by child-killer Vivian Thompson (Robert Downey Jr.). Cops and shrinks refuse to take her seriously until she loses her own daughter and much, much more. Tapping into weird images of her soulmate's childhood, when he was abused by a hateful mother in a house now submerged in a nearby reservoir, Claire comes closer and closer to her gender-shifting bad boy (and his latest victim). From start to finish, In Dreams dwells in hyper-reality. Whether leeched of or drenched in colour, slipping eerily through an underwater world, rushing madly toward catastrophe--every hallucinatory shot is saturated with menace. It's the kind of potent, unresolved menace that haunts your waking day after a particularly unsettling nightmare. Watch this gorgeous film through Claire's mind, where she and her murderous doppelganger act out a terrible Oedipal drama driven by sex and jealousy. Bening and Downey deliver superb, risky performances, and Darius Khondji's cinematography, with almost every frame punctuated by blood-reds, is sensuously dreamlike. In Dreams is one of those great, flawed films that reaches for more than it ultimately achieves. --Kathleen Murphy, Amazon.com

• Live From Baghdad | DVD | (05/04/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £13.99

  A dramatised version of CNN's coverage of the Gulf War. In 1990 CNN was a 24 hour news network in search of a 24 hour story. They were about to find it in Baghdad. Veteran CNN produer Robert Wiener and his long time producing partner Ingrid Formanek find themselves in Iraq on the eve of war. Up against the big three networks Wierner and his team are rebels with a cause willing to take risks to get the biggest stories and unlike their rivals take them at a moment's notice...