Narcos tells the true-life story of the growth and spread of cocaine drug cartels across the globe and attendant efforts of law enforcement to meet them head on in brutal, bloody conflict. It centers around the notorious Colombian cocaine kingpin Pablo Escobar (Wagner Moura) and Steve Murphy (Holbrook), a DEA agent sent to Colombia on a U.S. mission to capture and ultimately kill him.
One man trapped by destiny and another bound by duty. They're about to discover what they're willing to fight and to die for. From the director of Presumed Innocent and The Pelican Brief comes this suspense drama of two complex proud and passionate men. When New York cop Tom O'Meara (Harrison Ford) agrees to open his family home to Rory Devaney (Brad Pitt) he doesn't know that he is about to shelter a dangerous and wanted terrorist. Accepte
Al Pacino, Jack Lemmon, Alec Baldwin star in this classic 1992 movie from director James Foley.
The Sex Pistols star in Julien Temple's at times surreal at times hilarious factional documentary that charts the rise and fall of punk's most notorious band through the eyes of its calculating and grandiose manager Malcolm McLaren played here with full Machiavellian swagger. Written and directed by Temple whilst he was still a film student it mixes animation and midgets with footage of some of the Sex Pistols' most electrifying live performances. Originally released in UK theatres in 1980 the film presents the band's success as an elaborate scam perpetrated by McLaren to make ""a million pounds"" at the expense of record companies outraged moralists the British Royal Family - and even the fans and band members themselves. As the film's original tagline stated The Great Rock Rock 'n' Roll Swindle is the film that incriminated its audience. As the brief but beautiful period of punk rock is now as far away from 2007 as 1976/77 was from the end of World War 2 it will be hard for anyone under 35 to comprehend just how shocking this film was and the incredible controversy it caused as depressed Britain blighted by inner city riots and waking to the birth of Thatcherism lurched into the Eighties. However watching it again it is still immensely powerful just as riveting still retains the capability to shock and is as valid now as it was then. More than 25 years after their break-up the Sex Pistols' music continues to influence punk and post-punk bands the world over - and The Great Rock Rock 'n' Roll Swindle shows why. It helped add to the band's already riotous reputation with scenes of Sid Vicious attacking a Parisienne prostitute (with a French tart) the subversive Queen's Silver Jubilee Day concert on the Thames in 1977 their infamous appearance on the ""Bill Grundy Show"" and underage female nudity. It even had to contend with the death of Sid Vicious who died between the ending of filming and its theatrical release. But it is the Sex Pistols music that emerges as the films biggest star: performances of ""Anarchy In The UK"" ""God Save The Queen"" and ""Holidays In The Sun"" are mesmeric while Vicious' ""My Way"" maintains an air of tragedy and exquisiteness at once. Tenpole Tudor (ingeniously called ""Tadpole"" by Irene Handl in the film) weighs in with vocals on ""Who Killed Bambi"" and ""Rock Around The Clock"" and even on-the-run Great Train Robber Ronnie Biggs turns up to sing on ""No One Is Innocent"" and ""Belsen Vos A Gasser"". Having spawned the phrase ""making cash from chaos"" it's worth remembering that the Sex Pistols were voted the ""1977 Young Businessmen of the Year"" by their antitheses in the City of London..
A collection of classic Shirley Temple films! Heidi (1937) When her aunt tires of caring for her orphan Heidi is taken into the Swiss mountains to live with her gruff grandfather (Jean Hersholt) a hermit who comes to adore her. But the aunt returns to steal Heidi away selling her to a family whose invalid daughter (Marcia Mae Jones) needs a companion. Bullied by an evil governess (Mary Nash) Heidi still charms the entire household and never stops trying to returnito her
Charlotte Gray Cate Blanchett stars as a young Scottish woman recruited by the Secret Service who ends up risking her life to find the man she loves. Based on Sebastian Faulks' best selling novel. The Land Girls The comical and heart-warming tale of three young women who encounter tragedy passion and love during wartime.
After the death of her bullying husband the not-so aged and downtrodden housewife Thelma Caldicot (Pauline Collins) is shipped off to the Twilight Years Rest Home by her money-grabbing son and manipulative daughter in-law. Appalled by the conditions Mrs Caldicot decides to taker matters into her own hands...
Petty thefts are followed by brutal but mysterious murders at a student hostel in Hickory Road. Even the ingenious little grey cells of Poirot's mind find the circumstances difficult to comprehend. What is the significance of the slashed rucksack the stolen lightbulbs and the lethal morphine tartrate which is substituted for an unsuspecting student's sleeping powder?
The Salem witch hunts are given a new and nasty perspective when a vengeful teenage girl uses superstition and repression to her advantage, creating a killing machine that becomes a force unto itself. Pulsating with seductive energy, this provocative drama is as visually arresting as it is intellectually engrossing. Arthur Miller based his classic 1953 play on the actual Salem witch trials of 1692, creating what has since become a durable fixture of school drama courses. It may look like a historical drama but Miller also meant the work as a parable for the misery created by the McCarthy anti-Communist hearings of the 1950s. This searing version of his drama delves into matters of conscience with concise accuracy and emotional honesty. Three passionate cheers for Miller, director Nicholas Hytner and costars Daniel Day-Lewis and Winona Ryder. --Rochelle O'Gorman
Plymouth Express: A train journey ends in tragedy forcing Poirot to instigate an investigation. Wasps' Nest: Poirot visits a garden fete bumping into the son of an old friend and mysterious beautiful girlfriend...
Cy Endfield cowrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives--the British contingent was outnumbered 16-to-1 by the Zulu tribesmen. The film's opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O'Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another and this is wryly illustrated in a moment when neither he nor his officers can be bothered to pronounce the name of the land they're in. That it's a beautiful land none the less is made clear by the superb cinematography, which drinks in the massive open spaces that shrink the British army to a line of red ants. Splendidly stiff-upper-lipped support comes from a heroic Burt Lancaster and a fluffy, yet gruff, Bob Hoskins. Although the story is less focused and inevitably more diffuse than the concentrated events of Rorke's Drift that followed soon after, Zulu Dawn is an unflinchingly honest depiction of British Imperial diplomacy. --Paul Tonks
Long ago Lionel a dashing young British Army officer met Jean a lovely student nurse and fell deeply in love. When Lionel was shipped off to fight in the Korean war the two lost touch. Now they meet again and slowly begin to rekindle their romance. Episode titles: Series 1: 1. You Must Remember This 2. Getting To Know You - Again 3. The Copper Kettle 4. Surprise Surprise 5. Relationships 6. The Picnic Series 2: 1. White Hunter 2. A Weekend Away 3. Visiting Rocky 4. Why? 5. Misunderstandings 6. The Cruise 7. The Book Signing
Angela de Marco (Michelle Pfeiffer) is fed up with her life Married to the Mob. As luck would have it, her hubby Frank (Alec Baldwin) is knocked off by head honcho Tony "the Tiger" Russo (an Oscar-nominated Dean Stockwell), which leaves her free to start a new life in the Big Apple. The only problem is that the FBI are desperate to nab Tony, and manage to send the one Agent (Matthew Modine) most likely to fall in love with her. Plot-wise, then, this is predictable fluff. The joys are in the details of Jonathan Demme's direction: New York's streets come alive under his hand-held camerawork; a lot of dialogue is comically delivered direct to camera (a device he used for dramatic effect later with The Silence of the Lambs); and background characters each leave their mark given memorable--often-hilarious--screen time. As a black comedy it isn't quite so memorable as Demme's explosive earlier work on Something Wild, but if there's one thing sure to stick with you here it's the sensationally colourful late-80s fashions and hairstyles. On the DVD: Married to the Mob is a bare-bones release that only adds a trailer. It is presented in its original widescreen ratio, however, and for the most part the transfer is pretty clean. --Paul Tonks
Ros Tyler wakes from a drugged sleep to find that her flatmate is dead and she herself has been viciously sexually assaulted...
The hit of the 1969-1970 season, Department S was an attempt on the part of television company ITC to create a "with-it" follow-up to the The Saint and Man in a Suitcase series which were starting to look staid by then. The department of the title is notionally part of Interpol, a group managed by the first of many black TV top cops (here Denis Albana Peters), and assigned all the bizarre cases The Avengers hadn't handled. Often they would come up against modern variations on the classic "locked-room" or "paradox" mysteries so favoured in crime fiction, mysteries which verge on the sort of phenomena The X Files would later specialise in (except no aliens appear in Department S). The supposed leads are Action-Man-type Stewart Sullivan (Joel Fabiani) and English-rose computer whiz Annabelle Hurst (Rosemary Nichols), but the break-out character is the flamboyant Jason King (Peter Wyngarde), a mystery writer and puzzle-solver notable for his Fu Manchu facial hair and an enormous wardrobe of safari suits, ruffled shirts, flared trousers and velvet jackets. King was the only male character on TV to be as fashion-conscious as the Avengers girls, and his preening peacock attitudes--along with the scripts' above-average mysteries--made this essential viewing for the Age of Aquarius. Volume One includes the following episodes: "Six Days", in which a missing airliner turns up but the passengers have no idea that they've lost six days, with Peter Bowles; and "The Trojan Tanker", in which a mystery woman is found in a luxury suite concealed inside an oil tanker, with Simon (Doomwatch) Oates. --Kim Newman
A fast-paced comedy that shifts hilarity into overdrive! Whether he's pitching himself or the high-priced luxury cars at Turgeon Auto Sales Joey O' Brien (Robin Williams) never let's a day go by without ""doing"" someone good. But Joey's schmoozed through life on cruise control for way too long... and now he's riding in the hot seat! Co- Starring Tim Robbins (The Player) Pamela Reed (Kindergarten Cop) and Fran Drescher (""The Nanny"") Cadillac Man is a non-stop joy ride of comic lun
Elvis: Films That Rock contains three of the King's early screen efforts: Love Me Tender (1956), Flaming Star (1960) and Wild in the Country (1961). It's pointless to suggest that they aren't among Elvis's best movies (you'll have to look elsewhere for King Creole and Jailhouse Rock, which probably are), partly because any fan's going to want them all anyway, but also because all three are interesting in their different ways. Love Me Tender, made in black and white in 1956, was Presley's first stab at acting, and this story of a family split by the American Civil War--one brother goes off to fight, the other doesn't--sees him short on screentime and being upstaged by pretty much everyone else. That said, it was a reasonably brave move for Presley to begin his movie career by dealing with this kind of subject matter, however sentimentalised. Four years later, Flaming Star took the steer by the horns with Presley portraying a young man of mixed parentage caught up in the ethnic conflict between Native Americans and the white race. Again, a brave choice of subject; this was a landmark movie insofar as it showed Presley certainly had enough acting ability to create a credible parallel career along the lines of, say, Sinatra. It wasn't to be, though, as even then his talents were being manipulated by others, which is why all his later movies--even the best ones--were little more than advertisements for his records. Wild in the Country, from the following year, saw Presley as a young tearaway who finds redemption in his talent for writing. It's pure melodrama, but the moralising is kept under control. This is a nice little collection, all in all, and an essential for any fan. On the DVD: Elvis: Films That Rock presents the three pictures in positively radiant transfers, which are absolutely gunge-free and make the very best of the beautifully stylised lighting and cinematography of the period, while the classic Cinemascope presentations translate perfectly into widescreen. Special features include trailers for all three movies. --Roger Thomas
It seems that Hercule Poirot's luxuriant lifestyle catches up with him when at the opening of his good friend Captain Hasting's new restaurant he suffers a minor heart-attack. He's overweight and has a poor diet and on doctors orders he's sent along with trusty Hastings to the island retreat Sandy Cove to aid his recovery. Upon their arrival Poirot is immediately struck by the eccentric characters already there in particular Arlena Stuart the famous yet scandalous socialite. Despite his orders to relax he observes Arlena openly flauting her affair in her front of her husband with a grief stricken younger man. As his little grey cells work over time he forsees tragedy...
EL CAMINO: A BREAKING BAD MOVIE reunites fans with Jesse Pinkman (Emmy® Award-winner[i] Aaron Paul). In the wake of his dramatic escape from captivity, Jesse must come to terms with his past in order to forge some kind of future. This riveting thriller was written and directed by Vince Gilligan, the creator of Breaking Bad.
Paul Rudd stars in this witty and highly relatable comedy about that one family member who is always just a little bit behind the curve. For sisters Liz (Emily Mortimer), Miranda (Elizabeth Banks) and Natalie (Zooey Deschanel), that person is their upbeat brother Ned, an organic farmer whose willingness to trust human kind allows for oddly trouble-free existence. Ned may be utterly lacking in common sense, but he is their brother and after his girlfriend dumps him and boots him off the farm, ...
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