This film, which again pairs Richard Gere and Kim Basinger (who starred in 1986's No Mercy), offers up elements of classic noir: a hapless man becomes intimately involved with a beautiful blonde who may or may not be who or what she appears to be. Dedicated psychiatrist Isaac Barr (Gere) reluctantly, and then more obsessively, becomes involved with Heather Evans (Basinger), the sister of his patient, Diana Baylor (Uma Thurman). Evans is unhappily married to a gangster (appropriately played by a muscular and menacing Eric Roberts in a trademark role). Gere and Basinger make a credible, if dangerous couple, and Thurman delivers a subtle, understated performance and demonstrates her range and potential. The thriller is appropriately shot in gorgeous San Francisco, where the literal and figurative curving and hilly roads wind throughout. Credit legendary art director Dean Tavoularis for some amazing sets and scenes, notably the elegantly cavernous restaurant where Evans and her husband have a fateful dinner. This film is, in a way, glossy director Phil Joanou's Hitchcockian tribute--as a climactic lighthouse scene best demonstrates. Final Analysis doesn't offer an intimate look at its characters, but a beautifully stylized one, moody and gloomy. The intricate plot experiments with the device of "pathological intoxication," in which the subject completely loses control after drinking alcohol. And this doesn't mean a conventional ugly drunk; it means a frightening psychotic. Good and evil, hope and despair, beauty and repulsion are often juxtaposed in the film's complex world. --NF Mendoza
India, 1893. The farmers in a small village confront their British overlords when double taxes are demanded. To settle the dispute the British suggest a cricket match.
Even by the standards of a genre not characterised by restraint, the 1974 rock opera Tommy is endearingly barmy, a bizarre combination of Pete Townshend's disturbed inspiration and director Ken Russell's wildly eccentric vision. Even if you gamely try and read allegorical meaning into it, the story is frankly odd: a child becomes psychosomatically deaf, dumb and blind after witnessing the murder of his father by his stepdad and goes on to become rich and famous as the world pinball champion (since when was pinball a world-class competitor sport?), before setting himself up as a latter-day messiah. It's about the travails of the post-war generation, the disaffection of youth, the trauma of childhood abuse, the sham nature of new-age cults, and many other things besides. At least, that's what Townshend and Russell would have you believe. But what's really important is the many wonderful, utterly bonkers set-pieces--effectively a string of pop videos--that occur along the way, performed by great guest stars: Tina Turner as the Acid Queen, Eric Clapton as the Preacher, Keith Moon as Uncle Ernie, Elton John's mighty rendition of "Pinball Wizard", even Jack Nicholson doing a turn as a suave specialist. Roger Daltrey is iconic in his signature role, and Oliver Reed makes up for a complete inability to sing with a bravura performance as his sleazy stepdad, but best of all is Ann-Margret as Tommy's mother Nora: her charismatic presence holds the loose narrative together and she richly deserved her Academy Award nomination; the sight of her in a nylon cat suit being drenched in baked beans and chocolate from an exploding TV set is worth the price of admission alone. On the DVD: Tommy comes to DVD in a two-disc set, with the feature on disc one accompanied by three audio tracks: Dolby Stereo or 5.1 surround, as well as the original "Quintaphonic" surround mix--a unique experience with effectively two pairs of stereo tracks plus a centre track for the vocals. The anamorphic picture adequately recreates the original theatrical ratio. The second disc has a series of lengthy and illuminating new interviews with the main (surviving) players: Townshend, Russell, Daltrey and Ann-Margret, in which we learn among other things, that Daltrey wasn't Townshend's first choice for the role, that Stevie Wonder was the original preference for the Pinball Wizard, and that Ken Russell had never heard of any of these rock stars before agreeing to helm the movie. There's also a feature on the original sound mix and its restoration for DVD. All in all, a satisfying package for fans of one of the daftest chapters in the annals of rock music. --Mark Walker
NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio.
A father and son who travel from Victoria to Cape York to fulfill their lifelong ambition to fish off Australia's northern tip.
Puccini's 'Turandot' performed by the Metropolitan Opera. Artists include: Eve Marton and Placido Domingo. Conducted by James Levine. Directed by Franco Zeffirelli. Sung in Italian
The final series of Steven Knight's beloved BAFTA® award-winning drama based in Birmingham between the two world wars.
Another summer heats up in the Hamptons for Dr. Hank Lawson Mark Feuerstein) in Royal Pains: Season Six! After Hank returns from his travels abroad with Boris ( (Campbell Scott), he quickly realises coming home isn't always as easy as it seems. Meanwhile, Evan (Paulo Costanzo) and Paige (Brooke D'Orsay) grow stronger in their marriage thanks to the help of an unconventional therapist. Over at HankMed, Divya (Reshma Shetty) attempts to find balance between work and family as a single-mom while HankMed's newest doctor, Jeremiah Sacani (Ben Shenkman) realises that having Divya and her baby stay with him isn't going to be as easy as he thought. And when a mysterious young woman shows up at the guesthouse at the beginning of summer, she changes Hank and Evan's lives forever. Watch all 13 episodes of one of USA's critically acclaimed original series back-to-back and uninterrupted - just what the doctor ordered!
Exceptionally well-directed by John McTiernan, Die Hard made Bruce Willis a star back in 1988 and established a new template for action stories. Here the bad guys, led by the velvet-voiced Alan Rickman, assume control of a Los Angeles high-rise with Willis's visiting New York cop inside. The attraction of the film has as much to do with the sight of a barefoot mortal running around the guts of a modern office tower as it has with the plentiful fight sequences and the bond the hero establishes with an LA beat cop. Bonnie Bedelia plays Willis's wife, Hart Bochner is good as a brash hostage who tries negotiating his way to freedom, Alexander Godunov makes for a believable killer with lethal feet and William Atherton is slimy as a busybody reporter. Director Renny Harlin took the reins for the 1990 sequel, Die Harder, which places Willis's New York City cop in harm's way again with a gaggle of terrorists. This time, Willis awaits his wife's arrival at Dulles Airport in Washington, DC when he gets wind of a plot to blow up the facility. Noisy, overbearing and forgettable, the film has none of the purity of its predecessor's simple story; and it makes a huge miscalculation in allowing a terrible tragedy to occur rather than stretch out the tension. Where Die Hard set new precedents in action movies, Die Hard 2 is just an anything-goes spectacle --Tom Keogh The second sequel, Die Hard with a Vengeance brings Detective John McClane to New York City to face a better villain than in Die Hard 2. Jeremy Irons is the brother of Alan Rickman's Germanic terrorist-thief from the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L Jackson) with a chip on his shoulder. Some great action sequences can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall Fine
A Cinderella story from the mean streets of Kingston, Jamaica, the alternately comic and gritty Dancehall Queen is an intriguingly dark crowd pleaser. Marcia (Audrey Reid) is a single mom and street vendor barely scraping by even with a financial assist from the seemingly avuncular Larry (Carl Davis), a gun-toting strongman with a twisted desire for Marcia's teenage daughter. Complicating things is Priest (Paul Campbell), a murderous hood who killed Marcia's friend and now is terrorizing the defenseless woman. Facing three big problems--Larry, Priest, and a lack of money---Marcia arrives at an inspired solution: develop an alter ego, a dancing celebrity called the Mystery Lady who can compete in a cash-prize contest and pit both of the men against one another. Which is exactly what she does, and it's great fun watching Marcia instigate her complicated plan with a little help from sympathetic friends. Colorful, rowdy, funny, and dangerous, Dancehall Queen is a clever and ceaselessy energetic movie steeped in Kingston street life and the desire to keep body and soul together at home. Reid is a delight as the everyday figure who transforms into an icon in the evenings, and the dance scenes are amazingly bawdy. --Tom Keogh
This rousing musical, based on the stories of Sholem Aleichem, takes place in pre-revolutionary Russia and centres on the life of Tevye (Topol), a milkman who is trying to keep his family's traditions in place while marrying off his three older daughters. Yet, times are changing and the daughters want to make their own matches, breaking free of many of the constricting customs required of them by Judaism. In the background of these events, Russia is on the brink of revolution and Jews are feeling increasingly unwelcome in their villages. Tevye--who expresses his desire for sameness in the opening number, "Tradition"--is trying to keep everyone, and everything, together. The movie is strongly allegorical--Tevye represents the common man--but it does it dextrously, and the resulting film is a stunning work of art. The music is excellent (it won Oscars for the scoring and the sound), with plenty of familiar songs such as "Sunrise, Sunset" and "If I Were a Rich Man," which you'll be humming long after the movie is over. Isaac Stern's violin--he provides the music for the fiddler on the roof--is hauntingly beautiful. And despite the serious subject matter, the film is quite comedic in parts; it also well deserves the Oscar it won for cinematography. --Jenny Brown
For pulse pounding suspense and relentless thrills nothing can match this DVD one of the most frightening chapters in the chilling 'Halloween' series! In one single horrifying night Michael Myers' masked reign of terror changed Halloween forever! Now six years after he was presumed dead in a fire Myers has returned to kill again and this time there's no escape! As the homicidal fury builds to a spine-tingling climax the long hidden secrets of the screen's most maniacal murderer
Before his handlers persuaded him to settle for the safety of a screen franchise, the young Elvis Presley had weightier ambitions as an actor. The 1958 King Creole, his fourth feature outing, hints at the underlying seriousness of his goals. Presley plays Danny Fisher, a New Orleans teenager struggling to graduate from high school while working in a sleazy French Quarter club to support his family. He's also characterised as a troubled youth with a dangerous temper and feelings of shame and resentment toward his meek, unemployed father (Dean Jagger). When Danny's gift for singing provides him with a potential career break (and the requisite excuse for Elvis's production numbers), his involvement with a ruthless gangster (Walter Matthau) and his sultry, alcoholic moll (Carolyn Jones) threatens both his future and his family. King Creole boasts an impressive production pedigree (including producer Hal Wallis and director Michael Curtiz, the team behind Casablanca) and the supporting cast helps elicit one of Presley's most emotional performances. Jones in particular overrides the inherent clichés of her role: her self-loathing and sexuality are both palpable. Presley--still a few years away from the more sanitised image that would be integral to those franchise features--is young enough to be a credible teen, but more crucially he makes his rage and yearning largely convincing. --Sam Sutherland
All it takes is a little Confidence. After the huge success of Butch Cassidy And The Sundance Kid George Roy Hill re-teamed with Hollywood stars Robert Redford and Paul Newman for this dazzlingly inventive tale about revenge in 1930s Chicago. The Sting is one of the most popular and critically acclaimed films of all time. Set in the 1930's this intricate comedy caper deals with an ambitious small time crook (Robert Redford) and a veteran con man
Two detectives one from New York the other from Long Island join forces to track down a bizarre serial killer. Convinced of a beautiful suspect's innocence the New York detective starts an affair with her despite hard evidence linking her to the murders.
Based on the novel by Frederick Forsyth, The Dogs of War is an uneasy mix of espionage and combat that never really succeeds in either role. Based around the character of Paul Shannon, the film follows events in the fictional African state of Zagaro. Hired on a reconnaissance mission by a nameless multi-national corporation, Shannon is captured and tortured before his release, only to return to the country to lead a small band of mercenaries (the dogs of the title) in a bloody coup. The first section of the movie works best, building a real sense of tension and unease, not least through a typically understated performance by Christopher Walken as the paranoid loner who keeps a pistol in his fridge (watch too for a brief appearance from a young Jim Broadbent). There are obvious references to the by-then obsolete school of Vietnam filmmaking in the second section, with the Asian enemy replaced by an African one. The gung-ho mentality of the soldiers is, however, so two-dimensional that the viewer develops little empathy for their plight. The action is slow and drawn out, with the seemingly endless pregnant pauses operating as a means for enabling the film to achieve a reasonable running time. On the DVD: little is on offer here aside from the usual scene selection, audio and subtitle options and original cinema trailer. --Phil Udell
Doomwatch is the nickname for the Department of Measurement of Scientific Work. Under the leadership of Nobel Prize winning physicist, Dr. Spencer Quist, the Doomwatch team struggled, for three seasons, to keep an eye on the environment and supervise government and private sector research in an attempt to prevent pollution and other disasters that might be caused by the misuse of new scientific developments, discoveries and technology. While confronting dangers ranging from a plastic eating bacteria to hyper intelligent species of rats, from mind destroying sound waves to toxic wastes and genetic mutations, the Doomwatch team always found themselves under the gun, from unsupportive governmental superiors, and openly hostile corporations, and the powerful influences they could wield. The Doomwatch team initially consisted of Quist; former intelligence agent, Dr. John Ridge; eager young researcher Toby Wren; technician and computer specialist Colin Bradley; and secretary Pat Hunnisett. Episode List: Disc 1 S01, E01 - The Plastic Eaters; S01,E04 - Tomorrow The Rat; S01,E05 - Project Sahara; S01,E06 - Re-Entry Forbidden Disc 2 S01,E07 - The Devil s Sweets; S01,E08 - The Red Sky; S01,E10 - Train and De-Train; S01,E11 - The Battery People Disc 3 S02,E01 - You Killed Toby Wren; S02,E02 Invasion; S02,E03 - The Islanders; S02,E04 - No Room for Error Disc 4 S02,E05 - By The Pricking Of My Thumbs; S02,E06 - The Iron Doctor; S02,E07 - Flight Into Yesterday Disc 5 S02,E08 - The Web Of Fear; S02,E09 - In The Dark; S02,E10 - The Human Time Bomb Disc 6 S02,E11 - The Inquest; S02,E12 - The Logicians; S02,E13 - Public Enemy Disc 7 S03,E04 - Waiting For A Knighthood; S03,E06 - Hair Trigger; S03,E12 - Sex And Violence (Never transmitted); Extra - The Cult Of Doomwatch (documentary) .
If it had been written as a piece of fiction no one would have believed it, but In the Name of the Father is the true story of one of the most shocking episodes in British legal history. Dealing with the events surrounding the Guildford pub bombing in 1974 and the subsequent 15-year fight for justice, the film portrays a nation in the grip of an anti-system, desperate to find culprits at any cost, however immoral, illegal or brutal. By playing out the drama in personal as well as political terms--the relationship between Gerry Conlon (Day-Lewis) and his father (Pete Postlethwaite) becomes the story's centrepiece--the film works on numerous levels, but the events are no less shameful for it. The court case that ultimately freed the three men and one woman only takes centre stage for the last 20 minutes but despite that--and the fact that the outcome is no secret--it is high drama and completely gripping. This is an unmissable example of genuinely courageous cinema. On the DVD: Where the real-life events behind the film might have offered huge scope for additional material, the DVD provides little beyond production and cast notes. The film's re-creation of both 1970s Belfast and London is very realistic, intensified by the anamorphic screen ratio, and the excellent soundtrack (including Bono, Sinead O'Connor and Thin Lizzy), which helps drive the action, is intensified by the Dolby Digital 5.1 soundtrack. --Phil Udell
Exploding with all the power of the jet age... with all the passion of a daring love story! A corps of silver jets soar across the majestic blue American skies while a beautiful lady waits faithfully for her hero. John Wayne and Janet Leigh star in this military romance: a classic Howard Hughes production! Anna a Russian MIG pilot escapes the USSR and lands on a US Airforce base in Alaska. There she meets Colonel Shannon and after he debriefs her the two become romantically involved and move to Palm Springs. Trouble arises when the US authorities discover that Anna is not really a defector but a Soviet spy. Army honchos decide to turn the tables by letting Shannon follow her back home and do some of his own espionage. But once there Soviet forces endanger Shannon's life - and Anna has to choose between her country and the man she has come to love...
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