A band of outlaws, led by tough, gruff Stretch (Peck), find themselves knocking at death's door after becoming lost in the treacherous western Badlands - only to find their salvation in a lonesome town called Yellow Sky, where the only inhabitants are a doddering old man and his mysterious, alluring daughter. But their deliverance from danger is short-lived when the gang discovers a fateful secret hidden within the dusty, rotting walls of this ghost town - one that will turn brother against brother in a desperate battle to the death!
MacArthur is a thoughtful and dramatic look at the life and times of controversial American military leader General Douglas MacArthur. Directed by Joseph Sargent (The Taking of Pelham One Two Three), this celebrated biopic features a hugely authoritative central performance by Gregory Peck, and strong support from Ed Flanders (The Ninth Configuration) and Dan O'Herlihy (Imitation of Life), who play Presidents Harry S Truman and Franklin D Roosevelt, respectively. INDICATOR STANDARD EDITION SPECIAL FEATURES High Definition remasterOriginal mono audioOptional 5.1 surround mixMacArthur: The Rebel General (129 mins): alternative UK home video version containing unique material, presented open matte in Standard DefinitionAudio commentary with film historians Steve Mitchell and Steven Jay Rubin (2021)General Disposition (2004, 5 mins): director Joseph Sargent recalls his time working with Gregory PeckSelection of Pathé newsreels capturing events portrayed in the film: A Tribute to MacArthur (1942, 3 mins), MacArthur in Australia (1942, 1 min), MacArthur Returns to Philippines (1944, 5 mins), MacArthur Steps Down (1951, 2 mins), MacArthur Addresses Congress (1951, 6 mins), and MacArthur Honored on 75th Birthday (1955, 1 min)Original theatrical trailerRadio spotsImage gallery: promotional and publicity materialNew and improved English subtitles for the deaf and hard of hearing
The story is set in rural Northumberland amidst the prejudices of the 1830s. The widowed Riah has become housekeeper at Moor House to a scholarly recluse Mr Miller. Her three children already able to read and write are given further tuition by Miller. But his devotion for one of them becomes more than academic...
The Longest Day (Dir. Ken Annakin and Andrew Marton 1962): On June 6 1944 the Allied Invasion of France marked the beginning of the end of Nazi domination over Europe. The attack involved 3 000 000 men 11 000 planes and 4 000 ships comprising the largest armada the world has ever seen. Presented in the original black & white version The Longest Day is a vivid hour-by-hour re-creation of this historic event. Featuring a stellar international cast and told from the perspectives of both sides it is a fascinating look at the massive preparations mistakes and random events that determined the outcome of one of the biggest battles in history. Sink The Bismarck! (Dir. Lewis Gilbert 1960): In the Spring of 1941 Nazi Germany's greatest battleship - the Bismarck scourge of Atlantic shipping - is pinned down at her anchorage in Norway. Making a break for freedom and the safety of air cover from the Luftwaffe the great ship is chased by the Royal Navy. Eventually after heavy casualties including the loss of HMS Hood the Bismarck is finally trapped and sunk. Kenneth More stars as Captain Shepherd - the Admiralty's Director of Naval Operations - who embittered by the death of his wife in an air raid is assigned to this post just as the Bismarck makes its escape. The Desert Rats (Dir. Robert Wise 1953): Richard Burton stars in this exciting film about the courageous men who held off notorious German Field Marshal Erwin Rommel despite being hopelessly outnumbered. The year is 1941 and all that stands between Rommel and the Suez Canal is the fortress of Tobruk which is manned only by a small Australian battalion whom Captain MacRoberts (Burton) must whip into shape - fast! James Mason co-stars in a stunning portrayal as Rommel in this stirring action-packed story of the World War II heroes known as the Desert Rats. Twelve O'Clock High (Dir. Henry King 1949): Convinced an Air Force Commander is at breaking point Brigadier General Savage (Gregory Peck) takes over his struggling bomber group. At first resentful and rebellious the flyers gradually change as Savage guides them to amazing feats. But the stress of command soon takes its toll and the weary general reaches his own breaking point. Authentic aerial battle footage and numerous acclaimed performances make Twelve O'Clock High a credible stirring tale of courage and sacrifice. A Farewell To Arms (Dir. Charles Vidor 1957): This dense adaption of Ernest Hemingway's novel features Rock Hudson as American soldier Lt. Henry and his ill-fated love affair with British Nurse Catherine portrayed by Jennifer Jones during World War I. The two lovers will stop at nothing to be together but Lt. Henry's internal struggles ultimately threaten the relationship. Hemingway's theme of questioning the nature of war and fighting is fully recognised under Charles Vidor's direction.
Vibrant witty and undeniably charming The Four-Faced Liar shines a sexy spotlight on the tangled lives of four 20-something New Yorkers. Bridget is a hip womanizing lesbian who lives with her best friend Trip. One alcohol-fuelled night they meet straight-laced childhood sweethearts Greg and Molly at their favourite bar the Four-Faced Liar. While Greg and Trip bond over sports Bridget and Molly discover a mutual appreciation for Emily Bront and Wuthering Heights and sparks fly. As sexual tensions build the notoriously promiscuous Bridget realises she's falling in love for the first time with the soon-to-be married Molly and a risky and sexually-charged affair ensues. This award-winning and delightfully sexy take on love and life is crisply shot tightly scripted and bursting with charm.
The suave sleuth Tony Rome makes a shocking discovery while diving for treasure: a beautiful blonde woman anchored in a block of cement. When a local hood hires him to find his missing girlfriend his investigation begins with the mysterious ""Lady in Cement."" But everyone he talks to either is killed or trying to kill him...
Bridge Over The River Kwai: Set in Burma during World War II the story tells of British P.O.Ws who are forced to build a large bridge for the Japanese while a British Commando team is sent to destroy it. Winner of seven Academy Awards. Das Boot: Das Boot is a graphic and gripping tale that follows the daring patrol of U-96 one of the famed German U-Boats known as 'The Grey Wolves'. Prowling the North Atlantic they challenged the British Navy at every turn. The crew abroad the U-96 is portrayed in a desperate life-and-death struggle coping with life beneath the waves quickly gives way to terror when confronting the enemy... The Guns Of Navarone: Exciting war film based on a novel by Alistair Maclean which tells of the attempts of a British raiding team to sabotage two giant German guns on a Greek island in the Aegean Sea. Carl Foreman brought Allistar MacLean's best-selling novel to the screen winning nominations for seven Academy Awards in 1961.
Titles Comprise: The Boys From Brazil: This terrifying thriller is based on Ira Levin's best seller in which Dr. Josef Mengele (Gregory Peck) alive and living in South America gathers a group of former Nazis to work on a mysterious project. Ezra Lieberman (Laurence Olivier) begins to unravel the conspiracy and discovers that Mengele has cloned 94 young Hitlers. Suddenly the terrifying extent of Mengele's plan is revealed: twisting genetic science to become a new weapon of global horror. The Eagle Has Landed: The daring World War II plot that changed the course of history. In November 1943 Heinrich Himmler (Donald Pleasance) received a simple message The Eagle Has Landed. It meant that a crack force of German paratroopers were safely in England poised and ready to kidnap the Prime Minister of England Winston Churchill. The force is under the command of Colonel Kurt Steiner (Michael Caine). All goes smoothly as the German force disguised in Polish uniforms is accepted by the villagers. But one of the men is killed while rescuing a little girl and his German uniform is discovered. The entire village has to be taken hostage and hidden in the town church. Agents and counteragents work desperately to keep the scheme alive. Steiner himself takes a dangerous gamble. He overpowers an American ranger commandeers his jeep and uniform and drives to the mansion where Churchill is relaxing. The action and suspense are nonstop in this World War II thriller which also stars Treat Williams Larry Hagman Anthony Quayle and Jean Marsh. Escape To Athena: A battle of action and wits in a World War II prison camp where the Fuhrer's scheme for looting a treasure-laden island off Greece is under way. Prisoners of war labour under the eye of the camp's Austrian Commandment Major Otto Hecht as they dig up priceless Greek art. Zeno the island's resistance leader and his woman Eleana scheme to defeat the occupiers. Zeno and his men clash with the Germans to save the lives of condemned prisoners and try to locate a submarine oil supply depot. If the Germans are to be defeated they must also seek and dismantle the communications equipment on Mount Athens which promises a blaze of action...
With over three hours of films Cinema 16: American Short Films is essential viewing for anyone with an interest in the moving image. The majority of the films are accompanied by audio commentaries almost always by the directors themselves. Highlights include early films from Hollywood powerhouses Todd Solondz Tim Burton and George 'Star Wars' Lucas! Films Featured: 1.The Lunch Date (Dir. Adam Davidson 1990 11 mins) 2.Carmen (Dir. Alexander Payne 1985 18 m
In this sequel to Tony Rome, Sinatra is back as the Miami private eye. This time around he's hired by a small time hood (Dan Blocker) to find his missing girlfriend. In finding out the fate of the girl, Rome runs across a variety of shady characters, including a Mafia chieftain and a beautiful alcoholic, Kit Forrest (Raquel Welch) who instantly becomes the first suspect. The film takes a sharp twist when Rome is accused of murder himself!
Outlaw chief James 'Stretch' Dawson (Gregory Peck) takes refuge in a frontier ghost town where the only inhabitants are the elderly 'Grandpa' (James Barton) and his pretty granddaughter Constance Mae (Anne Baxter). When it becomes apparent that Grandpa is sitting on a large amount of gold 'Stretch's' compadres led by 'Dude' (Richard Widmark) plot the old man's downfall and claim the booty for themselves. However Stretch falls for the granddaughter and cannot abide the intention
Oscar winner Gregory Peck stars in this suspenseful 1969 Cold War spy thriller set deep behind the Bamboo Curtain and directed by Oscar-nominated J.Lee Thompson (The Guns of Navarone).When the Chinese make a scientific discovery that could change the world forever, Nobel Prize-winning scientist John Hathaway (Gregory Peck) is the West's only hope to steal the secret. The Chinese need his expertise to complete the project, so they're willing to let him in to their forbidden country. But will they ever let him out again? With the latest spying equipment wired into his skull, Hathaway is sent in - unaware that his spymasters have also planted a powerful explosive in his body...
The Good, The Bad and The Ugly Clint Eastwood ("the man with no name") is good, Lee Van Cleef (named Angel Eyes Sentenza here) is bad, and Eli Wallach (Tuco Benedito Pacifico Juan Maria Ramirez) is ugly in the final chapter of Sergio Leone's trilogy of spaghetti Westerns (the first two were A Fistful of Dollars and For a Few Dollars More). In this sweeping film, the characters form treacherous alliances in a ruthless quest for Confederate gold. Leone is sometimes underrated as a director, but the excellent resolution on this DVD should enhance appreciation of his considerable photographic talent and gorgeous widescreen compositions. Ennio Morricone's jokey score is justifiably famous. The DVD includes about a quarter-hour of footage not seen in the original release. -- Amazon.com The Gunfighter Numerous films have used The Gunfighter as a title, but if you're looking for the film classic of that name, this is the one. Gregory Peck followed his powerful performance in Twelve O'Clock High (also for director Henry King) with an arguably even stronger portrayal: Jimmy Ringo, celebrated shootist just stepping into middle age and mortally weary of having to defend his legend every time he turns around. His trail takes him to a small town where an old comrade, Mark Strett (the great Millard Mitchell), now serves as marshal, and where Ringo's estranged wife and the son he has never seen also reside, under an assumed name. Over one night and one day, hoping against hope, he dares to dream of a normal life. But there are avengers not far behind, and other threats yet to be counted. Although critically praised, The Gunfighter was a box-office disappointment. Darryl F. Zanuck blamed the soup-strainer moustache Henry King had Peck grow for the role, but perhaps the film's virtues of intelligence and restraint weighed against it. The Gunfighter properly deserves the credit (awarded to High Noon two years later) for ushering in the "adult Western," that '50s subgenre that emphasized psychological intensity over action and spectacle. (Most of The Gunfighter unfolds at the Palace Bar where Ringo waits for his family to be brought to him.) In any event, latter-day audiences should have no trouble appreciating the solid performances, literate writing, and impeccable Fox craftsmanship, including the final studio assignment for ace cinematographer Arthur Miller. --Richard T. Jameson, Amazon.com The Alamo John Wayne drew on what he learned from John Ford, Howard Hawks, and practically everyone who directed him during his long career when he made his own directorial debut on this labour of love. The Alamo is a sprawling, unabashedly patriotic epic of the sacrifice made by 187 men defending the Alamo from Santa Ana's bigger and better equipped army. Wayne stars as Col. Davy Crockett, the straight-talking, fun-loving frontiersman turned senator, with Laurence Harvey as the stiff, by-the-book Col. William Travis and Richard Widmark as the legendary Jim Bowie who bristles under Travis's military protocol. The mix of regular army soldiers, Texican irregulars, scouts, and civilians makes for a volatile melting pot, but they all come together in a time of crisis in this metaphor for Wayne's heroic vision of America. Wayne spared no expense in this, one the last of the old fashion Westerns, re-creating the Alamo in exacting detail and corralling a cast of Western icons and old friends, including Richard Boone, Chill Wills (who earned an Oscar nomination), Hank Worden, Denver Pyle, Ken Curtis, and Olive Carey, in addition to teen heartthrob Frankie Avalon and Wayne's son Pat. Even old pal and spiritual godfather John Ford lent a hand shooting second-unit footage. Wayne is no Ford, but despite himself (and a talky script), he delivers an entertaining film full of intriguing characters and excellent action scenes, earning the film an Oscar nomination for Best Picture in 1960. Remember the Alamo! --Sean Axmaker, Amazon.com
Exciting war film based on a novel by Alistair Maclean which tells of the attempts of a British raiding team to sabotage two giant German guns on a Greek island in the Aegean Sea. Carl Foreman brought Allistar MacLean's best-selling novel to the screen winning nominations for seven Academy Awards in 1961.
This minor 1948 film by Alfred Hitchcock beats a familiar Hitchcockian drum: an attorney (Gregory Peck), in love with the client (Alida Valli) he is defending on a murder charge, implicates himself in her guilt by trying to put the blame on another man. The no-one-is-innocent theme may be consistent with Hitchcock's best films and world view, but this is one of the movies that got away from his crucial passion for the plastic side of creative directing. Stuck in a courtroom for much of the story, the film is fit to burst with possibility but is pinned down like a freshly caught butterfly in someone's airless collection. --Tom Keogh
What should be a routine stop off turns into a desperate struggle for survival when an unknown man appears outside. Realising they are trapped and with the wintry temperatures dipping below freezing and sunrise still hours away they have no choice but to play the man's deadly game of cat-and-mouse... Written by Chris Sparling (Buried) this tense and gripping thriller is sure to give you nightmares!
A wry blend of dark humor, romantic deception, and stylish melodrama-with an invigorating dash of suspense - "Married Life" is an unconventional fable for grown-ups about the irresistible power and utter madness of love.
On remote Isla Nuba entrepreneur John Hammond (Richard Attenborough) has built the ultimate theme-park, populated by genetically engineered dinosaurs painstakingly reconstructed from DNA extracted from prehistoric amber... and, of course, frogs! Adapted from Michael Crichton's novels, Steven Spielberg's Jurassic Park blockbusters became a cultural and commercial phenomenon thanks in part to the enduring appeal of all things prehistoric. But the films' extraordinarily realistic digital dinosaurs also showcased the spectacular computer-generated effects that have since become ubiquitous in Hollywood filmmaking. Indeed, in the years since 1993 it is debatable whether any films have revolutionised special effects to such an extent, and this DVD box set offers the perfect opportunity to relive both movies' visual and aural splendour (the original film was also the first to be released with a DTS soundtrack). Given their rather insipid human prey (including Dickie Attenborough and Jeff Goldblum) there is little doubt that the dinosaurs are the real stars, from the benign majesty of the towering brachiosaurus to the reptilian menace of the velociraptors. Most memorable of all is the T-rex, displaying a spine-chilling combination of physical ferocity and child-like bewilderment in the face of its reincarnation in the modern world. While Jurassic Park still retains a unique power and a seminal place in film history, Spielberg's The Lost World sequel exceeds its predecessor in almost every respect: the digital dinos are more populous, faster and meaner, the set-pieces have more bravura, and the special effects raise the benchmark even higher in blending CGI and live action spectacle. Overall, the first film's sense of awe and almost stately contemplation of its own visual splendour are replaced with a more visceral style and darker tone, as the raptors and rexes attack with a predatory ferociousness more reminiscent of Aliens than Godzilla. Highlights include the T-rexes' cliff-top assault on a trailer van, the trails of attacking raptors as they move silently through a field of tall grass, and the safari-style dinosaur round-up by the marauding hunters, led by a grizzled Pete Postlethwaite. --Steve Napleton
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