The legend of Robin Hood one of the most popular stories of all time is brought magically to life in this full length animated Disney classic. The spirit of fun and romance abounds as Robin Hood the swashbuckling hero of Sherwood Forest and his valiant sidekick Little John plot one daring adventure over another.
Dexter Fletcher directs this cinematic adaptation of the acclaimed stage musical featuring the music of Scottish band The Proclaimers. Returning home from their most recent stint in Afghanistan, Davy (George MacKay) and Ally (Kevin Guthrie) have a new appreciation for life after witnessing the horrors of war first-hand. While Ally plans his proposal to Davy's sister Liz (Freya Mavor), Davy falls for Yvonne (Antonia Thomas) and the two couples come together in time for Liz's parent's wedding a...
A minor classic from Disney, this 1973 all-animal, all-animated musical version of the familiar story of Robin Hood is more charming than one might expect. Perhaps it's the warm, chummy take on key relationships within the legend--the way Robin Hood (Brian Bedford) gets twitterpated whenever the subject of Maid Marian (Monica Evans) comes up or the way best pal Little John (Phil Harris voicing a variation on his own Baloo from The Jungle Book) admonishes the Sherwood Forest hero, "Aw, Rob, why dontcha just marry the girl?" (Then, of course, there's the canny "casting" of the romantic leads as foxes: Robin the sly one and Marian the, well, foxy one.) The rest of the vocal cast is lively and eclectic: Peter Ustinov, Andy Devine, Terry Thomas, George Lindsey. Roger Miller provides the songs and voice for the minstrel character Allan-A-Dale. The film is ably directed by Wolfgang Reitherman, whose decades of work in Disney's animation division helped create the studio's rich legacy. --Tom Keogh, Amazon.com
Welcome to Holmfirth, a breathtakingly beautiful village in the heart of the Holme Valley, home to our favourite idiosyncratic retired gentlemen. As they amble about the countryside, these unlikely lads are now enjoying a mischievous second childhood, devising and executing a multitude of (grey) hare-brained schemes. Which is just what you'd expect from Britain's oldest, if not wisest adolescents, and their equally eccentric fellow townspeople. Helped by a supporting band of formidable wives, hen-pecked husbands, sexually-charged mistresses, inventors, pigeon fanciers and balding lotharios, our three heroes are never far from one adventure or another. It'll end in trouble - especially when the formidable Nora Batty finds out.
Toni Erdmann is a remarkably touching and outrageously funny portrait of a father-daughter relationship. Ines is a highly-strung career woman whose life in corporate Bucharest takes a turn for the bizarre with the arrival of her estranged father Winfried. A practical joker with a liking for silly disguises and childish pranks, Winfried attempts to reconnect with his daughter by introducing the eccentric alter ego Toni Erdmann to catch Ines off guard, not knowing how capable she is of rising to the challenge.
Adapted from the stage musical of the same name and based on the acclaimed album of the same name by the Proclaimers Sunshine on Leith is a feel-good musical that is bound to make you smile for weeks! Described by Time Out as A wet sloppy dog-kiss of a film ... Heart-on-sleeve sweet the film focusses on the lives of Davy (George Mackay) and Ally (Kevin Guthrie) returning servicemen who've served in Afganistan and now must re-adjust to living life in Edinburgh.
Tom Selleck stars as Jimmie Rainwood an average citizen and hardworking honest man whose life becomes a living nightmare when he is framed by a pair of crooked cops and sent to prison for a crime he did not commit. Unable to prove his innocence he is thrown into a maximum security prison with a bunch of sadistic thugs and forced to endure dangerous subhuman conditions. During his incarceration Jimmy takes a crash course in prison survival from fellow inmate Virgil Cane (F. Murray
Sir John Mills Peter Davison and Serena Scott Thomas star in this warm funny and romantic story of a woman forced to make a new life for herself in a Cornish seaside town. Based on Mary Wesley's bestselling novel Harnessing Peacocks is adapted by the multi-award-winning Andrew Davies (The Way We Live Now Bridget Jones' Diary). As a teenager the beautiful Hebe was disowned by her family after becoming pregnant by a masked stranger during a fiesta in the Italian town of Lucca. Twelve years on she has established herself in an unattractive terraced street in Penzance. Her official profession is part-time cook catering to rich old ladies who value her personal attention. But Hebe has another source of income: she is a prostitute with a very limited set of wealthy male clients - her peacocks. The income from her dual role enables her to send her illegitimate son Silas to boarding school. Then a mysterious figure enters the network of discreetly intersecting relationships that exists between Hebe her clients and their families. And he is certain that he recognises her...
Toni Erdmann is a remarkably touching and outrageously funny portrait of a father-daughter relationship. Ines is a highly-strung career woman whose life in corporate Bucharest takes a turn for the bizarre with the arrival of her estranged father Winfried. A practical joker with a liking for silly disguises and childish pranks, Winfried attempts to reconnect with his daughter by introducing the eccentric alter ego Toni Erdmann to catch Ines off guard, not knowing how capable she is of rising to the challenge.
Steven Spielberg's most simplistic, sanitised history lesson, Amistad, explores the symbolic 1840s trials of 53 West Africans following their bloody rebellion aboard a slave ship. For most of Schindler's List (and, later, Saving Private Ryan) Spielberg restrains himself from the sweeping narrative and technical flourishes that make him one of our most entertaining and manipulative directors. Here, he doesn't even bother trying, succumbing to his driving need to entertain with beautiful images and contrived emotion. He cheapens his grandiose motives and simplifies slavery, treating it as cut- and-dry genre piece. Characters are easy Hollywood stereotypes--"villains" like the Spanish sailors or zealous abolitionists are drawn one-dimensionally and sneered upon. And Spielberg can't suppress his gifted eye, undercutting normally ugly sequences, such as the terrifying slave passage, which is shot as a gorgeous, well-lit composition. At its core, Amistad is a traditional courtroom drama, centred by a tired, clichéd narrative: a struggling, idealistic young lawyer (Matthew McConaughey) fighting the crooked political system and saving helpless victims. Worse yet, Spielberg actually takes the underlying premise of his childhood fantasy, E.T. and repackages it for slavery. Cinque (Djimon Hounsou), the leader of the West African rebellion, is presented much like the adorable alien: lost, lacking a common language, and trying to find his way home. McConaughey is a grown-up Elliot who tries communicating complicated ideas such as geography by drawing pictures in the sand or language by having Cinque mimic his facial expressions. Such stuff was effective for a sci-fi fantasy about the communication barriers between a boy and a lost alien; here, it seems like a naive view of real, complex history. --Dave McCoy, Amazon.com
Hitting back with a second series, the Big Brother phenomenon looks set to continue into the foreseeable future. Many critics of the show predicted that the concept had run out of steam by the end of its first series, and the nonchalance of the new contestants in the Big Brother house--who all seemed rather insipid compared to the likes of Nasty Nick--appeared to confirm their worst fears. However, the unashamedly voyeuristic nature of the show made the sequel almost as much of a success as the first one, topping Channel 4's ratings for weeks on end, and fuelling pub conversations across the country over the summer of 2001. With national papers backing their favourite candidates and the final public vote for the winner beating the turn out for the 2001 General Election, the series' formula appears to have plenty of mileage in it yet. This compilation brings you the best and worst of the household's antics: from Brian's comedy moments to Paul and Helen's will--they-won't-they audience grabber. --Nikki Disney
In nineteenth century middle-Europe orphaned teenage twins Maria and Frieda go to live with their uncle Gustav Weil who heads the Brotherhood a vigilante group trying to stamp out vampirism. But their methods are random and misplaced and the only result is a terrorised populace. The real threat lies with Count Karnstein and although the twins seem outwardly to be identical Frieda finds herself much more drawn than her sister to the Count's castle dominating the skyline.
A minor classic from Disney, this 1973 all-animal, all-animated musical version of the familiar story of Robin Hood is more charming than one might expect. Perhaps it's the warm, chummy take on key relationships within the legend--the way Robin Hood (Brian Bedford) gets twitterpated whenever the subject of Maid Marian (Monica Evans) comes up or the way best pal Little John (Phil Harris voicing a variation on his own Baloo from The Jungle Book) admonishes the Sherwood Forest hero, "Aw, Rob, why dontcha just marry the girl?" (Then, of course, there's the canny "casting" of the romantic leads as foxes: Robin the sly one and Marian the, well, foxy one.) The rest of the vocal cast is lively and eclectic: Peter Ustinov, Andy Devine, Terry Thomas, George Lindsey. Roger Miller provides the songs and voice for the minstrel character Allan-A-Dale. The film is ably directed by Wolfgang Reitherman, whose decades of work in Disney's animation division helped create the studio's rich legacy. --Tom Keogh, Amazon.com
The mystical tale of a World War One veteran (Matt Damon) and championship golfer who returns to his sport with the aid of his caddy (Will Smith) who teaches him how to master any challenge in life.
From acclaimed director Roman Polanski comes this erotically-charged drama starring Hugh Grant and Kristin Scott Thomas as a respectable married couple. While on a trip to Istanbul they come across Oscar and his young Parisian wife Mimi who take it upon themselves to tell the story of their passionate relationship from its sexual beginnings to its current abusive and spiteful stage.
Featuring a collection of Peter Sellers' best films. Includes: 1. Heavens Above! (Dir. John Boulting & Roy Boulting 1963) 2. I'm Alright Jack (Dir. John Boulting 1959) 3. Only Two Can Play (Dir. Sidney Gilliat 1962) 4. Very Best Of Peter Sellers
A small stranded alien is befriended by a young boy who needs a friend to help him over the trauma of his parents' separation.
A 12 year old girl walks chest deep into the freezing waters of a South Island lake in New Zealand. She is five months pregnant and won't say who the father is. Then she disappears. Robin Griffin is a gutsy but inexperienced detective called in to investigate. But as Robin becomes more and more obsessed with the search for Tui she slowly begins to realise that finding Tui is tantamount to finding herself - a self she has kept well hidden. Set against one of the most amazing and untouched landscapes left on the planet Top of the Lake is a powerful and haunting story about our search for happiness where the dream of paradise attracts it dark twin the fall.
Patrick Age 1.5 is a funny affectionate and unpredictable gay family comedy. After a seemingly endless wait long-term gay couple Goran and Sven have had their adoption papers approved - and infant Patrick age 1.5 is on his way! Everything would have been perfect too had it not been for just a little error at the adoption agency. It seems one decimal point had been misplaced and when a 15-year-old homophobe with a criminal past shows at their door the perfect home quickly becomes the setting for the perfect storm. Devoid of a single false note Patrick Age 1.5 is a satirical and frequently touching film that boldly redefines what a family is.
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