'Monkey' a television programme that defies description but we'll give it a go: a bizarre combination of spectacular acrobatics and martial arts; tacky special effects; magic tricks; 70's disco music; hilarious dubbing; crazy storylines; the odd bit of Buddhist philosophy thrown in for good measure and an unforgettable theme song. The Most Monstrous Monster: Desperate to please Chun-Shou the woman he hopes to marry the unhappy King of Unicorns promises to find a new toy f
Philip Roath is thirty-five. An insurance salesman whose confidence is diminishing as rapidly as his hair and teeth, he's lazy, self-centred, guilt-ridden and insecure. With an overdraft to support, a boss who vainly tries to get him to work for his salary, an ex-wife who rings periodically to remind him of his inadequacies, and an analyst whose problems dwarf his own, he's altogether a bit worried...It Takes a Worried Man traces Roath's uphill struggle to come to terms with his lot. Created by Peter Tilbury - who also stars as the unfortunate Roath - the series built upon the resounding success of Tilbury's Shelly and Sorry, I'm a Stranger Here Myself, once again showcasing Tilbury's gift for adroit and keenly observed comic dialogue. This set comprises the complete first series.
It Takes a Worried Man hilariously charts the burgeoning mid-life crisis of Philip Roath – a thirty-something insurance salesman whose confidence is diminishing as rapidly as his hair and teeth.
On paper, The Royle Family doesn't sound that promising: a working-class family from Manchester sit in their cluttered living room, watch the telly and argue over domestic details (the arrival of a telephone bill, for instance, provides the big dramatic event of the first episode, which aired in September 1998). But from such small everyday incidents, Royle Family creators Caroline Aherne and Dave Best (who play young couple Denise and Dave) have crafted one of the most successful shows on British television: a comedy about the joys and frustrations of family life that's warm, honest and very, very funny--Britain's answer to The Simpsons, whose success the show rivalled when it started broadcasting on BBC2 (the programme jumped channels to BBC1 for its second series).The Royle Family marked an on-screen reunion for Brookside-actors Ricky Tomlinson (who plays bearded, big-hearted, banjo-playing Jim Royle) and Sue Johnston as his wife Barbara, the driving force behind the Royle household. It is smart casting because The Royle Family is as much a soap opera as a situation comedy. Now in its third series, The Royle Family has seen its characters develop like real folk. Denise and Dave got married and now have a little sprog; Barbara starts menopause (how many sitcoms are brave enough to use that for laughs?) and Denise's kid brother Anthony shakes off his surly adolescence when he turned 18 in series two. Unlike Oasis, who provide the shows theme song "Halfway Round the World", this programme just keeps getting better.But no soap--not even Brookside in its dafter moments--has one-liners as brilliantly crafted as The Royle Family. (The scripts from the series are available to buy.) Slouched in his armchair, Jim's dour running commentary on the TV shows that are on at the time are particularly priceless: Changing Rooms, for instance, boils down to "a Cockney knocking nails into plywood... Is this what its come to?" Not quite: because as long as the Royle Family are around, there is something worthwhile to watch. --Edward Lawrenson
Co-written by and starring Peter Tilbury, the BAFTA-nominated creator of Shelley, It Takes a Worried Man hilariously charts the burgeoning mid-life crisis of Philip Roath - a divorced thirty-something insurance salesman whose confidence is diminishing as rapidly as his hair and teeth. This third and final series sees Roath's relationship with girlfriend Liz taking an increasingly rocky path, and his despondency deepens as the prospect of redundancy rears its ugly head. While his boss - aka T...
Transferred from Southampton Row to the Soho Vice Squad D.C.I. Tennison's first priority in the new job is 'Operation Contract' - a large-scale clean-up of prostitutes in the area. However the charred body of 17 year old rent boy Colin Jenkins is discovered in the burnt-out flat of transexual cabaret artiste Vera (Peter Capaldi) and once again Tennison finds herself embroiled in the politics of the latest homicide case as she tackles homophobia and perceptions of gender and sex both within and outside the police force.
An explosive mix of Independance Day and District 9. A violent earthquake is followed by strange lights in the sky. All power has been cut across the planet. AS the clouds clear, a UFO appears, a UFO the size of a city. The attack has yet to begin but with no electricity, humanity is helpless in the face of a vast alien army. The battle for earth is drawn gear and everyone will need to fight not just for their own survival but for that of the human race. With a stunning cast that includes explosive new stars Bianca Bree and Sean Brosnan alongside Sean Pertwee (Event Horizon, Dog Solider), Julian Glover (Indiana Jones and the Last Crusade, The Empire Strikes Back), and action legend Jean Claude Van Damme (Expendables 2, Timecop), UFO is an action-packed sci-fi spectacular. Prepare for the invasion and try to remain calm... the fight against extinction is about to begin.
Henry is put down by all those around him. His wife is sleeping with another man, his best friend is stealing his money behind his back and his housekeeper insults him in Spanish. After hearing a man commit suicide on live radio Henry is moved to action. He wakes with a white plastic mask on his face and sets out to get his revenge.
Miss Julie is a claustrophobic class study set within a 19th-century Count's kitchen. It chronicles the events of one midsummer night when the housemistress--an obstinate and confused Julie (Saffron Burrows)--is beaten in a round of sexual gaming with footman Peter Mullan. Based on the play by August Strindberg, the film maintains a constant sense of theatre by only having three speaking parts (the other coming from Maria Doyle Kennedy as Christine, the long-suffering cook and fiancée), just one set and a penchant for hand-held camerawork by director Mike Figgis. Known for his experimental approach to storytelling, this is technically a predecessor to Figgis' Timecode, since the all-important rape scene is conveyed through a disorientating split-screen technique. He'd worked with fellow Brit Burrows before on The Loss of Sexual Innocence and One Night Stand, but gives the gal with the outsized cheekbones top billing here and is rewarded with a thoroughly rounded performance. Backed by the director's own musical score, this melodrama has a very personal feel to it. --Paul Tonks
Pete Postlethwaite is Hubert Flynn Dublin bread deliveryman who loves his pint of Guinness his bet on the horses and his wife Conchita in that order. So when he comes home from the pub one evening and changes into a rat Conchita is slow to forgive. Conchita (played to perfection by Imelda Staunton) at first resists her family's eccentric plans for Hubert but when an opportunistic ghost-writer knocks on the door and proposes to put their story in a book and then a film of the book and a book of the film and riches beyond her dreams... she is tempted. So setting the stage for a series of bizarre and comical adventures for Hubert the rat and his family. Rat is the tale of family values little furry folk and one man's struggle to regain his humanity... literally! Special effects by Jim Henson's Creature Shop.
John Schlesinger's solid adaptation of Thomas Hardy's novel sees three rival suitors vying for the affections of the beautiful Bathsheba Everdene (Julie Christie decked out in a variety of bonnets and frilly dresses), who has just inherited a farm. The men in her life are stout, whiskered yeoman Gabriel Oak (Alan Bates), an impoverished local farmer; neurotic, repressed squire William Boldwood (Peter Finch); and handsome rascal Sgt Troy (Terrence Stamp), who dresses as if he's Flashman and breaks women's hearts for a hobby.Thanks to cameraman Nic Roeg and production designer Richard MacDonald (who also worked for Joseph Losey), 19th-century Dorset looks as pretty and as picturesque as a John Constable reproduction on top of a biscuit tin. Not that Schlesinger or screenwriter Frederic Raphael underplay the duress of rural life. We see the hardship of the farm workers' lives as the seasons turn. The film opens with a spectacular sequence in which Gabriel Oak's dog drives his flock of sheep over a cliff, thereby forcing him into penury. Whether hunger or heartbreak, every character here suffers. Bathsheba (like the model Christie plays in Darling) is a free-spirit in a society in which women's rights are severely restricted. --Geoffrey Macnab
Julie Walters gives a sterling performance in this riotous comedy which takes a look behind the scenes at the sex-life of the British inspired by the life the notorious Madam Cynthia Payne...
Most men would do anything to get out of prison... But Michael Scofield would do anything he can to get in. Created written and executive produced by Paul Scheuring (A Man Apart) Prison Break also features considerable input from Hollywood action director Brett Ratner. Michael Schofield (Wentworth Miller) is a desperate man in a desperate situation. His brother Lincoln Burrows (Dominic Purcell) has been convicted of a sensational murder and subsequently put on death row in the Fox River State Penitentiary. Despite the overwhelming evidence against Lincoln Michael is convinced of his innocence. With no other options and time running out Michael holds up a bank to get himself sent down alongside his brother. Not just content to while away the hours until Lincoln's execution Michael hatches a plan helped in no small part by his skills as a structural engineer. With the blueprints to the prison in his possession Michael plots an elaborate escape to break out Lincoln and prove his brother was framed.
With gadgets, gaming and girls galore, this camp classic celebrates 40 fabulous years as not only the coolest of the spy films, but also as a brilliant parody of - itself! Will the real James Bond please stand up? When secret agency chief M (John Huston) is killed, Sir James Bond (David Niven) is thrust out of spy retirement to help smash SMERSH, the band of hitmen who are likely responsible. And to protect his real identity, Bond's name is given to numerous other agents, including Evelyn Tremble (Peter Sellers) and Bond's neurotic nephew, Jimmy (Woody Allen). With five directors, a cast of Hollywood icons that also includes Ursula Andress, Charles Boyer, Peter O'Toole, Jacqueline Bisset and Orson Welles, a soundtrack by Burt Bacharach, and a frisky, farcical script, Casino Royale is Bond. Psychedelic Bond.
A five disc set with everything you need to know to achieve exam success. Peter Andrews Head of English at the King Alfred School in London renowned for its creative approach to learning will take you through Romeo & Juliet for Key Stage 4. Featuring explanations of all the major themes revision guides teacher summaries and a complete stage production this DVD contains everything needed for that exam success.
The Care Bears live in a magical faraway place called Care-a-Lot. Care-a-Lot is part of the Kingdom of Caring and is filled with lots of rainbows and clouds to jump and slide on. It is from this secret place high up in the sky that the Care Bears watch over us and keep us safe using their special individual Belly Badge powers.
The setting is a working-class neighbourhood of New York in the 1950s. Among the characters are prostitute Tralala her brutal pimp Vinnie an effiminate homosexual and a corrupt union official. Based on the book by Hubert Selby Jr. (author of 'Requiem For A Dream') this is an extremely disturbing and effective adaption of his once-banned novel.
Five psychics hear rumours that the secret of life has been discovered by Andre Toulon a puppeteer and decide to investigate. What they find are five mutated puppets which have been specially designed to kill...
This box set contains the following three titles; all classic war films. 633 Squadron: 633 Squadron has enjoyed an unqualified stream of successes. Their luck changes when they are assigned to bomb a German heavy water plant which is part of the Nazi effort to develop an atomic bomb in Norway which is shielded by a mountain and guarded by heavy anti-aircraft defences. Their nearly impossible mission is further complicated by a German air raid the difficult approach to the target and the capture and torture of the underground leader who is assisting the squadron. The Bridge At Remagen: In the last days of World War II the Allied Army desperatly searched for a bridgehead across the impenetrable Rhein River in order to launch a major assault into the center of Germany. 'Bridge At Remagen' tells the true story of the battle for this last bridgehead from both the German and the American perspective. The Great Escape: Based on a true story 'The Great Escape' deals with the largest Allied escape attempt from a German prisoner of war camp during the Second World War. The first part of the film focuses on the escape efforts within the camp and the process of secretly digging an escape tunnel. The second half of the film deals with the massive effort by the German Gestapo to track down the 70 escaped prisoners who are at this point throughout the Third Reich attempting to make their way to England and various neutral countries.
From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted interpersonal friction, ruthless enemies (Gamma Quadrant Imperialists--The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; the Maquis was Starfleet vs Cardassians; section 31 was a secret Starfleet group; the True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. --Paul Tonks
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