Media madness reigns supreme in screenwriter Paddy Chayefsky's scathing satire about the uses and abuses of network television. But while Chayefsky's and director Sidney Lumet's take on television may seem quaint in the age of "reality TV" and Jerry Springer's talk-show fisticuffs, Network is every bit as potent now as it was when the film was released in 1976. And because Chayefsky was one of the greatest of all dramatists, his Oscar-winning script about the ratings frenzy at the cost of cultural integrity is a showcase for powerhouse acting by Peter Finch, Faye Dunaway and Beatrice Straight (who each won Oscars), and Oscar nominee William Holden in one of his finest roles. Finch plays a veteran network anchorman who's been fired because of low ratings. His character's response is to announce he'll kill himself on live television two weeks hence. What follows, along with skyrocketing ratings, is the anchorman's descent into insanity, during which he fervently rages against the medium that made him a celebrity. Dunaway plays the frigid, ratings-obsessed producer who pursues success with cold-blooded zeal; Holden is the married executive who tries to thaw her out during his own seething midlife crisis. Through it all, Chayefsky (via Finch) urges the viewer to repeat the now-famous mantra "I'm as mad as hell, and I'm not gonna take it anymore!" to reclaim our humanity from the medium that threatens to steal it away. --Jeff Shannon
Set in 1797 at the beginning of the Napoleonic Wars, HMS Defiant is an enthralling British naval drama made to capitalise upon MGM's epic remake of Mutiny on the Bounty, also released in 1962. Based on the novel Mutiny by Frank Tilsey and starring Alex Guinness as a fair-minded captain locked in psychological conflict with Dirk Bogarde, his manipulative, coldly malicious first officer, the parallels with the famous true story are clear. However there were many naval mutinies at this period and this large-scale saga, which includes some spectacularly staged widescreen naval battles, offers a realistic depiction of life in the British navy at the time--from the press gangs and floggings, to the appalling food and living conditions. Director Lewis Gilbert--who previously helmed Sink the Bismarck! (1960)--strikes a good balance between the personal drama and sweeping maritime adventure. Guinness successfully varies his firm-but-fair officer from The Bridge on the River Kwai, Bogarde is chillingly hateful and Anthony Quayle gives strong support. ITV's recent Hornblower cumulatively offers a more detailed portrait of the British navy during the Napoleonic Wars, though the TV series cannot match the visual scale of this big-screen production. On the DVD: HMS Defiant is presented anamorphically enhanced at 2.35:1, though a little of the original CinemaScope frame is still cropped at the sides. The image is generally very good, though a handful of scenes near the end show considerable print damage and there is an inconstancy of colour grading between some shots. Grain is variable, but not generally a problem, though some unattractive "ringing" from edge enhancement is noticeable, particularly around Alex Guinness when he stands against a bright sky. The sound is in very clear mono with just occasional distortion on the music score. The disc offers the option of watching with dubbed French, German, Italian or Spanish soundtracks. The original trailer is included--under the American title of Damn the Defiant!--as are trailers for three other classic war films. The only other extra features are a small gallery of original publicity materials and three very basic filmographies. --Gary S Dalkin
Fallen Angel features music from Gram Parsons' groundbreaking career with The International Submarine Band The Byrds The Flying Burrito Brother as well as his highly acclaimed solo albums. The film was made on location by director and musician Gandulf Hennig and American music journalist musician and biographer Sid Griffin. Friends contemporaries and devotees of Gram Parsons talk about the importance of his work and the bizarre circumstances of his early death. Rare footage of
Clouzot's most ambitious movie remains one of his most modern with an elaborate screenplay giving his grand European cast a full chance to shine in this tale of a doctor who takes on a Faustian pact in order to save his failing practice...
Is she woman ... or animal? Vixen (Erica Gavin) and her bush pilot husband Tom (Garth Pillsbury) live in the remote Canadian Northwest. A young robust woman Vixen eagerly finds ways to temper her fiery libido while Tom is off picking up passengers in his plane. Also a racist she takes pleasure in ridiculing conscientious objector Niles (Harrison Page) a black American friend of her brother's. When Tom brings Dave (Robert Aiken) and Janet (Vincene Wallace) an attractive young
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