In between the disaster movie satire Airplane! in 1980 and the hardboiled cop show parody The Naked Gun in 1988, the comedy crew of Jerry Zucker, Jim Abrahams and David Zucker put together a picture that's almost as funny as their better-known hits. Top Secret! sends up spy movies and cheesy teen rock 'n' roll musicals. Val Kilmer stars as swivel-hipped American rocker Nick Rivers, a sort of blonde Elvis whose secret weapon is Little Richard's tune "Tutti Fruitti." On tour behind the Iron Curtain, Nick strikes blows for democracy overtly and covertly, with his music as well as his espionage skills. In short, this is a very, very silly motion picture. Some great gags, including a subtitled scene in a Swedish book shop, and an inspired bit with a Ford Pinto that not everybody may get anymore. (The Pinto, you may or may not recall, was notoriously prone to gas tank explosions when rear-ended.) --Jim Emerson, Amazon.com
In nineteenth century middle-Europe orphaned teenage twins Maria and Frieda go to live with their uncle Gustav Weil who heads the Brotherhood a vigilante group trying to stamp out vampirism. But their methods are random and misplaced and the only result is a terrorised populace. The real threat lies with Count Karnstein and although the twins seem outwardly to be identical Frieda finds herself much more drawn than her sister to the Count's castle dominating the skyline.
Baron Victor Frankenstein was the archetypal aristocrat, well-read, cultured and arrogant. Beyond the sophisticated veneer existed a cruel, utterly unscrupulous man, obsessed with ambition. Determined to realise his greatest dream to create life, he had assembled a creature from organs gathered from various unwilling donors. The creature is successful brought to life but the instability of the brain, damaged during surgery, causes uncontrollable violent spasms that result in indiscriminate mu...
United Kingdom released, Blu-Ray/Region A/B/C DVD: LANGUAGES: English ( Dolby Digital 2.0 ), English ( Dolby Linear PCM ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Blu-Ray & DVD Combo, Cast/Crew Interview(s), Interactive Menu, Making Of, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: A young teacher on her way to a position in Transylvania helps a young man escape the shackles his mother has put on him. In so doing she innocently unleashes the horrors of the undead once again on the populace, including those at her school for ladies. Luckily for some, Dr Van Helsing is already on his way. ...The Brides of Dracula (Blu-Ray & DVD Combo) (Blu-Ray)
Daleks Invasion Earth 2150 directed by Gordon Flemyng now fully restored and starring Peter Cushing in his return to the big screen as British TV's most iconic sci-fi hero Doctor Who. The earth of 2150 AD is a desolate and hostile ruin of a planet crumbling at the edge of civilisation slowly disappearing into the darkness of space. For the future of planet earth now belongs The Daleks a destructive army of alien invaders who have turned the human race into cowering slaves. Meanwhile deep within the London Underground a group of resistance freedom fighters are planning an attack. But there's only one man who could possibly help them succeed in destroying their extra terrestrial enemies and take back control of planet earth. A man of mystery a man of time and space a man known only as... The Doctor. Special Features: Restoring Daleks Invasion Earth: 2150 AD Interview with Actor Bernard Cribbins Interview with Author Gareth Owen Stills Gallery Trailer
Horror icons Christopher Lee and Peter Cushing team up once again for an Amicus take on Robert Louis Stevenson's classic novella Strange Case of Dr. Jekyll and Mr. Hyde, with Lee occupying the role of thCalvin Lockhart (A Dandy in Aspic) and Marlene Clark (Ganja & Hess) have invited a disparate group of guests, including Peter Cushing (Corruption), Michael Gambon (The Cook, the Thief, His Wife & Her Lover) and Charles Gray (The Legacy), to their mansion in the English countryside. He believes one of them is a werewolf and, before the weekend is out, he'll find out who it is! The last of Amicus' famed horror productions, The Beast Must Die combines the country-house whodunnit with the werewolf shocker and adds a dash of blaxploitation for good measure. Product Features High Definition remaster Original mono audio Audio commentary with director Paul Annett and author Jonathan Sothcott (2003) Interview with Max J Rosenberg (2000, 48 mins): archival audio recording of the famed producer in conversation with Sothcott The BEHP Interview with Jack Hildyard (1988, 92 mins): an archival audio recording, made as part of the British Entertainment History Project, featuring the Oscar-winning cinematographer in conversation with Alan Lawson The BEHP Interview with Peter Tanner Part Two, 19391987 (1987, 81 mins): an archival audio recording, made as part of the British Entertainment History Project, featuring the celebrated editor in conversation with Roy Fowler and Taffy Haines Introduction by Stephen Laws (2020, 4 mins): appreciation by the acclaimed horror author Directing the Beast (2003, 13 mins): archival interview with Annett Super 8 version: cut-down home cinema presentation Image gallery: publicity and promotional material Original theatrical trailer Kim Newman and David Flint trailer commentary (2017, 2 mins): short critical appreciation by the genre-film experts New and improved English subtitles for the deaf and hard of hearing
Vincent Price and Peter Cushing star in this 1970s horror about an actor with a mysterious past. After being accused and aquitted of his fiancée's murder, successful horror film star Paul Toombes (Price) is put in an institution. Years later he returns to his former role of Dr. Death in a new television series, working with his writer friend Herbert Flay (Cushing). Paul realises his past has come back to haunt him, however, when the murders carried out by Dr. Death are replicated in real life on the cast and crew...
Peter Cushing (The Gorgon, Corruption) and Oliver Reed (The Scarlet Blade) star in Peter Graham Scotts Captain Clegg, which sees the legendary Hammer Films studio fuse horror and adventure in a film that was released in the US as Night Creatures. When Captain Collier (Patrick Allen, Never Take Sweets from a Stranger) investigates reports of smuggling in the tiny coastal village of Dymchurch, the villagers, under the leadership of Parson Blyss (Cushing), refuse to co-operate. Colliers men are plagued by apparitions of marsh phantoms and tales of Captain Clegg, the fearsome pirate leader who was buried there... Or was he?
Richard Burton stars in Alexander the Great, a middling entry in the 1950s CinemaScope epic cycle. The film boasts excellent production values and a fine cast--including Frederic March, Claire Bloom, Harry Andrews, Stanley Baker, Peter Cushing and Michael Hordern--but it rarely comes to life other than as a big fat ancient Greek wedding of the talents of Burton and Bloom. They strike real dramatic sparks together, so much so they would be reunited in Look Back in Anger (1958) and The Spy Who Came in from the Cold (1965). The film's failures must be laid at the feet of writer, director and producer Robert Rossen, who never before or after helmed anything remotely on this scale; his best work would follow with the intimate The Hustler (1961). Rossen simply shows little sensibility for the epic, staging lavish but brief and rather pedestrian battles and somehow drawing from the usually mesmerising Burton a performance lacking the charisma essential to a great military commander. Burton fans can enjoy him at his epic best as Marc Anthony in Cleopatra (1963). On the DVD: Alexander the Great is presented anamorphically enhanced at 2.35:1, although the picture is still obviously cropped at either side of the screen throughout. The print is very variable, in places quite grainy and soft with some serious flickering blotchiness, but otherwise it has strong colours, detail and contrast. The sound is primitive stereo. The only extra is the theatrical trailer, effectively presented in anamorphic 2.35:1. --Gary S. Dalkin
Directed with characteristic style and energy by cult filmmaker John Hough Twins of Evil combines the signature Hammer elements of supernatural horror black humour and fabulously lurid sensuality Featuring another standout appearance from Peter Cushing Twins of Evil also stars Kathleen Byron Isobel Black and Dennis Price with Playboy Playmates Mary and Madeleine Collinson as the twins. Featuring an all-time classic score by Harry Robinson Twins of Evil is presented here in a brand-new High Definition transfer from the original film elements in its as-exhibited theatrical aspect ratio. Glamorous identical orphaned twins Maria and Frieda move from Vienna to the village of Karnstein to take up a new life with their submissive aunt and grim uncle - a fanatical Puritan and leader of a witch-hunting religious sect who is determined to kill his nemesis Count Karnstein: a devil-worshipping libertine who has been turned into a vampire... Special Features: Original Theatrical Trailer Deleted Scene Image Gallery PDF Material Commemorative Booklet
Four-disc set includes: Episode IV, A New Hope (Special Edition)--with commentary by George Lucas, Ben Burtt, Dennis Muren and Carrie Fisher; Easter egg: credit roll (2 min) Episode V, The Empire Strikes Back (Special Edition)--with commentary by George Lucas, Irvin Kershner, Lawrence Kasdan, Ben Burtt, Dennis Muren and Carrie Fisher; Easter egg: credit roll (2 min) Episode VI, Return of the Jedi (Special Edition)--commentary by George Lucas, Lawrence Kasdan, Ben Burtt, Dennis Muren and Carrie Fisher; Easter egg: credit roll (2 min) Bonus disc: all-new bonus features, including the most comprehensive feature-length documentary ever produced on the Star Wars saga, and never-before-seen footage from the making of all three filmsSubitles (all material across all four discs): English, Danish, Finnish, Norwegian, Swedish Click here to see detailed information on the special features included on the bonus disc. Amazon.co.uk Review George Lucas's original Star Wars trilogy is a clever synthesis of pop-cultural and mythological references, taking classic fairy-tale themes, adding more than a dash of Arthurian legend, and providing cinematic high adventure inspired as much by Kurosawa's Samurai epics as by Flash Gordon and Buck Rogers. As a result, audiences of all ages can find something to identify with in Luke Skywalker's journey from disaffected teenager dreaming of adventure to Jedi Knight and saviour of the galaxy. He not only rescues a Princess, but discovers she's a close relative. And if there's a lesson to be gleaned from the Skywalker clan, it's that no matter how bad things get in the average dysfunctional family, it's never too late for reconciliation. Originally released in 1977, Star Wars, the first film, was made as a standalone. Perhaps that's why Obi-Wan Kenobi seems a tad inconsistent in his attitude towards his old pupil Anakin Skywalker, and perhaps also why Luke is allowed to develop a guilt-free crush on Princess Leia. Lucas's story, told from the point of view of the two bickering droids (a device taken from Kurosawa's Hidden Fortress), also borrows freely from Errol Flynn's Robin Hood, as does John Williams's seminal Korngold-inspired music score. Thanks in equal part to Leigh Brackett's screenplay and Irvin Kershner's direction The Empire Strikes Back (1980) is the most grown-up instalment in the series. The basic fairy-tale is developed and expanded, with the principal characters experiencing emotional turmoil--blossoming romance, mixed feelings and confused loyalties--amid a very real threat of annihilation as Darth Vader's motivations become chillingly personal. Luke's quasi-Arthurian destiny is complicated still further by the half-truths of his wizardly mentors; and swashbuckler Han Solo finds the past catching up with him, quite literally in the form of bounty hunter Boba Fett. The film is graced by more fabulous landscapes (ice, forest, clouds), more unforgettable new characters (Yoda), more groundbreaking special effects (the asteroid chase), and John Williams's finest score. The difficult third film, 1983's Return of the Jedi, seems schizophrenic in its intentions, hoping to please both the kiddies who bought all the toys and an older audience who appreciated the narrative's epic and mythological strands. The result is a film that splits awkwardly into two. One thread, which might be subtitled "The Redemption of Anakin Skywalker", pursues the story of the Skywalker family to a cathartic conclusion. The other thread, which might be described as "The Care Bears Go to War", attempts to say something profound about primitivism versus technological sophistication, but just gets silly as furry midgets doing Tarzan whoops defeat the Emperor's crack legions. In 1997 Lucas re-released the three original films in digitally remastered "Special Edition" versions, in which many scenes have been restored and enhanced (some would say "unnecessarily tinkered with"). Despite loud and continued criticisms from fans, these Special Editions are now considered definitive, if only by Lucasfilm. --Mark Walker
Combining the Gothic flourishes of their hugely popular Dracula and Frankenstein films, but this time taking inspiration from Greek myth, The Gorgon concerns a series of mysterious deaths in the small German town of Villandorf, in which the victims are turned to stone... Reuniting the Hammer dream team' of director Terence Fisher and iconic stars Peter Cushing and Christopher Lee, The Gorgon is one of Hammer's most complex and intriguing films of the period. Features: High Definition remaster Original mono audio Audio commentary with film experts Samm Deighan and Kat Ellinger Heart of Stone: Inside The Gorgon' (2017, 14 mins): an analysis of the film by Hammer expert Jonathan Rigby and cultural historian John J Johnston Hammer's Women: Barbara Shelley (2017, 10 mins): academic and author Patricia MacCormack examines the life and career of the first leading lady of British horror' Appreciation by Matthew Holness (2017, 15 mins): the actor, writer, director and Hammer fan explores aspects of the film Original theatrical trailer Original Promotional Material: gallery of stills, lobby cards and posters Comic-Strip Adaptation: Goodall, Goring & Coyas' 1977 House of Hammer magazine strip New and improved English subtitles for the deaf and hard-of-hearing
Daleks Invasion Earth 2150 directed by Gordon Flemyng now fully restored and starring Peter Cushing in his return to the big screen as British TV's most iconic sci-fi hero Doctor Who. The earth of 2150 AD is a desolate and hostile ruin of a planet crumbling at the edge of civilisation slowly disappearing into the darkness of space. For the future of planet earth now belongs The Daleks a destructive army of alien invaders who have turned the human race into cowering slaves. Meanwhile deep within the London Underground a group of resistance freedom fighters are planning an attack. But there's only one man who could possibly help them succeed in destroying their extra terrestrial enemies and take back control of planet earth. A man of mystery a man of time and space a man known only as... The Doctor. Special Features: Restoring Daleks Invasion Earth: 2150 AD Interview with Actor Bernard Cribbins Interview with Author Gareth Owen Stills Gallery Trailer
Freddie Francis directs this cult horror tale starring Peter Cushing as the mysterious Dr Schreck. Aboard a train, Dr Schreck offers to tell his five fellow passengers their fortunes using his 'House of Horrors' tarot cards. His deadly tales include werewolves, vampires, voodoo and a severed hand. But who is this sinister doctor and where exactly is the train heading?
Directed by Gordon Flemyng and now fully restored Dr. Who and The Daleks (1965) was the first big screen film adaptation of British TV's most iconic sci-fi hero and was the first time Doctor Who was ever seen in colour! British film legend Peter Cushing plays everyone's favourite Timelord and having invented the Tardis a strange machine capable of travelling into other dimensions the Doctor and his three young accomplices set forth on a quest through time and space. Their journey takes them into the dark undiscovered depths of the universe and to the planet of Skaro. A primitive world devastated by nuclear war and populated by two warring species a peaceful tribe known as Thals and a life form heavily mutated by radiation encased in protective machines. A merciless force of destruction known as The Daleks! Special Features: Dalekmania Restoring Dr. Who and The Daleks Interview with Author Gareth Owen Stills Gallery Trailer
On DVD for the first time ever, this 1973 British Horror film, in which three trustees of the Van Traylen fund have died during the last few months, their deaths resembling suicides. But, after a mysterious bus accident involving the final three trustees and 30 orphan children, police colonel Bingham (Christopher Lee) starts investigating and notices discrepancies that make him question whether it was an accident. One of the orphans is treated by a psychiatrist, and when that doctor ends up murdered, it becomes obvious that something sinister is going on, and not just coincidental deaths. The dead psychiatrist's supervisor, Sir Ashley (Peter Cushing), agrees to help the police with the hopes of finding the truth behind the mysterious happenings.
Baron Victor Frankenstein was the archetypal aristocrat, well-read, cultured and arrogant. Beyond the sophisticated veneer existed a cruel, utterly unscrupulous man, obsessed with ambition. Determined to realise his greatest dream to create life, he had assembled a creature from organs gathered from various unwilling donors. The creature is successful brought to life but the instability of the brain, damaged during surgery, causes uncontrollable violent spasms that result in indiscriminate murder... and it is the Baron to whom the blame is laid with fatal consequences. The Curse of Frankenstein is a classic 1957 British horror film by Hammer Film Productions, based on the novel Frankenstein (1816) by Mary Shelley. It was Hammer's first colour horror film, and the first of their Frankenstein series. Its worldwide success led to several sequels, and the studio's new versions of Dracula (1958) and The Mummy (1959) and established Hammer Horror as a distinctive brand of Gothic cinema. The film was directed by Terence Fisher and starred Peter Cushing and Christopher Lee in two of their most iconic roles. Blu-Ray Disc: HD Main Feature – Never before released Academy ratio 1.37:1 (83 mins) HD The Curse of Frankenstein (1.66:1 version) - Alternate Aspect Ratio (83 mins) New audio commentary with Marcus Hearn and Jonathan Rigby Frankenstein Reborn: The Making of a Hammer Classic (New and exclusive) Life With Sir (New and exclusive Peter Cushing documentary) Four Sided Triangle - Bonus feature film (80 mins) Tales of Frankenstein - Bonus TV pilot (25 mins) The Tale of Tales of Frankenstein (New and exclusive Ted Newsom documentary) World Of Hammer: The Curse of Frankenstein (25 mins) Stills Show Double DVD: Disc 1: Main Feature – Never seen before Academy ratio 1.37:1 (83 mins) The Curse of Frankenstein (1.66:1 version) - Alternative Aspect Ratio (83 mins) New audio commentary with Marcus Hearn and Jonathan Rigby Disc 2: Frankenstein Reborn: The Making of a Hammer Classic (New and exclusive) Life With Sir (New and exclusive Peter Cushing documentary) Four Sided Triangle - Bonus feature film (80 mins) Tales of Frankenstein - Bonus TV pilot (25 mins) The Tale of Tales of Frankenstein (New and exclusive Ted Newsom documentary) World Of Hammer: The Curse of Frankenstein (25 mins) Stills Show PDF Original shooting script All-new PDF booklet The Creator's Spark: Hammer's Frankenstein Begins with text by Hammer archivist Robert J. E. Simpson
Dr Terror (Peter Cushing) is a mysterious fortune teller who boards a train and offers to tell fellow passengers (Christopher Lee, Roy Castle, Donald Sutherland) their fortune with tarot cards. Five possible futures unfold: an architect returns to his ancestral home to find a werewolf out for revenge; a huge flesh-eating vine takes over a house; a musician gets involved with voodoo; an art critic is pursued by a disembodied hand and a doctor discovers his new wife is a vampire. But they all end in the same result ..DEATH. A fascinating and fast paced example of portmanteau filmmaking with a deadly twist in the tale. Scanned at 4k by Pinewood Post Production and with newly commissioned art by Graham Humphreys. Also includes a feature 60 minute feature extra by Nucleus Films.
Young farm boy Luke Skywalker is thrust into a galaxy of adventure when he intercepts a distress call from the captive Princess Leia. The event launches him on a daring mission to rescue her from the clutches of Darth Vader and the Evil Empire
One of Hammer's most enduring and successful releases, 1958's The Revenge of Frankenstein was a swift sequel to The Curse of Frankenstein, their box-office smash of the year before. It ushered in Hammer's most commercially lucrative period, and secured their new-found reputation as purveyors of gruesome Gothic horror. Expertly and ingeniously re-working the classic tale, Jimmy Sangster's script sees the titular doctor continue his grisly experiments under a new guise in a pauper's hospital. Peter Cushing, in sparkling form, clearly relishes the role of Dr Frankenstein creating an enduring anti-hero that would come to define both Hammer's, and his own, on-screen personas. Special Features 4K restoration Original mono audio Audio commentary with film historians Marcus Hearn and Jonathan Rigby (2019) Audio commentary with horror and fantasy authors Stephen Jones and Kim Newman Back from the Dead: Inside The Revenge of Frankenstein' (2019, 20 mins): exclusive documentary featuring Alan Barnes, Kevin Lyons and Jonathan Rigby, exploring aspects of the film's production A Frankenstein for the 20th Century (2019, 27 mins): video essay by film historian Kat Ellinger and editor Dima Ballin Hammer's Women: Eunice Gayson (2019, 8 mins): profile of the Hammer star by film historian Pamela Hutchinson Arpeggios of Melancholy (2019, 13 mins): appreciation of composer Leonard Salzedo's score by David Huckvale, the author of Hammer Film Scores and the Musical Avant-Garde Outtakes reel (1958, 12 mins, mute): rare, unseen on-set footage Super 8 version (8 mins, b&w, mute): cut-down home cinema presentation Original theatrical trailer Joe Dante trailer commentary (2013, 3 mins): short critical appreciation Image gallery: extensive promotional and on-set photography, poster art and marketing materials New and improved subtitles for the deaf and hard-of-hearing
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